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Text Removal and Renaming in DU’s History Syllabus: Brahmanization Term and Paper on Inequality Dropped

By DU Beat August 12, 2023

The revised history syllabus for the fourth and fifth semester undergraduate students, which was approved by the DU Academic Council on May 26, has been ratified by the Executive Council on June 9, 2023. The removal of a paper on inequality, the elimination of the term “Brahmanization,” and the addition of matriarchal perspectives are some of the changes that have been introduced.

On June 9, 2023, the University of Delhi’s Executive Council, the apex academic decision-making body at the university, ratified the amended curriculum that had been approved by the Academic Council on May 26. The Academic Council revised the history syllabus for the fourth and fifth semesters under the new Four-Year Undergraduate Programme (FYUP). A few of the changes include the deletion of the words Brahminization and ‘Brahmanical’, the removal of the paper on “Inequality and Differences”, and the introduction of matriarchal perspectives.

The revision aims to align the syllabus with the suggestions of the New Education Policy, NEP 2020.

-Shri Prakash Singh, Director, South Campus, in a report by The Indian Express

The phrase Brahminization has been removed from the fourth and fifth semester Generic Elective paper ‘Religion and Religiosity’, which has been renamed ‘Religious Traditions in the Indian Subcontinents’. One of the topics in the paper titled ‘Approaches to Brahmanization in the Early Mediaeval Era’ has been renamed ‘Approaches to Shaiva, Shakta, and Vaishnava in the Early Mediaeval Era’. In addition, the revised syllabus removed the term ‘Brahmanical’ from the fifth-semester paper on the Brahmanical Patriarchy. Furthermore, the title of the article has been changed from ‘Evolution of Patriarchy’ to ‘Evolution of Patriarchy in Early India’.

Apart from this, the paper titled ‘Inequality and Differences’ in semester four, which talks about the concepts of jati, varna, caste, class, and gender and their evolution, has been withdrawn.

Constructive suggestions are also given — there is now more diversity and more information. It was a unanimous decision and the changes were reported to the academic council way in advance. There is no dissent. Suggestions were given by the standing committee as well.”

-Dean of South Campus, DU, in a report by Jagran Josh

Furthermore, the paper Women in Indian History will provide fresh perspectives on matriarchy. The units that were previously centred around patriarchy will now also include discussions around matriarchy. The primary goal of this modification, reportedly, is to make students aware of and have a diverse viewpoint.

Image Credits: Devansh Arya for DU Beat

Dhruv Bhati
[email protected]

Campus Central

DU Witnesses 87% Seats being Secured in the First Round of UG Admissions

By Sri Sidhvi Dindi August 10, 2023

On 7 August 2023, the first round of seat allotment for UG admissions have been released with over 87% of UG seats secured by students, with Hansraj College witnessing the highest number of registrations. The second round of seat allotment will be released on 10 August for the remaining vacant seats.

In the first round of seat allotment under the CSAS portal for securing UG admissions at Delhi University (DU), the maximum admissions were secured at Hansraj College, Ramjas College and Dyal Singh College. The list was announced on 7 August 2023, with over 87% of UG seats already secured by students. Kirori Mal College witnessed the highest number of total registrations with 1,61,533 registrations followed by Hindu College with 1,58,548 registrations and Hansraj College with 1,57,162 registrations.

According to the data released by the CSAS portal, a total of 85,853 students secured UG admissions at DU. However, 62,008 students paid their fees and secured their seats at DU, among which 53% are female students. 12,733 students have chosen to freeze their allotment with 40,701 opting to upgrade.

The list of vacant seats has been released on the official websites at du.ac.in and admissions.uod.ac.in. The second round of allotment commenced on 7 August 2023 with the display of vacant seats. Students who have opted to upgrade will be given the option to re-order their higher preferences from 7 August to 8 August 2023.

Most of the seats are filled. Only in science courses, around 10% of admissions are left. Earlier, it would take us at least four lists to arrive at the seat scenario that we are witnessing now after the first list”, Manoj Khanna, principal of Ramjas College mentioned in regards to the admission process.

The second round of seat allotment will be declared on 10 August 2023. Selected students will have to accept their allotted between 10 August to 13 August 2023. The third round of seat allotment will be notified by the university. However, depending on the number of vacant seats available for admission, the university may announce additional rounds.

Colleges will be required to approve the online application from 10 August to 14 August 2023. The last date for the online payment of fees by the students is 15 August 2023.

Image Credits: Hindustan Times

Sri Sidhvi Dindi

[email protected]

https://m.timesofindia.com/city/delhi/for-exams-du-fashion-goes-from-chic-to-geek/articleshow/52280156.cms

The DU-Fied Rizz

By DU Beat August 2, 2023

This article is an op-ed about the statement dressing observed across the Delhi university, what it essentially symbolizes and potentially offers to the society in general.

The unanimous euphoria every girl felt in the washroom of the Barbie movie premiere over pink couldn’t help but make me think about this one another symbolic yet statement dressing unifying a large cohort ,that being the “DU dress code”.

What feels like being in the bluepilled matrix of the “bonkers-ification” of college outfits, the raging monopoly of H&M and Zara with their Sarojini Dupes, or the razzmatazz of fast fashion outlets in Kamala Nagar or Janpath, essentially paints a larger picture of what happens to be the “DU-fied rizz”, it’s not about how many times your typical slogan printed tote bag slides off your shoulder, it’s about pulling it back up. It’s about the constant euphoria-esque serve with the statement face paint art at Fests. It’s about finding the perfect faux Pas between upper east side vogue and the fawning desi attires. It’s oxidised Janpath earrings, artsy witch core septum piercings, chikankari kurta slay, MKT thrifts and what not.

It portrays itself with a certain sense of irony how you can easily identify the DU brigade dressed in the spectrum ranging from fab India khaki kurta simpletons to lulu & sky corsets bearing baddies, right from the oversized shirt over tanks and wide legged trousers to the artisanal bangle clad kurti endowed individuals.

More than a sense of fashion, it’s a statement, one that brings together chic with sustainability. Sarojini becomes a high fashion substitute, thrifting becomes the new currency and locally grown businesses the warble call for styling enthusiasts. At the risk of generalizing the human experience curve we have achieved what appears to be a unified assertion of what fashion doesn’t necessarily have to be, it remains to be an inclusive domain for expression of identities. Ofcourse the situation Is far from ideal, arguments in favour of elitist bias, bullying and harassment claims and the general lack of tolerance for the “chalk and cheese” fashion statements continue to exist but from the standpoint of observing the bigger picture it does feel like that Delhi University as an institution offers space to harbour the fraternity of the fashion diaspora that seems to have become a hallmark in identifying the university’s culture by and large.

Featured Image credits: DU Updates

Priya Shandilya

DUB News

Rising Water, Sinking Hopes

By DU Beat July 21, 2023

Yamuna’s water level exceeded the danger threshold and rose to an all-time high of 208.8 meters, flooding important regions and forcing the closure of schools and institutions around the city. The University of Delhi announced the postponement of exams on July 13, 2023, putting students into a tailspin of uncertainty.

On July 13, 2023, the Yamuna reached an all-time high water level of 208.8 meters, forcing floodwater to reach Civil Lines, Kashmere Gate, ITO, and numerous other places. Three to four water treatment facilities had to close as a result of the flooding, which caused an acute shortage of water in one-fourth of Delhi. The Delhi government also declared that all schools and institutions in flooded regions would be closed, leading to the theory exams scheduled on the 17th, 18th and 19th and practical exams scheduled on the 14th, 15th, and 16th being postponed.

By the decision taken by Delhi Disaster Management Authority on 13.07.2023 as communicated by the Press Release dt. 13.07.2023 of Raj Niwas, Delhi, the University shall remain closed w.e.f. 14.07.2023 to 16.07.2023. The examinations scheduled during this period stand postponed” – Read the notice released by the University

The notification was followed by numerous fake exam notices. A few of the messages included the cancellation of all exams and fake postponement dates. This created a great deal of confusion among students appearing for exams.

DU needs to reel in the problem of fake notices. It was getting out of hand especially for the exam postponement issues.” – Hiten Dalmia, a first year student of BSc.(H) Mathematics

There were other problems alongside the fraudulent notices. A few of the student areas also experienced flooding, locking individuals inside. A sub locality of Mukherjee Nagar named Hakikat Nagar was inundated with contaminated drain water, which caused a power outage and a subsequent water problem.

The entire place had a gutter-like odour. We had to stay in our apartment for extended power cuts and without water because we had nowhere else to go. Our parents were worried that we wouldn’t get sick from the area’s drain water. It was terrible.” -Rahul, a UPSC aspirant and a graduate

Hakikat Nagar, Mukherjee Nagar

Up until Sunday, the capital’s flooding problem, power outage, and water shortage persisted. The situation in these locations got better as the Yamuna’s level steadily dropped. But for students who will take examinations in the following weeks, this relief was quickly followed by a little shock. The new dates for the postponed exams were announced by the University of Delhi on Monday. This announcement was received with conflicting emotions. Some people enjoyed it since it gave them more time to study, others felt upset because their exam gaps shrunk, and yet others were outraged because they had to cancel their tickets and plans to return home for the holidays.

The new date sheet is worse. I have my exams on 25,26, 27, and 28. Four continuous exams. How am I supposed to study? I reach home by 2 pm and I have an exam the next day at 9 AM?” – Tisha, a first-year student of B.com. (H)

Some students said this postponement gave them extra time to study and cover-up.

As we know the momentum to study in college develops only a few days ago so for me this postponement was a blessing. I enjoyed this extra time too instead of studying but now I am back on track.” – Shreeya Ahuja, a first first-year student of Bcom. (P)

Not all of the issues stemmed from the decreasing gap. The majority of the outstation students have already purchased tickets to return to their home cities. Students were compelled to either change their plans or cancel and buy a new ticket later due to the extension of the theory exams until the second of August and the practical exams until the fifth of August. Some were forced to pay cancellation fees because they had no other choice; others were unable to purchase tickets and were left with no choice but to purchase a train ticket under the “Tatkal” category. Many students have PG and broker contracts that expire on July 31. Often, PG owners and landlords impose extra charges on students when they stay past their contracts – thus adding another expense to all students.

The repercussions of these changes in the examination schedule have caused several students inconvenience and financial problems, emphasising the need for better planning as well as an understanding of students’ circumstances in such situations.

Image Credits: Business Today, Times of India

Dhruv Bhati

https://thewire.in/the-arts/ebrahim-alkazi-modern-indian-theatre

The Historical Gems of Delhi : Kala, Kahaniya aur Rangmanch!

By DU Beat July 9, 2023

Delhi is the home of outstanding theatre arts, whilst Mumbai is the metropolis of Bollywood aspirations. In Delhi, stage art has a special significance and a rich history that is still being preserved through a variety of institutions and live performances.

Delhi, India’s capital, is so distinctive that it offers something to everyone. It has been bustling with possibilities for years, from its mouth-watering food to popular shopping places, monuments and old palaces, museums and government buildings. Out of everything, the city has been sustaining art forms and providing a platform for artists from different fields to explore, grow, and perform. It represents inclusion in culture, where everyone has an opportunity to contribute. One of the ancient gems of the city that is adding charm to it is – Theatre art. The many drama forms, stories, plays, and musicals.

Although many are aware that Mumbai is the “city of dreams,” many flock there to pursue their Bollywood aspirations and make a name for themselves as actors, directors, or singers. Delhi has been a well-known destination for theatre and stage art and has also produced many promising talents, but it is still less applauded for the accomplishments. While some of the artists here continued their careers in theatre and added to its appeal, others became great and well-respected artists in the cinema industry. In the western industry too, Los Angeles is recognised for its film industry, whereas New York is renowned for theatre. Although there has been a line of separation between the stage and the screen, there is still a connection that aids both industries’ growth in different ways. Their originality is beyond comparison.

Coming to Delhi and its vibrant stage art, the city preserves it in a variety of significant and minor ways – It has many students, rising artists, and has created a special audience of art lovers through live performances, nukkad nataks, drama schools, and college societies.

One of the well-known names is of NSD – National School of Drama, which has been a training facility since 1959, providing knowledge and enhancing the abilities of amateur artists. Although Sangeet Natak Akademi is its parent organisation, over the years it has relocated from a number of places. Mandi House is where it is currently set up. Mandi House, which once had ties to the princely state of Mandi, is now home to a number of theatre troupes and establishments, such as the National School of Drama and Shri Ram Centre for Performing Arts. The creation of NSD involved numerous notable playwrights and dramatists. A comprehensive curriculum, the promotion of several theatre genres, and one of the best playscripts have all been created here. NSD has a unique identity that focuses on both conserving the past and fostering hope for the future. From the nation’s capital, these groups organise numerous performances and broaden the horizons of theatre art throughout the entire nation.

The institution also holds workshops and other annual festivals like the “Bharat Rang Mahotsav” to raise awareness of the local arts and draw in more visitors. Children and newcomers to the sector can always use it as an excellent learning opportunity to get going on their path. How could one not include the outstanding alumni and directors who formed the very foundation of NSD with a name like that? Ebrahim Alkazi, a renowned theatrical instructor, was the first to transform the school in 1962 with the help of his expertise, leadership, and strict disciplinary measures. Many people still reflect on the illustrious 15 years the celebrated director spent at NSD, and his role in shaping the organisation helped it reach new heights. Without mentioning Ebrahim Alkazi’s skill, one cannot discuss Indian theatre or the National School of Drama in general. He made sure that the Indian theatre art is not lost and reaches a wider audience by establishing the three-year acting training, developing open theatre, and providing inspiration for the repertory. Some of his productions continue to receive praise as some of the best ever.

There is an unending number of well-known and gifted performers who are working in the entertainment business today, preserving the reputation of organisations like the National School of Drama and also bringing honour to the nation. The list of actors and actresses includes Naseeruddin Shah, Nawazuddin Siddiqui, Neena Gupta, Anupam Kher, Om Puri, Piyush Sharma, Irfan Khan, and many more. This is the National School of Drama’s legacy. This institution is only one of many centres in Delhi that have made contributions to the arts by producing top-notch plays and musicals. One is the Shri Ram Centre for Performing Arts, a renowned theatre company that has been producing plays and offering acting classes since 1958. SRC, like The National School of Drama, has also produced famous individuals in the industry. There are additional independent theatrical groups with base in Delhi that create venues for artists to gather, create fascinating stories, and perform all over the nation.

Delhi colleges have cultural societies that support the arts and permit students to experiment in the field from the college level on up, even at the university level. Ibtida was founded by renowned filmmaker Imtiaz Ali while he was attending Hindu College, as is well known. Many others, such Manoj Bajpayee and Siddharth Malhotra, who attended Delhi University, launched their careers using the many resources the city and university have to offer. It goes without saying that the institution is the alma mater of several well-known artists, starting with Shahrukh Khan, the King of Bollywood, who graduated from Hansraj College and began his career with Delhi’s Theatre Action Group.

Through the Drama Societies at Delhi University, students are contributing to the evolution of theatre art by continually taking chances and incorporating contemporary elements that make it more applicable for the current generation. This includes curating scripts, performing, and taking part in festivals and contests. Women’s rights, girl child education, and scripts promoting community solidarity are among the topics that are publicly performed in the form of Nukkad natak. All of these places are unique in that those who have spent time in these settings honing their craft and giving performances on Delhi stages still have a special appreciation for their formative years as budding performers. These alumni have often reminisced about their time at the National School of Drama or Mandi House and how they attribute their achievements to these institutions.

The singularity of stage and screen cannot be compared, as was stated in the article’s introduction. However, as films have become a popular form of entertainment, younger generations are less familiar with regional art practises and distinctive theatrical methods. As a result, people frequently treat stage and screen the same, which is a mistake. However, acting for the camera and performing live are truly two different things, and sadly, many people from the younger generations have not experienced the latter. Even newer artists who enrol in renowned acting schools participate in stage art in order to later pursue an acting profession. It’s because the Indian film industry gives them more chances to become popular and rich than if they continued with theatrical acting. This art faces a number of different obstacles along the way that make it challenging for it to endure.

Some of these difficulties were brought up in our conversations with a few students and instructors from renowned theatre schools.

Many people these days tend to believe that theatre is the ladder to take you to cinema, that if you begin from here eventually you will reach Bollywood,” they said. “This is untrue. Both theatre and film have unique meanings, and each has something different to offer. According to me, this phenomenon is causing stage art to lose some of its splendour. Many members of Delhi theatre groups just practise and develop their acting abilities in order to pursue a job in the film industry. I’m still relieved, though, that theatre is generating finest plays that the audience enjoys” – An artist from the Shri Ram Centre.

Original art forms in India existed for centuries before the advent of cinema, and were supported by wealthy businesses and appreciated by enormous audiences. Since the 17th century, live performances of Ramleela, which depicts the legendary Ramayana conflict between Ram and Ravana, have taken place at festivals. The popular theatre production Nautanki, which originated in Uttar Pradesh, had a significant impact on the Indian population. Dohas, ghazals, and chhand were frequently used, along with catchy songs and humorous dialogue. There are other well-known plots in this that centre on mythology. Nautanki, a kind of theatre that was once loved by both urban and rural inhabitants, grew in influence and scope as a result of assimilating numerous other theatre techniques. Unfortunately, the popularity that Nautanki once enjoyed is diminishing, much like that of many other creative forms, as a result of the rise of film and the elitist mindset that stereotypes this local talent.

Cities like Delhi still have a lot of places where individuals may learn about the subject and work to keep alive the artistic forms that previously captivated thousands of people. Those who are interested in finding out more can attend plays and exhibits at Mandi House, the Indian Habitat Centre, or the Kamini Auditorium, or they can join one of the theatre groups in their institutions. A Delhi Theatre Festival will be held in August and will feature many well-known performers and wonderful productions for the public.

Theatre has always been a means of expressing feelings and telling stories through music, quirky characters, and dark humour. Indian plays have masterfully portrayed the legends of the Ramayana, Mahabharat, and other great royal empires of India. In order to ensure that this vibrant culture is sustained, thrives, and receives the recognition it merits, Delhi must continue to support and maintain stage art.

Delhi is the home of great arts, if Mumbai is the city of Bollywood dreams. If Mumbai has seen the zenith of great artists, Delhi has seen their birth and struggle. Without Kala, Kahaniya, and Rangmanch, Delhi’s history would be incomplete!

List of Additional Sources:

Story of Ebrahim Alkazi, NSD director who shaped Indian theatre

https://devnautanki.com/about_history.html

Blog of Dr. Devendra Sharma, performer and writer of Nautanki artform.

Featured Image Credits: Top news India, NDTV

Priya Agrawal

The Internship Exodus: Black Mirror Season 7 EP 1

By DU Beat July 5, 2023

The article is a take on the internship culture, the dilemma it presents to college undergrads and the possible alternative solutions that seem to summarize a student’s summer break post pandemic .

If I had to pitch in the latest episode of black mirror that intrinsically captures the essential collapse of society, I might just bring to the table the possible plot of a dystopia the summer break essentially is, with a love triangle, featuring the insane tension between a college student, summer internships and the reclusive possibilities of an actual summer vacation.

An intern is an unfledged hustler entering what’s basically the hunger games of employment where undergrads try to maximize any and every chance to be pumped out as career ready hirelings. The internship culture has taken the entirety of universities across the globe as an efficient yet at times, a deceptive ploy at adulting.

The benefits of internships range from cost effective employment drives to efficient skill set peddling, a channel of networking and hands on experience in fields the student tends to value more than the drowsy July lectures in sepia toned stifling classrooms, no wonder it seems like the perfect step in the “type A” coded corporate world. But internships aren’t the typical “grabbing coffee for your boss and excel sheet presentations in office ” Nancy Myers fantasy, but rather a tight rope of balancing deadlines and breakdowns.

Even though a stipend incentivised internships offer an angel’s halo to the ever broke student stereotype, they can be exceedingly exploitive in the favour of the status quo and when this exploitation is mechanized as a necessity by colleges coupled with the peer pressure of ‘not doing enough’ it becomes a problem at hand, a predicament that Delhi University undergraduates currently juxtapose with their one shot at having a true summer break for once. While one section decides to upscale through the increasingly popular advent of ‘summer schools’ , the other has an undeterred resolve of the ‘perfect CV’ that has their most fancied summer internships as the crown jewel, while others fancy their truly deserved summer break in the sweet nostalgia of their home towns or fancy holidays that make up a core memory .

The onset of adulthood, the anxiousness of leaving your formative years behind too fast and the ruthless race to succeed in an unforgiving world – all adds up to the truly tormenting experience of being a college student facing the brink of the summer break .

Saffronisation of Cultural Expression

By DU Beat July 3, 2023

The following piece seeks to understand the superimposition of dominant ideological narratives on cultural events. It does not, in any way attempt to disrespect the cultural/religious beliefs of individuals.

Delhi University has often been described as an educational space for multiculturalism and diversity, where students from all over India intermingle and share their cultures with one another. Very often, students bring to the university campus, festivals and celebrations from different corners of the country which helps them create a sense of community far from home. It is an act of claiming a space, far from one’s homeland that initiates intercultural interaction and contributes to the richness of the campus spaces.

However, is the culturally diverse space that many of us would like the university to be, a utopian imagination? Cultural expression is often monopolised by dominant majoritarian communities that can afford to be more visible and vocal. How do we distinguish free cultural expression from ideological imposition? Furthermore, what happens when politically motivated ideologies are superimposed on cultural festivals?

On 22^nd June, the Delhi Odia Students’ Association (DOSA) in collaboration with the Iskcon Student Centre organised the Jagannath Rath Yatra in the North Campus of Delhi University. It goes without saying that the Rath Yatra is a festival that is extremely close to the hearts of the devotees of Lord Jagannath. People from different socio-economic backgrounds come to join the procession, hoping to get a glimpse of the deity. People are often seen crying, overwhelmed to see the lord.

But can an event that is often hailed for its inclusive quality, retain its cultural ideals and innocence when it becomes so visibly saffronised? It is true that perhaps every cultural or religious festival is influenced by certain belief systems, but when the belief system is aligned with an ideology which translates into an aggressively asserted political agenda, it becomes potentially dangerous.

The political alignment of the procession organised in the campus was not simply reflected in symbols, but was also verbalised on certain occasions. The event began with an open and unapologetic assertion- ‘Bharat ka dharam, Sanatan dharam’, (The religion of India is Hinduism) and ended with Jai Shree Ram chants. The procession, adorned by huge saffron flags, traced the campus with hundreds of people joining in. The devotees danced and sang along; the sentimental and cultural essence of the procession could be felt. At the same time, the markers of it being a politically aligned procession were hard to ignore.

One could obviously argue that Jai Shri Ram chants in a Jagannath yatra is not arbitrary because Ram and Jagannath are essentially different avatars of Lord Vishnu. In today’s India however, Jai Shri Ram is an immensely politicized slogan – one that is rooted in majoritarian beliefs of Hindutva. To say that it is an innocent appeal to lord Ram is to disregard the persecution faced by thousands of people from minority communities, against whom the slogan has been weaponised.

Before the commencement of the yatra, an elaborate speech was given which emphasised upon values of devotion, servitude and gratitude. The cultural belief system of a Brahmanical conception of Hinduism was presented as the moral standards of India. While science, modernism and ‘western’ values received censure, the ‘Indian’ way of life was pedestalised. It must be noted that the Jagannath Rath Yatra at Puri has no custom of preaching. Everybody joins the event as a devotee and no authority figure is given the centre stage. Representatives from the Akhil Bhartiya Vidyarthi Parishad (ABVP) – a right wing student organisation affiliated with the Hindu nationalist RSS – were formally present in the event.

The Rath Yatra was provided immense police protection. It is entirely valid to ensure police deployment in cultural festivals to ensure orderly execution of the same. However, the sincerity with which police protection is provided to events that exude right wing sentiments is entirely absent when students get attacked by mobs on campus. When a mob of men, gate-crashed the college fest at Indraprastha College for Women, raised misogynistic slogans and Jai Shri Ram chants and harassed women, the police did little to ensure their safety. The police has acted either as passive observers or violent upholders of law in situations like these.

When a religious event is distorted and appropriated to further a political ideology, the cultural and emotional essence of the festival is hurt and disrespected. Although the devotees attending the rath yatra did not express concern regarding the nature of the yatra, the ideological undertones were felt without doubt.

The Jagannath Yatra is very close to our hearts. Devotees wish to remain connected with the lord Jagannath and seek his blessings. It is an expression of unadulterated and innocent devotion. It is not supposed to be used to further any ideological agenda” – Aditi Routray, a student at LSR

Featured image credits – Tulip for DU Beat

Tulip Banerjee

The Information Influx and Notification Nuisance

By Sri Sidhvi Dindi July 2, 2023

The accessibility in communication has blurred the lines between formal and informal forms of communication. With information available to us at our fingertips, there’s an expectation to be constantly online and updated. There’s no excuse to not do so since notifications buzzing around us. However, what is the cost of information influx?

Ping. You just put your phone down and were about to take a moment to yourself to break away from the constant influx of messages and notifications. However, you just heard the high-pitched sound that itches you increasingly until you can’t control yourself and finally give in to your urges. Before you know it, the muscle memory of your fingers swiftly types your passcode, and you have finally accessed WhatsApp. No worries, though, since it was just your friend reacting to your previous text. Since you have already made an effort to open WhatsApp, you might as well casually scroll through a few unread messages. There is, however, no such thing as casual on WhatsApp, and you are now obligated to reply to those messages because you might as well do it now.

Many of us are chronically online due to the demands of accessible communication. Even subconsciously, we constantly crave stimulation because we are accustomed to how conveniently we can access information. Getting updated is considered the bare minimum in keeping up with today’s globalised world. Notifications play an important role in ensuring you are on top of all your commitments and updates. In some ways, notifications ease communication for us because we don’t have to go the extra mile to get updated. WhatsApp groups are synonymous with a college notification board as they are the only way to get crucial updates on any developments in regard to your classes and societies. Notifications are a necessity to survive the fast-paced nature of college. However, just as easily, they can become an overwhelming source of anxiety.

There are several mechanisms to reduce the impact of notifications. For most of us, it is keeping our phones on silent mode and returning to our phones at our convenience. However, since our phones are perpetually glued to us, the silent mode feature is almost redundant in shielding us from our notifications. However, you may mute your notifications which prevents notifications from even appearing on your home screen. As most of us are acquainted with, blindly muting our notifications often has repercussions on our professional and personal lives.

Turning off all my notifications hardly ever works for me. I just feel like as college students we don’t really have the luxury of just muting all our notifications because the messages that we receive from college often require our immediate attention. Even when I choose to get back to messages at a convenient to me, I’m bombarded with over 50 messages from different groups and it creates even more stress because I have to go through all those messages to make sure I didn’t miss out on anything important,” a first-year student discussed.

The first come, first serve basis is how opportunities are grasped in WhatsApp groups. Even a 30-second delay in response can lead you to lose an opportunity. This is exactly where the pressure starts to arise with notifications. There’s an inherent need to constantly be available and be the first person to take hold of such opportunities. Although showing initiation may appear to be the bare minimum form of showing commitment, over time the constant influx of messages and notifications takes a toll on your ability to respond. The continuous notifications eventually cause lethargy and you lose track of keeping up with important developments.

“I remember the first day of college when all of a sudden I was added to so many groups and in those groups there were links to other groups. Official groups, unofficial groups, opportunity groups, and students of 2025/26 groups. It was so overwhelming trying to keep up with all of it because you are new to college and you are already stressed enough and you don’t want to miss out on important updates. I remember I joined a group a few hours later, and the entire CR elections had already been conducted and I had absolutely no clue about it,” a first-year student observed.

In the interest of professional commitments, somehow personal commitments take a back seat. In the wake of keeping up with emails and WhatsApp messages, answering texts from your friends and family may seem trivial. Due to this, your personal relationships suffer as you may not actively contribute towards staying in touch due to the lethargy that accompanies meeting your professional updates.

I have all my groups from college pinned. Since there are over 25 of them, I hardly even see messages from my friends because there is always something going on in my college groups. And they are very important and if I don’t get back to them in a few hours, I’m usually tagged. It becomes so draining trying to keep up with all this that I just completely forget that I haven’t even replied to my friend who texted me 2 days ago” lamented a student.

The urgency that accompanies notifications often is fueled by an intrinsic need to be available and immediately deal with the issue. Over time, just the mere sound of a notification can cause a wave of anxiety due to the urgency it creates. They can also be very overwhelming especially when the group chats are spammed with messages that compel you to answer them immediately. In the process, you start disassociating yourself from your surroundings and remain stuck with the updates and commitments. Due to the accessibility of your presence, answering texts carve away your relaxation time and blur the boundaries between your priorities.

Especially with utilizing multiple devices, we are even more charged with notifications. Our laptops, phones, iPads and Tablets are constantly buzzing with notifications from all sorts of social media applications. Although disconnecting from the chaos of our devices is intimidating, protecting our mental peace is much more crucial. Sometimes we may miss catching up on our emails and texts but instead of feeling guilty about it, we need to assert boundaries and compartmentalize our priorities to preserve our sanity and peace.

Image Credits: Macworld

Sri Sidhvi Dindi