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Can we Dance the Night Away? The Dangers of Delhi’s nightlife for women

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 College is often a foray into many new experiences, a lot of which involves the night life. The glamorous ideal of Delhi clubbing, parking lots filled with fancy G-wagons, tons of booze, popping DJ sets has often attracted many young students, looking to enjoy the first dregs of freedom associated with university. However, behind the glitz, many realize that the city that never sleeps doesn’t always have to offer the best experiences once the sun sets.

Clubs are inherently unsafe for many, especially women. Dingy lighting, crowds of strange men, all under the influence of alcohol, and usually heavily intoxicated, spell disaster for several young students. Almost all young women have faced some degree of assault at clubs, from something as easily brushed off as cat-calling, to serious cases of assault.

My first few experiences in Delhi clubs hadn’t been the worst, somehow I had warded off creepy stares or unwanted gropes, but a few months into having moved to the city, I ended up at Ansal Plaza, a place frequented by DU students looking to party. This changed the false sense of security I had gained over the past few months. I suddenly felt suffocated and unsafe, I could feel the stare of random men. I ended up leaving in 30 minutes. Since then, I became more wary of the situations I put myself in. However, I now have a deep seated fear, one that usually gets me whilst traveling back in Ubers late at night, at how women often lose out on the joy of many experiences, because of the sense of endangerment created for them.

Other female students have had similar experiences,

There have been several times when I have been stared at or groped, in many of the supposedly elite clubs in the city. But I guess these are just the things that come with being a girl, and don’t deter me from having my fun” – Siona Arora, B.A. Programme, Kamala Nehru College

 But the issue runs deeper than just personal experiences, incidents like drink spiking run rampant across clubs in general, where women usually account for more than half of the visitors. Articles like this one suggest measures like, regulated security personnel, more female security members, checking men for drugs and a general no-tolerance policy towards drug use in clubs.

Adding to this, several unaware college students, many of whom hail from non-urban areas in India and are unfamiliar with the workings of the city, its various areas or clubs in general, are especially vulnerable to being exploited in such scenarios. Being charged extra money to enter into “exclusive events”, women being forced to couple up with often strange men to enter into clubs, commuting late at night in cabs through unknown roads or routes etc. can all ruin youngsters’ attempts to just have a good night.

Read also – https://dubeat.com/2023/05/25/du-reconstitutes-a-women-safety-committee-in-all-women-colleges/

Image Credits – Getty Images

Chaharika Uppal

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‘Dilution of Discrimination’: Dilemma over Ambedkar Elective at DU Economics Faculty

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The Economics Faculty of Delhi University welcomed a new elective on Ambedkar while replacing the old elective paper, ‘Economics of Discrimination’, going against the decisions taken by the Academic Council of the institution on August 11 and introducing a series of changes to elective papers in the syllabus.

‘Economic Thought of Dr. B.R. Ambedkar’, an elective paper welcomed by the Economics Department of Delhi University to be taught to undergraduate students this year has caused the axing of another elective subject, ‘Economics of Discrimination’, resulting in several faculty members expressing concerns.

The new paper includes Dr Ambedkar’s views and understanding of various aspects of economic systems; theories of economic development; labor welfare; economic policy making; and other issues in the Indian economy during the colonial period. It replaced a new ‘Economics of Discrimination’ paper, which was decided in the Academic Council meeting on August 11 while introducing a series of changes to elective papers in the syllabus.

The syllabi of this paper signifies that the subject talks about Dr. Ambedkar’s pioneering thought in the field of economics, relevance in the contemporary world and its implication for ‘social justice’, ‘equality’ and ‘inclusive development’.

An associate professor of Economics at Kamala Nehru College and an elected Academic Council Member, Monami Basu, mentioned to The Indian Express that the paper on Dr. Ambedkar was welcomed by the entire faculty as it talks about him as an ‘economic policy-maker’ during the post-colonial period, his thoughts on ‘colonial economy’ and how caste and labor are interconnected.  However, she adds that the paper on discrimination was dropped without consultation with Academic Council members, departments or committees of courses.

Another professor who has been teaching economics at DU for over two decades has professed to the Indian Express on conditions of anonymity that the focus on ‘caste discrimination’ has been diluted in the new Ambedkar paper and it is only 10% of the paper now. According to other faculty members, the now-dropped paper was the only one that focused on the concept of discrimination in the UG economics syllabus. It had themes such as gender and unequal burden of work; inequalities in access to land; and intersection of discrimination though race, caste, class and disability.

The first suggestion to drop three elective papers, including ‘Economics of Discrimination’, was made in an Academic Council meeting on May 26 and opposed by faculty members of several colleges. Vice Chancellor, Yogesh Singh had then consulted a six-member panel to revisit the syllabi.

Read Also: Text Removal and Renaming in DU’s History Syllabus: Brahmanization Term and Paper on Inequality Dropped

Featured Image Credits: Google Images

Priyanka Mukherjee

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DU Witnesses 87% Seats being Secured in the First Round of UG Admissions

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On 7 August 2023, the first round of seat allotment for UG admissions have been released with over 87% of UG seats secured by students, with Hansraj College witnessing the highest number of registrations. The second round of seat allotment will be released on 10 August for the remaining vacant seats.

In the first round of seat allotment under the CSAS portal for securing UG admissions at Delhi University (DU), the maximum admissions were secured at Hansraj College, Ramjas College and Dyal Singh College. The list was announced on 7 August 2023, with over 87% of UG seats already secured by students. Kirori Mal College witnessed the highest number of total registrations with 1,61,533 registrations followed by Hindu College with 1,58,548 registrations and Hansraj College with 1,57,162 registrations.

According to the data released by the CSAS portal, a total of 85,853 students secured UG admissions at DU. However, 62,008 students paid their fees and secured their seats at DU, among which 53% are female students. 12,733 students have chosen to freeze their allotment with 40,701 opting to upgrade.

The list of vacant seats has been released on the official websites at du.ac.in and admissions.uod.ac.in. The second round of allotment commenced on 7 August 2023 with the display of vacant seats. Students who have opted to upgrade will be given the option to re-order their higher preferences from 7 August to 8 August 2023.

Most of the seats are filled. Only in science courses, around 10% of admissions are left. Earlier, it would take us at least four lists to arrive at the seat scenario that we are witnessing now after the first list”, Manoj Khanna, principal of Ramjas College mentioned in regards to the admission process.

The second round of seat allotment will be declared on 10 August 2023. Selected students will have to accept their allotted between 10 August to 13 August 2023. The third round of seat allotment will be notified by the university. However, depending on the number of vacant seats available for admission, the university may announce additional rounds.

Colleges will be required to approve the online application from 10 August to 14 August 2023. The last date for the online payment of fees by the students is 15 August 2023.

Image Credits: Hindustan Times

Sri Sidhvi Dindi

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Arts & Culture

The Historical Gems of Delhi : Kala, Kahaniya aur Rangmanch!

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Delhi is the home of outstanding theatre arts, whilst Mumbai is the metropolis of Bollywood aspirations. In Delhi, stage art has a special significance and a rich history that is still being preserved through a variety of institutions and live performances.

 Delhi, India’s capital, is so distinctive that it offers something to everyone. It has been bustling with possibilities for years, from its mouth-watering food to popular shopping places, monuments and old palaces, museums and government buildings. Out of everything, the city has been sustaining art forms and providing a platform for artists from different fields to explore, grow, and perform. It represents inclusion in culture, where everyone has an opportunity to contribute. One of the ancient gems of the city that is adding charm to it is – Theatre art. The many drama forms, stories, plays, and musicals.

Although many are aware that Mumbai is the “city of dreams,” many flock there to pursue their Bollywood aspirations and make a name for themselves as actors, directors, or singers. Delhi has been a well-known destination for theatre and stage art and has also produced many promising talents, but it is still less applauded for the accomplishments. While some of the artists here continued their careers in theatre and added to its appeal, others became great and well-respected artists in the cinema industry. In the western industry too, Los Angeles is recognised for its film industry, whereas New York is renowned for theatre. Although there has been a line of separation between the stage and the screen, there is still a connection that aids both industries’ growth in different ways. Their originality is beyond comparison.

Coming to Delhi and its vibrant stage art, the city preserves it in a variety of significant and minor ways – It has many students, rising artists, and has created a special audience of art lovers through live performances, nukkad nataks, drama schools, and college societies.

One of the well-known names is of NSD – National School of Drama, which has been a training facility since 1959, providing knowledge and enhancing the abilities of amateur artists. Although Sangeet Natak Akademi is its parent organisation, over the years it has relocated from a number of places. Mandi House is where it is currently set up. Mandi House, which once had ties to the princely state of Mandi, is now home to a number of theatre troupes and establishments, such as the National School of Drama and Shri Ram Centre for Performing Arts. The creation of NSD involved numerous notable playwrights and dramatists. A comprehensive curriculum, the promotion of several theatre genres, and one of the best playscripts have all been created here. NSD has a unique identity that focuses on both conserving the past and fostering hope for the future. From the nation’s capital, these groups organise numerous performances and broaden the horizons of theatre art throughout the entire nation.

The institution also holds workshops and other annual festivals like the “Bharat Rang Mahotsav” to raise awareness of the local arts and draw in more visitors. Children and newcomers to the sector can always use it as an excellent learning opportunity to get going on their path. How could one not include the outstanding alumni and directors who formed the very foundation of NSD with a name like that? Ebrahim Alkazi, a renowned theatrical instructor, was the first to transform the school in 1962 with the help of his expertise, leadership, and strict disciplinary measures.  Many people still reflect on the illustrious 15 years the celebrated director spent at NSD, and his role in shaping the organisation helped it reach new heights. Without mentioning Ebrahim Alkazi’s skill, one cannot discuss Indian theatre or the National School of Drama in general. He made sure that the Indian theatre art is not lost and reaches a wider audience by establishing the three-year acting training, developing open theatre, and providing inspiration for the repertory. Some of his productions continue to receive praise as some of the best ever.

There is an unending number of well-known and gifted performers who are working in the entertainment business today, preserving the reputation of organisations like the National School of Drama and also bringing honour to the nation. The list of actors and actresses includes Naseeruddin Shah, Nawazuddin Siddiqui, Neena Gupta, Anupam Kher, Om Puri, Piyush Sharma, Irfan Khan, and many more. This is the National School of Drama’s legacy. This institution is only one of many centres in Delhi that have made contributions to the arts by producing top-notch plays and musicals. One is the Shri Ram Centre for Performing Arts, a renowned theatre company that has been producing plays and offering acting classes since 1958. SRC, like The National School of Drama, has also produced famous individuals in the industry. There are additional independent theatrical groups with base in Delhi that create venues for artists to gather, create fascinating stories, and perform all over the nation.

Delhi colleges have cultural societies that support the arts and permit students to experiment in the field from the college level on up, even at the university level. Ibtida was founded by renowned filmmaker Imtiaz Ali while he was attending Hindu College, as is well known. Many others, such Manoj Bajpayee and Siddharth Malhotra, who attended Delhi University, launched their careers using the many resources the city and university have to offer. It goes without saying that the institution is the alma mater of several well-known artists, starting with Shahrukh Khan, the King of Bollywood, who graduated from Hansraj College and began his career with Delhi’s Theatre Action Group.

Through the Drama Societies at Delhi University, students are contributing to the evolution of theatre art by continually taking chances and incorporating contemporary elements that make it more applicable for the current generation. This includes curating scripts, performing, and taking part in festivals and contests. Women’s rights, girl child education, and scripts promoting community solidarity are among the topics that are publicly performed in the form of Nukkad natak. All of these places are unique in that those who have spent time in these settings honing their craft and giving performances on Delhi stages still have a special appreciation for their formative years as budding performers. These alumni have often reminisced about their time at the National School of Drama or Mandi House and how they attribute their achievements to these institutions.

The singularity of stage and screen cannot be compared, as was stated in the article’s introduction. However, as films have become a popular form of entertainment, younger generations are less familiar with regional art practises and distinctive theatrical methods. As a result, people frequently treat stage and screen the same, which is a mistake. However, acting for the camera and performing live are truly two different things, and sadly, many people from the younger generations have not experienced the latter. Even newer artists who enrol in renowned acting schools participate in stage art in order to later pursue an acting profession. It’s because the Indian film industry gives them more chances to become popular and rich than if they continued with theatrical acting. This art faces a number of different obstacles along the way that make it challenging for it to endure.

Some of these difficulties were brought up in our conversations with a few students and instructors from renowned theatre schools.

Many people these days tend to believe that theatre is the ladder to take you to cinema, that if you begin from here eventually you will reach Bollywood,” they said. “This is untrue. Both theatre and film have unique meanings, and each has something different to offer. According to me, this phenomenon is causing stage art to lose some of its splendour. Many members of Delhi theatre groups just practise and develop their acting abilities in order to pursue a job in the film industry. I’m still relieved, though, that theatre is generating finest plays that the audience enjoys” – An artist from the Shri Ram Centre.

Original art forms in India existed for centuries before the advent of cinema, and were supported by wealthy businesses and appreciated by enormous audiences. Since the 17th century, live performances of Ramleela, which depicts the legendary Ramayana conflict between Ram and Ravana, have taken place at festivals.  The popular theatre production Nautanki, which originated in Uttar Pradesh, had a significant impact on the Indian population. Dohas, ghazals, and chhand were frequently used, along with catchy songs and humorous dialogue. There are other well-known plots in this that centre on mythology. Nautanki, a kind of theatre that was once loved by both urban and rural inhabitants, grew in influence and scope as a result of assimilating numerous other theatre techniques. Unfortunately, the popularity that Nautanki once enjoyed is diminishing, much like that of many other creative forms, as a result of the rise of film and the elitist mindset that stereotypes this local talent.

Cities like Delhi still have a lot of places where individuals may learn about the subject and work to keep alive the artistic forms that previously captivated thousands of people. Those who are interested in finding out more can attend plays and exhibits at Mandi House, the Indian Habitat Centre, or the Kamini Auditorium, or they can join one of the theatre groups in their institutions. A Delhi Theatre Festival will be held in August and will feature many well-known performers and wonderful productions for the public.

Theatre has always been a means of expressing feelings and telling stories through music, quirky characters, and dark humour. Indian plays have masterfully portrayed the legends of the Ramayana, Mahabharat, and other great royal empires of India. In order to ensure that this vibrant culture is sustained, thrives, and receives the recognition it merits, Delhi must continue to support and maintain stage art.

Delhi is the home of great arts, if Mumbai is the city of Bollywood dreams. If Mumbai has seen the zenith of great artists, Delhi has seen their birth and struggle. Without Kala, Kahaniya, and Rangmanch, Delhi’s history would be incomplete!

 

Read Also : https://dubeat.com/2019/03/24/drama-sutra-a-theatre-report-in-three-acts/

List of Additional Sources:

https://thewire.in/the-arts/ebrahim-alkazi-modern-indian-theatre

Story of Ebrahim Alkazi, NSD director who shaped Indian theatre

https://devnautanki.com/about_history.html

Blog of Dr. Devendra Sharma, performer and writer of Nautanki artform.

Featured Image Credits: Top news India, NDTV

Priya Agrawal

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The Internship Exodus: Black Mirror Season 7 EP 1

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The article is a take on the internship culture, the dilemma it presents to college undergrads and the possible alternative solutions that seem to summarize a student’s summer break post pandemic .

If I had to pitch in the latest episode of black mirror that intrinsically captures the essential collapse of society, I might just bring to the table the possible plot of a dystopia the summer break essentially is, with a love triangle, featuring the insane tension between a college student, summer internships and the reclusive possibilities of an actual summer vacation.

An intern is an unfledged hustler entering what’s basically the hunger games of employment where undergrads try to maximize any and every chance to be pumped out as career ready hirelings. The internship culture has taken the entirety of universities across the globe as an efficient yet at times, a deceptive ploy at adulting.

The benefits of internships range from cost effective employment drives to efficient skill set peddling, a channel of networking and hands on experience in fields the student tends to value more than the drowsy July lectures in sepia toned stifling classrooms, no wonder it seems like the perfect step in the “type A” coded corporate world. But internships aren’t the typical “grabbing coffee for your boss and excel sheet presentations in office ” Nancy Myers fantasy, but rather a tight rope of balancing deadlines and breakdowns.

Even though a stipend incentivised internships offer an angel’s halo to the ever broke student stereotype, they can be exceedingly exploitive in the favour of the status quo and when this exploitation is mechanized as a necessity by colleges coupled with the peer pressure of ‘not doing enough’ it becomes a problem at hand, a predicament that Delhi University undergraduates currently juxtapose with their one shot at having a true summer break for once. While one section decides to upscale through the increasingly popular advent of ‘summer schools’ ,  the other has an undeterred resolve of the ‘perfect CV’ that has their most fancied summer internships as the crown jewel, while others fancy their truly deserved summer break in the sweet nostalgia of their home towns or fancy holidays that make up a core memory .

The onset of adulthood, the anxiousness of leaving your formative years behind too fast and the ruthless race to succeed in an unforgiving world – all adds up to the truly tormenting experience of being a college student facing the brink of the summer break .

Read also :

https://www.google.com/amp/s/www.businessinsider.in/internships-in-india-on-the-rise-with-startups-leading-the-way/amp_articleshow/67655265.cms

Featured image credits: Chegg India

Priya Shandilya

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Saffronisation of Cultural Expression

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The following piece seeks to understand the superimposition of dominant ideological narratives on cultural events. It does not, in any way attempt to disrespect the cultural/religious beliefs of individuals.  

Delhi University has often been described as an educational space for multiculturalism and diversity, where students from all over India intermingle and share their cultures with one another. Very often, students bring to the university campus, festivals and celebrations from different corners of the country which helps them create a sense of community far from home. It is an act of claiming a space, far from one’s homeland that initiates intercultural interaction and contributes to the richness of the campus spaces.

However, is the culturally diverse space that many of us would like the university to be, a utopian imagination? Cultural expression is often monopolised by dominant majoritarian communities that can afford to be more visible and vocal. How do we distinguish free cultural expression from ideological imposition? Furthermore, what happens when politically motivated ideologies are superimposed on cultural festivals?

On 22nd June, the Delhi Odia Students’ Association (DOSA) in collaboration with the Iskcon Student Centre organised the Jagannath Rath Yatra in the North Campus of Delhi University. It goes without saying that the Rath Yatra is a festival that is extremely close to the hearts of the devotees of Lord Jagannath. People from different socio-economic backgrounds come to join the procession, hoping to get a glimpse of the deity. People are often seen crying, overwhelmed to see the lord.

But can an event that is often hailed for its inclusive quality, retain its cultural ideals and innocence when it becomes so visibly saffronised? It is true that perhaps every cultural or religious festival is influenced by certain belief systems, but when the belief system is aligned with an ideology which translates into an aggressively asserted political agenda, it becomes potentially dangerous.

The political alignment of the procession organised in the campus was not simply reflected in symbols, but was also verbalised on certain occasions. The event began with an open and unapologetic assertion- ‘Bharat ka dharam, Sanatan dharam’, (The religion of India is Hinduism) and ended with Jai Shree Ram chants. The procession, adorned by huge saffron flags, traced the campus with hundreds of people joining in. The devotees danced and sang along; the sentimental and cultural essence of the procession could be felt. At the same time, the markers of it being a politically aligned procession were hard to ignore.

One could obviously argue that Jai Shri Ram chants in a Jagannath yatra is not arbitrary because Ram and Jagannath are essentially different avatars of Lord Vishnu. In today’s India however, Jai Shri Ram is an immensely politicized slogan – one that is rooted in majoritarian beliefs of Hindutva. To say that it is an innocent appeal to lord Ram is to disregard the persecution faced by thousands of people from minority communities, against whom the slogan has been weaponised.

Before the commencement of the yatra, an elaborate speech was given which emphasised upon values of devotion, servitude and gratitude. The cultural belief system of a Brahmanical conception of Hinduism was presented as the moral standards of India. While science, modernism and ‘western’ values received censure, the ‘Indian’ way of life was pedestalised. It must be noted that the Jagannath Rath Yatra at Puri has no custom of preaching. Everybody joins the event as a devotee and no authority figure is given the centre stage. Representatives from the Akhil Bhartiya Vidyarthi Parishad (ABVP) – a right wing student organisation affiliated with the Hindu nationalist RSS – were formally present in the event.

The Rath Yatra was provided immense police protection. It is entirely valid to ensure police deployment in cultural festivals to ensure orderly execution of the same. However, the sincerity with which police protection is provided to events that exude right wing sentiments is entirely absent when students get attacked by mobs on campus. When a mob of men, gate-crashed the college fest at Indraprastha College for Women, raised misogynistic slogans and Jai Shri Ram chants and harassed women, the police did little to ensure their safety. The police has acted either as passive observers or violent upholders of law in situations like these.

When a religious event is distorted and appropriated to further a political ideology, the cultural and emotional essence of the festival is hurt and disrespected. Although the devotees attending the rath yatra did not express concern regarding the nature of the yatra, the ideological undertones were felt without doubt.

The Jagannath Yatra is very close to our hearts. Devotees wish to remain connected with the lord Jagannath and seek his blessings. It is an expression of unadulterated and innocent devotion. It is not supposed to be used to further any ideological agenda” – Aditi Routray, a student at LSR

 

Featured image credits – Tulip for DU Beat

Read also – https://dubeat.com/2023/04/04/the-invasion-of-ipcw-a-students-account/

Tulip Banerjee

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The Information Influx and Notification Nuisance

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The accessibility in communication has blurred the lines between formal and informal forms of communication. With information available to us at our fingertips, there’s an expectation to be constantly online and updated. There’s no excuse to not do so since notifications buzzing around us. However, what is the cost of information influx?

Ping. You just put your phone down and were about to take a moment to yourself to break away from the constant influx of messages and notifications. However, you just heard the high-pitched sound that itches you increasingly until you can’t control yourself and finally give in to your urges. Before you know it, the muscle memory of your fingers swiftly types your passcode, and you have finally accessed WhatsApp. No worries, though, since it was just your friend reacting to your previous text. Since you have already made an effort to open WhatsApp, you might as well casually scroll through a few unread messages. There is, however, no such thing as casual on WhatsApp, and you are now obligated to reply to those messages because you might as well do it now.

Many of us are chronically online due to the demands of accessible communication. Even subconsciously, we constantly crave stimulation because we are accustomed to how conveniently we can access information. Getting updated is considered the bare minimum in keeping up with today’s globalised world. Notifications play an important role in ensuring you are on top of all your commitments and updates. In some ways, notifications ease communication for us because we don’t have to go the extra mile to get updated. WhatsApp groups are synonymous with a college notification board as they are the only way to get crucial updates on any developments in regard to your classes and societies. Notifications are a necessity to survive the fast-paced nature of college. However, just as easily, they can become an overwhelming source of anxiety.

There are several mechanisms to reduce the impact of notifications. For most of us, it is keeping our phones on silent mode and returning to our phones at our convenience. However, since our phones are perpetually glued to us, the silent mode feature is almost redundant in shielding us from our notifications. However, you may mute your notifications which prevents notifications from even appearing on your home screen. As most of us are acquainted with, blindly muting our notifications often has repercussions on our professional and personal lives.

Turning off all my notifications hardly ever works for me. I just feel like as college students we don’t really have the luxury of just muting all our notifications because the messages that we receive from college often require our immediate attention. Even when I choose to get back to messages at a convenient to me, I’m bombarded with over 50 messages from different groups and it creates even more stress because I have to go through all those messages to make sure I didn’t miss out on anything important,” a first-year student discussed.

The first come, first serve basis is how opportunities are grasped in WhatsApp groups. Even a 30-second delay in response can lead you to lose an opportunity. This is exactly where the pressure starts to arise with notifications. There’s an inherent need to constantly be available and be the first person to take hold of such opportunities. Although showing initiation may appear to be the bare minimum form of showing commitment, over time the constant influx of messages and notifications takes a toll on your ability to respond. The continuous notifications eventually cause lethargy and you lose track of keeping up with important developments.

“I remember the first day of college when all of a sudden I was added to so many groups and in those groups there were links to other groups. Official groups, unofficial groups, opportunity groups, and students of 2025/26 groups. It was so overwhelming trying to keep up with all of it because you are new to college and you are already stressed enough and you don’t want to miss out on important updates. I remember I joined a group a few hours later, and the entire CR elections had already been conducted and I had absolutely no clue about it,” a first-year student observed.

In the interest of professional commitments, somehow personal commitments take a back seat. In the wake of keeping up with emails and WhatsApp messages, answering texts from your friends and family may seem trivial. Due to this, your personal relationships suffer as you may not actively contribute towards staying in touch due to the lethargy that accompanies meeting your professional updates.

I have all my groups from college pinned. Since there are over 25 of them, I hardly even see messages from my friends because there is always something going on in my college groups. And they are very important and if I don’t get back to them in a few hours, I’m usually tagged. It becomes so draining trying to keep up with all this that I just completely forget that I haven’t even replied to my friend who texted me 2 days ago” lamented a student.

The urgency that accompanies notifications often is fueled by an intrinsic need to be available and immediately deal with the issue. Over time, just the mere sound of a notification can cause a wave of anxiety due to the urgency it creates. They can also be very overwhelming especially when the group chats are spammed with messages that compel you to answer them immediately. In the process, you start disassociating yourself from your surroundings and remain stuck with the updates and commitments. Due to the accessibility of your presence, answering texts carve away your relaxation time and blur the boundaries between your priorities.

Especially with utilizing multiple devices, we are even more charged with notifications. Our laptops, phones, iPads and Tablets are constantly buzzing with notifications from all sorts of social media applications. Although disconnecting from the chaos of our devices is intimidating, protecting our mental peace is much more crucial. Sometimes we may miss catching up on our emails and texts but instead of feeling guilty about it, we need to assert boundaries and compartmentalize our priorities to preserve our sanity and peace.

Image Credits: Macworld

Read Also: https://dubeat.com/2017/09/30/in-the-age-of-phone-fare/

Sri Sidhvi Dindi

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ABVP Stages Protest at Aryabhatta College

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The Akhil Bhartiya Vidyarthi Parishad organised a protest at the Aryabhatta College on 21st June, in order to express concerns regarding student safety and student welfare in the campus. The college administration received condemnation from the protestors for apathy and indifference towards student issues.

On the 21st of June, the Akhil Bhartiya Vidyarthi Parishad (ABVP) organised a protest at Aryabhatta College in the South Campus of the University of Delhi. The protest was reportedly organised in order to condemn the inability of the college administration to ensure student safety in and around the college campus. On 18th June, a 19-year-old student named Nikhil Chauhan was allegedly stabbed to death outside the Aryabhatta College. The protestors blamed administrative negligence and poor security conditions around the college campus for the murder.

The protest, which was scheduled at 10:30, finally began at 11:30 and lasted for about 2 hours. The protestors reportedly bolted the college gates, not allowing students and faculty members to enter the campus. The protestors raised ‘vande mataram’ slogans and ‘bharat mata ki jai’ chants while asserting their demands.

The members of the ABVP made a list of demands that included – recruiting more female security guards, ensuring the availability of sanitary pad vending machines, renovating washrooms across the college campus etc. While some of the demands were specific and aimed at student welfare, other demands such as – “proper and strict action should be taken against incapable and abusive admin staff” were vague and incomprehensible. The protestors were mostly men and very few women were present at the site.

A student getting murdered right outside our college is a big deal. This could have been prevented. No action was taken by the admin staff even though they were aware of the fight between the victim and the accused that happened a week before the murder. The administration has been apathetic to student concerns. Students have to struggle for days even to solve minor issues. Our sports ground has been out of use for the past four months. We have made a list of demands addressing these concerns that we intend to place before the principal.” – Tarun Yadav, ABVP President for Aryabhatta College

The students, after staging the protest outside the college, marched inside the campus, raising slogans and vocalising their demands. The members of the ABVP expressed that they intend to place their demands in a meeting with the principal. There was tussle between the members of the admin and the protestors that resulted in chaos. Four representatives of the ABVP finally met with the principal and a meeting was held in order to discuss the concerns raised by the protestors. After the meeting, the members informed the protestors that almost all their demands had been readily accepted by the principal.

There was considerable police presence at the protest site. On being asked about how they feel about the deployment of police forces at the college, an ABVP representative stated that the police was present to help them carry out the protest without interference.

The police forces are not here to suppress our protest. They are here to ensure our security and to prevent any unwanted interference from other parties.” – Tarun Yadav, ABVP President for Aryabhatta College

Read also – https://dubeat.com/2023/06/20/a-delhi-university-student-stabbed-to-death-outside-of-aryabhatta-college/

Featured Image Credits – Pratik for DuBeat

Tulip Banerjee

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Aryabhatta College

A Delhi University Student Stabbed to Death outside of Aryabhatta College

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A 19-year-old student from the University of Delhi was allegedly stabbed to death outside of Aryabhatta College.

 

On Sunday, in front of Aryabhatta College in South Campus, a 19-year-old Delhi University student, named Nikhil Chauhan,  was allegedly stabbed to death. A week ago, one of the accused had allegedly harassed a woman friend of the victim, to which he had objected, said a senior police officer in conversation with The Hindu.

On Sunday, around 12:30 pm, the key accused and three of his accomplices met with Nikhil outside the College and stabbed him in the chest, the police stated. He was later rushed to the Charak Palika Hospital, where he was declared dead. CCTV footage has surfaced online, which, captured near the college, purportedly showed the accused escaping on scooters and a bike.

While talking to The Hindu, Nikhil’s father had this to say

We deserve justice, this is not what we send our children to school for.” He further stated, “I received a call at 12 p.m. that Nikhil has been injured, I rushed to the hospital, but by the time I reached, he passed away.”

The victim, who has been survived by his two brothers and parents who live in West Delhi’s Paschim Vihar, worked as a part-time model. His parents have said that he loved modelling and acting, taking part in many competitions in the city.

My son was also into modelling. He told me that he also wants to study political science to have vast knowledge about our country. He had a bright future. We don’t know what to do now,”

– said Mr Chauhan.

A case under IPC 302(murder) has been registered and an investigation is ongoing to apprehend the accused-who have been identified, the police have said.

“It is very unfortunate and sad that a young life has been lost and that also just outside the college where students come to learn and make career.”  said a Delhi University spokesperson in a statement to The Hindu.

 

Feature Image Source: DU Beat Archives

Read Also: Mismanagement and Arbitrary Decisions taken at Meghdoot Hostel

Vanshika Ahuja

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Campus Central

Mismanagement and Arbitrary Decisions taken at Meghdoot Hostel

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The residents of Meghdoot Hostel have expressed dismay upon their living conditions and have alleged that various arbitrary decisions have been taken by the authorities. The accusations have mostly been levelled against the former provost of the Hostel, Dr Pratibha Mehta Luthra, who has reportedly recently retired from her Hostel duties.  

Meghdoot Hostel is one of the two University hostels for women in North Campus. It primarily admits masters and PhD students. It has been reported that after the pandemic, quite a few hostels were not well equipped to take in fresh students. In Meghdoot Hostel most students were admitted as guest residents and were asked to pay a higher fee. It has been alleged that there was complete lack of transparency in the admission process. The basis on which students were admitted into the hostel is unclear and whether university guidelines were followed is in question. Reportedly, a disproportionately high number of science students, particularly students from Dr B.R. Ambedkar Center for Biomedical Research – the institution in which the former provost is a faculty member-were given permanent seats.

Students who were not given a permanent seat were asked to vacate on a short notice. Those who were about to complete their courses requested for brief extensions so that they could be allowed to stay at the hostel until the completion of their courses. Most of these requests were denied. Asking students to vacate their rooms on a short notice caused immense disruption as many of them did not have any other place to stay.

“My dissertation submission was on the 15th of June. I simply needed a 15-day extension. My application for extension was approved by the Department Head as well. Yet, the provost denied me an extension and refused to listen to my concerns” – a former resident of the hostel who wishes to remain anonymous

The former provost had reportedly undertaken the task of establishing a Saraswati idol in the Hostel premises. While the hostel often fell short of ensuring basic necessities for the residents, it was alleged that a considerable amount of the funds was spent in the establishment and maintenance of the idol. Multiple Hindu religious events such as havans and pujas were organised and it has been alleged that the students were coerced to participant in them. However, this has been refuted by a resident who stated that although religious gatherings and events were organised, attending them was a matter of choice. After the establishment of the idol, the hostel authorities stopped non-vegetarian food from being served in the mess. When this decision was met with complaints, the provost reportedly reasoned that non-vegetarian food cannot possibly be allowed in the hostel premises as the piety of the space had to be maintained due to the presence of the idol.

“We were repeatedly asked to participate in the events organised by the hostel. We were told that non participation in these events would affect our applications for permanents seats. Women from all over the country, from diverse cultures and different faiths, reside in our hostel. They were all asked to attend havans early in the morning. The prejudice that the provost had was very evident. – a resident of Meghdoot hostel who requested to remain anonymous

DU Beat contacted the members of the managing committee and the former provost to respond to the allegations.

“Thank you for kindly communicating with me on the matter. I held a meeting with the students on 2nd June 2023 in the matter. The response from them has been communicated to the management committee. Everything has been done as per rule and based on the request from the students.”  – Dr Pratibha Mehta Luthra, Provost, Meghdoot Hostel

Reportedly a new provost has been appointed to the hostel. The students hope that their concerns are taken care of with greater sincerity in future.

Featured image credits: Joon Square

Read also – https://dubeat.com/2023/04/30/lsr-hostel-student-suffers-injuries-after-ceiling-collapse/

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