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As months of anticipation and years of struggle come ostensibly crashing down, here is a moment of reckoning with institutional failures and the road that lies ahead.

10:48 AM on the crispy morning of 17 October, 2023. Groups of students huddle at the back of lecture halls, their eyes or ears fixated on the livestream or latest updates from the Supreme Court’s (SC) judgement on same-sex marriage equality. Nearly 5 months of waiting and 10 days of preceding hearings had led up to this moment. While the expectations going in differed for each individual, I swear we all experienced a collective adrenaline rush in the hours and minutes leading up to it. It is as if the weight of this verdict and the bearing it would have on our fates and futures had suddenly come crashing upon us.

Such is my intent with this piece. I am no queer activist with credit or contribution to the struggle that was fought for this case. Nor am I an expert who can offer insight or add to a conversation that has already been covered much better than I ever could. I am simply a young queer person seeking to memorialise this event in my eyes and those of the people of my age and community. Because if there is anything that queerness has taught me, it is that the power of memory and the power of stories outlive everything.

The pronouncement of the judgement certainly began on a high note, in large part due to the Chief Justice’s words, whose queer-sensitive remarks had been a highlight of the hearings as well. It did not take long, however, for all the hopes and exhilaration to come cascading down, ultimately solidifying as a pit in the stomach as we saw a relatively trusted institution shift the mantle of responsibility to one that few queer people hold faith in. Prakhar, a student who had been closely following the livestream, shared the initial joy he felt in being seen,

While all of this was happening, I was feeling very, very emotional. I was almost about to cry because of how we were being validated and talked about, and the fact that someone at a high level was acknowledging that queerness is not western and that we exist to deserve better. But of course, as the judgement moved on, all of these statements became futile. All the emotions that I was feeling went straight down the drain.

The degree of institutional trust held by the queer community is key to understanding the verdict at hand and the reactions it has elicited. The battle for LGBTQIA+ rights in India has historically found more success in the courts than it has in our legislatures. From the 2014 NALSA judgement to the 2018 decriminalisation of homosexuality, the judiciary of India has upheld the rights and dignity of queer individuals in the face of a cis-heteronormative society whose majority opinion seldom sways in the favour of marginalised groups.

In the case of the queer movement, legal reform has had to precede a social overturning of long-held prejudices. To see an apex institute abdicate itself of the responsibility to initiate such change is disappointing, to say the least. Add to this the Centre’s affidavit in March disapproving of same-sex marriages as something that “would cause a complete havoc with the delicate balance of personal laws in the country and in accepted societal values” and their history of misrepresenting the queer community in legislation such as with the Trans Act 2019, and it is evident why people are calling this verdict the setback that it is.

Not all hope is lost, however. In fact, far from it. In conversation with DU Beat, Yash Sharma, founder of Official Humans of Queer, says,

While this verdict may not grant us all we’re fighting for, it has ignited the flame of determination within us. This newfound resilience will undoubtedly aid us in future battles, whether it’s for marriage equality, horizontal reservations, mental health support, or any other essential rights.

Moments like these also bring out the dire need for queer representation in the leadership and decision-making institutions of our country. Reflecting on the judgement, Gavish from Hindu College Queer Collective says,

The fiasco made me realise how just pressure from our side is not enough, we need more and more queer folks in position of power to change the prevalent conditions. Queer destinies are being determined by people who do not relate to queer issues; hence they are bound to fail.

In my conversations with queer peers, I was saddened yet felt empathetic upon observing great dejectedness and hopelessness among the youth of my age group. Perhaps stemming from the fact that this was our first face-to-face incidence with an institutional failure of this scale, a reaction of hurt and rage is naturally expected. It is in moments like these that I find it crucial to turn to our queer elders and queer history. Georgina Maddox, queer feminist art critic-curator, shares,

The younger generation should not feel defeated or depressed because queer rights have been gotten through fighting. We faced a similar set-back for Section 377 of the IPC that criminalised ‘carnal intercourse against the order of nature.’ Similarly, the marriage act for queer couples has to be redefined in gender non-binary manner and re-applied for. We will not give up but continue to struggle till we get our rights.

This should serve as a moment of reckoning. If you are a young queer person, especially one whose intersectional privileges have allowed them to distance themselves from politics and activism, this is your wake-up call. Apoliticism will not bring you queer rights, but channelling the pain and rage into actionable dissent might. As the LGBTQIA+ movement wages on in the country, which side of history will you choose to be on?

Read also: Student Unions and the Queer Community: Authentic Representation or Queer Baiting?

Featured Image Credits: DU Beat Photo Archive

One after another, Indian states are burning in the fire of communal violence while we sit in our homes, unaware that these flames can reach our doors at any time. While data highlights a decreasing trend in communal violence, the washed-away ash and walls of half-burnt houses convey a rather different image. 

For the past 5 months, the north-eastern state of Manipur has been constantly burning in the flames of communal violence. According to the official data, the violence killed around 200 people and displaced more than 70,000 people. The north-eastern state continued to burn while the majority of Indians were occupied watching the live telecast of the G20 summit. Not just Manipur, but numerous Indian states experienced communal clashes in 2023, with major incidents recorded during the Ram Navami festival. Nevertheless, according to data from the National Crime Records Bureau (NCRB), there has been a constant decline in violence in India. So, is there really a steady decline, or are we reading the graph upside-down?

According to the data by the NCRB, during 2014-2017, 3508 incidents of communal violence were reported in the country, which claimed the lives of 75 people. However, according to the Ministry of Home Affairs’ (MHA) answers in the Lok Sabha, India saw 2920 instances of intercommunal violence, which resulted in the deaths of 389 people. This significant discrepancy between the NCRB and MHA statistics is one of the main causes of scepticism about the decline in incidences of communal violence. The government claims that the primary cause of the data mismatch is the grouping of the data. NCRB gathers police-registered (FIR) incidents of communal violence from states, and numerous FIRs might be filed in the same occurrence, but MHA data is not dependent on FIR. 

This argument appears logical, yet the government’s own data pulls it into doubt. NCRB data, according to this theory, should be greater than MHA figures. However, according to 2017 data, the NCRB documented 723 incidents and 16 deaths, whereas MHA data shows 823 cases and 111 deaths due to communal violence in India. Factly writes,

For 2014, there was a discrepancy between the numbers reported by the NCRB and MHA for as many as 23 states/UTs. Strangely, in states such as Haryana, Jharkhand, Tamil Nadu, and West Bengal, the numbers reported by the NCRB were way higher than the ones reported by the MHA, whereas in states such as Karnataka, Madhya Pradesh, Rajasthan, Gujarat, and Uttar Pradesh, the MHA numbers were higher than those reported by the NCRB.

This trend was repeated in 2015 and 2016, where the discrepancy was observed in as many as 24 and 25  states/UTs respectively.

Another substantial reason to question the reliability of the data is that the NCRB does not collect disaggregated data on attacks against certain communities. This results in the formation of a hazy image of communal violence in India. According to data from the United Christian Forum (UCF), 525 attacks on Christians took place in India during the first eight months of 2023. This data on attacks on only one community in 8 months outnumbers NCRB data on communal violence incidents in the year 2021.

What’s concerning here is not just the reliability of the data but also the government’s refutation of communal violence in the country. Yogi Adityanath, the Chief Minister of Uttar Pradesh, stated that no riots occurred in the state between 2017 and 2021. However, according to NCRB data, there were 35,040 incidents of rioting between 2017 and 2021.In the last two to three years, there has been not only rebuttal but also systematic planned action against a specific community in the aftermath of communal conflicts. Since the 2020 Delhi riots, there has been a spike in false police charges against Muslims, as well as arbitrary demolitions of their properties.

While the government and its statistics are busy establishing a decrease in communal violence, a report by the Pew Research Centre graded India 9.4/10, first on the Social Holistics Index (SHI) 2020, worse than its own score of 2019. (A High score indicates an increase in communal clashes.)

A recent report by the NCRB reveals a steady decline in the last 50 years. What’s questionable is a sharp decline in cases during every NDA’s regime and an increase in cases during the UPA’s rule. Not only this, but reports from several International Human Rights Organisations (IHRO) concerned with a decrease in religious freedom in the nation conflict with data indicating religious harmony and a decline in communal violence.

While multiple IHRO reports labelled India an “Electoral Autocracy”, and demoted it on the Democracy Index, the Indian government refuses to recognise or debate any of these reports. The growing religious hostility we witness around us raises the question, “Are we really heading towards communal harmony, or is this just a mirage?”

Read also: The Fear of Being Identified

Featured Image Credits: The Wire

Dhruv Bhati
dhruvb@dubeat.com

Students and activists took part in the demonstration to support the victims of the horrific war crimes committed in Gaza, which included the loss of lives of thousands of innocent children. 

On October 23, 2023, a protest organized by the Students’ Federation of India in Delhi took place at the Embassy of Israel in New Delhi. This protest was an expression of solidarity with Palestine and a strong plea to stop the ongoing violence committed by Israeli forces in Gaza. Around 2 p.m. on October 23rd, a large gathering of supporters, including social activists and students from various universities and student organizations across Delhi, assembled near the Khan Market Metro station. Together, they initiated a united march towards the Embassy of Israel.

Upon reaching their destination, the protesters were met with a substantial police force that prevented them from advancing further. The authorities detained the demonstrators, leading to a temporary halt to their protest. An hour later, a second group of students, holding placards in support of Palestine and chanting slogans, initiated another march towards the embassy. They, too, were soon detained by the police forces.

The backdrop to this protest is the ongoing conflict in Gaza, where Israeli airstrikes have resulted in the tragic loss of over 5,000 lives over two weeks. The history of the Israel-Palestine conflict is marked by turbulence and violence. As the attacks persist, people worldwide stand united in their call for an end to the loss of innocent lives and the provision of essential services to the people of Gaza through humanitarian aid.

Our conversations with the protestors helped us get a clear view of their motivations and perspectives on the issue. A student from Jawaharlal Nehru University (JNU) who joined the protest explained that their objective was to oppose all forms of violence in Gaza and urge the governments to support the Palestinian cause. He emphasized that the march towards the Embassy was a means to convey their message to the media, the general public, and ultimately the government.

What is happening in one part of the world cannot leave us unaffected or detached. It is not right to assume that India and its citizens will remain untouched by the consequences of this conflict.

– One of the supporters present at the march.

The supporters stressed their point by saying,

Humari sankhya kam ho sakti hai, par humari awaaz buland hai

(Our numbers may be small, but our voices are powerful.)

Many protesters were also against police actions and the detention of their fellow participants. They requested the administration to respect their right to peaceful protest. Social activists present at the event underlined the historical importance of mass protests in India’s struggle for independence. They argued that the administration should not restrict their freedom to express their views.

The demonstrators also stressed that the world must not remain silent in the face of such a grave humanitarian crisis. They highlighted the need to stand in support of the oppressed and the innocent in Gaza, as one day India might require the international community’s support in times of crisis, just as the civilians of Gaza do now. The protestors’ believed in the importance of global solidarity and the responsibility of nations to support one another in the face of injustice and conflict.

Read Also – https://dubeat.com/2019/12/01/why-are-israelis-moving-into-a-conflict-zone/

Image Credits – Anshika Sharma for DU Beat

By DU Beat

The cultural context in India undeniably aggravates women’s mental health concerns, emphasizing the need for gender-specific mental healthcare.

There’s no doubt about the fact that the world has witnessed significant advancements in healthcare and societal norms over the past century. However, hushed conversations around mental health persist, especially when it comes to women. It was not very long ago that women in the Western world were put through procedures as invasive and barbaric as lobotomies under the guise of mental health treatment. While methods have definitely evolved, the stigma surrounding women’s mental health and the lack of adequate care are problems that still very much endure.

It is widely accepted in medicine that gender is a key determinant of mental health, as there are differences in the needs and experiences of people of different genders. Biological differences (in addition to social factors) keep women more vulnerable than men to mental health disorders. Estrogen and progesterone make women more susceptible to developing fear and anxiety as they regulate mood and cognition. Reproductive health and pregnancy-related mental illnesses also contribute to the disproportion. However, in India specifically, another reason for the need for gender-specific care is realized when we look at the intensity of how social factors determine women’s mental health in India.

The patriarchy is not unique to our country, but the ways in which it is upheld today are strikingly more severe than most. The preference for the male child and subsequent lower educational status of women, stricter standards for behaviour, early marriage, and the subservient role in the marriage household are all common parts of the lifestyle of an average Indian woman. These factors, coupled with the alarming rates of domestic violence, contribute to the occurrence and treatment of mental health disorders among Indian women.

As of October 2021, the majority of those facing mental health issues in India were women, but the obstacles associated with seeking assistance deterred them from doing so. Women in Indian society are expected to be the sole caretakers of not just the children in the family but also the adults. Even in ‘modern’ households where they might not exactly be expected to do so, women tend to assume responsibility for the same because such are the effects of deeply ingrained patriarchy. When women barely give up on such ‘duties’ while physically sick, it’s easy to understand why a study mentioned that they are apprehensive to seek mental health care in fear of being rendered useless and becoming a burden to their families. In fact, that is exactly how society perceives women with serious mental health struggles, as a study showed that such women are twice as likely to experience physical and sexual abuse as the general female population in India.

It is thus very evident that gender-specific mental health care is an imperative in India, and although we’ve seen notable progress in the past decade, it unfortunately remains accessible primarily to a privileged demographic within the metropolitan cities. The path towards extending this care to all of India will require elevating societal awareness, encouraging open dialogue, and advocating for reforms in healthcare policy. It is a long road, but one that needs to commence because women’s mental health is not some marginal concern but an integral component of society’s well-being.

Read also: Who Protects Our ‘Safe’ Spaces?

Featured image credits: ABP Live

Arshiya Pathania

arshiyapathania2@gmail.com

The 19th edition of the World Anthropology Congress was hosted by India after 45 years within the premises of Delhi University, denoting major developments in the field of Anthropology within the country.

The University of Delhi was host to the 19th International Union of Anthropological and Ethnological Sciences (IUAES) World Anthropology Congress 2023 in India from October 14 to October 20. The country hosted this event after a span of 45 years.

Distinguished scholars from the field of Anthropology and other allied disciplines from 70 different countries graced the event. The congress is organised by the Indian Anthropological Association, in collaboration with the Ethnographic and Folk Culture Society of India, the Department of Anthropology, University of Hyderabad, and the Discipline of Anthropology, Indira Gandhi National Open University. The congress was hosted by the University of Delhi.

The inauguration ceremony of the conference was held on October 15, 2023. Junji Koizumi, President of IUAES, provided an overview of the history of IUAES, highlighting that the first Congress was held in London in 1934 and subsequently in various regions worldwide, including Asia, with India hosting the event in 1978.

The President also highlighted that IUAES had become more active through institutions and now returned to India at a significant moment in the intellectual development of Anthropology as a discipline.

The conference’s theme, “Marginalities, Uncertainties, and World Anthropologies: Enlivening Past and Envisioning Future,” seeks to critically examine historical marginalisations and hierarchies as well as how they have been perpetuated throughout the current crisis. It is also intended to spark new discussions and search for innovative solutions that will allow us to eliminate the previous disparities and inequities and create a brand-new world from the rubble. The plenary sessions and some of the special or distinguished talks took place in hybrid format, while the rest of the conference was hosted in physical mode.

The IUAES is a global association of researchers and organisations dedicated to anthropology and ethnology. It is also of importance to linguists, among other disciplines. It strives to improve trade and communication between academics from all corners of the globe in an endeavour to collectively advance human knowledge. The IUAES was established on August 23, 1948, but the foundations of The IUAES were laid much earlier.

The Congress shall feature various events, including 165 technical sessions, 10 plenary sessions, 160 panels, 15 round tables, 10 workshops, and the screening of 16 ethnographic films. The conference will also feature exhibitions from the Indira Gandhi National Centre for the Arts’ Janpad Sampda division, Rock Art division, and Indira Gandhi Rashtriya Manav Sangrahalaya. The conference aims to bring theory and practice together, promote global cooperation, and give academics and policymakers a forum for in-depth dialogue. Besides, the Congress also hosted Panel Proposals, Round Tables and Workshops to foster immersive research experiences and encourage debate and discourse.

Soumendra M, Patnaik, Conference Chair and the Head of the Department of Anthropology, DU, added that the fact that the event is being held on the Delhi University campus itself showcases the institution’s ‘advanced infrastructure’ and the ‘capability to host a conference of this magnitude’.

Read More: Faculty Displacement at IPCW: Impact on Students and Academic Integrity

Featured Image Credits: Careers360.com

Priyanka Mukherjee

priyanka200303@gmail.com

 

 

As the much-awaited festive season fills the air with excitement and joy, we’ve got you covered with a thrilling and famous adventure – exploring Durga Puja in the capital city. Here’s how you can make the best of this celebration.

The festival of Navratri, coinciding with a long weekend, presents the perfect opportunity to immerse yourself in the vibrant atmosphere of Durga pandals across the city. Delhi offers a multitude of places to explore during this time, making it difficult to manage your schedule for the upcoming three to four days. The ambiance here is so distinct that it envelops you in an aura of auspiciousness. From the well-known ‘Mini Kolkata’ in CR Park to newer ones in Dwarka, Gurgaon, and Noida, the list is extensive. However, what is Navaratri without indulging in the tradition of visiting pandals?

When you step into one of the puja setups, you are welcomed by the resounding beat of dhols and other traditional instruments. The night sky is adorned with colourful lights, and the streets come alive with decorations of fresh marigolds and mango leaves. Small vendors sell balloons, masks, and toys that inevitably catch the eye of every child, while stalls are set up for jewellery, sarees, handcrafted gifts, and paintings – catering to the tastes of both artists and shoppers.

Puja celebrations are also a treat for your taste buds as there are multiple stalls offering a variety of delicacies, ranging from traditional Bengali snacks and sweets like mishti doi and khichdi to spicy chaat and tikki and other North Indian dishes.

The main highlight of these setups is the idols of the Goddess Durga and Kali, a sight reserved for once a year. The divine clay idols, adorned with intricate details, reflect both the feminine and masculine qualities of the Goddess. While her beautiful lotus-like eyes and long black hair exhibit her eternal beauty and gentleness, the weapons and chariot symbolize her courage and valour.

Beyond their religious significance and their role as sources of divine power and positivity, these idols are special because they reflect the hard work and creativity of skilled artisans, who begin preparing them months in advance. Various rituals are performed during Durga Puja, offering the perfect chance to students to experience the culture of  Navaratri celebrations. 

Once you’re convinced that this can be an exciting and distinctive activity, you can plan your days accordingly. Start by selecting a traditional or glamorous outfit that suits your style and wear comfortable footwear since there will be a lot of walking. Don’t forget to carry a water bottle! Make a list of the places you want to visit, note their opening hours, and plan your route for convenience.

Now, let me introduce you to the places you can visit during these five days, the Timarpur and Civil Lines Durga Puja Samiti. This Samiti has been organizing pandals since 1914, making it the city’s second-oldest setup after the Kashmere Gate Puja Samiti. In a conversation with the President of the organizing committee, Sukhangshu Chatterjee, we learned that during British rule, when the capital was shifted from Calcutta to Delhi, many government servants from Bengal migrated to Delhi. They brought with them the tradition of celebrating Durga Puja, a four-day festival from Maha Shashti to Maha Navami. Government employees living in the Timarpur area initiated Durga Puja celebrations, and now, this pandal is over 100 years old but still continues to keep the legacy of puja alive.

 To reach here, you can take the nearest metro to Vishwavidyalaya and then, take an e-rickshaw to Timarpur colony. The pandal is relatively small, with the Devi’s idol at the centre and a stage for cultural events on the left. There’s also an alley dedicated to food stalls. 

Over the years, the pandal has adapted to contemporary changes, featuring unique themes each season, to convey a message through the representation of the goddess. Maa Durga is worshipped with her four children: Kartikeya, Ganesha, Laxmi, and Saraswati. The clay image that represents all four children, along with Durga, is perched atop her vahana or carrier, the lion, with the slain asura, Mahishasura near her left foot.

This year’s theme represents the form of Mahishasura Mardini in the background, while the front structure portrays Durga and her children in simple attire, symbolizing her visit to her father’s home from the abode of Kailasha. Her human-like resemblance serves to highlight the presence of human emotions in the divine and the presence of god-like attributes in every human. Just as Durga can take on the form of Mahishasura Mardini when necessary to combat evil, humans too can overcome negativity around them. The message is to spread positivity and goodness, in times of conflict and cruelty.

 On a personal note, I found attending the Agamani ceremony, a celebration of the Goddess’s arrival, to be an incredibly uplifting and spiritual experience. The rhythmic beats of the dhol and the serene recitation of mantras created an atmosphere of anticipation as everyone eagerly awaited a glimpse of Maa Durga. Throughout these four days, there will be numerous such rituals which are not to be skipped amidst all the other fun activities. 

Timarpur Puja pandal will also host a wide variety of performances, from live orchestras and street plays to traditional dance forms, in an attempt to bring people together for this annual gathering. 

The doors are open to visitors from all communities, and the festivities are not restricted to the Bengali community. The organizing committee aims to include everyone while sharing their culture with them. During our conversations, we also discovered that many visitors were once residents of the Timarpur colony and have been returning to the place for over 50 years, even after moving to other parts of the city. It’s their dedication and devotion which makes the place special for them, as well as the visitors.  

Timarpur Puja is just one of the many places in Delhi with stories, memories, and traditions that are upheld by people as a part of their commitment to their culture.

CR Park, Minto Road Pandal, Arambgarh, and Safdarjung Enclave pandals are some of the other beautifully decorated pandals in the city that should be on your list as well. 

So, don’t wait any longer, and give your mood an instant lift with one of the season’s most exciting activities. Leave café-hopping aside for a while, as it’s time for pandal-hopping! Shubh Navaratri.

Read also https://dubeat.com/2014/10/04/durga-puja-city-djinns/

Image Credits – Google Images 

Priya Agrawal

The High Court (HC) ruled in favour of the petitioner and stated that the University could not unfairly reject admissions of deserving students because of the inconsistency in its own information bulletin.

In a recent ruling, the Delhi High Court called out the University of Delhi for arbitrarily cancelling a student’s enrollment. The case goes back to the previous term, 2022–23, when a student was denied admission to Kirori Mal College (KMC) in the B.A. Hons Geography programme offered by Delhi University (DU) on the grounds of “non-fulfilment of subject mapping criteria.”

Since last year, admissions to many central universities, including Delhi University (DU), have taken place through the Common University Entrance Test (CUET) (UG)-2022. The eligibility criteria require passing class XII from a recognised board and adhering to programme-specific requirements. In this case, the petitioner opted for English, Hindi, Geography/Geology, History, and Political Science, deviating from specific subject requirements for B.A. (Hons.) Geography.

However, the CUET allowed for flexibility if an individual Central University permitted it and The petitioner argued that, in the absence of ‘English Literature’ as a CUET subject, he opted for ‘History,’ which he considered the closest match to his prior studies. According to Clause 4 of the University’s information bulletin, the student was offered this flexibility.

After the results were announced, the petitioner was allotted a seat in the B.A. Hons Geography programme at Kirori Mal College on October 19, 2022. The seat was accepted by the student, but the University later cancelled his admission, citing “non-fulfilment of subject mapping criteria.”. This lead to a legal dispute.

The University of Delhi challenged the petitioner’s eligibility based on the subjects chosen in CUET. This case was previously presented to a single judge bench presided over by Justice Vikas Mahajan, who held that the University of Delhi had arbitrarily and incorrectly cancelled the petitioner’s seat without any of the petitioner’s fault and violated the terms and conditions outlined in the Bulletin of Information. He also noted that the petitioner was a deserving and meritorious student who had made it to the merit list in the first round of admissions.

The University of Delhi was ordered to admit the petitioner into the B.A. (Hons.) Geography programme at the same institution in the academic year 2023-2024 due to the conclusion of the admission procedure for the previous year.

The single judge’s decision ordering the University to accept the student into the B.A. (Hons.) Geography programme for the academic year 2023–2024 was challenged by DU in a Letters Patent Appeal (LPA) and hence presented to the High Court.

Delhi University was represented by attorneys Mohinder J.S. Rupal, Hardik Rupal, and Sachpreet Kaur, while the respondent student was represented by advocates A. Velan, Navpreet Kaur, Nishant Bishnoi, and Mritunjay Pathak.

The appeal was to reverse the previous judgement because, as per the guidelines, the student was required to give the admission test again to get enrolled for the academic year 2023-2024. The appellant also argued that the ‘DU Exception’ did not apply in this case, and hence the judge cannot link ‘English Literature’ and ‘History’ as similar.

The key concerns of the court were to explore and understand the university guidelines and check whether ‘History’ could be replaced with ‘English literature’ or not. Secondly, the bench considered whether the student could actually be admitted to the term 2023–24 based on the previous judgement.

The court observed that although CUET required students to align with subjects that they took in class XIIth Examination, Clause 4 of the information bulletin permits the students to choose a subject that mirrors their preference in XIIth Board and resembles the programme they wish to pursue further, hence offering a deviation. In this situation, the student had rightly used ‘DU Exception’ with no fault of his own since the university had not released clearer instructions regarding the same. The whole injustice was caused by the ‘narrow interpretation’ of the guidelines.

The University’s denial of admission was hence unreasonable, according to the court, which also determined that the student had properly used the DU Exception. It brought to light the ambiguous criteria for using the DU Exception and the University’s constrained interpretation of its own guidelines.

Delhi University has failed to provide a cogent rationale regarding the perceived dissimilarity between ‘English Literature’ and ‘History’ and overlooked the very essence of the DU Exception. Notably, the University has neither delineated guidelines nor disseminated instructions that clarify the parameters of the DU Exception, such as defining the extent of “similarity” or “closeness” between subjects.

– Read the observations by the bench.

Regarding the second matter of reviewing the single judge’s decision to provide relief to the petitioner, the court referred to the judgement of the Hon‘ble Supreme Court of India in the case of S. Krishna Sradha v. State of Andhra Pradesh, (2020) 17 SCC 465. According to the guidelines of this landmark ruling, if a ‘meritorious’ student has been denied admission on arbitrary grounds or the breach of rules, affecting his or her rights, and has approached the court on time without any delay, he or she should be granted justice to not limit their academic journey. If he or she cannot be provided relief of admission in the present year, the court can direct such admission to the next academic year.

The bench thus favoured the student and mentioned,

The student cannot be held accountable for any delay or negligence. Being an exemplary candidate, he has been unfairly deprived of his admission due to the capricious and unwarranted decisions of the Appellant University.

The Court emphasised the importance of upholding the ideals of fairness, inclusion, and clarity in educational institutions, particularly those with the status of Delhi University. It criticised the absence of clear guidelines for applying the DU Exception, stating that this ambiguity not only leaves students in a state of uncertainty but also makes it difficult to foster clarity in rules and their uniform implementation.

Read also: Shockingly Low Admissions for New B.Tech. Courses at DU

Featured Image Credits: Google Images

Priya Agrawal
priya.agr1609@gmail.com

Harper Lee’s magnum opus is perhaps one of the most widely read books today. However, it often finds itself under scrutiny for some of its themes.

To Kill a Mockingbird is a novel that everyone has either read or feigned familiarity with. Originally anticipated to achieve only modest sales, the book is recognised today as a timeless classic. The seemingly uneventful plot and the deliberate, unhurried pacing are common points of criticism. However, it can be argued that these very attributes are the source of its strength.

The novel is narrated in the first person by our narrator, Scout Finch, a little girl from the 1930s American South. Along with her brother, she takes us through the mundane life in her small town, which gradually reveals an atmosphere of gender and racial prejudice, reflecting the prevailing attitudes of that time. The story follows the experiences of these siblings and their friend as they gradually learn about the social norms and values of society. The racist and sexist ideologies of the time are depicted through various supporting characters, who are portrayed realistically as one would imagine for that time in America.

 

Scout is a spirited young girl who doesn’t just accept what she sees or hears from the town folk and constantly demands explanations from her father, Atticus Finch. Atticus, hailed as the novel’s hero, is a very virtuous man who embodies unwavering moral integrity. He consistently imparts wisdom to his children on delicate subjects instead of avoiding the challenge like other adults would. Young Scout, often oblivious and unaware, serves as the perfect receptacle for Atticus’s guidance. Atticus is a lawyer representing a black man falsely accused of rape. He does so in the face of judgement from both his family and the townspeople, who, during a period when the word of a black man held little sway over that of a white person, questioned his beliefs.

Through the trial that follows, the kids gain insight into the deeply ingrained prejudices of their society. They come to realise that the seemingly straightforward act of kindness and standing up for what’s right is, in reality, a complicated endeavor. Watching the story unfold from the perspective of a little child who doesn’t get why some people are treated differently leaves the reader with a deeper understanding of the absurdity of it all. The novel, through its simple and often amusing writing, leaves one thinking about the power of kindness, compassion, and the pursuit of justice.

The book is undeniably a literary classic but often finds itself under scrutiny in the educational landscape due to its use of racial slurs and the sensitive topic of rape. While the novel does employ racial slurs liberally, it is important to remember that it’s set in a specific historical context where the use of certain words was unfortunately prevalent. Moreover, the novel’s portrayal of the subject of rape is remarkably subtle, with no sensationalism. This approach has made it easier for the reader to better explore the broader themes of innocence, morality, and injustice.

‘To Kill a Mockingbird’ retains its relevance as it continues to convey the fundamental message that being a compassionate human being matters. And, given the world’s circumstances today, that is a lesson humanity should never grow tired of appreciating and practicing.

Read also: The Lesser Known History of Majnu Ka Tilla 

Featured image source: Bookstr

Arshiya Pathania
arshiyapathania2@gmail.com

TW// Harassment

You must have heard lately about serious cases of harassment in a few DU societies. College officials took action by banning members and even societies. While DU takes pride in providing a ragging-free campus or in taking swift, decisive measures to stop ragging, what often goes unnoticed is the casual harassment perpetrated in the name of “fun” that has turned into a “trend” among college societies.

The dancing society at Sri Aurobindo College was recently banned after some juniors complained about alleged physical and verbal harassment by the society’s president and ex-president. A similar incident occurred at the FilmSoc of Sri Venkateswara College. The college administration implemented rigorous measures in response; these incidents called the campus’s safety into doubt. While the Vice-Chancellor proudly assured the newly admitted batch of a ragging-free campus, what frequently goes unnoticed is the casual harassment that occurs under the pretence of “fun,” especially during society recruitments. 

DU takes pride in providing a ragging-free campus and strict disciplinary action against perpetrators. However, one of the most significant gaps in this “ragging-free campus” is how individuals perceive or understand “ragging.” Most people consider ragging to be a serious form of harassment, but what people need to recognise is the major problem of casual harassment, which is frequently carried out under the guise of “fun” and is becoming a trend in DU societies, particularly corporate societies.

One of the worst examples of this may be found during recruiting interviews for college societies. Most of these societies hire new members following a series of stages of selection and sorting that include form completion, tasks, and interviews. All of these things are largely carried out by core members of these societies. Interviews are an important phase in the recruitment process. These interviews serve as a breeding ground for such harassment.

I was asked to propose a flower vase during the interview.

-A first-year student at Kirori Mal College

Freshers are asked to dance, sing, propose to one another, to a senior, or to any random object during interviews by seniors. Freshers are required to perform this while being secretly recorded. The majority of these “tasks” have little to do with the skills necessary to be part of such societies. This is a recent trend that has emerged in college societies, particularly in corporate societies, where seniors engage in such behaviours intentionally or unintentionally. The majority of those involved in these activities believe it’s “mazak” (joke) and should not be taken seriously. They advise that juniors see this as a joke because it is “a way of bonding.”

 My friend, who is a core member of a society, showed me videos of them asking juniors to dance or propose to each other. She was laughing and pointing out how they made juniors do these tasks for interviews while they were being recorded. I asked her if they asked the juniors’ permission before recording. She replied,- ‘arre mazak mai kiya ye sab’. When I explained to her that this was wrong, she understood the mistake she had made.

– A third-year student

What they fail to understand is that this isn’t something that everyone is comfortable with. For juniors, mocking them, filming them, and circulating these videos without their permission can be traumatising. This type of ignorance comes with a certain level of privilege. Many DU students come from small towns and villages. It is not an easy road to DU, especially for female students. Most of these students lack the precise skill set that college societies want, but they join to learn and gain experience. Mocking and filming them could drive out these students from such settings, causing serious problems, particularly for female students. 

Because of safety concerns, most parents from smaller towns and villages do not send their daughters to DU, and discovering videos of their daughter being posted on random groups might result in them being refused access to offline campuses. For these reasons, these students are compelled to remain silent and tolerate the humiliation.

Not only that, but in certain college societies, especially film societies, “romantic or sexual relationships” are used as a deciding factor for position. Since the old core members determine the new core members in most societies, a member’s romantic or sexual contact with old core members determines whether or not they will be elevated to core positions.

All of these events or incidents are hidden from administration since most individuals do not consider them to be problematic. As a result of the seniors’ lack of understanding and awareness, college societies are becoming increasingly toxic and unsafe. These aspects also contribute to the segregation of students, with only “privileged” students dominating the majority of these areas. While awareness is crucial among seniors, it is also the responsibility of administration to look into safety issues in societies and educate juniors about these issues during orientation.

Read Also: Unveiling the Culture of Toxicity in SVC’s FilmSoc

Featured Image Credits: Nopany Institute of Management Studies

Dhruv Bhati
bhatidhruve@gmail.com

Sri Aurobindo College’s Dance Crew ‘Crunk’ was banned a few days back by the college, bringing to light several instances of harassment and abuse perpetrated by certain members, adding to the list of toxic cultural societies within DU.

Trigger Warning: Physical Abuse, Harassment and Image of Bruises

‘Crunk’, Sri Aurobindo College’s Dance Crew, one of the most reputed societies within the Delhi Dance Circuit (DDC) was disbanded by the college recently, following the suspension of the current president, Harsh Sharma, and PR head, Srishti Arora due to several incidents of physical and mental abuse and harassment, propelled by one of the present-choreographers, Divyansh Tripathy, a recent-graduate of Aurobindo College.

Speaking to DU Beat, Mitali Goyal, a student at Aurobindo College, former Vice-President of Crunk, and a victim of the shocking incidents that occurred within the society, recounts her journey through Crunk:

 “I joined Crunk in my first year in 2021 when Divyansh Tripathy was the President. Things went quite smoothly as there were some choreographers above him in the society who held power. However, during my second year, 2022-23, things had changed. Divyansh had passed out then but was coming to give guidance to the crew. From January 2023 onwards, Divyansh would hit us brutally with thick wooden sticks we used for our performance, every time we made mistakes. Many of us developed bruises and when we spoke against it, he would initially excuse it with ‘it’ll make you stronger’ or ‘this is how things have been happening in this society’.”

As time unfolded, the physical abuse became more intense with crew members- second years as well as freshers- being hit for the smallest of mistakes like coming back late from their breaks or asking for a day of leave from practice. And all this was done under the illusion of ‘maintaining the top-track record of Crunk within DDC’. While students raised their voices against Divyansh Tripathy, they continually received threats of being removed from the crew, something they could not afford considering Crunk to be one of the top-reputed dance crews in Delhi.

 “Juniors who talked to Divyansh about leaving the society received threats like ‘if you leave this society, I’ll make sure you leave the college as well’ or ‘if I ever see you at Chhatarpur metro station, you will face consequences’” –      adds Mitali to the horrifying incidents brewing within Crunk

The role of teacher convenors within DU also plays a massive role in this incident. Teacher convenors at Crunk were also not supportive of appointing Divyansh Tripathy as the choreographer at Crunk. While they were unaware of his acts of physical and mental abuse, they were aversive of his behavior of frequently, ‘shouting and creating nuisance within the college.’

Mitali goes on to add that,

“Initially when the beating wasn’t so bad, we as a crew tried to protect Divyansh a lot from the convenors so that he could come and guide the team. But the situation got worse, girls were slapped if the color of their jeans was slightly different from the one that was required at the performance. He would beat up the crew with those wooden sticks at fests as well, injuring their feet and hands. After the performance was over, he would send a sweet apology message to excuse his behavior. I had had enough and left the society in March 2023 and complained to the teacher convenor about Divyansh and the society was eventually banned a few days ago.”

As the 2022-23 session wrapped up in May 2023, Harsh Sharma, a batchmate of Mitali was elected as the President of Crunk for the 2023-24 tenure. Besides Harsh, Srishti Arora another batchmate was elected as the PR Head. However, despite his record, both heads decided upon re-appointing Divyansh as the choreographer of Crunk.

“Recently, many freshers out of Crunk had spoken up against Divyansh forcefully flirting with the juniors despite them being uncomfortable about it. To put a stop to all of this, we went up to the principal to file an FIR and we complained of physical and verbal abuse against him with all the witnesses. We filed a FIR against Divyansh at Malviya Nagar Police Station.” –      Mitali adds to the series of events

 

Members within Crunk also raised concerns about suspending Harsh Sharma and Srishti Arora for continually associating Crunk with Divyansh Tripathy despite numerous backlashes. However, while Crunk has been disbanded from the college, Harsh and Srishti have not yet been officially suspended but their entry has been banned from college. Concluding the conversation, Mitali says that,

 

“The worst part about all of this was the fact that despite having the power to stop Divyansh from perpetrating his horrible behavior upon the fresh batch of juniors as well, Harsh and Srishti did not take any measures but encouraged all of this.”

With several conversations creeping

 up about the toxic cultural societies within DU, it is relevant to note how students are forced into this narrative of productivity at the cost of self-degradation under the fake illusion of fame and repute in society. While societies are the spine of DU life, getting too consumed with the ideology of fame and credit can take a toll on one’s college experiences, perpetuating unhealthy spaces within the campus, like Crunk.

Read Also: Unveiling the ‘Culture of Toxicity’ in SVC’s FilmSoc

Featured Image Credits:

  • Crunk 1: cover picture, Credits: Facebook Account of Crunk
  • Crunk 2: Caption: Bruises Developed by Crunk Members For Being Physically Abused with Wooden Sticks by the Choreographer, Divyansh Tripathy, Credits: Mitali Goyal (Former Member of Crunk)

 

Priyanka Mukherjee

priyanka200303@gmail.com

 

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