‘The Skeleton Woman’ was applauded at SRCC’s annual theatre festival ‘Histrionica 2012’ for the bravery in their choice of script and use of techniques seldom used on stage. It was also one of the six short listed plays at National School of Drama’s Campus theatre festival.
Garima Jaju says that “One of the greatest challenges faced by us was to build a romantic heterosexual chemistry required between the characters and to break the monotony of mundane daily life activities that we are trying to depict, during our performance.”
Through the course of the writer’s journey to success we realize that the world of fantasy and the domestic space constantly overlaps. Thus, the skeleton woman is neither a mere figment of his imagination nor just a metaphor. Where a memory ends and imagination takes over is hard to say. The biggest asset of this play is that the reality it portrays leaves a lot to the imagination of the audience, giving them a choice to pick the reality they seem most fitting for the characters.
Pragya Lal
[email protected] ]]>
The incident took place when a tackle by SRCC Captain Ashutosh on Kushagra Rastogi of Venky resulted in an ugly fight between the two players. Soon enough, the other players as well as the SRCC alumni, who had come to watch the match, got involved in a brawl. Finally the coaches intervened and sorted the situation but could not prevent a red card each to Ashutosh and Kushagra. The incident blemished the final as the incident was talked about more than the match itself. Ashutosh though was cheered by the home crowd after being given the marching orders. When enquired about the incident, Kushagra Rastogi said, “Aggression when overflows results in flaring conflicts off the ball. That being said the opposition player who was involved was, from the start, antagonising me, like stepping on my boots, giving sliding tackles without cause to win the ball. What triggered the outburst was when we were a goal down and I was tackled yet again from behind and the rest as we know is history”.
One of the most eagerly anticipated events of Tarang 2012 took place at 3:30pm in the auditorium yesterday. As expected the queue to watch this event resembled an overflowing Yamuna. The ten teams which were competing showed great variety in their performances and had the audience whistling, hooting and applauding in encouragement through the course of the event.
Guru Gobind Singh College of Commerce started the show with immense energy, their expressions and formations were exceptional. Jesus and Mary College’s dance society ‘Mudra’ displayed great co-ordination, their song choices, skilful use of props, agility and overall tashan stole the show. The suspender wearing ‘Panache’ of SRCC kept changing the mood of the audience by alternating between a solemn and a party song. NIEC’s ‘Dazzlers’ must be given a special mention for their effortless lifts and for using the most unique prop – a rickshaw, during their performance. The performance of Sri Venkateswara College’s ‘Verve’ was marked with headstands, one handed handstand and innovative use of frames. The eccentric song choices of IP College from ‘chikni chameli’ to Govinda’s yesteryear hits was applauded by the audience, the performers seemed to have a great time on stage. The costume of KMC’s ‘Sensation’ changed colours in different lighting; they were the only team to use elements of robotic dance during their performance.
Girl’s colleges dominated the competition; DRC’s ‘Zenith’ was a perfectly co-ordinated piece and a pure delight to watch. Maitreyi college’s formations, use of elements of puppetry were engaging and interesting. KNC’s ‘Enigma’s piece was extremely enjoyable and enigmatic. The noise in the auditorium reached a crescendo when LSR stepped on to perform in the end. They chose to not compete in this event and brought it to a fitting close with great finesse and élan.
The winners of Baila 2012 were:
1st – JMC
2nd – Maitreyi College
3rd – DRC.
Pragya Lal
[email protected]
- The Stand-up comic Abish Mathew won over the LSR centric audience with his charming ways and inside jokes about cats, our complete dependence on Balbir ‘dabbang’ Bhaiya for crisis of all kind and gave the women some precious insight to the working of the supposedly ‘one track’ male psyche.
- The Principal planted an affectionate peck on the cheek of Monsieur Mathew at the end of the performance on the pretext of ‘doing what every girl in the auditorium wanted to’ and stole the show (as always), leaving the recipient of the said peck in a state of visible disbelief.
- An armada of XY chromosome was noted to be gravitating towards the quizzing event. Sometimes stopping on their way to ask the directions to the Upper Seminar Room with the hesitance that only a seemingly intimidating same sex institution can fill in one in a shy yet polite manner.
- Vinay Bhushan, a character reminiscent of Shahrukh Khan’s portrayal of Surinder Sahni in Rab Ne Bana Di Jodi in his blatant simplicity had the audience rooting for him since the very first scene where he brushes his teeth on stage. Post his performance in the KMC production ‘The Line’, an enthusiastic fan was shocked to discover that the actor’s accented English was a part of the act and words like ‘chiterr’ (sic) were not a part of his off stage vocabulary.
- The audience at Yavnika – the Stage Theatre event was an extremely temperamental one, rushing out to only to re-enter (with food hidden inside their bags) every time the doors of the auditorium were opened after a performance.
- The English Debating Society was spotted practicing their dancing skills at the registration desk while waiting for participants to stream in. Watching the President of the Society learn the steps to ‘subah hone na de’ with so much sincerity while simultaneously mouthing the words was the only thing that kept the NSS volunteers helping with Tarang Security entertained.
- It was interesting to see people purchasing earrings, eating Chinese food and test driving a Tata Nano in the same venue.
- The flash mob may not have been a total surprise but +10 points for the choice of the single ladies sound track. One could safely say that the strict security measures and the exclusivity of the passes ensure that the ladies of this college remain single forevermore, for the boys who do manage to make their way into the campus ‘if you like it then you should put a ring on it.’Pragya Lal
[email protected]
Green Biz Plan
First- Gunjan, Nidhi (Dyal Singh College Evening)
Second- Namrata, Malvika, Anumita and Anurag (NIFT)
Third- Tanya, Kanchi, Charu, Sneha (LSR)
Authors Anonymous
Prose
First- Divyanshu Mishra(KMC)
Second- Akshita (LSR)
Poetry
First- Chandrima Chatterjee(LSR)
Second- Stuti Chandra(LSR)
Bazinga!
P.S Pranika (LSR)
Raaghav Aggarwal(ISBF)
Tongue in Cheek
First- Priyanka, Shambhavi (St. Stephens College)
Second- Sahaj, Radhika (Venky)
FOTOGRAFIA:The Photography Event
First- Raj Kaithwal (Ramjas)
Second- Chakshu Joshi (ARSD)
AMALGAM- Fusion (Group Singing)
First- Brahmanaad (Cross College Team)
Second- LSR Music Society
SANGAM- Indian Music (Group Singing)
First- Swaranjali (Hansraj)
Second- Alaap (Venky)
Third- Musoc (KMC), Geetanjali (Miranda House)
Nukkad- The Street Play Competition
First- KNC
Second- CBS, DRC
Best Actor– Bhupesh (Shivaji College), Lakshya(KNC)
CINEPHILIA- Film Making Competition
First- St. Stephens
Second- ARSD
Third- Venky
Pitch an Idea
First- Rishabh Khattar, Radhika Rajpal
Second- Vedika Aggarwal, Lavanya Bhamidipati
Third- Kavya Joshi, Sunaina Bhattacharya
BAILA- The Western Dance Competition
First- JMC
Second- Maitreyi College
Third- DRC
Mudra (Cassical Dance Competition)
First – Shobhna (LSR)
Second – Varsha Dasgupta (Miranda House), Ipshita (LSR)
Third – Shrija (JMC)
Quriosity (Quiz Competition)
First – Sourabh Choudhary and Dhruv Sharma (St Stephen’s)
Second – Anagh Mukherjee (Venky) and Shashank Malik (IGNOU)
Third – Mridul Kakkar (Thapar University) and Tushar Garg (CBS)
Kavyanjali (Hindi Debate Competition)
First- Manju (Gargi)
Second- Neel Parmar (RLA)
Third- Prabhaanshu (KMC)
Consolation Prize- Taarakeshwar Shah
Western Solo Singing Competition
First- Neeraja (Venky), Nirupam Sinha (Hansraj)
Second- Shreya Adhikari (Venky)
Third- Chetan Awasthi (Maharaja Agrasen College)
Western Trio Singing
First – LSR (Sophie, Gitana, Sadhvi)
Second – JMC (Esther, Rebecca, Imwabamgla)
Third – Venky (Krishna, Ketan, Chaitanya)
Doodle Art
First- Priyanka Tampi(JMC)
Second- Sneha Goyal(LSR)
Murlidhar Debate
Best Team- Bhoomika Kakawani, Upasna Thapar
Best Speaker- Saif Ahmed Khan(Maharaja Agrasen College)
Second Best Speaker- Shah Ikhlas Khan(Amity), Saahil Menghani(Maharaja Agrasen College)
Best Adjudicator- Utkarsh Amitabh
The Western Trio Singing at Tarang 2012 began at 1.30pm amidst an enthusiastic bunch of western music loyalists in the infamous bamboo room H-2. The music resonated well to produce a serene harmonizing effect in the rather crowded room.
Following a two-teams-per-college format, the event was dominated by all-girls performances, particularly from Venkateswara and LSR college western music societies.
The very notable efforts from the Team 2 of Venkateswara of mixing well-controlled humour and good harmonies were greeted very well from the audiences, even eliciting a smile from each of the judges.
The CBS team of Sagar, Krishan and Shrutika pulled off a very country-themed moment; their performance shaped up pleasantly with many of the audience members singing along and clapping in sync to the popular number.
The last performance by SRCC’s golden ladies seemed a little distinct as the team was not able to provide a cohesive unity, much to the dismay of the performers.
Just as the results were being compiled by the judges, Kamakshi and Nirupan performed ‘Look Into My Eyes’ by Bryan Adams to entertain the audience. Their chemistry or perhaps the lack of it added a very comical note to the waiting. The ‘Kamasutra’ song by the WMS veterans also worked as a time-filler.
The competiton was won by the team of Sophie, Gitana, and Sadhvi from LSR. Second prize was awarded to Esther, Rebecca and Imwabamgla from JMC, and the third prize went to Krishna, Ketan and Chaitanya from Venky.
- Testosterone flows freely on campus and makes nascent flowers bloom. Literally and figuratively.
- Girls take a huge leap of faith and get a haircut at the ‘Shagun beauty parlour’ stall at the festival. Their pamphlet proudly informs us that Manish (whoever that is) is back.
- The reason behind the oohs and the aahs near the food stalls is not the presence of able bodied men but the red velvet cake which has a rather ‘sweet disposition’ and sells out like a Shahrukh Khan movie during Diwali.
- You see the Student’s Union frantically walking around the venue, walkie talkies in tow. The expression on their faces is a peculiar amalgamation of stress, over work, resilience and a big dollop of tolerance.
- A band tries to cover the current cult classic ‘Sadda Haq’ during the battle of the bands competition but fails.
- Bands like ‘soul’d out’ infuse life and immense energy to the competition and the ada with which the lead singer throws off his muffler when it begins to hinder his moves has the audience asking for more. However, the clear winner of hearts ladies and gents is the saxophone.
- You spot a pretty girl dressed to the hilt in high heels and think to yourself ‘Ah! First years’ *pronounced head shake*.
- You wait for what seems like an eternity and a half in a queue that resembles one outside the US Visa Offices or the Sidhivinayak temple on a 1st January morning to watch the Choreo Dance Competition and if you are lucky enough to get inside the auditorium you send a quick thank you prayer to Baba Jugaad.
- The flexibility and elasticity of the dancers leaves you aghast and makes you feel like the couch potato you once warned the audience about during a school debate on man vs machine.
- You overhear the girl standing in front of you singing “Laaast Taaaraangg I gaaave youuu maa haaart but thaa verrry next day youuu gave it awaay, theees yearr to saaave meee fraam teeears I gayyvee it to someone eespeciaaal” (sic) while standing in (yet another) unending queue to watch Them Clones perform.Pragya Lal
[email protected]
Western Group Singing
Winner- IP College and LSR
First Runner Up- JMC
Second Runner Up- Venky
Battle of Bands
Winner- Soul’d Out
First Runner Up- Jokes Apart
Second Runner Up- Incredible Mind Funk
Splash of Music
Winner- Rohit Bhagat (Dyal Singh Eve)
Runner Up- Era Choudhary (LSR)
Ashu Bhashan Pratiyogita(Hindi Public Speaking)
Winner- Jitendra
Runner Up- Aarti
Treasure Hunt
Winner- Shivika, Niharika, Sonal, Princi (LSR)
First Runner Up- Rohan Bajaj, Rohan Sharma (Manav Rachna International University), Neha Sanjay, Shri Lakshmi Tiru (LSR)
Second Runner Up- Apula, Aditi, Naimat, Shuchi (LSR)
BLITZKRIEG
Best Adjudicator- Sourya Donkada(LSR)
Survived most of the rounds- Udit Rastogi (Law Fac) and Raunak Singh(Amity)
Last Man Standing- Chaitali Sinha (Gargi)
Izraz- Choreography
Winner – Venky (self choreographed)
First Runner Up – Hansraj
Second Runner Up – LSR and KNC.
IMS Instrumental
Winner- Anisha Jalan(LSR)
Runner Up- Sarthak Pahwa(Jaypee Institute), Gurnaman Singh(SGTB Khalsa)
IMS Malhaar- Classical Solo
Winner- Risha (LSR)
First Runner Up- Srimidhi (SRCC)
Second Runner Up- Prateek (Hansraj)
IMS Semi-Classical Solo Result
Winner- Rajshree (Daulat Ram)
First Runner Up- Parampara (LSR)
Second Runner Up- Rahul(ARSD), Sunaina(DRC)
According to Abha Dev Habib, of the DUTA, the “once so called ‘reform’ forced on the teaching community at the behest of the MHRD, the semester system at the undergraduate level has been categorically and unequivocally rejected by the teachers. The experience of semesterized courses in the last one and half years has confirmed our worst fears about severe academic dilution and adverse effect on teaching-processes and co-curricular activities. This has crippled the intellectual, cultural-emotional and holistic growth of students. The worst affected are students from disadvantaged backgrounds.”
It is being believed that to cloak the disastrous impact of semesterization on the performance of students, the DU administration has resorted to irrational inflation of marks which has put a question mark on the credibility of our results and will result in devaluing of the degree. The new moderation formula has worked against all students thus having the teachers at DU exercised over this marks scam.
The marks scam has purportedly happened at three levels:
(i) Meetings were held in many Departments to unofficially decide a reduced syllabus for setting exam papers. The question papers were made as easy, the format of the exam papers was changed giving students maximum chance.
(ii) The examiners were instructed to mark leniently.
(iii) The last straw on camel’s back was to moderate all marks by the same token. Earlier moderation was case-wise. This time, blanket moderation was done, without a prior and proper tabulation of results, and analysis of the same.
Nandita Narian of the Maths Department at St. Stephen’s College, who was also an examiner, tells how earlier in the meeting in the Maths Department, the syllabi were unofficially reduced and later there was imminent pressure from the DU Exam Branch to mark students leniently.
The proposal to semesterize the postgraduate courses was passed in Academic Council meeting of February 2008 and the decision was implemented from July 2009. The results of postgraduate courses, which have not been tampered by the DU administration to that extent, reconfirm the opinion that the semester system works against the inclusion policies. The failure rate has increased in the postgraduate Departments as students with disadvantaged backgrounds fail to cope in the semester system.
These issues have also been highlighted in the Memorandum of Protest by the examiners of the History department who have written to Dr. Jaggi, the Controller of Examinations saying that this “ we protest against this un- academic way of moderating results that has diluted academic standards and has made a mockery of the evaluation process undertaken seriously and sincerely by us.” and the memo was signed by 14 examiners of the same department.
Click on the following links for more information
Moderation Patterns in DU Final Exams– By Abha Dev Habib
Memorandum of Protest _History