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MUZZAFARPUR INCIDENT BACKLASH : AISA and SFI react to the communal hate mongering

By Samra Iqbal August 26, 2023

This report deals with the Muzzafarnagar episode of communal hate mongering, the underlying concerns that it raises for our society in general and the reaction of Student bodies like AISA and SFI that followed suit.

On 24th August , a media clip took the political climate of the country by storm as it brought into picture the visceral steeping of hate mongering in an educational setup in Muzzafarnagar, Uttar Pradesh.

The video that stirred the controversy featured two adults — one who still remains to be identified and the other being Tripti Tyagi along with a 7 year old Muslim boy who has been at the receiving end of physical and verbal abuse amongst his classmates, his identity remains undisclosed due to privacy concerns. The video showed her instigating physical harm to a Muslim student by ordaining fellow students to slap him. To further accentuate the issue the teacher has also been recorded openly inciting a derogatory religious commentary .

The incident was reported from Neha Public School , in Khubbapur District under Mansurpur Police Station jurisdiction , it was uploaded on social media by the cousin of the 7 year old Muslim boy who has been at the receiving end of the violation .

The video spurred immediate reaction pouring in from the spectrum of political enthusiasts . Calls were made for immediate action to be taken against Tripti Tyagi for inciting violence and discrimination against Muslims in the context of increasing religious intolerance in the country . The Students’ Federation of India (SFI) issued its statement and called out the ‘sangh priwar’ for this national disgrace, urging the Supreme Court to take immediate action against this and called for a week long nationwide campaign from 28th August to 5th September against the hate politics . All India Students’ Association (AISA) urged people to raise their voices for justice and humanity through the protest they organized on 26th August at 6 pm from Gupta Chowk to Arts Faculty for the immediate arrest of Tripti Tyagi . AISA DU Vice President Aditya addressed the gathering by saying “Tripta Tyagi is a symptom of the hatred that BJP has spread across the country. They have created a community of criminals and they take pride in it . We the students of the country will fight this battle against communalism head on and bear the torch for secularism.”

Various political parties have laid out their strong worded statements for the same with heated arguments pouring on the social media site X . While the essence of the incident might have felt a little muddled in the political blame game of the ruling and the opposition class , open solicitations were made regarding the discrimination the 7 year old student had faced and the need for suo moto action . In his statement , Circle Officer Ravishankar has assured that the police was actively following up on the incident and actions regarding the same would be issued soon on 25th August , 2023.

Basic Shiksha Adhikari, Shubham Shukla also assured that the person and the institution would both be brought under question following the incident . The Bal Kalyan Samiti initiated counseling for the associated children and parents. While a number of political representatives assembled in Muzzafarpur to give their statements and support poured out from pan India, Tripti Tyagi took to social media via a video message where she is seen asking for forgiveness with folded hands. She asserts that the boy refused to do his homework and her being physically unfit she asked a fellow student to slap him as his parents had themselves requested to be strict with the child. The child’s father upon being interviewed has ascertained that there has been no religious angle but just harassment of his child by physically violating him .

The National Commission for Protection of Child Rights Chairperson, Priyank Kangnoo said instructions have been issued to take action on this matter. While there is an ongoing investigatio , a second investigation has also been launched after the victim’s family agreed to file complaint following initial hesitation .

The way the issue blew up connotates the various underlying notions of how religious paranoia seeps into a society that boasts of its diversity. The very fact that learning institutions meant to foster harmony could instead promote hate mongering in young vulnerable minds is both disturbing and concerning, but to have a populace that suffers from it simply based on their religious identity is nothing but pitiful for any nation.

Another evident problem that this issue brought into picture is the spread of misinformation and the way it is milked by interested parties in their favour. The viral social media clip had people giving out death threats and hate comments in X threads even before all the facets of the issue were made public . While political parties jostled over the blame game , the voice of the actual victim seemed somewhat subdued .

https://dubeat.com/2020/01/08/protest-at-jesus-and-mary-college-condemning-violence-against-students/

Image credits : AISA

Priya Shandilya

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Spilling the Tea: Behind the Scenes of Anonymous Confession Pages

By DU Beat August 26, 2023

From secret crushes to juicy revelations, confession pages provide a platform to express your unfiltered thoughts through anonymous means. However, amidst the lighthearted confessions, the disguise of anonymity that attracts such confessions becomes breeding grounds for cyberbullying. How can we navigate this complex landscape of anonymity and accountability?

Who am I? That’s a secret I’ll never tell. XOXO, Gossip Girl.

There is a notorious appeal as to why Gossip Girl lasted for six seasons. The scandalous lives of Manhattan’s elite were perhaps only relatable to us because they were told from the perspective of an anonymous outsider. Anonymity has given us a sense of security to share our most vulnerable, sometimes vicious, thoughts. The aura of anonymity has amplified through the rise of social media, as people can assume any mysterious identity and speak their minds without facing any repercussions. Confession pages are often a representation of the secrets that travel under the disguise of anonymity.

Confession pages start as a personal way to connect with people in a community. There is a sense of relief that accompanies us when we can share our most personal thoughts anonymously, however embarrassing they may seem. The confessions submitted to these pages inflict a thread of rumours and perpetuate gossip that we all enjoy consuming. These act as platforms for information dissemination in an entirely underground fashion.

Sometimes, the anonymous person will make a lighthearted confession to a crush and take on the role of a “secret admirer”.

…from section f, you are really good by beauty and more by your caring and helping nature. Thanks a lot for all you have done for me. I couldn’t gather the words to say it but I like you.

…I don’t know when I saw him I was just struck, struck with his charisma, the way he flips his hair, I don’t know if I am just romanticising him because of some character but I was just admiring him from a distance. He seemed busy, had a lot of friends, and was constantly talking to someone on call. Is he dating someone?

-@srcc_confession on Instagram

Although embarrassing at times, the anonymity of our confessions makes us more brave in expressing our vulnerabilities. It may seem silly at times; however, this is exactly the type of social currency that allows confession pages to operate successfully. On the other side, receiving such anonymous confessions may be flattering because you feel noticed and admired. However, they may also cross boundaries and reach territories of discomfort. The confessions are published on social media platforms, often popular amongst student communities, and such heightened attention may cause anxiety as we may feel constantly watched. The anonymity of such confessions further causes frustration, as there is no way of truly determining the person behind them.

On the flip side of the coin, such confession pages also provide a platform for people to perpetuate harmful and toxic comments that are hurtful to those on the receiving end.

…she thinks she is very smart and beautiful but actually she isn’t so good! Earlier I used to think she is nice but now I am sure that isn’t too good and she uses people for her use and leaves them when not req. She needs to bring her attitude down.”

-@ramjas_confession_ on Instagram

The problem with confession pages lies entirely here. People send anonymous confessions to secretly express their frustrations and anger towards a situation or people. Such mean-spirited comments are very offensive and perpetuate cyberbullying through these platforms. The tricky situation with confession pages is specifically the anonymity shield of both the creator of the page and the anonymous confessor. Such a hidden identity often makes it difficult to hold them accountable for their actions. This anonymity hinders their ability to effectively address their grievances and take appropriate actions, as they might not know who is making the confessions. Especially in confessions that are directly targeted through the use of names and positions, it can lead to feelings of embarrassment and powerlessness as the situation is beyond their control.

In high school, we had an anonymous confessions page and it was pretty popular because there was a considerable amount of gossip that was posted. But over time, the confessions just became really mean and offensive and some of them were just blatantly homophobic or misogynistic. I remember a friend telling me that she gets anxious whenever there’s a notification from Instagram because she’s scared that she’ll be tagged in the posts or comments or something about her was revealed. Eventually, the page died down because no one was interested anymore but looking back on it, I genuinely feel like some strict action should have been taken by the school authorities because it was basically cyberbullying.

-A pass-out high school student from New York City stated while describing her experience.

There are also serious consequences for running such platforms. In some situations, the confessors take authority over a secret or rumour and further spread it, often inflicting serious harm on others. The lines are very easily blurred as there is absolutely no transparency over the situation to hold anyone accountable. The power dynamics also come into play through the disguise of anonymity. The audience, confessors, and creators of such pages have a role to play in the presence of these platforms.

We, as an audience, engage with such content because we crave the gossip and rumours that are published through these platforms. There is a satisfying factor that accompanies us when we have an insight into what really happens in other people’s lives, however scandalous it may seem. Although we may have an understanding of when boundaries are crossed, the audience is also helpless to an extent because they have no way of holding someone accountable unless they report the page or publicly denounce it.

The accountability factor of the creator is important too. The creators of these platforms have a responsibility to ensure a safe and secure space is maintained where no one feels targeted. However, sometimes their authority over the page is also out of control. The comments, reposting, and sharing all culminate in actions beyond the capacity of the creator. When we remove the identity of the confessors, we also remove the guilt associated with passing our judgements. Therefore, accountability from all three sides diminishes, and no one faces any serious consequences.

While engaging with these platforms can offer an outlet for expression, it’s crucial to remain sceptical of the intentions behind such pages. Not everything presented is the absolute truth and extends beyond the narratives presented in such online discourses. Although we may view such pages as a retreat void where the consequences aren’t always deliberated, we must always remain introspective about our motivations and try our best to culminate in a positive environment.

Featured Image Credits: Keshavi for DU Beat

Sri Sidhvi Dindi
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Not Your Average College (Wild)Life

By Aayat Farooqui August 24, 2023

Enough pieces have been written about the people of Delhi University – people from different walks of life with their diversity of thought; their loud, messy, and innately human lives. But in the hustle and bustle of daily college life, do we forget about another set of residents on our campuses?

Delhi University is known not just for its diversity of student and faculty but also for its enriching biodiversity. Students call the red brick walls of the varsity home for 3 years but the creepy crawlies on campus call it home their entire lives. The sprawling, green college campuses are cozy shelters for a wide variety of fauna. From litters of kittens and protective dogs to majestic peacocks and playful squirrels, campus spaces are made all the more vibrant.

College life is one’s first foray into the real world. Away from your families, out of your comfort zone, it is easy to feel lost in the vastness of the city. Coping with the transition from school days is difficult, but many find solace in the four-legged fuzzballs around campus. Missing home? Having a bad day? Had a fight with a friend? Worry not for our resident therapy-substitute doggos are here to brighten your day.

The sight of puppies and kittens lounging in the soft breeze of air conditioners and fans in the summers and basking in the warmth of the sunlit lawns in winter is a familiar sight to behold. Enter your first year and you’ll be bewildered at the ease with which the animals on campus traverse the people and infrastructure. Move on to second year, and you’ll get comfortable with the co-existence, not batting an eye when a puppy interrupts your late afternoon lecture. Come graduation year and you’ll find that these furry friends have found a way into your hearts. Even if you aren’t an animal lover, this university teaches you many lessons, pleasantly sharing campus spaces with a multitude of species is one of them.

While dogs, cats, and squirrels are a common sight, some colleges are also home to diverse avian species. Indraprastha College for Women’s open grounds often welcomes winged visitors in the winter months. The college’s location between the North Delhi Ridge and Yamuna banks makes it a habitat island for several migratory species. One can also spot the occasional peacock and peahens on the campus of Shri Ram College of Commerce.

Many of these animals are looked after by hired caretakers or gardeners, but students also play an active role. There are animal welfare societies or branches of the college National Service Scheme that cater to everything from immunization, sterilization, and injury treatment by experts to feeding through student volunteers. A few admins also share Do’s and Don’ts about animal feeding by students which goes to show the synergies between the species.

With the rapid urbanization in the national capital, the patches of urban greenery within the varsity become even more crucial for maintaining the fragile micro-ecosystems. They become essential for studying conservation insights and preserving diversity. With UGC and NEP’s guidelines for greater Environmental Science awareness among students, the study and maintenance of the vibrant flora and fauna has become implicit in campus life.

The indelible touch these animals have on our college lives is evident by the numerous Instagram pages dedicated to college dogs, occasional college graffiti, and society logos. So next time you come across a lounging puppy, give it a belly scratch. After all, being cute all day is hard work.

Bhavya Nayak
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“You Are Not Special”: Delhi HC Questions DU over Decision to Use CLAT Scores for 5-Year Law Course Admissions

By DU Beat August 20, 2023

Delhi HC has rejected DU’s preference for CLAT instead of CUET for its 5-year law courses. The respondents of the PIL are DU’s Faculty of Law, Vice Chancellor of the University, UGC and Union of India through the Ministry of Education.

On Thursday, August 17, the Delhi High Court questioned Delhi University on its decision to admit students to its new 5-year integrated law courses based on the Common Legal Admission Test (CLAT-UG) 2023 results. A petition submitted by Prince Singh, a student at DU’s Faculty of Law, challenged the University’s announcement of the 5-year integrated law courses, beginning in the academic year 2023-24. The Public Interest Litigation (PIL) filed by him sought admission to these courses through CUET UG 2023, following the directives of the Universities Grant Commission (UGC) for central universities. The Court granted Delhi University and the Centre time until the next hearing on August 25 to file their responses to the petition.

The bench, which included Chief Justice Satish Chandra Sharma and Justice Sanjeev Narula, stated that the Government of India, through the National Education Policy, had decided that admissions to all Central Universities would be done through the Common University Entrance Test (CUET) introduced by the Ministry of Education (MoE) and that Delhi University is “not special.”

You are not special. There is a national policy. If 18 other central universities are relying on the CUET scores for admissions, why is DU not doing the same?” the bench remarked.

The court granted the University’s counsel time to file a counter-affidavit before the next hearing on August 25. The Union of India has also been given time to “file its reply” or seek “appropriate instructions in the matter.” However, the court stressed that if no counter-affidavit is submitted by the next hearing date, the matter will be heard on the question of grant of interim relief.

Delhi University’s counsel, Advocate Mohinder S Rupal, contended that the Vice-Chancellor, Prof. Yogesh Singh, formed a special committee of specialists, which delivered a detailed report to the Academic and Executive Councils of the University. During the hearing, he argued that the University only launched the 5-year integrated law degree this year and that if a stay is granted on the operation of the August 4 notification, the entire academic year will be wasted. He alleged that DU had not yet provided a schedule or timeline for admissions to its law courses.

It is not as if we are rushing the process. We haven’t started the admission process yet. The University will not issue any advertisement regarding applications for CLAT-based admissions to the 5-year law course till the next date of hearing.”- stated DU’s counsel, Mohinder Rupal.

The PIL was filed in response to a notification issued by Delhi University on August 4 announcing the introduction of the Five-year Integrated Law Courses- B.A.LLB (Hons.) and BBA.LLB (Hons.), admissions to which would be undertaken by the CLAT scores of the aspirants.

“The Bar Council of India in its letter dated 26.07.2023 has accorded its approval of 60 seats for BA LLB (Hons) and 60 seats for BBA LLB (Hons). Admission to BA LLB (Hons) and BBA LLB (Hons) shall be based on merit in the Common Law Admission Test (CLAT) UG 2023 result. The classes for BA LLB (Hons) and BBA LLB (Hons) courses will be held at the Faculty of Law, Kanad Bhawan, North Campus, University of Delhi. The online application for admission to BA LLB (Hons) and BBA LLB (Hons) courses will be announced by the University soon,” stated the notification by Delhi University.

The petition contended that by issuing this notification, Delhi University has placed a “wholly unreasonable condition” that violates the Right to Equality under Article 14 and the Right to Education under Article 21 of the Indian Constitution. The plea stressed that CUET is conducted in multiple languages while CLAT is held only in English, which leads to an admission advantage for a specific sub-group at DU’s Faculty of Law.

That the condition imposed for admission to the five-year integrated law courses at the Faculty of Law, University of Delhi, is wholly unreasonable and arbitrary. It lacks any intelligible differentia and has no rational nexus with the object of admission to the five-year integrated law courses at the Faculty of Law, University of Delhi,” the plea by Singh stated.

Featured Image Credits: Bar and Bench

Manvi Goel

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Text Removal and Renaming in DU’s History Syllabus: Brahmanization Term and Paper on Inequality Dropped

By DU Beat August 12, 2023

The revised history syllabus for the fourth and fifth semester undergraduate students, which was approved by the DU Academic Council on May 26, has been ratified by the Executive Council on June 9, 2023. The removal of a paper on inequality, the elimination of the term “Brahmanization,” and the addition of matriarchal perspectives are some of the changes that have been introduced.

On June 9, 2023, the University of Delhi’s Executive Council, the apex academic decision-making body at the university, ratified the amended curriculum that had been approved by the Academic Council on May 26. The Academic Council revised the history syllabus for the fourth and fifth semesters under the new Four-Year Undergraduate Programme (FYUP). A few of the changes include the deletion of the words Brahminization and ‘Brahmanical’, the removal of the paper on “Inequality and Differences”, and the introduction of matriarchal perspectives.

The revision aims to align the syllabus with the suggestions of the New Education Policy, NEP 2020.

-Shri Prakash Singh, Director, South Campus, in a report by The Indian Express

The phrase Brahminization has been removed from the fourth and fifth semester Generic Elective paper ‘Religion and Religiosity’, which has been renamed ‘Religious Traditions in the Indian Subcontinents’. One of the topics in the paper titled ‘Approaches to Brahmanization in the Early Mediaeval Era’ has been renamed ‘Approaches to Shaiva, Shakta, and Vaishnava in the Early Mediaeval Era’. In addition, the revised syllabus removed the term ‘Brahmanical’ from the fifth-semester paper on the Brahmanical Patriarchy. Furthermore, the title of the article has been changed from ‘Evolution of Patriarchy’ to ‘Evolution of Patriarchy in Early India’.

Apart from this, the paper titled ‘Inequality and Differences’ in semester four, which talks about the concepts of jati, varna, caste, class, and gender and their evolution, has been withdrawn.

Constructive suggestions are also given — there is now more diversity and more information. It was a unanimous decision and the changes were reported to the academic council way in advance. There is no dissent. Suggestions were given by the standing committee as well.”

-Dean of South Campus, DU, in a report by Jagran Josh

Furthermore, the paper Women in Indian History will provide fresh perspectives on matriarchy. The units that were previously centred around patriarchy will now also include discussions around matriarchy. The primary goal of this modification, reportedly, is to make students aware of and have a diverse viewpoint.

Image Credits: Devansh Arya for DU Beat

Dhruv Bhati
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DU Witnesses 87% Seats being Secured in the First Round of UG Admissions

By Sri Sidhvi Dindi August 10, 2023

On 7 August 2023, the first round of seat allotment for UG admissions have been released with over 87% of UG seats secured by students, with Hansraj College witnessing the highest number of registrations. The second round of seat allotment will be released on 10 August for the remaining vacant seats.

In the first round of seat allotment under the CSAS portal for securing UG admissions at Delhi University (DU), the maximum admissions were secured at Hansraj College, Ramjas College and Dyal Singh College. The list was announced on 7 August 2023, with over 87% of UG seats already secured by students. Kirori Mal College witnessed the highest number of total registrations with 1,61,533 registrations followed by Hindu College with 1,58,548 registrations and Hansraj College with 1,57,162 registrations.

According to the data released by the CSAS portal, a total of 85,853 students secured UG admissions at DU. However, 62,008 students paid their fees and secured their seats at DU, among which 53% are female students. 12,733 students have chosen to freeze their allotment with 40,701 opting to upgrade.

The list of vacant seats has been released on the official websites at du.ac.in and admissions.uod.ac.in. The second round of allotment commenced on 7 August 2023 with the display of vacant seats. Students who have opted to upgrade will be given the option to re-order their higher preferences from 7 August to 8 August 2023.

Most of the seats are filled. Only in science courses, around 10% of admissions are left. Earlier, it would take us at least four lists to arrive at the seat scenario that we are witnessing now after the first list”, Manoj Khanna, principal of Ramjas College mentioned in regards to the admission process.

The second round of seat allotment will be declared on 10 August 2023. Selected students will have to accept their allotted between 10 August to 13 August 2023. The third round of seat allotment will be notified by the university. However, depending on the number of vacant seats available for admission, the university may announce additional rounds.

Colleges will be required to approve the online application from 10 August to 14 August 2023. The last date for the online payment of fees by the students is 15 August 2023.

Image Credits: Hindustan Times

Sri Sidhvi Dindi

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Arts & Culture

The DU-Fied Rizz

By DU Beat August 2, 2023

This article is an op-ed about the statement dressing observed across the Delhi university, what it essentially symbolizes and potentially offers to the society in general.

The unanimous euphoria every girl felt in the washroom of the Barbie movie premiere over pink couldn’t help but make me think about this one another symbolic yet statement dressing unifying a large cohort ,that being the “DU dress code”.

What feels like being in the bluepilled matrix of the “bonkers-ification” of college outfits, the raging monopoly of H&M and Zara with their Sarojini Dupes, or the razzmatazz of fast fashion outlets in Kamala Nagar or Janpath, essentially paints a larger picture of what happens to be the “DU-fied rizz”, it’s not about how many times your typical slogan printed tote bag slides off your shoulder, it’s about pulling it back up. It’s about the constant euphoria-esque serve with the statement face paint art at Fests. It’s about finding the perfect faux Pas between upper east side vogue and the fawning desi attires. It’s oxidised Janpath earrings, artsy witch core septum piercings, chikankari kurta slay, MKT thrifts and what not.

It portrays itself with a certain sense of irony how you can easily identify the DU brigade dressed in the spectrum ranging from fab India khaki kurta simpletons to lulu & sky corsets bearing baddies, right from the oversized shirt over tanks and wide legged trousers to the artisanal bangle clad kurti endowed individuals.

More than a sense of fashion, it’s a statement, one that brings together chic with sustainability. Sarojini becomes a high fashion substitute, thrifting becomes the new currency and locally grown businesses the warble call for styling enthusiasts. At the risk of generalizing the human experience curve we have achieved what appears to be a unified assertion of what fashion doesn’t necessarily have to be, it remains to be an inclusive domain for expression of identities. Ofcourse the situation Is far from ideal, arguments in favour of elitist bias, bullying and harassment claims and the general lack of tolerance for the “chalk and cheese” fashion statements continue to exist but from the standpoint of observing the bigger picture it does feel like that Delhi University as an institution offers space to harbour the fraternity of the fashion diaspora that seems to have become a hallmark in identifying the university’s culture by and large.

https://m.timesofindia.com/city/delhi/for-exams-du-fashion-goes-from-chic-to-geek/articleshow/52280156.cms

Featured Image credits: DU Updates

Priya Shandilya

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Rising Water, Sinking Hopes

By DU Beat July 21, 2023

Yamuna’s water level exceeded the danger threshold and rose to an all-time high of 208.8 meters, flooding important regions and forcing the closure of schools and institutions around the city. The University of Delhi announced the postponement of exams on July 13, 2023, putting students into a tailspin of uncertainty.

On July 13, 2023, the Yamuna reached an all-time high water level of 208.8 meters, forcing floodwater to reach Civil Lines, Kashmere Gate, ITO, and numerous other places. Three to four water treatment facilities had to close as a result of the flooding, which caused an acute shortage of water in one-fourth of Delhi. The Delhi government also declared that all schools and institutions in flooded regions would be closed, leading to the theory exams scheduled on the 17th, 18th and 19th and practical exams scheduled on the 14th, 15th, and 16th being postponed.

By the decision taken by Delhi Disaster Management Authority on 13.07.2023 as communicated by the Press Release dt. 13.07.2023 of Raj Niwas, Delhi, the University shall remain closed w.e.f. 14.07.2023 to 16.07.2023. The examinations scheduled during this period stand postponed” – Read the notice released by the University

The notification was followed by numerous fake exam notices. A few of the messages included the cancellation of all exams and fake postponement dates. This created a great deal of confusion among students appearing for exams.

DU needs to reel in the problem of fake notices. It was getting out of hand especially for the exam postponement issues.” – Hiten Dalmia, a first year student of BSc.(H) Mathematics

There were other problems alongside the fraudulent notices. A few of the student areas also experienced flooding, locking individuals inside. A sub locality of Mukherjee Nagar named Hakikat Nagar was inundated with contaminated drain water, which caused a power outage and a subsequent water problem.

The entire place had a gutter-like odour. We had to stay in our apartment for extended power cuts and without water because we had nowhere else to go. Our parents were worried that we wouldn’t get sick from the area’s drain water. It was terrible.” -Rahul, a UPSC aspirant and a graduate

Hakikat Nagar, Mukherjee Nagar

Up until Sunday, the capital’s flooding problem, power outage, and water shortage persisted. The situation in these locations got better as the Yamuna’s level steadily dropped. But for students who will take examinations in the following weeks, this relief was quickly followed by a little shock. The new dates for the postponed exams were announced by the University of Delhi on Monday. This announcement was received with conflicting emotions. Some people enjoyed it since it gave them more time to study, others felt upset because their exam gaps shrunk, and yet others were outraged because they had to cancel their tickets and plans to return home for the holidays.

The new date sheet is worse. I have my exams on 25,26, 27, and 28. Four continuous exams. How am I supposed to study? I reach home by 2 pm and I have an exam the next day at 9 AM?” – Tisha, a first-year student of B.com. (H)

Some students said this postponement gave them extra time to study and cover-up.

As we know the momentum to study in college develops only a few days ago so for me this postponement was a blessing. I enjoyed this extra time too instead of studying but now I am back on track.” – Shreeya Ahuja, a first first-year student of Bcom. (P)

Not all of the issues stemmed from the decreasing gap. The majority of the outstation students have already purchased tickets to return to their home cities. Students were compelled to either change their plans or cancel and buy a new ticket later due to the extension of the theory exams until the second of August and the practical exams until the fifth of August. Some were forced to pay cancellation fees because they had no other choice; others were unable to purchase tickets and were left with no choice but to purchase a train ticket under the “Tatkal” category. Many students have PG and broker contracts that expire on July 31. Often, PG owners and landlords impose extra charges on students when they stay past their contracts – thus adding another expense to all students.

The repercussions of these changes in the examination schedule have caused several students inconvenience and financial problems, emphasising the need for better planning as well as an understanding of students’ circumstances in such situations.

Image Credits: Business Today, Times of India

Dhruv Bhati

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The Historical Gems of Delhi : Kala, Kahaniya aur Rangmanch!

By DU Beat July 9, 2023

Delhi is the home of outstanding theatre arts, whilst Mumbai is the metropolis of Bollywood aspirations. In Delhi, stage art has a special significance and a rich history that is still being preserved through a variety of institutions and live performances.

Delhi, India’s capital, is so distinctive that it offers something to everyone. It has been bustling with possibilities for years, from its mouth-watering food to popular shopping places, monuments and old palaces, museums and government buildings. Out of everything, the city has been sustaining art forms and providing a platform for artists from different fields to explore, grow, and perform. It represents inclusion in culture, where everyone has an opportunity to contribute. One of the ancient gems of the city that is adding charm to it is – Theatre art. The many drama forms, stories, plays, and musicals.

Although many are aware that Mumbai is the “city of dreams,” many flock there to pursue their Bollywood aspirations and make a name for themselves as actors, directors, or singers. Delhi has been a well-known destination for theatre and stage art and has also produced many promising talents, but it is still less applauded for the accomplishments. While some of the artists here continued their careers in theatre and added to its appeal, others became great and well-respected artists in the cinema industry. In the western industry too, Los Angeles is recognised for its film industry, whereas New York is renowned for theatre. Although there has been a line of separation between the stage and the screen, there is still a connection that aids both industries’ growth in different ways. Their originality is beyond comparison.

Coming to Delhi and its vibrant stage art, the city preserves it in a variety of significant and minor ways – It has many students, rising artists, and has created a special audience of art lovers through live performances, nukkad nataks, drama schools, and college societies.

One of the well-known names is of NSD – National School of Drama, which has been a training facility since 1959, providing knowledge and enhancing the abilities of amateur artists. Although Sangeet Natak Akademi is its parent organisation, over the years it has relocated from a number of places. Mandi House is where it is currently set up. Mandi House, which once had ties to the princely state of Mandi, is now home to a number of theatre troupes and establishments, such as the National School of Drama and Shri Ram Centre for Performing Arts. The creation of NSD involved numerous notable playwrights and dramatists. A comprehensive curriculum, the promotion of several theatre genres, and one of the best playscripts have all been created here. NSD has a unique identity that focuses on both conserving the past and fostering hope for the future. From the nation’s capital, these groups organise numerous performances and broaden the horizons of theatre art throughout the entire nation.

The institution also holds workshops and other annual festivals like the “Bharat Rang Mahotsav” to raise awareness of the local arts and draw in more visitors. Children and newcomers to the sector can always use it as an excellent learning opportunity to get going on their path. How could one not include the outstanding alumni and directors who formed the very foundation of NSD with a name like that? Ebrahim Alkazi, a renowned theatrical instructor, was the first to transform the school in 1962 with the help of his expertise, leadership, and strict disciplinary measures. Many people still reflect on the illustrious 15 years the celebrated director spent at NSD, and his role in shaping the organisation helped it reach new heights. Without mentioning Ebrahim Alkazi’s skill, one cannot discuss Indian theatre or the National School of Drama in general. He made sure that the Indian theatre art is not lost and reaches a wider audience by establishing the three-year acting training, developing open theatre, and providing inspiration for the repertory. Some of his productions continue to receive praise as some of the best ever.

There is an unending number of well-known and gifted performers who are working in the entertainment business today, preserving the reputation of organisations like the National School of Drama and also bringing honour to the nation. The list of actors and actresses includes Naseeruddin Shah, Nawazuddin Siddiqui, Neena Gupta, Anupam Kher, Om Puri, Piyush Sharma, Irfan Khan, and many more. This is the National School of Drama’s legacy. This institution is only one of many centres in Delhi that have made contributions to the arts by producing top-notch plays and musicals. One is the Shri Ram Centre for Performing Arts, a renowned theatre company that has been producing plays and offering acting classes since 1958. SRC, like The National School of Drama, has also produced famous individuals in the industry. There are additional independent theatrical groups with base in Delhi that create venues for artists to gather, create fascinating stories, and perform all over the nation.

Delhi colleges have cultural societies that support the arts and permit students to experiment in the field from the college level on up, even at the university level. Ibtida was founded by renowned filmmaker Imtiaz Ali while he was attending Hindu College, as is well known. Many others, such Manoj Bajpayee and Siddharth Malhotra, who attended Delhi University, launched their careers using the many resources the city and university have to offer. It goes without saying that the institution is the alma mater of several well-known artists, starting with Shahrukh Khan, the King of Bollywood, who graduated from Hansraj College and began his career with Delhi’s Theatre Action Group.

Through the Drama Societies at Delhi University, students are contributing to the evolution of theatre art by continually taking chances and incorporating contemporary elements that make it more applicable for the current generation. This includes curating scripts, performing, and taking part in festivals and contests. Women’s rights, girl child education, and scripts promoting community solidarity are among the topics that are publicly performed in the form of Nukkad natak. All of these places are unique in that those who have spent time in these settings honing their craft and giving performances on Delhi stages still have a special appreciation for their formative years as budding performers. These alumni have often reminisced about their time at the National School of Drama or Mandi House and how they attribute their achievements to these institutions.

The singularity of stage and screen cannot be compared, as was stated in the article’s introduction. However, as films have become a popular form of entertainment, younger generations are less familiar with regional art practises and distinctive theatrical methods. As a result, people frequently treat stage and screen the same, which is a mistake. However, acting for the camera and performing live are truly two different things, and sadly, many people from the younger generations have not experienced the latter. Even newer artists who enrol in renowned acting schools participate in stage art in order to later pursue an acting profession. It’s because the Indian film industry gives them more chances to become popular and rich than if they continued with theatrical acting. This art faces a number of different obstacles along the way that make it challenging for it to endure.

Some of these difficulties were brought up in our conversations with a few students and instructors from renowned theatre schools.

Many people these days tend to believe that theatre is the ladder to take you to cinema, that if you begin from here eventually you will reach Bollywood,” they said. “This is untrue. Both theatre and film have unique meanings, and each has something different to offer. According to me, this phenomenon is causing stage art to lose some of its splendour. Many members of Delhi theatre groups just practise and develop their acting abilities in order to pursue a job in the film industry. I’m still relieved, though, that theatre is generating finest plays that the audience enjoys” – An artist from the Shri Ram Centre.

Original art forms in India existed for centuries before the advent of cinema, and were supported by wealthy businesses and appreciated by enormous audiences. Since the 17th century, live performances of Ramleela, which depicts the legendary Ramayana conflict between Ram and Ravana, have taken place at festivals. The popular theatre production Nautanki, which originated in Uttar Pradesh, had a significant impact on the Indian population. Dohas, ghazals, and chhand were frequently used, along with catchy songs and humorous dialogue. There are other well-known plots in this that centre on mythology. Nautanki, a kind of theatre that was once loved by both urban and rural inhabitants, grew in influence and scope as a result of assimilating numerous other theatre techniques. Unfortunately, the popularity that Nautanki once enjoyed is diminishing, much like that of many other creative forms, as a result of the rise of film and the elitist mindset that stereotypes this local talent.

Cities like Delhi still have a lot of places where individuals may learn about the subject and work to keep alive the artistic forms that previously captivated thousands of people. Those who are interested in finding out more can attend plays and exhibits at Mandi House, the Indian Habitat Centre, or the Kamini Auditorium, or they can join one of the theatre groups in their institutions. A Delhi Theatre Festival will be held in August and will feature many well-known performers and wonderful productions for the public.

Theatre has always been a means of expressing feelings and telling stories through music, quirky characters, and dark humour. Indian plays have masterfully portrayed the legends of the Ramayana, Mahabharat, and other great royal empires of India. In order to ensure that this vibrant culture is sustained, thrives, and receives the recognition it merits, Delhi must continue to support and maintain stage art.

Delhi is the home of great arts, if Mumbai is the city of Bollywood dreams. If Mumbai has seen the zenith of great artists, Delhi has seen their birth and struggle. Without Kala, Kahaniya, and Rangmanch, Delhi’s history would be incomplete!

List of Additional Sources:

https://thewire.in/the-arts/ebrahim-alkazi-modern-indian-theatre

Story of Ebrahim Alkazi, NSD director who shaped Indian theatre

https://devnautanki.com/about_history.html

Blog of Dr. Devendra Sharma, performer and writer of Nautanki artform.

Featured Image Credits: Top news India, NDTV

Priya Agrawal

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The Internship Exodus: Black Mirror Season 7 EP 1

By DU Beat July 5, 2023

The article is a take on the internship culture, the dilemma it presents to college undergrads and the possible alternative solutions that seem to summarize a student’s summer break post pandemic .

If I had to pitch in the latest episode of black mirror that intrinsically captures the essential collapse of society, I might just bring to the table the possible plot of a dystopia the summer break essentially is, with a love triangle, featuring the insane tension between a college student, summer internships and the reclusive possibilities of an actual summer vacation.

An intern is an unfledged hustler entering what’s basically the hunger games of employment where undergrads try to maximize any and every chance to be pumped out as career ready hirelings. The internship culture has taken the entirety of universities across the globe as an efficient yet at times, a deceptive ploy at adulting.

The benefits of internships range from cost effective employment drives to efficient skill set peddling, a channel of networking and hands on experience in fields the student tends to value more than the drowsy July lectures in sepia toned stifling classrooms, no wonder it seems like the perfect step in the “type A” coded corporate world. But internships aren’t the typical “grabbing coffee for your boss and excel sheet presentations in office ” Nancy Myers fantasy, but rather a tight rope of balancing deadlines and breakdowns.

Even though a stipend incentivised internships offer an angel’s halo to the ever broke student stereotype, they can be exceedingly exploitive in the favour of the status quo and when this exploitation is mechanized as a necessity by colleges coupled with the peer pressure of ‘not doing enough’ it becomes a problem at hand, a predicament that Delhi University undergraduates currently juxtapose with their one shot at having a true summer break for once. While one section decides to upscale through the increasingly popular advent of ‘summer schools’ , the other has an undeterred resolve of the ‘perfect CV’ that has their most fancied summer internships as the crown jewel, while others fancy their truly deserved summer break in the sweet nostalgia of their home towns or fancy holidays that make up a core memory .

The onset of adulthood, the anxiousness of leaving your formative years behind too fast and the ruthless race to succeed in an unforgiving world – all adds up to the truly tormenting experience of being a college student facing the brink of the summer break .