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The Bharat Literature Festival 2023, organized by Kirori Mal College in the most extravagant way possible, celebrated traditional Indian literature through engaging dialogues, debates, and readings. Eminent writers, scholars, lyricists, and government officials were part of the diverse lineup. While well-received, some criticised the event’s politicisation. 

The Bharat Literature Festival, organised by Kirori Mal College on November 28th and 29th, 2023, is a  LitFest that focuses on celebrating the diverse body of traditional Indian literature and facilitating engaging dialogues, literary debates, and celebratory readings. Over the course of the festival, scholars, writers, lyricists, poets, and renowned personalities from all walks of life were engaged in discourse about varying topics such as art, literature, culture, history, politics, and social issues. It went beyond its title as a literary event by housing art exhibitions, facilitating pertinent political discourse, and particularly attracting visiting students to the pursuit of the civil services with VisionIAS  as its Knowledge Partner.

Eminent public figures such as the Hon. Governor of Telangana, the commercially successful lyricist Prasoon Joshi, and Union Minister of Labour and Employment, Bhupendra Yadav, were invited too, amongst many, many more. It is indisputable that the line-up of scholars, experts, and esteemed speakers ranging from Indian cinema to Cabinet Ministers served as the major attraction for the fest. Students from across the University of Delhi flocked to the event to witness some of their favourite personalities share their insights on the central theme alongside issues that specifically pertained to the speaker’s field. Students were able to firsthand engage and interact with journalists, scriptwriters, historians, filmmakers, and lyricists. As the guests and speakers individually have their own publicity from the media, press, and fanbases, these speakers were able to cause an influx of visitors to the event too.

Other than providing a platform for these public figures, the fest even conducted a variety of competitions for students that included slam poetry, stand-up comedy, a photography contest, and a talent hunt—all of which were met with a sizable number of responses and registrations. The food stalls, youth activities, and musical evening incentivised even those who aren’t necessarily interested in literary discourse to participate in the fest.

I really liked the event, especially the different speakers that were called. A session that stood out for me was- “Cinema: The Reflection of Society.” Amit Rai, Chandraprakash Dwivedi, and Priyanka Shakti Thakur talked about how modern films disregard ethics to show what sells the most. It was quite an insightful talk.’

-A third-year student from Kirori Mal College who had attended both days of the event. 

Something that caught everyone’s attention was BLF’s attempt to encompass the diverse cultures of India. Speakers ranging from author Yadvinder Singh Sandhu from Punjab to Telangana’s governor, Dr. Tamilisai Soundararajan, blessed the event with their powerful words. Even the numerous stalls had books of various Indian languages, showing the level of richness the event tried to achieve

I enjoyed the talk by Dr. Sachchidanand Joshi Ji. I got a good perspective on the tussle between modernity and culture, how the two often don’t go along well.

– An attendee in reference to the session- “Sanskriti Aur Chunotiya – TV – Cinema – OTT.

However, this mega event was heavily criticised by student groups and had a lot of negative responses too. People raised questions about the politicisation involved and criticised it. Many students stayed anonymous or avoided sharing opinions because of the potential risks involved due to the involvement of college administration in the event.

I have attended literature festivals before, and this is not what a literature festival looks like. This was clearly right-wing propaganda.

-A critic of the event 

Few felt that the event was more of an attempt to push right-wing ideologies than focus on literature. They claim that the speakers called and the topics they talked about were clear signs of the political intentions of the events. 

Numerous criticisms about the festival surfaced online, with concerns focusing on the event’s agenda. Critics pointed out that the topics discussed, such as “Pranam Main Hindu Hun” and “Sanghe Shakti: Bharat @2047,” raised controversy due to their alignment with Hindutva ideologies. Some online discussions also highlighted the problematic stance of certain invited speakers who openly support the regime and have advocated for the genocide of Muslims in the past.

In addition to the ideological alignment, student groups disclosed, under anonymity, the kind of pressure the administration placed on members of various college societies about volunteerism and promotion. Students from many departments also brought attention to the abrupt disruption in their classes..  

Additionally, there were complaints about the lack of linguistic diversity, as most discussion titles were in Hindi, neglecting representation from North-East and South Indian literature. Critics argued that the event’s themes and titles seemed to align closely with the policies and marketing strategies of the ruling regime, further fueling online dissatisfaction. 

Featured Image Credits: @bharatliteraturefestival Instagram

Shireen Peter 

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Shatadru Sen

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Kamasutra: A Tale of Love, a 1996 cinematic relic that failed to find its place in the Indian film industry of the 90s, gets me to question whether such a contentious movie would survive the scrutiny of the new era.

An unapologetic masterpiece or a stark spotlight on societal norms. Did the visionary filmmaker Mira Nair subvert gender stereotypes or reinforce them? Kamasutra: A Tale of Love sparked this debate when it first came out in 1996. In times when sex was considered taboo and Indian cinema, or just cinema in general, was still largely dominated by male perspectives, she told us a story about two young girls, Maya and Tara, who explored the complexities of love and desire. Set in the 16th century, the movie follows Maya, who, in the wake of a heartbreak, embraces her sensuality and becomes the courtesan of the king. The same king who is married to Maya’s former friend Tara is entrapping her in a loveless marriage.

While Nair was applauded by many for the brilliant cinematography seen in the film and the bold portrayal of female sexuality within the Indian context, she also, not so unexpectedly, faced heavy criticism due to its erotic nature. This resulted in the movie being banned in India. Now the pertinent question emerges: if released in the 2020s, would the outcome have remained unchanged?

Taking into account the female-forward intentions of the filmmaker, this movie was set out to portray that sexual desire is something that comes naturally to men and women alike. The female characters actively expressed their sexual inclinations throughout the movie. Inclinations that would have generally been a lot more silent given the time period Beyond sexual desire, Nair’s female characters exhibit a plethora of very powerful emotions, including fury, resentment, and grief. Focusing the story on the journeys of women and putting them at the forefront contributed greatly to the element of gender inclusivity.

Despite the benevolent objectives behind this movie, it received an enormous amount of backlash. While the power dynamics seen in the characters’ interpersonal relationships were a problem for some, the graphic nudity and eroticism infuriated others. The movie was called out for reinforcing stereotypes, insensitive cultural representations, and male dominance at play throughout the entire movie.

The question of whether this movie falls in the realm of commendable or critiqueable is a complicated one, especially if we are to look at it in the context of the 2020s. It’s safe to say that the movie, in today’s time, would potentially offend multiple cultures. Moreover, the evident patriarchy in the film would not align with newer feminist ideals. Although it could be attributed to the film’s historical context, these aspects would still be considered regressive, keeping in mind modern expectations for diversity and inclusivity.

Nevertheless, above everything, there would still be the persistent concern surrounding nudity and mature content, particularly where Indian cinema is involved. “Showing too much ankle” still remains a breach of cultural modesty in our country. While some people would argue that with a few censor cuts, the film could still make it to the big screen, I hold a different standpoint. Sex plays a crucial role in unfolding this narrative; without it, the story would risk losing most of its substance. So it’s fair to conclude that although this movie would have been looked at more positively where the feminist elements are concerned, I still do not think that the Indian audience would allow its release.

“Kamasutra: A Tale of Love” left a permanent mark on the canvas of film history. It is a production shaped by our own, a work of art that is beyond our grasp. As close as the Indian audience is to Mira Nair’s heart, this creation remains forever elusive—a reminder that maybe some stories are never meant to be told.

Read also: Barbie: A Review

Featured Image Credits: IMDb images

Lakshita Arora

[email protected]

Considering the low-attendance challenges, Shaheed Bhagat Singh College decides to undertake necessary actions for nearly 1,397 students out of the total 3,600.

In a notice dated December 8, 2023, released by Shaheed Bhagat Singh College, the institution decided not to issue examination admit cards to students with attendance less than 40% in the semester. The decision made aligns with the earlier notices issued to the students urging them to meet the attendance requirements as per Delhi University norms. 

The notice clearly stated that students with attendance ranging from 40% to 66.66% will receive examination admit cards upon submitting an undertaking for covering up the deficit attendance and ensuring the combined average attendance of the two semesters to become at least 66.67% while declining the issuance of admit cards to the students whose attendance falls below 40% in any semester. 

As per The Times of India (TOI) reports, Arun Kumar Attree, principal of Shaheed Bhagat Singh College, said,

“The college is now grappling with the emergence of a ‘college of correspondence’, where many students attend courses merely as a formality”.  

The students have been given the final chance up to December 12 to rectify any attendance discrepancies and provide any other document or information in support of their claim to meet the minimum attendance criteria. 

 Expressing concern about the attitude of students towards attending classes and contrasting it with the dedication of the teachers, Attree added,

“Some students were genuinely absent due to extracurricular activities such as sports, but there are some pursuing courses outside or focusing on their family business instead of attending classes. Enough is enough. We can’t keep going on like this. Our college has to get rid of this reputation of its students not caring about attendance.”

Demanding a shift towards merit-based education, he also highlighted the need for reserving educational opportunities for deserving students while mentioning instances where students who secured admission through CUET treated the college like a mere examination centre, coming to college only for exams. 

Read Also: DU’s Plagiarised Strategic Plan Withdrawn

Featured Image Source- Livemint

Dhairya Chhabra

[email protected]

To raise awareness among youngsters about India’s achievements in various fields, the University Grants Commission has asked universities and colleges across the country to set up ‘Selfie Points’ at various strategic locations on their campuses.

The initiative by UGC to set up ‘Selfie Points’ across all campuses is aimed at raising awareness among young individuals about India’s accomplishments across various domains, particularly the new and latest major thrust initiatives under New Education Policy (NEP) 2020, like ‘Ek Bharat, Shreshth Bharat’. 

These selfie points are to be created “in accordance with approved designs in 3D layouts shared by the ministry of education.” The directive carried various themes for their creation; these included the  internationalization of education, unity in diversity, the Smart India Hackathon, the Indian knowledge system, multilingualism, and India’s rise in higher education, research, and innovation.

These selfie points will not only serve as a source of pride but also enlighten every citizen about the transformative initiatives that have propelled India’s growth on the global stage. Students and visitors should be encouraged to capture and share these special moments on social media platforms, fostering a sense of collective pride.

Manish Ratnakar Joshi, UGC secretary

The UGC urged all institutes across the length and breadth of the nation to adhere to these designs to maintain uniformity across campuses.

There is a unique opportunity to harness the energy and enthusiasm of youngsters, molding their minds with inspiration drawn from India’s progress in diverse fields. The selfie points will emerge as a dynamic and engaging place to instill a sense of national pride.

UGC is expecting the selfie points to become dynamic and engaging spaces, instilling a sense of national pride and awareness among students with the goal of inspiring generations.

These designs were shared on a Google Drive link attached to the UGC’s letter. Each design carried a large image of the Prime Minister along with snapshots of the government’s achievements in the fields of education, research, and innovation, in addition to certain representative pictures on the theme. 

The notice received a considerable amount of criticism from faculty members and academicians. In an article by The Telegraph, a faculty member called this directive ‘full-blown propaganda to build a cult figure’, while another faculty member saw it as ‘promotion of a single opinion by dominant forces’.

However, days after the notice was issued, UGC withdrew the suggested designs linked to the directive. The regulatory body did not specify the reasons behind this withdrawal, though the directive to set up the selfie points remains intact

Read Also: DU’s Plagiarised Strategic Plan Withdrawn

Featured Image Credits: Himanshu Kumar for DU Beat

Kavya Vashisht

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Delhi University’s strategic plan set ambitious goals for the next 25 years, but the document was found to be plagiarised from several reputed international universities, leading to a halt in the discussions.

On Wednesday, December 6, 2023, the Academic Council (AC) met for its 1017th emergent meeting to discuss the Delhi University Strategic Plan 2022–47, which aimed to enter the ranks of the top 100 universities in the QS World University Rankings by 2047 by introducing various initiatives. However, a day prior to the commencement of the meeting, teachers from the Democratic Teacher’s Front (DTF) alleged that the document was ‘plagiarised’ from various international universities’ strategic plans, including Ohio State University, the University of Sheffield, Piedmont Technical College, Kenya’s Friends College Kaimosi, Meghalaya’s University of Science and Technology, and also IGNOU. The teachers had also alleged that the plan would lead to the commercialization and privatisation of public institutions, accompanied by fee hikes.

Amid these allegations, the Academic Council meeting discussed all concerns, and the Strategic Plan has been sent back for revision. DU’s official statement disclosed the meeting decisions,

“The members presented their views and suggestions, describing the strategic plan as important for the future. After listening to the suggestions, the Vice Chancellor asked the strategic plan committee to seriously consider them again,” the statement reads. The Vice Chancellor has also said that editors and linguistics will be consulted in the drafting committee to address the linguistic nuances.

Members of the Academic Council criticised the lack of effort while formulating the document. Some members have also defended the proven plagiarism callouts.

It is extremely unfortunate that a plagiarised document has become the foundation of DU’s Strategic Plan 2022–47. Plagiarism in any form is totally unacceptable, and the fact that it is being promoted by the top authorities of DU by tabling it for discussion is absolutely shocking. -said Mithuraaj Dhusiya, an elected AC member.

The strategic plan devised several initiatives that would foster global recognition for DU, including cross-university collaborations, academia-industry collaborations, developing research centres, and modernising facilities. In a 20-page letter to the Vice Chancellor, the DTF criticised the lack of thought for local context and the subsequent speculative privatisation of the central university and wrote,

The strategic plans of other institutions whose realities are completely different from ours have been presented as ours. We know that most of these institutions have been forced to depend on the market for funding, and our uncritical acceptance of the same underscores the design to conform to the demands of global edu-business.

Vikas Gupta highlighted another concern: “The draft does not mention terms like reservation and secularism at all. The term ‘Dalit’ figures only once, and that too in connection with indigenous knowledge. Besides this, the term ‘caste’ has been used only once, while this continues to be the most important social phenomenon of our personal and public lives to reckon with.”

Read also: DU Students may avail 40% of their Courses Online through Swayam Portal

Featured image source: Hindustan Times

Sarah Nautiyal

[email protected]

The University of Delhi is planning to provide up to 40 per cent of its courses through online medium. DU will place a proposal with this as an agenda item before the University’s Academic Council during its meeting scheduled for November 30, 2023. This will include discussions on the inclusion of Swayam, to supplement the current teaching-learning process in the institute.

The proposal is made in alignment with the National Education Policy (NEP) 2020; which intends to achieve 50 per cent Gross Enrolment Ratio (GER) in higher education by the year 2035 with the help of Massive Open Online Courses (MOOCs) provided by the Swayam portal; an online learning platform by University Grants Commission.

Before this, under the UGC Regulations, 2016 (Credit Framework for Online Learning Courses through SWAYAM), the institution could allow only up to 20% of the total courses being offered in a particular programme in a semester through the online learning courses provided on the platform.

These regulations were then considered and approved by the Academic Council in 2019, followed by recommending their approval to DU’s Executive Council which also approved and accepted them.

However the UGC, in its notification, later in the year 2021, revised the regulations; stating that institutions may allow up to 40% of the classes online.

The higher educational institutions may allow only up to 40% of the total courses being offered in a particular programme in a semester through the online credit course through the SWAYAM platform.” -UGC (Credit Framework for Online Learning Courses through SWAYAM) Regulations, 2021

UGC also asked the higher educational institutions to devise a framework for credit transfer and integration of these online courses with existing programmes.

All universities to adopt the courses offered through SWAYAM platform so that the students’ community is able to reap maximum benefits.”

While more deductions and detailed analysis of the notification can only be made once the Academic Council meeting takes place, DU allowing online courses as part of the semester curriculum will have wide ranging implications for the University as well as the students.

Delhi University’s Commerce Department is likely to be the first to implement MOOCs and develop its course content based on the curriculum of the university. In a Departmental Council meeting in February this year, the various details including intricacies like the title of the MOOC to be offered, its course coordinator, and credits to be assigned for the same have been decided and approved.

Read Also: Recruitment Process On the Go for DU Faculty

Featured Image Credits: The Wire

Kavya Vashisht

[email protected]

On 4 November 2023, Ramjas College students gathered to protest against the ad-hoc crisis in the college’s English department, expressing concern over the displacement of 8 out of 10 ad hoc professors. Their collective demand echoes a call for transparency, academic stability, and integrity within the educational framework.

In a resolute display of solidarity, students from Ramjas College’s English Department organised a gathering to protest against the displacement of 8/10 ad hoc professors of the department on Monday, 4 November, 2023. Gathering in the Eco Lawns of the college, the rally circled the campus, culminating in a demonstration at the Principal’s Office. The college administration responded by summoning police forces to contain the protest. The protest garnered support from students from various departments of Ramjas College and was endorsed by student organisations such as the Student Federation of India (SFI) and the All India Students Association (AISA).

In a post shared by the Instagram handle Ramjas Reading Room, the protest called upon immediate action to address the following:

  1. Halt Unjust Displacements
  2. Preserve Academic Integrity
  3. Prioritize Faculty Well-Being

Vociferous slogans and heartfelt messages were raised during the protest as student were overcome with anger and anguish amid the state of things.  A student from Ramjas’ English Department, who wishes to stay anonymous, shared,

The English Department has been one of the most active departments in Ramjas. For most of these professors, teaching, while being a passion, is also a source of sustenance. They are still processing the grief of what has happened.

The protest is being held against the backdrop of the displacement of ad hoc professors from departments across colleges at Delhi University. In Ramjas College, the first department affected by this issue was the Zoology Department last year. Many have alleged that the process of interviewing, retention, and displacement of ad hoc professors is opaque, leading to highly qualified and experienced professors losing their jobs.

Utilising platforms like WhatsApp and Instagram, students of Ramjas College effectively mobilised support by urging their peers and even past alumni who are working across the globe to join the cause. The protest featured images of these iconic figures, such as Tagore and Gandhi, and included books taught by the displaced teachers. The student political groups that had joined submitted a memorandum seeking transparency in the interview process and the retention of ad hoc professors.

According to our sources, the college has made no response to the students’ demands as of yet. Expressing their state of despair and hopelessness at the system, a final year student from the English Department, commented, 

We have lost that last sense of connection with the department. It has become a foreign space for us; the college is a necropolis. How will we ever go back to Room No. 12, the department room? The displaced professors have shared our paintings and poems on their Instagram posts and stories. But we only know what we have lost.

Read also: Faculty Displacement at IPCW: Impact on Students and Academic Integrity

Featured Image Credits:  Aaryan Marcha, student at Ramjas College

Injeella Himani
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What unfolds when the fate of an ordinary reporter at the pinnacle of her career suddenly changes as she is forced to face the harsh reality of prison? “Scoop” offers all the answers.

“Scoop” is an engrossing crime drama series that follows the journey of a reporter chasing a case from a newsroom to spending days in prison as a suspected criminal. The six-episode series, directed by Hansal Mehta and Mrunmayee Lagoo Waikul, is available on Netflix for viewers.

The show is an adaptation of journalist Jigna Vora’s memoir, “Behind Bars in Byculla: My Days in Prison.” In the lead role of Jagruti Pathak, a character closely based on Jigna Vora, actress Karishma Tanna delivers a compelling performance. She breathes life into the character, infusing it with a sense of simplicity. Jagruti is portrayed as a woman from an ordinary Gujarati family. The show provides a captivating glimpse into her thrilling and passionate life as a crime reporter at Eastern Age, who is always on the hunt for the next big scoop. It’s her story of struggle and personal sacrifices as a single mother and the sole breadwinner for her family. The latter part of the series takes a tragic turn, focusing on her life events when she was accused of the murder of a fellow journalist and allegations of connections with an underworld gangster. The series boasts an exceptional supporting cast, including actors like Harman Baweja and Mohd. Zeeshan Ayyub, who deliver outstanding performances.

“Scoop” has emerged as one of this year’s most popular shows, owing to its exceptional cinematography and storytelling style. The creators have skillfully intertwined the harsh realities of the world of crime with the dynamic realm of journalism. The two contrasting but dark realities culminate in a tragedy where Jagruti Pathak finds herself as the prime suspect in a high-profile murder case. This results in the loss of her job, a tarnished reputation, and the withdrawal of support from her community. She then endures challenging months behind bars, anxiously awaiting the possibility of bail.

“Scoop” not only excels in compelling storytelling, it also has powerful dialogues. It provides the viewers with a glimpse into the complex world of journalism, where the line between ethics and exaggeration often blurs the truth. The show highlights the moral conundrum that journalists encounter when deciding whether to back Jagruti in her fight for justice or use her as a ‘scoop’ for their headlines. In the backdrop of a newsroom where jealousy and fierce competition for a spot on the front page prevail, the show challenges viewers to contemplate the fine balance between relentlessly chasing a story and the wisdom of knowing when to step back.

One particularly striking line in the show, delivered by Imraan (played by Mohd. Zeeshan Ayyub), the editor-in-chief of Eastern Age, summarizes the essence of true journalism: “If someone says it’s raining and someone says it’s dry, it is our job to look outside your window and decide which is true.” This thought-provoking line invites the audience to reflect on the quality of journalism they encounter in their daily lives. The dramatic twist of events in Jagruti’s life, from dominating the headlines as a respected crime reporter to becoming the headline herself as a crime suspect, is what makes “Scoop” an incredibly compelling and engaging watch.

“Scoop” stands as a top recommendation for anyone seeking to grasp the value and significance of quality, ethical journalism in a world often consumed by the thirst for power and wealth.

Read Also: DUB Review: Rocky Aur Rani Ki Prem Kahani

Image Credits – Google Images

Priya Agrawal

[email protected]

Addressing the shortcomings in the learning materials, Delhi University gears up to set up a committee overseeing the review and devising a framework for SOL’s learning material.

A four-member committee consisting of the South Campus director, Campus of Open Learning director, Dean of Academic Affairs, and the head of the English department will be notified by Monday or Tuesday, the official added.

As per the PTI reports, The committee will oversee the review of the School of Open Learning’s self-learning material and formulate guidelines for review of the preparation of study materials in the future,” says Delhi University’s South Campus Director, Shri Prakash Singh.

The decision is a response after the Academic Council presented a report of self-learning material for approval but rejected it after a council member’s attention to grammatical, factual, and plagiarism errors in the materials.

Jesus and Mary College Assistant Professor Maya John pointed out some of the errors persisting in the study materials even after the conduct of a review procedure by the School of Open Learning.

“Approximately three lakh students enrolled in the School of Open Learning use these study materials with gross factual errors. One shudders to think what these students would learn from these poor-quality study materials and what their futures would be,” John said.

The decision evokes a reminiscent reflection of the past when students led by the Krantikari Yuva protested outside the Arts Faculty of Delhi University (North Campus) in August against the University and School of Open Learning (SOL) for approving sub-standard study materials with many errors. The study materials were approved despite nine elected members of the council being against it. 

The factual errors in the Political Science and Indian Politics papers had several discrepancies in both the English and Hindi versions. It encompassed inaccurate information about India gaining independence in 1945 (instead of 1947), the Indian Constitution being “formed” in 1994, and Jawaharlal Nehru’s death in 1967 (instead of 1964), among others.

In a response to PTI’s query on the problem, Payal Mago, Director of the School of Open Learning, responded by mentioning that the study materials undergo a review at different levels, including a final review by senior Delhi University professors.

The errors highlighted will be corrected in due course, she added.

Read Also: Atishi Points to “Irregularities” in 12 DU Colleges in Letter to Centre

Featured Image Source- Hindustan Times

Dhairya Chhabra

[email protected]

The proposal for the dual degree programme gained approval at the academic council meeting held recently. Opposition to this decision became evident as some council members voiced their reservations.

On November 30, 2023, the Academic Council of the University of Delhi held a meeting where the decision was taken to proceed with the implementation of a dual degree system starting from the next academic session. The program will involve a combination of traditional and remote classes, giving students a chance to accumulate additional academic experience within the standard time frame. Moreover, the possibility of providing twinning degrees was also taken into discussion. A program enabling Delhi University students to pursue a degree from select foreign institutions with which the university plans to establish partnerships However, the decision has currently been deferred.

In December 2022, the university put together a committee to discuss the potential idea of twinning, joint, and dual degrees, keeping in mind the guidelines issued by the National Education Policy 2020. 11 months later, while most council members gave the proposal a thumbs up, 15 of them raised some genuine concerns. It was argued that offering students dual degrees will dilute the value of their main subject, given the full-time nature of their academic programmes, and put more strain on students and teachers alike. Former Executive Council member Abha Dev Habib pointed out that the students will benefit more from “quality education and not a bag full of degrees.” Despite the apprehensions that came to light, the resolution was approved, and starting next session, both undergraduate and postgraduate students keen on pursuing a dual degree can communicate so to their respective colleges. The proper procedure will be laid down by the university, which will include both in-person and distance-learning models, as mentioned before.

The 1016th meeting of the Academic Council of the University of Delhi, under the chairmanship of Vice Chancellor Professor Yogesh Singh, also discussed the number of undergraduate, postgraduate, and PhD admissions that were made this academic year, the few modalities made in the syllabus for the current academic session, the new orphan quota, and the awarding of a total of 6115 promotions to professors of the university.

Read also: Delhi University’s Proposed Dual Degree Program: Blend of Distance Learning and In-Person Classes

Featured image credits: www.du.ac.in

Lakshita Arora

[email protected]