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Women achievers are often defined by their relationship with the men in their life or nation, and of course their gender. It undervalues their achievements. It’s time we take a look at the way we applaud and cherish our women for their success.

Recently, Sachin Tendulkar congratulated two of ‘India’s daughters’, Saina Nehwal and PV Sindhu on Twitter for their extraordinary performances in the final of Women’s Singles at Gold Coast, 2018.  There was something peculiar that did not stand out in this statement but most people failed to notice it. Most of us fail to see what was problematic with two of India’s top professional athletes got reduced to being called ‘India’s daughters’. I think that we need to stop calling women daughters, wives, sisters or mothers of the nation and the men.

Let me give you another example. You know how a call for action against rapists and molesters is by asking men how would they feel if such a ghastly incident happened with their daughters/wives/mothers/sisters and hence, they need to do better?  Such statements suggest that women should be honoured and respected only because the next victim might be the woman you share a relationship with. It also suggests that one should only treat those women with respect to whom you have any sort of relationship otherwise, you wouldn’t care what other men say or do to women. Women deserve respect women regardless of their relationship with men. In addition to being someone’s daughter, women are, at the end of the day, people.

Defining women by their relationships with the men in their life or the nation is misogynist and alienates women. You’re undermining the women’s accomplishments and achievements if you refer to them as a man’s someone.  If you ever find the time to read a celebrity couple news headline, you’ll notice the woman addressed as Mr XYZ’s wife, even if the woman is a successful actress. You sometimes might not even notice such things because you become so used to reading it all the time that the headline might seem okay to you.

Calling them daughters/wives/mothers/sisters of the nation and the men take away their identity as individuals. Sachin and MS Dhoni were never called sons of India. Saina and PV Sindhu are professional athletes first, even their gender comes second.  Let’s hope the narrative around this change because honestly its time women are addressed by their names and their capabilities and not by their social identities.

Feature Image credits –  Indian Express

Disha Saxena

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With debates regarding the entry of women into less conventional professions, we need to confront their absence from the armed forces of the country and explore the reasons behind it.

Women have increasingly been venturing into less explored, ‘unconventional’ roles. Right now, they are employed in all wings of the armed forces except in direct combat. Last year, the Commander of Chief, Bipin Rawat, made headlines when he said “I am looking at women coming as jawans. I am going to start it soon. Firstly we will start with women as military police jawans.” The Indian Air Force also recently enrolled women as fighter pilots, while the Indian Navy has yet to recruit women as active combatants. The Indian Air Force’s Avani Chaturvedi made history when she became the first Indian woman to fly a fighter jet in January of this year.

While there have been many arguments regarding the recruitment of women in such positions, like the unsuitability of their bodies to harsh conditions, the male-dominated world where masochism pervades, the lack of longevity of female soldiers due to pregnancy and other bodily needs, the need felt by male soldiers to protect their female counterparts even in battlefields, and of course, the old argument that some things are best left to men. However, despite such arguments, women have shown to be of greater grit than they are culturally assigned. Historically, women in India have been employed since 1888 when they were recruited as a part of the Indian Military Nursing service. Even now, they are employed in many fields as junior ranks, combat supervisory roles, and allied fields such as law, engineering, combat nursing etc. Yet, the penultimate realisation is that the highest strata of positions in fields are still reserved almost exclusively for men. It is only recently that some women have been promoted to the higher ranks.

There is also a crucial need for revision in the framing of policies regarding the recruitment of women. There are a range of court cases being filed against the reluctance of the armed forces to provide permanent commission to women soldiers which would grant them pension. There is also a lack of change in cultural conceptions when it comes to the entry of women into such fields. The assumption that women are physically weaker and also more emotional restricts their recruitment. There is also the added ‘burden’ of motherhood that the policy makers automatically assume will be a part of every woman’s life. The lack of social experiments in the military speaks to this fact.

The bottom line is, regardless of whether or not women are more suitable for extraneous physical demands that the armed forces require, we need to at least give them a chance to prove their worth. As the groundbreaking Air Force experiment has proven, if given the opportunity, there is no battle a woman cannot win.

 

Feature Image Credits: Firstpost

Sara Sohail

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Pragati, the Women’s Development Cell of Daulat Ram College, organised an Inter-College Debate Competition on the motion, “Women’s Empowerment lies in Women Choosing for Themselves” on 7 February, 2018.

The cell received over seventy registrations from various colleges across different universities and thus conducted a preliminary round for the top finalists.

The jury consisted of honourable guests like, Dr. Monika Vij (Associate Professor, Miranda House College) and Dr. Padmshree Mudgal (Associate Professor, Daulat Ram College). Dr. Savita Roy, Principal of Daulat Ram College along with Dr. Anita Garg Mangla (Convenor, WDC) graced the occasion with their enlightening words.

The enthusiastic participants brought forth a wide range of perceptions and thus engaged in fruitful arguments. The winners were awarded cash prize and certificates of merit along with vouchers. The prizes were as follows:
Best Team, Best Speaker, Best Interjection(Participants), and Best Interjection(Audience).

The event ended on a positive and happy note with a group discussion whereby all the participants, audience and the teachers voiced their opinions on the motion freely.

Our hair is often seen as a reflection of our identity. How we perceive ourselves and how we take on battles can be determined by our hairstyle. However, the dynamics of a woman’s hair and power go a long way back.

In ancient times, long tresses were believed to be a symbol of femininity, beauty, and desire. Hindu widows were expected to cut their hair short or completely shave their heads. This was primarily to establish the fact that they are not someone who can be desired or have sexual desires themselves.  This is best depicted in Deepa Mehta’s movie ‘Water’, where Madhumati forces Kalyani(Lisa Ray), a widow into prostitution. As long as she benefits from this business, she allows Lisa Ray to have long, beautiful tresses. When she learns about her budding romance with Narayan (John Abraham), her first step is to chop her hair for having dared to transgress the boundaries.

This method of punishing women by cutting off her hair can also be seen in western culture. Collaboration horizontale or collaboration feminine was the (supposed) sexual intercourse that some French women had with German soldiers after the Battle of France in 1940. The liberation of France in 1944 is eclipsed by the treatment that was meted out to these French women. They were subjected to the humiliation of a public head-shaving. It is said that at least 20,000 women are known to have had their head shaved forcefully.

In the Victorian period, a woman’s hair was seen as a means of expressing her desires and emotions.  The Victorian women were supposed to keep their hair tied and could only let it down in their bedrooms. This stemmed from the belief that the power and beauty of her hair should only be reserved for her husband. In ‘Rape of the Lock’ written in Augustan age, Alexander Pope describes Belinda’s locks as chains for enslavement, as snares and traps for men. Thus, her locks project the power that she has over the opposite sex.

Draupadi in Mahabharata refused to tie her hair by which she was dragged by Duhashasana. She vowed that she would not tie her hair till he was killed. Her open hair became a sign of rebellion against the injustice she was subjected to. Therefore, we see that from time to time, women’s hair has acquired new meanings and expressions. She kept on experimenting with her hair until she found a style that brought out her persona and her strength of character. In 1950’s a short bob cut, just below the ears know as “Liberation Hairdo”, became very popular amongst Chinese women. This haircut signified liberation and women taking control of their lives.

Even in modern times, a lot can be deciphered by a woman’s choice of hairstyle. Examples of it can be traced to television characters Alicia Florrick in Good Wife and Olivia Pope in Scandal. In the beginning, Alicia is shown as supporting her unfaithful husband, with flat, swept back hair. However, as soon as she decides to take control of her life, she is shown to have cascading, luscious and coiffed hair. Olivia Pope is shown supporting bangs and curls when she was young and helping Fitzgerald Grant in his elections. But as she begins to find her professional footing, she starts adopting a cleaner cut. Her hair becomes sleeker and longer. This change is suggestive of the maturity and experience that she has acquired with age.

Therefore, it would not be wrong to say that how a woman decides to wear her hair is suggestive of her personality, identity, and disposition.

 

Feature Image Credits: Getty Images

Anukriti Mishra

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With the onset of fall, chilly air streams curl down our sleeves. Who doesn’t love winters? With exams on the front, we decide to hibernate: sleep endlessly under those warmest blankets, the decor of the room setting the right mood. Amidst this, the plan is to create new style statements that combat the cold whilst making us a fashion icon.

Auburn brings you a couture to explore your type of warmer: furry coats, denim jackets, or the exclusive leather ones.

For him:

1. On days when the wind is fierce, a longer coat can really be your best friend. Trench Coats cover down to the knees when buttoned.

2. A scarf is not enough to keep the neck warm, and Turtlenecks are an awesome first line of defense against those frigid winds.

3. Half-Cardigans keep you safe from the winters and also give loud signals of being a stud!

4. Hooded Jackets serve the purpose when it comes to comfort and warmth. They look fluffy and give the perfect winter look.

5. Denim Jackets have been an all all-time favourite. These might not be very chill-safe yet they are your perfect pals when it comes to fashion sense.

6. Bikes, Boots, Babes and Leather Jackets! Every guy must own one of these, it is undoubtedly a safe option!

For her:

1. Quilted Jackets with hoodies are the best for the warmth; they help us keep safe from the freezing cold while maintaining a fashion sense.

2. Initially Blazers were typically worn as officewear, but now they are in fashion as informal wear. Perfect for an interview or your office wear, you can team them up with trousers. You can even wear a casual look by picking up a cotton or linen blazer and a pair of denims.

3. This year was full of prints! Printed Jackets add the right amount of poise in the usual boring winter wear. You can find them in animal prints, 3D prints or blossoming florals.

4. Trenchcoats are a great buzz. Wear them over a sweater or a dress and look dazzling. They are a great pal in the snow and unlike woollen coats they are light weight and waterproof.

5. This season is all about the Faux-Fur Coat. Turn up the texture and team up with dark colours and high collars for some gothic romance.

6. If you want an adventurous or bold look then Biker Jacket is something girl must have. It’s a sort of short coat with hip length. Its made of leather generally and coloured in black, but if you want you can go for other colours too. Biker jacket with a pair of blue jeans gives you a smart and fashionable look.

 

Feature Image Credits: Uniqlo

Radhika Boruah
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The recent upliftment of driving ban, government’s strategy under the garb of the move and women’s miserable lives – is the battle against patriarchy over in Saudi Arabia?

The recent announcement by the Saudi royal family and officials of the upliftment of ban on women’s driving may seem like an unprecedented victory for Saudi women but it has little to do with their empowerment. Besides, it will be implemented till June 2018.

The sudden news can be anticipated as part of the crown prince, Mohammad bin Salman’s Vision 2020 or a strategy to improve his image internationally after ousting two distinguished prospective crown princes. This ‘radical’ change would improve his stature as a ‘feminist’ thinker and assist him in ascending the throne very soon. But all the applause that is being showered on the royal family is not to be credited to them but those women who struggled for this right since the 1990s and ended up in jails.

During the press release, it was stated that a special committee would be made to chalk out the way to go about implementing this idea of women driving motor vehicles in Saudi Arabia. What is quite startling to note is that this has been issued stating its accordance with the Sharia law and order which according to the officials earlier could damage women’s ovaries and jeopardise their fertility.
First and foremost, the question that arises is the new law’s proper and just implementation, whether the male guardian’s permission still be an obstacle in giving women this freedom and to what extent will they be able to contribute to the country’s economic growth.

Now you must be thinking what this male guardianship is and that is where Saudi women’s real freedom lies. Women in Saudi Arabia cannot travel, marry, get educated, employed or even get a medical surgery done without a male (whether father, husband, son or any other male relative) guardian’s consent. They cannot mingle or even talk with the male fraternity in public barring their guardian(s). Saudi women don’t even have a right over her children beyond age 7 for daughters and 9 for sons. Giving the son the authority to decide the mother’s fate is absolutely appalling and so in line with ancient traditions. Women are considered as mere objects for sexual pleasures.
Women and men all over the world have been trying to escape the shackles of patriarchy and here is a country that is reinstating ancient patriarchy and practically has not entered the 21st-century mindset.

I hope that these women’s lives can be changed similar to the women of Israel and Egypt and also hope you feel proud to be in a country like India.

Feature Image Credits: mintpressnews.com

 

Prachi Mehra
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PV Sindhu’s recent feat in BWF World Championships of Badminton made India’s heart soar with pride. We can slowly see a change in the sports culture where sports other than cricket are getting their due recognition they rightfully deserve. For a very long time, cricket dominated the scene, but recent times have suggested that other sports are also being encouraged.

PV Sindhu and Saina Nehwal’s outstanding performance in the BWF World Championships of Badminton inspired me to throw light on some of the women badminton players of India who have time and again made us proud

  • Arundhati Pantawane

Born in 1989, Arundhati Pantawane hails from the state of Maharashtra. She is an Indian female badminton singles player. Pantawane won a gold medal at the 2011 National Games, and a silver at the 75th Senior National Badminton Championships. Coached by Pullela Gopichand, she holds the Bahrain International Challenge 2012 title. She recently married Arun Vishnu, a multiple-time national doubles champion.

 

  • Ashwini Ponnappa

Ashwini Ponnappa was born in Bangalore, Karnataka in the year 1989. She represents India internationally in both the women’s and mixed doubles discipline. She, along with Jwala Gutta, has been ranked among the top 20 in the BWF World Rankings. Asnwini won the bronze medal at the BWF World Championships in 2011, and a gold medal in women’s doubles in 2010 Commonwealth Games held in Delhi. Her recent victory includes a gold in women’s doubles in South Asian Games 2016 held in Guwahati.

 

  • SainaNehwal

Saina Nehwal hails from Hisar, Haryan, and was born in the year 1990.  Having achieved remarkable success at an age of 27 years, she has become extremely popular. In 2015, she  attained  world number 1 ranking, hence becoming the only female badminton player from India, and overall second Indian player after Prakash Padukone, to achieve such an astounding accomplishment. She was conferred the Rajiv Gandhi Khel Ratna Award, and the Arjuna Award by the Government. In 2016, the Government of India honoured her with the Padma Bhushan Award.

 

  • PV Sindhu

PV Sindhu  currently holds rank number 4 in the BWF World Ranking. She won a silver medal in the 2016 Summer Olympics becoming the only woman player apart from Saina Nehwal to have won an Olympic medal. Coached by Puella Gopichand, Sindhu is a right-handedplayer. Her recent match with Nazomi Okuhara at the World Badminton Championships in Glasgow was the second longest women’s singles match  bringing  the viewers at the edge of their seats.

 

  • Jwala Gutta

Jwala Gutta along with Ashwini Ponnappa have been ranked among the top 20 BWF World ranking in 2015.  She has won the National Badminton Championships fourteen times. She has won a bronze medal in the 2011 BWF World Championships and one at the 2014 Thomas and Uber Cup. She has made India proud at many occasions and continues to inspire young badminton players.

 

Feature Image Credits: www.india.com

Anukriti Mishra

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The University of Delhi, through its policies and activities, acts as a hub of opportunities for all sectors of the society. One such endeavour to facilitate women empowerment is the Non-Collegiate Women’s Education Board (NCWEB), which allows thousands of young women who are unable to join a regular college to obtain an undergraduate and postgraduate degree in the varsity. These students can attend classes during the weekends or academic breaks, and the Board allows them to appear for the DU examinations without attending the regular scheduled classes.

The foundation of NCWEB lies in the vision of enlightening women through academic and skill training. The holistic development offered stems from a desire to enforce social change, and thus presents itself as a platform of women’s education. The Board’s initiative is a significant step in the construction of an egalitarian society. Established in 26 UG courses and one PG centre, NCWEB has cropped up as a significant academic horizon with 23,000 students growing under its umbrella.

The admission in NCWEB is merit-based, and is administered through the declaration of cut-offs in July end. The schedule this year’s admission cycle is as follows:

schedule

Image Credits: UG Bulletin 2017-18

Interested applicants residing in NCT Delhi are automatically considered for NCWEB on selection of programmes, either B.A. (Prog.) or B.Com (Prog.) or both. The Board provides library facilities and financial aid to those candidates who are deprived of these facilities. The candidates are permitted to utilise the infrastructure of educational platforms at a low cost, thus allowing them to overcome their barriers. Through the convergence of cultural and extracurricular activities, NCWEB offers a holistic education arena to the students.

Details of the Programme

  1. Students are expected to attend classes regularly as the minimum 66% attendance has been made mandatory to appear in the University Examinations, which are held annually in the month of May.
  2. The NCWEB UG students are permitted to finish their B.A./B.Com. three-year degree programme within 6 years, of taking admission, i.e. span period for UG is 6 years.
  3. The classes are held either on Saturdays or on Sundays and during the academic breaks of the University of Delhi. There are 50 teaching days in a year.
  4. At the Under-graduate centres, classes are held from 9.00 a.m. to 2.00 p.m. There are 5 periods in a day, each of 60 min duration.
  5. Teachers of the University of Delhi and affiliated Colleges are deputed as guest faculty to teach the Non-Collegiate students. The pass percentage of these students is as good as the regular students.

Admission Procedure to B.A. (Prog.)/B.Com Programmes:

  1. Total no. of Seats in B.A. (Prog.) in each of teaching centres: 284

Total no. of Seats in B.Com. in each of teaching centres: 184

Number of seats in B.A. (Prog.) subject combinations are fixed. Reservation for SC/ST/OBC/PwD/CW will apply as per University rules.

  1. The percentage for cut-off will be decided on the basis of marks obtained in the best four subjects in 10+2.
  2. The cut-off list shall be displayed at 9:30 a.m. at all centres and the NCWEB website ncweb.du.ac.in
  3. Any student who takes admission in any one NCWEB centre, will not be allowed to change the centre at any later stage during the admission process
  4. After approval of admission, the applicant has to log on to the undergraduate admission portal to make online admission fee payment. This may be done till 12:00 noon of the next day of the given admission list deadline.

Requirements at the time of admission:

  1. The applicants will have to submit their original certificates at the time of admission.
  2. The annual fee would be approximately around Rs. 3500/-.
  3. No fee will be charged from PwD students.
  4. The Non-Collegiate students are not allowed to pursue any other full-time/degree programme.
  5. It is suggested that the students may take admission in a college near their residence, if possible.
  6. Residence proof of NCT Delhi (i.e. Aadhaar card/ Passport/ voter Id card/ Driving license/ Ration card) in original will have to be submitted.

Feature Image Credits: University of Delhi

Saumya Kalia

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The day after Donald J Trump’s inauguration saw millions of men and women not only in the United States, but around the world, protest against his power by staging the Women’s March. Organised several weeks in advance, its initial intent was to be a street protest in Washington DC. However, the outrage over Trump coming to power led to the mass organisation of such events in most major cities around the US, as well as solidarity marches in other parts of the world, from Jordan to Antarctica.

For anyone with access to any form of media in the past year, Trump’s election has been a highlight. His unabashed insults directed at anyone who was not a cisgender white male have left most of the world reeling. When the popular vote was very clearly in Hillary Clinton’s favour, but Trump still managed to come into office, such disdain by the population was to be expected. The masses descended onto the streets for a range of demands, such as reproductive rights, access to healthcare, and immigration reforms. Nevertheless, the marches around the world, which were filled with ordinary citizens as well as a range of celebrities, were critiqued on the basis of their futility.

The Women’s March at Washington DC
The Women’s March at Washington DC

No popular movement is free from criticism, especially from cynics who accept power relations as a given. This becomes a point of concern when democracy, a basic structure of society, is undermined by this cynicism. Protests have become legitimate sources of change throughout centuries of civilisation, in the same way that people’s awareness about their social and political culture has changed in recent years. Basic rights such as the right to vote or national sovereignty were only achieved through dissent. In a global society where right-wing policies are on the rise with the manufactured consent of the masses, such shows of widespread dissent are not only a boon, but a necessity. These methods empower the disenfranchised and pave the way for a more inclusive and self-aware society.

As individuals, we often feel powerless when we are engaged in a conflict with the state. However, it is essential to remember that the state is influenced by us in many implicit ways. We may face backlash from those who believe that simply marching will do no good, but we can be sure that even someone as egotistical and self-righteous as Trump is unsettled by the masses at his doorstep. When we are proud to be the “nasty women” that Trump accuses us of being, we are, in effect, robbing him of the power to rule us. He will govern us and force us to bury our aborted foetuses, but he will not make us believe that this behaviour is acceptable.

Feature Image Credits: Metro UK

Vineeta Rana

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“The desire for nights where the moon and the star is not glimpsed through barbed wires, where the sky is not forbidden through rods, through gates and locks” –  Pinjra Tod

Pinjra tod an autonomous women collective, organised a Night march in the North Campus of University of Delhi on 23rd of September. A large number of students participated to support the campaign.

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Image Credits: Pinjra Tod: Break the hostel locks/Facebook

The march was primarily organised to reiterate and implement the new UGC circular against sexual harassment. It also demanded a regulation of the exorbitant fees structures of hostels and PG’s.

A night mass of women and men, took to the streets at night and marched from Arts Faculty of Delhi University to Miranda House Hostel, Meghdoot hostel, UHW, hostels of Hindu, Hansraj and St Stephens college. They marched sloganeering through areas such as Malkagunj, Kamla Nagar and Vijay Nagar. In some cases, they climbed up the locked gates of some hostels and shouted slogans against moral policing by wardens and restrictions put on movement of women by discriminatory hostel curfews.

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Image Credits: Pinjra Tod: Break the hostel locks/Facebook

In spite of problems caused by some ABVP members, the march carried on for quite long in the night which was followed by a night vigil at Vijay Nagar.
The group also sung songs, recited poetry and danced to reclaim the night and call it their own. The mood of the march and vigil was of a serious celebration. It exercised and celebrated the freedom that Pinjra Tod demands for women and was a way of militantly reclaiming the streets denied to women at night in the pretext of ‘security’.

Featured image credits: Pinjra Tod: Break the Hostel Locks/Facebook

Tooba Towfiq
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