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From the perspective of a college student, the path forward from the landmark verdict of demonetisation was bleak with flickering lights and a hazy future. Here is how students were affected by the remarkable judgment last year.

It has been a year since the Prime Minister of India, Narendra Modi, passed the historic judgment of demonetising INR 500 and INR 1000 notes from circulation. Besides sparking countless memes and attracting criticism from all four corners, the judgment is most infamously known for the disturbance it created in the everyday lives of the Indian denizens. As Bharatiya Janata Party (BJP) marks 8th November as the Anti-Black Money Day, we retrospect to determine how demonetisation affected the daily routines of the students of the University of Delhi (DU). The chaos and mayhem it inflicted on the student community can only be suitably answered by the very people who were most affected by it.

Outstation students were adversely hit out of the student lot as they did not have any financial backing like the rest of the day scholars did. Apart from the inconvenience it caused in day-to-day expenses that toppled everyone’s budgets, DU hostellers and PG renters had a harrowing time. Landlords and PG owners demanded rent that time round, and many students were left scaffolding for the newest currency they could get in their hands. Kinjal Pandey, a student of Daulat Ram College, added, “My PG friends and I tried to wake up at 5 a.m. in the morning in the hopes that we would be able to stand ahead in the ATM line. Every day at least 8-9 girls would wake up early and go out at dawn in order to stand in the ATM line.”

Furthermore, since this happened towards the end of the odd semester with end semester exams approaching, many wasted their precious time standing in long queues to no avail. Students were seen standing, studying in lines for hours as the transaction limit was restricted to INR 2,000 per day. That left many to resort to alternative sources like borrowing from home or from unrecognised money lenders. At a time when most transactions were conducted in cash, many students did not have checkbooks and were not as well-equipped to manage one’s finances digitally. Budgets were disrupted and limits were increased manifold to counter the urgency of the situation.

A year since this debacle, the verdict has been mixed. Whether it was a hit or a miss is a completely different lead to follow.

 

Image Credits: DNA India

Image Caption: The demotisation of INR 500 and 1000 notes last year adversely affected outstation DU students.

 

Vijeata Balani

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A list containing the names of 68 academicians from universities across the country is being circulated on social media, tainted with charges of sexual harassment.

Recently, Raya Sarkar, a lawyer, made a Facebook post on the 24th October that said, “One sexual harasser is Dipesh Chakravarty, the other is Kanak Sarkar Prof. teaching political science at Jadavpur University. If anyone knows of academics who have sexually harassed/were sexually predatory to them or have seen it firsthand, PM me and I’ll add them to the list.” The post went viral and the names of 68 academics were added to the list along with the institution they were a part of.

Raya Sarkar, “an attorney interested in prisoners’ rights, reproductive rights, and anti-caste jurisprudence”, as her Facebook profile reads, posted the invitation at 12.25 am on October 24, inviting several others to add to the list of sexual harassers. The list was instantly updated bearing the names of prominent professors, including several from renowned institutions like Jadavpur University, University of Delhi, Jawaharlal Nehru University, St. Xavier’s College, Ambedkar University, and more. The list remains constantly updated.

Commenting on her own post, Raya Sarkar said, “Most if not all are first-person accounts of people who were molested/sexually harassed by the people who have been put on this list. Rest are a friend (sic) they (the victims) have chosen to specifically contact me as they fear their identity being disclosed. In fact, since there is a disturbing amount of rape apologia and victim blaming, the victims have gone out of their way to show me screenshots of them being harassed and abused by the people they have named.”

The post falls as an aftermath social media campaign called #MeToo that opened the platform for individuals to share their sexual harassment encounters over the years with the hashtag #metoo. This campaign started as a response to the Harvey Weinstein case in Hollywood, where around 40 women, including Gwyneth Paltrow, Angelina Jolie, etc., came forward with the chronicles of sexual harassment by the leading movie mogul.

While the initiative gathered a fair share of supporters, it was also slammed by a group of feminists in an open letter on Kafila.online titled, Statement by Feminists on Facebook Campaign to “Name and Shame”. These activists said, “We are dismayed by the initiative on Facebook in which men are being listed and named as sexual harassers with no context or explanation. One or two names of men who have been already found guilty of sexual harassment by due process are placed on par with unsubstantiated accusations. It worries us that anybody can be named anonymously, with a lack of answerability. Where there are genuine complaints, there are institutions and procedures, which we should utilise. We too know the process is harsh and often tilted against the complainant. We remain committed to strengthening these processes. At the same time, abiding by the principles of natural justice, we remain committed to due process, which is fair and just. This manner of naming can delegitimise the long struggle against sexual harassment, and make our task as feminists more difficult. We appeal to those who are behind this initiative to withdraw it, and if they wish to pursue complaints, to follow due process, and to be assured that they will be supported by the larger feminist community in their fight for justice.” This was signed by prominent activists like Ayesha Kidwai, Kavita Krishnan, Nivedita Menon, and Vrinda Grover.

 

Feature Image Credits: India Times

 

Trishala Dutta

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Gwyer Hall, oldest DU boys’ hostel gets first digital library on Saturday, in a first of its kind initiative. Launched with 10 lakh e-resources, a seed fund of Rs 15 lakh was granted by Delhi BJP chief Manoj Tiwari from his MPLADS fund for the library.

The e-library is the first such library in a government-run institution of the country which was inaugurated by Minister of State for HRD (Human Resource Development) , Satyapal Singh, while the Bharatiya Janta Party (BJP) Chief, Manoj Tiwari, was the Guest of Honour. The Gwyer Hall digital library at the University of Delhi started with 10 lakh online books – journals, research books and literature. The aim was to help students get access to digital content from their hostel room at any time of the day.

Another Rs 1 crore fund is announced for initiating digital libraries in other hostels, Such initiatives are being undertaken for digital inclusion and students should play a crucial role in the Digital Movement. Applauding the step, Singh told the Times of India,” Apart from the benefits to the students, such initiatives are environment-friendly also.”

Feature Image Credits: The Rickshaw Explorer

 

Oorja Tapan

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Economics constantly looks to the view that man’s primary response to economic necessity will be rational. But what if economics needs to expand its boundaries on what’s actually rational behavior these days?

Who Me, Poor? is a book by Gayatri Jayaraman, also the writer of the viral article on Buzzfeed – ‘The Urban Poor You Haven’t Noticed: Millennials Who’re Broke, Hungry, But On Trend’. An extension to the article, Jayaraman delves into case studies and analyses each with particular keenness, almost as if to justify herself for writing the widely criticised article in the first place.

Being grossly unaware of the existence of the article, I divulged into reading the book at the first glance of the synopsis at the back – it promised fresh thought, facts, analysis and research, the recipe for a modern-day paperback success. An excited cursory glance introduces me to a hunger-deprived generation that was unknown to me up till very recently. Jayaraman explores the concept of ‘survival of the fittest’ in context of modern-day hyper-consumerism and the myth that the ability to network has it easy. The author has managed to dig out highly relevant examples of people who are genuinely affected by peer-pressure: fresh graduates in the fashion industry who are inducted under the tutelage of employers who force a ‘socially acceptable’ way of dressing. The book brings forward the plight of new age millennials, and how they are broke by month-end despite being able to afford luxury items. There are several points which ring a bell and are substantiated with concrete facts. The changing paradigm and a generational shift from savings to spending and making it big in the start-up culture by a personalized struggle story, alongside the cost of tuition spiraling manifold over the past 20 years have had an adverse impact on the youth.

Exploitative workplaces make use of overabundant staff and carry forward layoffs with equal ease. However, to use the above reasons on the pretext of going broke and hungry is highly questionable; something Jayaraman has tried doing throughout the 180-page book. In what could be perceived to be an actual phenomenon after reading the initial part, you soon realize that this self-imposed lifestyle choice is quite obviously lack of financial literacy. Over the course of the rest of the book, it reduces to over-telling and reiteration of the same point that, “you pick a choice that was never quite yours” and that peer pressure had driven the unwitting few to overindulge and spend way over their means. The author completely takes off on an unrelated tangent when a detailed parallel has been drawn between the urban poor and poverty, and how “living wage” should be factored in the Indian scenario. In a developing country with one-third of its population living in abject poverty and deplorable conditions, this comparison simply trivialises and demeans the problems of the poor in front of this first world problem of lack of financial literacy and decision making skills of millennials today.

There is a an overarching, subtle hint that ease of credit cards and debt facilities have made it easy for the youth fall prey to maxed out credit and going broke by the month’s end. Then there are a few unnecessary examples of corporate honchos buying luxury items to impress their seniors, or to simply give themselves the life they think they deserve. Instances pointed at a deep-rooted class divide and culture shock affecting individuals in the corporate workspace are well researched yet unfortunately clubbed along with those few whose ability to make decisions is disillusioned.
With an amorphous definition of basic needs and growing ambition of the youth, it’s a first that the issue of urban poor has been put in the limelight in the Indian context. However, we need to realize that for economics to expand its boundaries for rational behaviors, first world problems of the privileged lot are the least pressing issues to look into.

Image Credits: The Book Satchel

 

Vijeata Balani
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Having been a part of the production crew in a theatre society from the past year and a half, many have raised eyebrows and questioned my role in the society. Considering similar plight of the production crew in associated performing societies, it is crucial to laud their hard-work and diligence once in a while.

The notion that production members are replaceable in a performing society is highly questionable and outright false. The success of any performing society is directly proportional to the talent and hard work it constitutes. Any normal person would categorise that success to the ones directly under the limelight, and tend to overlook the scores of people that are involved behind the curtains to make the act a success.

Many performing societies have a team of individuals working dedicatedly without acknowledgement. In a fashion society, the success of the models on ramp is heavily dependent on the designers and makeup artists who work as back-team to put up a successful show. Music tracks are selected and played by them, the choreography decided, and they also oversee sponsorship to ensure continuity of funds.

Similarly, theatre is performed collectively. The actors hog the limelight and the production members not always given equal importance, simply because they don’t appear on-stage. From managing prop and set designing, tweaking each line of the script to fit perfectly with the rest, arranging for props and setting up the stage under a time crunch, to ensuring perfect timing of sounds and impeccable lighting in each scene- these are just a few obvious tasks a production member in a theatre society performs. In a street-play society, there are percussionists and scriptwriters, working tirelessly as well to put up a thrilling production. Oftentimes, the same people are engaged in costume designing and makeup of the actors going on stage, and it’s an understatement to say the very least that they are pivotal to the play’s success alongside the actors’ talent.

In a music society too, apart from professionals hired from outside, there are individuals working on the sidelines, if not completely backstage. These people coordinate with the college staff to ensure the perfect reverb or bass in mikes and also play instruments. There is also the conductor, who manages the ensemble and directs them towards showcasing a mesmerising performance.

Production work is not meant to be seen, but it can certainly be acknowledged by the audience enjoying the act. The next time you see a perfect set with impeccable lighting and a literal spotlight on the actor’s face, don’t forget to acknowledge the efforts of the crew whose time and work went into ensuring the scene is perfectly done.

 

Feature Image Credits: Drexel University

Vijeata Balani
[email protected]

The beauty of some moments lies in the fact at how short lived they are.

These fleeting moments are interspersed by complex emotions making it really difficult to put it into words. However Priyanka Sharma Kaintura deals with these emotions with a lot of subtlety leaving the readers wanting for more.
An amalgamation of bite sized stories and poems; this book is divided into seven different parts. Each part explores the different moods of the author. The first part titled ‘Orations’ has diverse range of really short stories or experiences ranging from mythology to partition of India. One such article titled ‘What Makes Shiva So Desirable’ really stood out for me where the author in around three hundred words tries to understand what exactly it is about Shiva that attracts everyone to him. In this manner the author takes stories and ideas from around us that are hugely popular and connects it to our day to day life and experiences.

The second part of the book titled ‘Eclogues’ is a compilation of poems. These poems seem to convey experiences and emotions that are close to the author’s heart. They string together a beautiful tale of author’s dreams, aspirations, desires and her unspoken thoughts. The next part of the book titled ‘Monologues and Dialogues’ explores short conversations on diverse topics that give the readers a food for thought. The fourth part of the book contains some really short stories. The fifth and the sixth part of the book are divided according to the moods of the author and are titled ‘Pathos’ and ‘Satire and Sarcasm’. While the last part of the book ‘Life Aphorisms and Epigrams’ deals with complexities of life in around four or five line poems.

This compilation of stories, poems, ideas and opinions are a kind of personal reflections by the author on a diverse range of issues. This book closely reminded me of Paulo Coelho’s ‘Like the Flowing River’ which also followed a similar format. Though in some stories Priyanka Sharma Kaintura fails to engross the readers, she manages to tighten the grip on her audience in other parts of the book. These recollections by the author will put you in her shoes and help you to understand life through her eyes. This book leaves one contemplating about the mundane things that should be appreciated but usually go unnoticed in the hustle bustle of life. Although few stories fail to resonate, it is not difficult to find a lot of other stories and poems that are sure to strike a chord. The author at various occasions articulately conveys a nexus of emotions leaving the readers much to think about. I would recommend this book to anyone who wants to unravel some mysteries of human life.

Image Credits: YouTube

 

Anukriti Mishra
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It is very rare that one gets an opportunity to show appreciation for a city that has rewarded one in multiple ways. Here’s an epistle brimming with gratification, admiration, and affection for the sheer beauty the capital harbours!

Dearest Delhi,

It has been more than two years since I stepped foot in your cultural lap. I remember how the prospect of living alone for the very first time seemed daunting to me. Nevertheless, I was very excited to begin a new chapter of my life. Here I am today, a million experiences old and inextinguishably in love with this city!

It took a lot of time for me to adjust to the maze that this city is. Every time that I got lost, both figuratively and metaphorically, you only taught me how to find my way back home. You have told me how important it is to pick up the pieces lying on the floor after people and things shattered my confidence to the foundation. You have taught me to believe in myself no matter what the circumstances are. However, I am most grateful to you for giving me the opportunity to meet people from all walks of life and engage in life-changing experiences with them.

The friends that you have been the stage for have become my family, who will stick with me through thick and thin. At every nook and corner of this city, I find someone who inspires me to achieve a little more. More than anything, you have taught me to appreciate the little things in life and be content with them. You have a big heart, ever ready to forgive a person, but are ruthless when injustice is rendered to your loved ones. Whenever I have faced hardships, I found people around me to help and guide me so as to rid me of those pangs of loneliness.

How can I ever thank you for helping me to embark on this journey of self-discovery? In ways, more than one, you helped me find my individualistic corner and for this, I can never stop loving you. Your age-old stories give me perseverance and strength to stand on my own feet. In a very short span, you have provided me with warmth and love of home so much so that I do not like spending time anywhere else.  I know for a fact that if I ever leave you, I will never stop missing sipping chai in the morning while watching the sunrise. It is in your sunrise that I have found my dreams, the courage to pursue them and search for solace in life. I raise my glass to you and hope for many such inspiring and rejuvenating mornings. I hope that those new to this city fall madly in love with you as I did. As Prasoon Joshi flourishes out the magnificence of Delhi in this iconic song,

“Ye Dilli Hai Mere Yaar

Bas Ishq, Mohabbat, Pyaar”

Yours lovingly,

One of the many you inspire to rise and shine every day

 

Feature Image Credits: Culture Trip

 

Anukriti Mishra

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Ankur, the theatre society of SGTB Khalsa College wraps up its 5th annual production ‘Raag Darbari’. The show ran successfully with the play being heartily applauded by the audience. The theatre ran houseful all three days. The play was appreciated for its interesting sounds, incisive lights, and a grand set design. The star of the show was its characters which were highly detailed, well-layered and quite relatable. All the theatre artists did justice to their part. Ankur is grateful to all the individuals and communities for their love and support.

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Image Credits: Ankur, SGTB Khalsa College

On the eve of White Cane Safety Walk, Save The Quest organised a blindfolded walk throughout the North Campus, University of Delhi. The purpose of the walk was to sensitise people about the difficulties faced by the visually impaired people and how we can help them with a little effort.
The event started off with registrations at 8:30 in the morning. Orientation programme took place in the auditorium where we were welcomed by the teacher-in-charge of NSS Hindu College and the founder of STQ, Mr. Saif Ahmed Khan. At 10:30 we were asked to hold a white cane, put a blindfold and join the crowd with a partner each. One was blindfolded and other remained sighted, which got reversed half-way through the walk. It was not just an emotion of selflessness, it was a feeling: to salute our fellow visually impaired friends who manage to carry out their daily chores. We were accompanied by a chain of volunteers and policemen who controlled the traffic. A 2 km blindfolded walk and we faced so many difficulties in getting through despite having someone to guide us and the visually impaired ones- they do not always have people around them to be their eyes. The world seemed black and the way we were walking on, vast and scary. We came back to our starting point, shared our views on how we felt and what we feel towards our friends. Then, we had a performance by Save the Quest VIS band.
Mr. Saif Ahmad Khan distributed white canes and Braille Signature tool to all the visually impaired students present there and later a vote of thanks to NSS Hindu, Adroit, advertising society DCAC, NSS DCAC: all for their selfless hard work.
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The recent fest of IIT Delhi, Rendezvous, was held from October 13 to 16, 2017. October 13 and 14 constituted the prelims of the various societies from across University of Delhi and IIT, Delhi.

Amidst the spirit of festivities and competition, Lady Shri Ram College’s Dance Society was disqualified despite making it to the finals owing to their ‘misbehaviour’. When the college’s dance society members demanded water bottles before their performance in the prelims, they were denied and told to go on stage without water. Putting up with this non-compliance of a simple request, LSR gave their best and got selected to appear for the final round by the judges.

Wing water is provided to all performing societies by the host college as the performances suck up all their energy and are exhausting. Unavailability of water can lead to dehydration of the team members which can ruin their performances.

After the prelims of the Western Dance Societies of DU colleges and IIT Delhi, the societies that reached the finals actually were – Misba of SGGSCC, Verve of Sri Venkateshwara College, Footloose of Shivaji College, LSR’s Dance Society, Zeal of Maitreyi College, and V-Defyn Dance Academy of IIT Delhi. After the tally of marks, this list was given to IIT Delhi’s BRCA, the organizing team to be uploaded and spread to the finalist teams.

The actual list uploaded by IIT Delhi fest organizers had the following finalist teams – Misba of SGGSCC, Zeal of Maitreyi College, Crunk of Sri Aurobindo College, Enliven of Gargi College, Verve of Sri Venkateshwara, and V-Defyn Dance Academy of IIT Delhi. Lady Shri Ram College’s Dance Society was removed without any prior information.

The original list of the finalist teams was requested by LSR to the judges who were courteous enough to provide it.

When the changed list was uploaded and LSR’s Dance Society wasn’t on the list, they contacted the PoC (person-in-charge) and were informed in a curt reply that their ‘misbehavior’ of asking for water had led to their disqualification.

The Society has posted on their Facebook page and questioned the authenticity of such fests if the lists can be changed on the whims and fancies of some students. Even the judges weren’t informed of this.

Meanwhile, the Dance Society of IIT Delhi has posted a clarification on their facebook page in which it accepts that there was a problem of availability of water in the spot due to some mismanagement from the hospitality team of RDV. The same conditions were also applicable to all other teams as well who managed to get water from the cooler. The disqualification of LSR was a decision of the organising team because their action delayed the event by sometime which prevented other participants from getting their promised time slot.

While the Dance Society, BRCA were not available, the dance society of LSR refused to speak to us.

 

Feature Image Credits: Dance Society, Lady Shri Ram College’s Facebook 

 

Prachi Mehra

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