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DUSU launches ‘One Day DUSU President’s Scheme’

By DU Beat July 12, 2023

DUSU launches ‘One Day DUSU President’s Scheme’ to foster leadership skills and provide a platform to students. Under the scheme students from the varsity will get to head the students’ body for a day.

The Delhi University Students’ Union (DUSU) on Monday, July 10th, announced a ‘One Day DUSU President’s Scheme’ under which the students from the varsity will get to head the students’ body for a day. The programme was announced at a Student Leader’s Meet, organised by DUSU on the occasion of National Student’s Day.

Students will have a unique opportunity to serve as DUSU president for a day under the scheme, which requires students to fill out a Google form, indicating their leadership skills in various sectors, including sports, academics, environment, art and culture, among others. Photos and videos must be attached with their respective projects as proof. The review of the application, shortlisting of candidates, and the final interview will be done by the Executive Council. During the interview, the candidates can discuss projects, showcase their abilities as well as present their vision.

After the evaluation by the Executive Council, the selected students will be publicly announced by the Council, recognising their leadership skills and contributions. The initiative is aimed at fostering and encouraging leadership skills and participation and provides a platform for students to contribute to the decision-making process within the university.

Student leaders play a crucial role in continuing the great legacy of DUSU leaders who have spearheaded student movements and served as inspirations for youth in India today. We hereby launch the One Day DUSU President scheme to give a platform to common students and our aspiring leaders to head the students’ union. The responsibility of student leaders is to lead by example and contribute to the betterment of society,”

said Akshit Dahiya, DUSU president, in conversation with The Indian Express.

Image Source: The Hindu

Vanshika Ahuja

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Features

A Love Letter to Train Travel

By DU Beat July 11, 2023

Students across the country often travel by train to their hometowns and it sure is bittersweet. Here’s how I’ve come to love the experience of it.

I remember being seven and fussing over a tasteless sandwich that was given to me by the staff onboard a train to Delhi. In all the remnants of memory from that day, I recall only how much I whined about having to sit in one place for hours. Fast forwarding, the train from Delhi to my hometown this past month has given me unparalleled delight. An abundance of them has changed over the years, and my hopeless romanticism has played a big part.

After starting college, I quickly realised that the Shatabdi was going to be the most convenient form of transport to and from my city, for several reasons. I now travel through it often and thoroughly enjoy it. On travel days, I have little habits that have almost become rituals. I make sure to pack the night before in order to have a slightly less stressful morning. I wash up and get an iced latte from the café which is adjacent to my building (I know, I got super lucky). I then make my way to Connaught Place, which is really close to the railway station, for some exploring. I try to find a new bookstore each time and get my hands on a new read for my travels. If I have company, which is mostly the case, then I also make sure to find a new eatery for good lunch and a quick chat before heading out. ‘Khan Chacha’ is my current favourite for anyone wondering.

As crude as this sounds, my first instinct once I’m on the train, is to judge the passengers beside me. God forbid, if there’s a crying child or a gossip head talking on the phone, my perfectly fantasised adventure is already over. More often than not, however, I’m joined by a friend or my dad. So, this problem usually takes care of itself. The food they serve on the train to Delhi has gotten better, I must say. In fact, I’m a fan. My train mostly travels through empty farmlands and it makes for a perfect view of the sunset. That’s really the cherry on top. I want to be honest here so I’m letting it be known that I do go up to the open coach door and stand there to feel like the main character for a brief moment.

It was intriguing for me to think about how this came to be. Growing up, especially far from home, can really beat you down in some ways. Adjusting to living alone, learning how to take care of your responsibilities, and trying to find friends and a community is hard enough in itself. On top of it, focusing on academics while feeling so lost was a battle for me initially as well. But if there’s one lesson that I took from it all, it’s this: life is simply not to be taken too seriously.

Each stumble is a very tiny part of the big picture and if you give it too much thought, you might just drown in its gloom. I know there are a million movies you’ve heard this said in, but life really is about the little moments. And, this very realisation was the root of my newfound optimism. I’ve turned my perspective around and now try to find a silver lining in every scenario and search for joy everywhere. So, do I pretend to be a mysterious character from a vintage film while on the train? Yes. Is that a tad bit delusional? Yes. But, has it made my life significantly better? Absolutely.

It’s also interesting how much gleeful thinking I get done on the train. While coming home after a semester, I reflect and reminisce about what the last few months were like and feel gratitude. When going back to Delhi, I plan all the ways I’m going to do better than ever before. And I feel hope.

I wish to always remember feeling this way. So full of all this dramatisation. Oh, how I’m going to miss being a romantic when I’m old. Although it’s in me so intrinsically, I don’t think it’ll go away. I mean, I just wrote at length about what it is like to sit on a train.

Feature image credits: Pinterest

Read Also: The Romanticism of Mental Health

Arshiya Pathaniya

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Arts & Culture

The Historical Gems of Delhi : Kala, Kahaniya aur Rangmanch!

By DU Beat July 9, 2023

Delhi is the home of outstanding theatre arts, whilst Mumbai is the metropolis of Bollywood aspirations. In Delhi, stage art has a special significance and a rich history that is still being preserved through a variety of institutions and live performances.

Delhi, India’s capital, is so distinctive that it offers something to everyone. It has been bustling with possibilities for years, from its mouth-watering food to popular shopping places, monuments and old palaces, museums and government buildings. Out of everything, the city has been sustaining art forms and providing a platform for artists from different fields to explore, grow, and perform. It represents inclusion in culture, where everyone has an opportunity to contribute. One of the ancient gems of the city that is adding charm to it is – Theatre art. The many drama forms, stories, plays, and musicals.

Although many are aware that Mumbai is the “city of dreams,” many flock there to pursue their Bollywood aspirations and make a name for themselves as actors, directors, or singers. Delhi has been a well-known destination for theatre and stage art and has also produced many promising talents, but it is still less applauded for the accomplishments. While some of the artists here continued their careers in theatre and added to its appeal, others became great and well-respected artists in the cinema industry. In the western industry too, Los Angeles is recognised for its film industry, whereas New York is renowned for theatre. Although there has been a line of separation between the stage and the screen, there is still a connection that aids both industries’ growth in different ways. Their originality is beyond comparison.

Coming to Delhi and its vibrant stage art, the city preserves it in a variety of significant and minor ways – It has many students, rising artists, and has created a special audience of art lovers through live performances, nukkad nataks, drama schools, and college societies.

One of the well-known names is of NSD – National School of Drama, which has been a training facility since 1959, providing knowledge and enhancing the abilities of amateur artists. Although Sangeet Natak Akademi is its parent organisation, over the years it has relocated from a number of places. Mandi House is where it is currently set up. Mandi House, which once had ties to the princely state of Mandi, is now home to a number of theatre troupes and establishments, such as the National School of Drama and Shri Ram Centre for Performing Arts. The creation of NSD involved numerous notable playwrights and dramatists. A comprehensive curriculum, the promotion of several theatre genres, and one of the best playscripts have all been created here. NSD has a unique identity that focuses on both conserving the past and fostering hope for the future. From the nation’s capital, these groups organise numerous performances and broaden the horizons of theatre art throughout the entire nation.

The institution also holds workshops and other annual festivals like the “Bharat Rang Mahotsav” to raise awareness of the local arts and draw in more visitors. Children and newcomers to the sector can always use it as an excellent learning opportunity to get going on their path. How could one not include the outstanding alumni and directors who formed the very foundation of NSD with a name like that? Ebrahim Alkazi, a renowned theatrical instructor, was the first to transform the school in 1962 with the help of his expertise, leadership, and strict disciplinary measures. Many people still reflect on the illustrious 15 years the celebrated director spent at NSD, and his role in shaping the organisation helped it reach new heights. Without mentioning Ebrahim Alkazi’s skill, one cannot discuss Indian theatre or the National School of Drama in general. He made sure that the Indian theatre art is not lost and reaches a wider audience by establishing the three-year acting training, developing open theatre, and providing inspiration for the repertory. Some of his productions continue to receive praise as some of the best ever.

There is an unending number of well-known and gifted performers who are working in the entertainment business today, preserving the reputation of organisations like the National School of Drama and also bringing honour to the nation. The list of actors and actresses includes Naseeruddin Shah, Nawazuddin Siddiqui, Neena Gupta, Anupam Kher, Om Puri, Piyush Sharma, Irfan Khan, and many more. This is the National School of Drama’s legacy. This institution is only one of many centres in Delhi that have made contributions to the arts by producing top-notch plays and musicals. One is the Shri Ram Centre for Performing Arts, a renowned theatre company that has been producing plays and offering acting classes since 1958. SRC, like The National School of Drama, has also produced famous individuals in the industry. There are additional independent theatrical groups with base in Delhi that create venues for artists to gather, create fascinating stories, and perform all over the nation.

Delhi colleges have cultural societies that support the arts and permit students to experiment in the field from the college level on up, even at the university level. Ibtida was founded by renowned filmmaker Imtiaz Ali while he was attending Hindu College, as is well known. Many others, such Manoj Bajpayee and Siddharth Malhotra, who attended Delhi University, launched their careers using the many resources the city and university have to offer. It goes without saying that the institution is the alma mater of several well-known artists, starting with Shahrukh Khan, the King of Bollywood, who graduated from Hansraj College and began his career with Delhi’s Theatre Action Group.

Through the Drama Societies at Delhi University, students are contributing to the evolution of theatre art by continually taking chances and incorporating contemporary elements that make it more applicable for the current generation. This includes curating scripts, performing, and taking part in festivals and contests. Women’s rights, girl child education, and scripts promoting community solidarity are among the topics that are publicly performed in the form of Nukkad natak. All of these places are unique in that those who have spent time in these settings honing their craft and giving performances on Delhi stages still have a special appreciation for their formative years as budding performers. These alumni have often reminisced about their time at the National School of Drama or Mandi House and how they attribute their achievements to these institutions.

The singularity of stage and screen cannot be compared, as was stated in the article’s introduction. However, as films have become a popular form of entertainment, younger generations are less familiar with regional art practises and distinctive theatrical methods. As a result, people frequently treat stage and screen the same, which is a mistake. However, acting for the camera and performing live are truly two different things, and sadly, many people from the younger generations have not experienced the latter. Even newer artists who enrol in renowned acting schools participate in stage art in order to later pursue an acting profession. It’s because the Indian film industry gives them more chances to become popular and rich than if they continued with theatrical acting. This art faces a number of different obstacles along the way that make it challenging for it to endure.

Some of these difficulties were brought up in our conversations with a few students and instructors from renowned theatre schools.

Many people these days tend to believe that theatre is the ladder to take you to cinema, that if you begin from here eventually you will reach Bollywood,” they said. “This is untrue. Both theatre and film have unique meanings, and each has something different to offer. According to me, this phenomenon is causing stage art to lose some of its splendour. Many members of Delhi theatre groups just practise and develop their acting abilities in order to pursue a job in the film industry. I’m still relieved, though, that theatre is generating finest plays that the audience enjoys” – An artist from the Shri Ram Centre.

Original art forms in India existed for centuries before the advent of cinema, and were supported by wealthy businesses and appreciated by enormous audiences. Since the 17th century, live performances of Ramleela, which depicts the legendary Ramayana conflict between Ram and Ravana, have taken place at festivals. The popular theatre production Nautanki, which originated in Uttar Pradesh, had a significant impact on the Indian population. Dohas, ghazals, and chhand were frequently used, along with catchy songs and humorous dialogue. There are other well-known plots in this that centre on mythology. Nautanki, a kind of theatre that was once loved by both urban and rural inhabitants, grew in influence and scope as a result of assimilating numerous other theatre techniques. Unfortunately, the popularity that Nautanki once enjoyed is diminishing, much like that of many other creative forms, as a result of the rise of film and the elitist mindset that stereotypes this local talent.

Cities like Delhi still have a lot of places where individuals may learn about the subject and work to keep alive the artistic forms that previously captivated thousands of people. Those who are interested in finding out more can attend plays and exhibits at Mandi House, the Indian Habitat Centre, or the Kamini Auditorium, or they can join one of the theatre groups in their institutions. A Delhi Theatre Festival will be held in August and will feature many well-known performers and wonderful productions for the public.

Theatre has always been a means of expressing feelings and telling stories through music, quirky characters, and dark humour. Indian plays have masterfully portrayed the legends of the Ramayana, Mahabharat, and other great royal empires of India. In order to ensure that this vibrant culture is sustained, thrives, and receives the recognition it merits, Delhi must continue to support and maintain stage art.

Delhi is the home of great arts, if Mumbai is the city of Bollywood dreams. If Mumbai has seen the zenith of great artists, Delhi has seen their birth and struggle. Without Kala, Kahaniya, and Rangmanch, Delhi’s history would be incomplete!

List of Additional Sources:

https://thewire.in/the-arts/ebrahim-alkazi-modern-indian-theatre

Story of Ebrahim Alkazi, NSD director who shaped Indian theatre

https://devnautanki.com/about_history.html

Blog of Dr. Devendra Sharma, performer and writer of Nautanki artform.

Featured Image Credits: Top news India, NDTV

Priya Agrawal

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Arts & Culture

DUB Review-Kyun?-Dastan Khoj Ki

By DU Beat July 8, 2023

A collection of poems, ‘Kyun-Dastan Khoj ki’ by author Suraj Singh discusses fundamental aspects of life ranging from wealth to love and friendship. Read on to learn more.

‘Kyun?- Daastan Khoj Ki’ is a thought-provoking book that delves into the profound question of “why” and its significance in our lives. With a target audience of young adults, college students, and university goers, the book aims to inspire and guide readers as they navigate their aspirational goals and explore the depths of their curiosities.

The book’s investigation of the “why” question is one of its central themes. Although, it encourages readers to contemplate the reasons behind the major aspects of life, invites them to embark on a journey of self-discovery and understanding. And challenges them to seek answers, unravel mysteries, and find their own unique perspectives. The book severely suffers from a lack of coherence and thematic consistency. The poems seem disconnected and randomly placed, making it difficult for readers to find a unifying thread or sense of purpose throughout the collection. The absence of a strong thematic foundation leaves the reader feeling disjointed and disengaged, preventing any meaningful connection with the poetry.

The author, Sooraj Singh, a recent graduate of Hindu College, University of Delhi has demonstrated a empathetic understanding of the target audience, recognizing their aspirations, dreams, and challenges in the book. Through his poems, he aims to inspire and motivate young individuals to question, explore, and pursue their passions.

Additionally, Singh tries to spark readers’ curiosity by incorporating the “why” question throughout the book. This is done in the hopes that the readers’ future endeavors will be guided and shaped by their curiosity. Often times, though, these lines come out as unoriginal and overused, lacking the inventive wording and novel analogies that make poetry engrossing.

In conclusion, “Kyun Dastan Khoj Ki” by Suraj Singh is a good read for those who enjoy contemplating profound questions and exploring certain aspects of philosophy, but is not recommended for those who are seeking an impactful exploration of Thematically-rich Hindi poetry.

DU Beat

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Arts & Culture

Good, the Bad and the In-Between of the Streaming Revolution

By DU Beat July 7, 2023

Over the last decade streaming has changed the industry, some for the good and some for the bad. But its current model isn’t entirely sustainable.

On 16th February 2012, a show called Lilyhammer was launched on Netflix, becoming the first original series to stream on the service. Back then the number of subscribers Netflix had was reportedly 23 million. As of the first quarter of 2023, the number had jumped to 232.5 million. An increasing number of streaming platforms have emerged since then, taking over the industry, like Amazon Prime Video(reported to have more than 200 million subscribers in 2021), Apple TV+ (25 million subscribers as of March 2022) and Disney+ (157.8 million subscribers as in the second quarter of 2023). Now, you didn’t have to for a week to watch the next episode of your favourite at the preordained time of the telecast. You could now watch while travelling to work on a metro or even while taking the dump. And who wouldn’t take that bargain.

This shift within the industry happening for years now was only accelerated by the COVID-19 lockdown, with studios pivoting towards streaming. Hunkered in their houses, all people could go was bake endless loafs of sourdough or binge The Queen’s Gambit(that is when they were not binging any other show with royalty in its title-The Tiger King or The Crown). Even after the reopening of movie-theatres, the focus has remained on streaming, with many films including the The Fabelsman and Glass Onion, getting limited theatrical release before being made available online. It’s effects are a mixture of good and bad for the creatives. While it has gotten harder to commission content, these services do back up projects that perhaps would not have been picked by the traditional networks and studios, including the wide range of foreign-language TV and movie that are starting to get more global attention. This period of rise in streaming also heralded the era of Peak TV, where viewers were inundated with artisanal and critically acclaimed programming. The number of originally scripted stories exploded from 210 in 2009 to 599 in 2022. But it was a bubble that was bound to burst and now has.

In April 2022, Netflix announced that it had lost subscribers. The recent downturn in the media has forced streamers to cut back on the spending and turn a profit. They have thrown out entire series from their libraries and some have even cancelled shows that had finished productions on entire seasons. And the effects on the creative labour has been damaging.

On April 18 this year, 97.8% of the members of the Writers Guild of America voted to go on strike if they failed to reach a satisfactory agreement with the Alliance of Motion Picture and Television Producers. On May 2, 2023 the members of the guild started picketing at 1:00 pm. The main issues raised in the strike are of diminishing residuals, fewer number of writers in the room and fear of being replaced by AI.

The rise of streaming has led creation of mini-rooms where fewer number of writers are employed for shorter durations, eviscerating chances for writers to make a steady living by working on a show. It has also reduced the opportunities available to younger and newer talent to gain experience. It has alarmed the creatives further with reduction of residuals over the years. As streamers have grown, the residuals have fallen. While they are still paid residuals, they are incomparable to the ones they receive from TV channels. Sean Collins Smith, a writer for Chicago P.D, while talking to NPR said,

“I mean, my show on streaming, if I got a residual check for that-I’m not even kidding-it might be $5, $50, $100 if that.”

Despite it all, streaming also led to some of biggest strides in the industry, giving a platform to diverse and newer voices, that used to get drowned out by the old status quo. The solution to the problems created by streaming cannot be to go back to old ways despite how much the older established artists might like to throw around the term “back in our day” before regaling about the “glory days”. But the streaming model being followed right now is clearly unsustainable. The writer’s strike has been going on for 2 months now and is showing no sign of stopping. In June, more than 300+ members of SAG-AFTRA, including A-listers such as Meryl Streep and Jennifer Lawrence, in a letter to union leadership said that they were ready to strike if a “transformative deal” was reached.

Julie Plec, creator of The Vampire Diaries, told Vulture,

“It’s not like just returning to the old status quo is the answer. We’re at the center of the tornado right now, and it seems like it’s whipping all around us, and I don’t think anybody really understands how to make it stop.”

Image Source: The Hindu

Vanshika Ahuja

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Arts & Culture

The Internship Exodus: Black Mirror Season 7 EP 1

By DU Beat July 5, 2023

The article is a take on the internship culture, the dilemma it presents to college undergrads and the possible alternative solutions that seem to summarize a student’s summer break post pandemic .

If I had to pitch in the latest episode of black mirror that intrinsically captures the essential collapse of society, I might just bring to the table the possible plot of a dystopia the summer break essentially is, with a love triangle, featuring the insane tension between a college student, summer internships and the reclusive possibilities of an actual summer vacation.

An intern is an unfledged hustler entering what’s basically the hunger games of employment where undergrads try to maximize any and every chance to be pumped out as career ready hirelings. The internship culture has taken the entirety of universities across the globe as an efficient yet at times, a deceptive ploy at adulting.

The benefits of internships range from cost effective employment drives to efficient skill set peddling, a channel of networking and hands on experience in fields the student tends to value more than the drowsy July lectures in sepia toned stifling classrooms, no wonder it seems like the perfect step in the “type A” coded corporate world. But internships aren’t the typical “grabbing coffee for your boss and excel sheet presentations in office ” Nancy Myers fantasy, but rather a tight rope of balancing deadlines and breakdowns.

Even though a stipend incentivised internships offer an angel’s halo to the ever broke student stereotype, they can be exceedingly exploitive in the favour of the status quo and when this exploitation is mechanized as a necessity by colleges coupled with the peer pressure of ‘not doing enough’ it becomes a problem at hand, a predicament that Delhi University undergraduates currently juxtapose with their one shot at having a true summer break for once. While one section decides to upscale through the increasingly popular advent of ‘summer schools’ , the other has an undeterred resolve of the ‘perfect CV’ that has their most fancied summer internships as the crown jewel, while others fancy their truly deserved summer break in the sweet nostalgia of their home towns or fancy holidays that make up a core memory .

The onset of adulthood, the anxiousness of leaving your formative years behind too fast and the ruthless race to succeed in an unforgiving world – all adds up to the truly tormenting experience of being a college student facing the brink of the summer break .

DUB Review: Succession – Bad People Make Good TV

By DU Beat July 4, 2023

An ultra-rich backdrop, razor sharp dialogue, and stellar acting is what makes Succession the gold standard for television right now.

Jesse Armstrong’s multiple-Emmy winning series has a deceptively simple premise – the patriarch of media conglomerate Waystar RoyCo is ageing and must choose an heir to his business empire. Thus, the stage is set for an endless game of musical chairs between his children for the throne – power-hungry Kendall, derisive Roman, politically-savvy Shiv and estranged oldest son Connor. Power-struggles, corporate backstabbing and constant plotting ensues between the siblings and a host of well-fleshed out and complicated side characters who form the heart of the show throughout its four-season run.

Succession’s portrayal of the wealthy and influential is both captivating and horrifying. ‘Multi-faceted’ is one way to describe the narcissistic and money-obsessed characters who reek of upper-class privilege and can manipulate the course of the nation as per their whims and fancies. Yet, despite the absolutely vile character arcs, it is impossible not to root for them in their achingly-tender moments of humanity. This is a testament to the masterclass in acting done by the ensemble of actors who deliver the show’s signature sharp and biting dialogue to perfection. There is something revolting yet fascinating in the obscene, and hilariously vulgar lines.

Besides the personal narratives of each character, the show also provides insightful commentary on wider social issues such as influence of media and technology on society, politics, culture, and identity. It calls out the power-mongering and under the table lifestyle of the luxurious. Familial influences and power structures dictate the living of the top 1%. This adds a fresh layer of analysis to the already complex individual storylines, making the show a wonderful mix of satire and insight on capitalism and American corporatism.

Exceptional locations, cinematography, background scores and production value – the hits keep coming. The glorious theme song (this plays in my head 24/7 on repeat) and opening credits hook you in for a wildly funny, tragic and jaw-dropping ride. The music perfectly captures the mood of the show – sinister, dark and greedy but whimsical when need be. Another standout is the work of the costumes department. The lack of ostentatious displays of wealthy but quiet luxury at its finest where a single cap costs millions of dollars is an absolute stroke of genius. The symbols of wealth like the fleet of black SUVs, the helicopters, the elaborate real estate and the constant entourage just add to the sensory delight of the show.

Succession is a much watch for fans of pitch-black comedy and suspense. It is a gift that keeps giving and the fascinating character-driven plot keeps you hooked despite your utter disgust for the characters. After all, the ultimate question remains – who shall be the successor and nab the top job?

Come for the family and corporate intrigue, stay for the absolute finest filmmaking seen in recent times. Be right back, going to make Nicholas Britell’s Succession theme song my new ringtone.

Feature Image Source: Pinterest

Bhavya Nayak

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Campus Central

Saffronisation of Cultural Expression

By DU Beat July 3, 2023

The following piece seeks to understand the superimposition of dominant ideological narratives on cultural events. It does not, in any way attempt to disrespect the cultural/religious beliefs of individuals.

Delhi University has often been described as an educational space for multiculturalism and diversity, where students from all over India intermingle and share their cultures with one another. Very often, students bring to the university campus, festivals and celebrations from different corners of the country which helps them create a sense of community far from home. It is an act of claiming a space, far from one’s homeland that initiates intercultural interaction and contributes to the richness of the campus spaces.

However, is the culturally diverse space that many of us would like the university to be, a utopian imagination? Cultural expression is often monopolised by dominant majoritarian communities that can afford to be more visible and vocal. How do we distinguish free cultural expression from ideological imposition? Furthermore, what happens when politically motivated ideologies are superimposed on cultural festivals?

On 22^nd June, the Delhi Odia Students’ Association (DOSA) in collaboration with the Iskcon Student Centre organised the Jagannath Rath Yatra in the North Campus of Delhi University. It goes without saying that the Rath Yatra is a festival that is extremely close to the hearts of the devotees of Lord Jagannath. People from different socio-economic backgrounds come to join the procession, hoping to get a glimpse of the deity. People are often seen crying, overwhelmed to see the lord.

But can an event that is often hailed for its inclusive quality, retain its cultural ideals and innocence when it becomes so visibly saffronised? It is true that perhaps every cultural or religious festival is influenced by certain belief systems, but when the belief system is aligned with an ideology which translates into an aggressively asserted political agenda, it becomes potentially dangerous.

The political alignment of the procession organised in the campus was not simply reflected in symbols, but was also verbalised on certain occasions. The event began with an open and unapologetic assertion- ‘Bharat ka dharam, Sanatan dharam’, (The religion of India is Hinduism) and ended with Jai Shree Ram chants. The procession, adorned by huge saffron flags, traced the campus with hundreds of people joining in. The devotees danced and sang along; the sentimental and cultural essence of the procession could be felt. At the same time, the markers of it being a politically aligned procession were hard to ignore.

One could obviously argue that Jai Shri Ram chants in a Jagannath yatra is not arbitrary because Ram and Jagannath are essentially different avatars of Lord Vishnu. In today’s India however, Jai Shri Ram is an immensely politicized slogan – one that is rooted in majoritarian beliefs of Hindutva. To say that it is an innocent appeal to lord Ram is to disregard the persecution faced by thousands of people from minority communities, against whom the slogan has been weaponised.

Before the commencement of the yatra, an elaborate speech was given which emphasised upon values of devotion, servitude and gratitude. The cultural belief system of a Brahmanical conception of Hinduism was presented as the moral standards of India. While science, modernism and ‘western’ values received censure, the ‘Indian’ way of life was pedestalised. It must be noted that the Jagannath Rath Yatra at Puri has no custom of preaching. Everybody joins the event as a devotee and no authority figure is given the centre stage. Representatives from the Akhil Bhartiya Vidyarthi Parishad (ABVP) – a right wing student organisation affiliated with the Hindu nationalist RSS – were formally present in the event.

The Rath Yatra was provided immense police protection. It is entirely valid to ensure police deployment in cultural festivals to ensure orderly execution of the same. However, the sincerity with which police protection is provided to events that exude right wing sentiments is entirely absent when students get attacked by mobs on campus. When a mob of men, gate-crashed the college fest at Indraprastha College for Women, raised misogynistic slogans and Jai Shri Ram chants and harassed women, the police did little to ensure their safety. The police has acted either as passive observers or violent upholders of law in situations like these.

When a religious event is distorted and appropriated to further a political ideology, the cultural and emotional essence of the festival is hurt and disrespected. Although the devotees attending the rath yatra did not express concern regarding the nature of the yatra, the ideological undertones were felt without doubt.

The Jagannath Yatra is very close to our hearts. Devotees wish to remain connected with the lord Jagannath and seek his blessings. It is an expression of unadulterated and innocent devotion. It is not supposed to be used to further any ideological agenda” – Aditi Routray, a student at LSR

Featured image credits – Tulip for DU Beat

Tulip Banerjee

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“Circle of Suspicion”: AISA Activists Put on House Arrest During PM’s Visit to DU

By DU Beat July 1, 2023

Student activists of the All India Students’ Association (AISA), a student organisation affiliated with the Communist Party of India (Marxist-Leninist) Liberation, alleged that they were detained when the Prime Minister visited the University on Friday. In an exclusive conversation with AISA Delhi President Abhigyan, DU Beat discovered how the events transpired on June 30.

On June 30, Prime Minister Narendra Modi visited Delhi University as the Chief Guest for the closing ceremony of the University’s centenary celebrations. As celebrations were in full swing, a few kilometres away, Abhigyan and Anjali, student activists of the All India Students Association (AISA), were allegedly detained inside their homes without any warrant or notice.

At around 8 a.m. on the day of the ceremony, AISA Delhi University President Abhigyan Gandhi was reportedly running a few errands when he received word that 5–6 police personnel were looking for him in Vijay Nagar. By 9.30, they had arrived at his locality and demanded that he either go with them to the Model Town Police Station or be placed under house arrest and have his movements monitored for the next four to five hours. Anjali Sharma, the AISA DU Secretary, was also placed under house arrest. Reportedly, the police warned them that they were in a “circle of suspicion” and were under surveillance in order to stop any “protests or dissents from violating the discipline within the University.”

Citing the PM’s visit as a reason, I and AISA DU Secretary Anjali have been held in detention in our flat and are not allowed to go on campus.

– Abhigyan, AISA Delhi President

Abhigyan asserted that the police were present in their flat from 9:30 a.m. to 1.30 p.m., during the entirety of PM Modi’s presence at the University for the closing ceremony. He claimed that when the police placed him under house arrest, neither a warrant nor an order were displayed. Following the 4-hour detention, a letter bearing the signatures of AISA functionaries was sent to the Sub Divisional Magistrate of Delhi (SDM) questioning the “illegal detention” of the student activists and stating that it was “a breach of personal space”. However, the Model Town Police Station house officer, Lalit Kumar, reportedly denied all allegations made by the activists.

AISA Secretary's Twitter Account — In contrast to the denial of allegations, AISA activists shared photos showing the police seated in their hallway.
(Image Credits: Twitter account of Anjali, Secretary of AISA DU (@anjali1_27))

In conversation with DU Beat, the student activists revealed the entire situation through their lenses.

On being informed of the PM’s visit to the University, AISA DU had put up ‘Modi is coming to our campus!’ posters on the walls of North Campus, demanding accountability on behalf of the students. These posters posed relevant questions to the PM regarding the consistent fee hike, the rise in the unemployment rate to 8.1%, and the deletion of the chapters on Ambedkar and Gandhi from the curriculum. Allegedly, these posters were stripped off by the administration and members of the Akhil Bharatiya Vidyarthi Parishad (ABVP) soon enough.

Primarily, I feel that the Prime Minister should have taken questions. Instead of having a crowd which claps when the teacher directs them to or instead of turning the campus into a cantonment ; he should have had a genuine engagement with the students. What ‘safety’ of the Prime Minister is being threatened and by whom?

– Abhigyan, AISA Delhi President

AISA put up posters across the University asking PM Modi certain questions.
(Image Credits: AISA DU on Instagram (@aisa_du))

He also discussed the “FYUP KA REPORT CARD” campaign that AISA had launched in response to students’ disapproval regarding the implementation of the New Education Policy (NEP) 2020 as well as the recruitment and ad-hoc crises that have repeatedly rocked the University.

We were trying to convey how the students should have their say in the policymaking on education. Yet, this is something the PM does not seem interested in. What he does seem interested in is ignoring the real questions of students, teachers and stakeholders. It is unfortunate how many respectable teachers have been lost by the University because of the hijacking of the appointment scheme by RSS and BJP.

As students across the University continue to express dissent over the hurried implementation of NEP, considering it a failure, the AISA Delhi President discussed the concerns and burdens of the policy for freshers and how the student organisation is actively trying to reclaim democratic discussion spaces within the University.

The way the students of DU are suffering right now, the way they are making their assignments, the way they are forced to study courses like Fit India and Swachh Bharat, is something that should concern all of us. Every student should feel the anger that the Prime Minister can come, simply ignore us by detaining those raising their voices, and leave without addressing anything pertinent. We are finding ways to bring back the democratic culture of dissent and debate within the University.

Highlighting the disturbing behaviour of Delhi Police in educational spaces, he further questioned the entire culture and definition of what a university stands for.

The way the Government, the administration and the Delhi Police is acting in our universities like DU, JNU and Jamia is highly terrifying. For the last 3 years, they have turned Jamia into a cantonment- any form of student movement or student gathering has become impossible. Detaining people without a notice or a warrant, by simply stating that you are in a list of people under a ‘circle of suspicion’- what does this signify?

In conversation with DU Beat, Anjali, Secretary of AISA DU, described how their detention came as a sudden shock.

The entire thing was very surprising to us. We are also students of the University and to be treated as criminals while being accused of potentially causing ruckus and being told that the PM is “unsafe” by our mere presence was highly shocking. The questions we raised through the postering across the University were a basis for them to house arrest us. On one hand they are painting a picture that is rosy and perfect, but it is clearly covering up the work that was going on behind this- attendance equivalent to 5 classes, no black clothes, and a strict code of conduct by colleges. Be it Kamla Nagar, Mukherjee Nagar or Vijay Nagar, police were heavily stationed at all these places to protect the PM from the students- the students he was supposedly coming to meet.

They further talked about the “dual behaviour” being displayed by the University and the administration.

It was scary how they had our exact flat numbers. Comrades who called us before the arrival of the police told us how the officers were roaming in Vijay Nagar with our Facebook profiles, questioning students about us and our whereabouts. Within 5 minutes, they were at our doors. The larger question here is if we will be deprived of our spaces within the University only because of our political affiliation or just because we disagree?’

-Anjali, Secretary of AISA DU

As students across different colleges witnessed the Prime Minister on livestream, an online protest staged by the Democratic Teachers’ Front (DTF) and joined by AISA and other student organisations, displaying placards with #GoBackModi, was witnessed. Miranda House professor and Secretary of the Democratic Teachers’ Front (DTF), Abha Dev Habib, stated that the incident involving the AISA students was “highly regrettable”.

AISA #GoBackModi Campaign — Students shared photos asking questions to the Prime Minister in regard to the ad-hoc crisis, cut down in fellowships and the ongoing violence in Manipur.
(Image Credits: AISA DU on Instagram (@aisa_du))

Featured Image Credits: Outlook India

Manvi Goel
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Campus Central

ABVP Stages Protest at Aryabhatta College

By DU Beat June 25, 2023

The Akhil Bhartiya Vidyarthi Parishad organised a protest at the Aryabhatta College on 21^st June, in order to express concerns regarding student safety and student welfare in the campus. The college administration received condemnation from the protestors for apathy and indifference towards student issues.

On the 21^st of June, the Akhil Bhartiya Vidyarthi Parishad (ABVP) organised a protest at Aryabhatta College in the South Campus of the University of Delhi. The protest was reportedly organised in order to condemn the inability of the college administration to ensure student safety in and around the college campus. On 18^th June, a 19-year-old student named Nikhil Chauhan was allegedly stabbed to death outside the Aryabhatta College. The protestors blamed administrative negligence and poor security conditions around the college campus for the murder.

The protest, which was scheduled at 10:30, finally began at 11:30 and lasted for about 2 hours. The protestors reportedly bolted the college gates, not allowing students and faculty members to enter the campus. The protestors raised ‘vande mataram’ slogans and ‘bharat mata ki jai’ chants while asserting their demands.

The members of the ABVP made a list of demands that included – recruiting more female security guards, ensuring the availability of sanitary pad vending machines, renovating washrooms across the college campus etc. While some of the demands were specific and aimed at student welfare, other demands such as – “proper and strict action should be taken against incapable and abusive admin staff” were vague and incomprehensible. The protestors were mostly men and very few women were present at the site.

A student getting murdered right outside our college is a big deal. This could have been prevented. No action was taken by the admin staff even though they were aware of the fight between the victim and the accused that happened a week before the murder. The administration has been apathetic to student concerns. Students have to struggle for days even to solve minor issues. Our sports ground has been out of use for the past four months. We have made a list of demands addressing these concerns that we intend to place before the principal.” – Tarun Yadav, ABVP President for Aryabhatta College

The students, after staging the protest outside the college, marched inside the campus, raising slogans and vocalising their demands. The members of the ABVP expressed that they intend to place their demands in a meeting with the principal. There was tussle between the members of the admin and the protestors that resulted in chaos. Four representatives of the ABVP finally met with the principal and a meeting was held in order to discuss the concerns raised by the protestors. After the meeting, the members informed the protestors that almost all their demands had been readily accepted by the principal.

There was considerable police presence at the protest site. On being asked about how they feel about the deployment of police forces at the college, an ABVP representative stated that the police was present to help them carry out the protest without interference.

The police forces are not here to suppress our protest. They are here to ensure our security and to prevent any unwanted interference from other parties.” – Tarun Yadav, ABVP President for Aryabhatta College

Featured Image Credits – Pratik for DuBeat

Tulip Banerjee

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