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DU Teachers’ Associations Unite to Take on RSS-backed Union in DUTA Elections

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The alliance formed by the teachers’ associations aims at “reclaiming the DUTA from the cronies of the ruling dispensation and defend public higher education.”

10 Delhi University teachers’ organisations and 4 independent teachers have come together to form the Democratic United Teachers’ Alliance (D.U.T.A) to contest the Delhi University Teachers’ Association (DUTA) 2023 polls. Ahead of the elections, which will witness over 10,000 academics of the University casting their votes to elect the leadership, the alliance has announced Dr. Aditya Narayan Misra as the joint candidate for the post of DUTA president. The teachers’ organisations have joined forces to challenge the BJP-RSS affiliated National Democratic Teachers Front (NDTF) in the upcoming DUTA elections scheduled for September 27. The DUTA elections are expected to witness a tough contest between the D.U.T.A and the NDTF, which emerged victorious in 2021 after a 24-year hiatus. AK Bhagi was elected as the DUTA President, defeating his nearest contender, Abha Dev Habib by a margin of 1382 votes.

The Democratic United Teachers Alliance, formed with the aim of “defending public education by reclaiming DUTA”,  is a coalition of multiple groups including Congress’s Indian National Teachers’ Congress (INTEC), AAP’s Academic for Action and Development Teachers Association (AADTA), the Left-leaning Democratic Teachers’ Front (DTF), and various independent teachers’ associations such as the Common Teachers’ Front (CTF), Delhi Teachers’ Initiative (DTI), Independent Teachers’ Front for Social Justice (ITF-SJ), and Samajwadi Shikshank Manch (SSM) and the Voice of DU Adhocs.

There is an immediate and serious need to reclaim the DUTA as a teachers’ collective that works in defence of public-funded education and rights of teachers and students in the forthcoming DUTA elections,” – the joint statement by D.U.T.A read.

At a press conference on August 25, held at the Press Club of India, Prof. Nandita Narain, former DUTA President said that the current NDTF leadership had turned the union office into a “department of the administration which slaughtered thousands of good teachers in the ongoing recruitment drive.” While the teachers’ movement in the country looked for guidance and inspiration from DUTA to reclaim the rights of the teachers, the alliance alleged that the DUTA leadership failed thousands of ad-hoc teachers in their quest for permanent jobs after decades of service.

We are here together to safeguard the dignity and security of all teachers. We are here to defend full public funding and build public opinion against the privatisation and other sinister designs of NEP, 2020. We are committed to absorption of all existing ad hoc and temporary teachers and reinstatement of those who have been displaced during the last two years, while protecting the services of those who have already secured permanent appointment.” – read a statement by the teachers’ alliance.

 The Academic Council of Delhi University, in its meeting held on 11.8.2023, reported a letter from the UGC granting approval to DU as a Category 1 – University under the Graded Autonomy Regulation. By permitting the University to function on a self-financing basis, the D.U.T.A alleges that the regulation would pave the way for commercialisation and deprive the University of necessary Government grants for teaching-learning and infrastructure.

Salaries, promotion, and pension will all have to be taken care of through self-financing. No expectations of funds can be kept from either the University Grants Commission or the Government. Will teachers be displaced? Are we handing over the entire University in private hands? Will the character of the University remain what it is?”- commented Prof Narain in the press conference on Friday.

 Prof. Narain, Convener of the Democratic United Teachers’ Alliance, stated that the policy-driven decline in the academic quality of public universities is best demonstrated by the new version of the four-year undergraduate programme (FYUP), which carries a plethora of anti-academic moves to undermine the integrity of various disciplines.

 The DUTA leadership has refrained from raising their voices about the degradation of academic quality due to the National Education Policy (NEP), 2020. A number of academically vacuous courses have been introduced in the name of most Value Added Courses and Skill Enhancement Courses, which add neither to values nor skills, and leave students too exhausted to focus on the core academic disciplines. On the other hand, internal assessment has been increased from 25 to 45%, with a new component of continuous assessment. This, given the massive reduction in teaching-tutorial-practical time, is an academic fraud. None of these changes were brought after consultation with teachers.” – mentioned the statement released on August 25.

 The statement by D.U.T.A highlights the concern that self-financing by institutions will be undertaken by loans, which will be repaid through increasing student fees for “commercially viable courses” and discarding “uneconomic” ones.

Massive fee hikes will follow, exacerbating the exclusionary tendencies that have been already initiated by the CUET process. Even if the constitutionally mandated provision of reservation is retained (though it finds no mention in the NEP document), students belonging to deprived sections will be excluded through the back door of high fees.” – added the statement.

 Claiming this as “the death of higher education, DUTA joint candidate Dr. Aditya Narayan Misra, of the AAP-affiliated Academic for Action and Development Delhi Teachers’ Association (AADTA), urged teachers to join hands and fight for the withdrawal of the National Education Policy,2020.

Despite our dissent, the fees for certain courses under the Law Faculty were approved at nearly Rs.12.5 lakhs, the same courses which were being taught at a fee of Rs 5000-7000. How is this “greater autonomy?”. This should not simply be a reporting item that is brought and told to us. The students’ future depends on it, and the teachers’ future depends on it- why are such decisions being imposed without due discussion? The DUTA has failed us. It is being used as an extension to privatise and commercialise higher education.” – remarked Misra, a three-time president of DUTA.

 Clause 19.2 on Graded Autonomy in the NEP 2020, which envisages that all public colleges and universities will become “independent, self-governing institutions” for the governance of which “a Board of Governors (BoG) shall be established consisting of a group of highly qualified, competent and dedicated individuals”, has also been opposed by the alliance. They fear that the BoGs will govern institutions without external interference and make decisions concerning the “incentive structure” unilaterally without reference to UGC regulations.

The Board of Governors will have the complete autonomy to establish new courses and curriculum and hire and fire as per will, with recruitment of contractual teachers and foreign faculty being given more importance. Post independence, we established institutions like the D-School, the IITs, the IIMs, and the English, Commerce and Sociology Departments – but we were always self-sufficient in devisiong and teaching our own curriculum. Why do we need foreign faculty now? They will display the foreign teachers for 4 months and use it as a tactic to raise fees. We are witnessing the biggest privatisation deal of India.” – said Misra, who has been teaching Political Science at DU since 1986.

Democratic Teachers’ Front (DTF) Secretary, Abha Dev Habib, remarked that the reluctance of the DU administration to form the governing bodies of colleges administered by the Delhi Government will formalise the dependence of public higher educational institutions on private corporates.

 DU authorities have packed the Academic Council (AC) subcommittee for academic affairs with NDTF members whose only role is to subvert statutory powers of Committees of Courses (CoCs), Departments and Faculties, and impose unacademic changes in syllabi in keeping with their agenda of saffronisation. The DTF teachers of DU have decided that public higher education cannot be redeemed if the current leadership is successful in its aim of converting the teachers’ collective into a patronage dispensing tool to further NEP through undemocratic demobilisation.” – remarked Habib.

Alleging that NDTF-led DUTA remained silent during the mass displacement of ad hoc teachers in the University, the alliance asserted that the teachers’ union’s claims that displaced teachers are being absorbed elsewhere are not supported by transparent data.

What is most reprehensible is that instead of taking up the cause of all teachers, the leadership has been selective and discriminate. It is the first time in the history of DUTA that a large number of teachers are afraid of displeasing their own elected representatives,” the statement added.

 The alliance claimed that the outgoing (present) DUTA committee has been hand-in- glove in furthering anti-academic and anti-teacher moves. It has also undermined the functioning of wider trade unions of teachers such as FEDCUTA that are fighting against privatisation and for the restoration of the old pension scheme.

 The D.U.T.A. is committed to ensuring absorption of all existing ad hoc and temporary teachers, reinstatement of those displaced in open positions, and protection of services of all permanent teachers, with counting of past services at all levels of promotion and restoration of the Old Pension Scheme, and also for the protection of service conditions of Librarians and teachers of Physical Education. It will launch an effective struggle to strengthen public-funded education by demanding a rollback of NEP2020, Graded Autonomy and all such attempts to privatise our public universities.” – the statement by D.U.T.A concluded.

Prof. Abha Dev Habib said that this unprecedented unity of different groups comes in the light of the “gravest challenges confronting the teachers, students and non-teaching employees of DU”.

There has been mass displacement of serving temporary and ad hoc teachers with the active connivance of the NDTF leadership and especially in institutions helmed by those who are part of the ruling dispensation. The institutional murder of Samarveer was possibly the abysmal low to which the state of affairs in DU have descended.”, Habib, a Professor of Physics at Miranda House, commented.

 The statement by the alliance claimed that 80% of serving ad hoc teachers have been displaced in the interviews held recently, most of them in colleges headed by the Principals close to the ruling dispensation.

 I have been part of Delhi University all my life. I have been an ad-hoc teacher and was thrown out so I understand how it feels. I can connect to the pain of the people who have been ousted. Regularisation of ad-hoc teachers would be one of our main agendas.” – mentioned Misra, a professor at Dyal Singh College.

 On Friday, Delhi Finance Minister Atishi expressed displeasure over the non-release of Rs.100 crore to Delhi Government’s 12 fully-funded DU colleges after a representation was submitted by Dr.Aditya Narain Misra and DU Executive Council (EC) members Seema Das and Rajpal Singh appraising her of the delay.

 On 28th June 2023, I approved the release of Rs 100 crore as the second quarterly grant was announced. But this fund has not reached colleges yet despite one and a half months having lapsed. The faculty and the ministerial staff of these colleges cannot suffer due to administrative technicalities and the finance department should have a facilitatory approach over these financial issues. Hence, the funds should be released without any further delay.”- Atishi said in an official statement.

 

 D.U.T.A Press Conference held on August 25 – D.U.T.A. Press Conference, Save Public Funded Education

 Featured Image Credits: India Today

 Read also: After a Three-Year Hiatus, Delhi University Students’ Union Elections Are Back – DU Beat – Delhi University’s Independent Student Newspaper

 

Manvi Goel

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Arts & Culture

How Does Made in Heaven Reveal the Truth Behind Fairytale-Perfect Weddings?

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The most recent season of Made in Heaven, a show about two wedding planners, Tara and Karan, who work under the name Made in Heaven, provided plenty of points to ponder. Each episode of the show focuses on a couple and the unique problems they or their family face during their wedding preparations. Tara and Karan, together with their team, deal with these hurdles while going about their everyday lives and dealing with their personal issues.

(This piece may contain Spoilers)

Made in Heaven depicts the sparkly fairy tale world of weddings while also demonstrating the irony of its title ‘Made in Heaven’, because most of these marriages aren’t as beautiful and perfect as they appear on the surface. As well as bringing the harsh reality that our lives, too, aren’t flawless as they appear on the exterior. Perhaps, this is what I like the most about this show.

The show’s setting, Delhi, also plays a significant role in bringing the truth of the city to light through realistic characters. I was impressed by how accurately the city is portrayed, the representation of its multiple sides conveyed through various characters, their hidden biases and desires. It also shows the city’s difficult nature and how people cope with these challenges. One could easily observe the struggles that people face in such a diverse city. There are those that conceal their real intentions and build relationships for their own gain, while others are caught between what is morally correct and what they desire, and the rest of them want to move on from their past and lead regular lives. The series focuses on the process of organising a dream wedding for the couple while also balancing several societal standards. It reveals what lies beneath such lavish weddings. The most unsettling part is that the societal themes the series focuses on are very much relevant in today’s environment and are not merely imaginary.

The show mirrors society and conveys how the entire process of a wedding ceremony brings these hidden concerns back to the surface. On one hand, while one gains education, power, and money in public, when it comes to their private affairs, the desire to be perfect and thus adhere to conventional values creeps in. It demonstrates how people can be aware of right and wrong yet still make decisions that are unfair to them. It’s worth noticing how characters throughout the show will occasionally submit to the adverse circumstances in order to save their family’s pride or to protect themselves from any further judgement.

As in the instance of a bride in one of the episodes played by Mrunal Thakur, who is a successful model in the industry but is abused by her partner. Even when the wedding planners and her own family find this and urge her to reconsider her decision. She is once again manipulated by her partner and thus maintains the popular belief people carry – love and care will change our partner’s actions, forgetting that respect is the foundation of a relationship and nothing else is capable of transforming someone who doesn’t want to make changes in the first place.

In another episode, it is shown how discussions over skin tone persist even among wealthy,  elite families. When the bride takes a beauty treatment to appear ‘fair’ for her wedding owing to pressure from her own mother and in-laws, it demonstrates how modernity and education can still fail to change old narratives. Acceptance of the reality that looking fair has no connection to being beautiful is still missing. And it makes one wonder if one should wait for society to modify their beauty standards and accept everyone equally, or whether one should begin the process of acceptance with themselves. Are parents correct when they try to  change their child to protect their reputation, or instead they should shield their child from unjustified treatment? These are someof the questions to think about.

The episode featuring Radhika Apte as the lead, Pallavi, and directed by Neeraj Ghaywan is most powerful and artistically structured. Her performance and the episode’s theme received considerable recognition on social media. Pallavi is a successful lawyer who acknowledges her Dalit identity and advocates for the elimination of caste biases. Even though she is highly accomplished and brave, when it comes to her marriage, it is interestingly highlighted in the episode that her personal accomplishments are the reason for this respect and acceptance. This is in contrast to the reluctance of her in-laws to openly embrace her Dalit identity. Pallavi’s firm stance—even to the point of confronting her fiancé and her own brother—shows that acceptance is not only necessary to gain equal respect but it also emphasises the difficulties and sufferings that the community faces as a result of long-standing caste-based discriminations.

The dialogue delivery was impeccable, every emotion was highly moving and it all ends in a beautiful Buddhist wedding, representing Dalit plight and a path to acceptance and equality. This episode was notable because mainstream films and television shows have rarely addressed such topics with such delicate balance, and the concept of a Buddhist wedding is novel.

This is my top choice episode because it subtly invites viewers to ponder how issues such as caste play an important role in a person’s journey, subjecting them to different treatment, and how when a person rises above their circumstances, they don’t necessarily detach themselves from the situations that shaped them. They want it all to be remembered and accepted just like any other aspect of  themselves.

Even though caste is still a dividing line in today’s world, many people continue to be reluctant to disclose their last name or caste for fear of social discrimination; as a result, accepting oneself becomes the first step towards equality. Pallavi’s identity as a Dalit, her choice to keep her original surname, and the fact that she opted for a Buddhist wedding are all examples of how her character serves as a reminder to society that, despite her material success, her caste plays a significant role in her story as well as the experience of her ancestors who suffered, so it cannot be ignored or disregarded. Her caste does not bring her humiliation; rather, it brings her pride.

The portrayal of the LGBTQ community and their relationships was another distinctive feature of the show. The protagonist Karan plays a gay character,  It’s interesting to see that Karan doesn’t submit to his family’s demands to marry a girl; on several occasions, he asserts his identity and wishes, reflecting a sense of confidence and acceptance in himself. Even though the decision could damage his relationship with his mother, he takes the risk. Another character, Meher, who has undergone gender-affirmation, is also shown to be struggling to find love and acceptance.

While I agree that the second season was too overwhelming and attempted to address a variety of societal problems without delving too deeply into any of them, it appears that the second season, despite its pressing subjects, couldn’t stir up the emotions that the first season did. Despite the representation, this season did not adequately explore the aspects of intimacy between the characters. Things seemed superficial and they lack a deeper, more solid connection, leaving viewers with a sense that their favourite character’s story is incomplete.

Tara and Karan are not the characters who make the ideal decision. They make mistakes and argue, the consequences of which can be seen in both their professional and personal lives. Tara herself is in a challenging spot while building a life of wealth, luxury, and power, she still struggles to find the happiness she desires. Throughout both seasons, viewers will see how her decisions and past mistakes affect everyone around her. By the end of the second season, despite the fact that I enjoyed Tara’s character in the first, I was unable to identify to her choices since there has been a lack of  personal development in her character and no acknowledgment of her previous mistakes. Even while Tara and Karan stay close, their ability to communicate with each other and solve problems is never fully explored in the season. Instead, the two main leads continue to plan separate weddings without any proper conversation to fix the issues between them . When it comes to displaying how things are truly planned and implemented in these weddings, there was a lack of detail.  So even though I appreciate the extent to which ideas were covered throughout the season, I was disappointed in how story of central characters was handled.

However, there are new characters in this season that have impressed me, such as Mona Singh and Vijay Raaz as the Jauharis, who are the most wholesome and relatable. The side plot in which they deal with their young son and his friends in a matter of molesting a girl is presented honestly and organically by everyone involved. The culmination of it, which involves the disclosure of a personal secret about Mona Singh’s character, addresses the problem appropriately.

The season finale was warm and wonderful, concluding with the usual poetic commentary by Kabir, the in-house videographer. It goes on with the theme that everyone is flawed and that before we can continue looking for our soul mates, we must first accept ourselves. Perhaps this is what I like about the show: the relationships we form can be just as imperfect as we are. They require effort and change, and nothing, neither our worries, hurt, or pleasure, is permeant. The taste of Heaven isn’t necessarily discovered in large celebrations like marriage, but in fleeting moments of joy and freedom, in moments of embracing and loving yourself despite your flaws.

Read Also: https://dubeat.com/2022/03/02/big-fat-indian-weddings-are-we-thinking-rationally/

Featured Image Credits : Free Press Journal

Priya Agrawal

 

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Around the Campus

Spilling the Tea: Behind the Scenes of Anonymous Confession Pages

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From secret crushes to juicy revelations, confession pages provide a platform to express your unfiltered thoughts through anonymous means. However, amidst the lighthearted confessions, the disguise of anonymity that attracts such confessions becomes breeding grounds for cyberbullying. How can we navigate this complex landscape of anonymity and accountability?

Who am I? That’s a secret I’ll never tell. XOXO, Gossip Girl.

There is a notorious appeal as to why Gossip Girl lasted for six seasons. The scandalous lives of Manhattan’s elite were perhaps only relatable to us because they were told from the perspective of an anonymous outsider. Anonymity has given us a sense of security to share our most vulnerable, sometimes vicious, thoughts. The aura of anonymity has amplified through the rise of social media, as people can assume any mysterious identity and speak their minds without facing any repercussions. Confession pages are often a representation of the secrets that travel under the disguise of anonymity.

Confession pages start as a personal way to connect with people in a community. There is a sense of relief that accompanies us when we can share our most personal thoughts anonymously, however embarrassing they may seem. The confessions submitted to these pages inflict a thread of rumours and perpetuate gossip that we all enjoy consuming. These act as platforms for information dissemination in an entirely underground fashion.

Sometimes, the anonymous person will make a lighthearted confession to a crush and take on the role of a “secret admirer”.

…from section f, you are really good by beauty and more by your caring and helping nature. Thanks a lot for all you have done for me. I couldn’t gather the words to say it but I like you.

…I don’t know when I saw him I was just struck, struck with his charisma, the way he flips his hair, I don’t know if I am just romanticising him because of some character but I was just admiring him from a distance. He seemed busy, had a lot of friends, and was constantly talking to someone on call. Is he dating someone?

-@srcc_confession on Instagram

Although embarrassing at times, the anonymity of our confessions makes us more brave in expressing our vulnerabilities. It may seem silly at times; however, this is exactly the type of social currency that allows confession pages to operate successfully. On the other side, receiving such anonymous confessions may be flattering because you feel noticed and admired. However, they may also cross boundaries and reach territories of discomfort. The confessions are published on social media platforms, often popular amongst student communities, and such heightened attention may cause anxiety as we may feel constantly watched. The anonymity of such confessions further causes frustration, as there is no way of truly determining the person behind them.

On the flip side of the coin, such confession pages also provide a platform for people to perpetuate harmful and toxic comments that are hurtful to those on the receiving end.

…she thinks she is very smart and beautiful but actually she isn’t so good! Earlier I used to think she is nice but now I am sure that isn’t too good and she uses people for her use and leaves them when not req. She needs to bring her attitude down.”

-@ramjas_confession_ on Instagram

 

The problem with confession pages lies entirely here. People send anonymous confessions to secretly express their frustrations and anger towards a situation or people. Such mean-spirited comments are very offensive and perpetuate cyberbullying through these platforms. The tricky situation with confession pages is specifically the anonymity shield of both the creator of the page and the anonymous confessor. Such a hidden identity often makes it difficult to hold them accountable for their actions. This anonymity hinders their ability to effectively address their grievances and take appropriate actions, as they might not know who is making the confessions. Especially in confessions that are directly targeted through the use of names and positions, it can lead to feelings of embarrassment and powerlessness as the situation is beyond their control.

In high school, we had an anonymous confessions page and it was pretty popular because there was a considerable amount of gossip that was posted. But over time, the confessions just became really mean and offensive and some of them were just blatantly homophobic or misogynistic. I remember a friend telling me that she gets anxious whenever there’s a notification from Instagram because she’s scared that she’ll be tagged in the posts or comments or something about her was revealed. Eventually, the page died down because no one was interested anymore but looking back on it, I genuinely feel like some strict action should have been taken by the school authorities because it was basically cyberbullying.

-A pass-out high school student from New York City stated while describing her experience.

There are also serious consequences for running such platforms. In some situations, the confessors take authority over a secret or rumour and further spread it, often inflicting serious harm on others. The lines are very easily blurred as there is absolutely no transparency over the situation to hold anyone accountable. The power dynamics also come into play through the disguise of anonymity. The audience, confessors, and creators of such pages have a role to play in the presence of these platforms.

We, as an audience, engage with such content because we crave the gossip and rumours that are published through these platforms. There is a satisfying factor that accompanies us when we have an insight into what really happens in other people’s lives, however scandalous it may seem. Although we may have an understanding of when boundaries are crossed, the audience is also helpless to an extent because they have no way of holding someone accountable unless they report the page or publicly denounce it.

The accountability factor of the creator is important too. The creators of these platforms have a responsibility to ensure a safe and secure space is maintained where no one feels targeted. However, sometimes their authority over the page is also out of control. The comments, reposting, and sharing all culminate in actions beyond the capacity of the creator. When we remove the identity of the confessors, we also remove the guilt associated with passing our judgements. Therefore, accountability from all three sides diminishes, and no one faces any serious consequences.

While engaging with these platforms can offer an outlet for expression, it’s crucial to remain sceptical of the intentions behind such pages. Not everything presented is the absolute truth and extends beyond the narratives presented in such online discourses. Although we may view such pages as a retreat void where the consequences aren’t always deliberated, we must always remain introspective about our motivations and try our best to culminate in a positive environment.

Featured Image Credits: Keshavi for DU Beat

Read Also: Social Media Doing More Harm Than Good: A Student’s Take

Sri Sidhvi Dindi
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The Hidden Economy of Hate

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Every day, we come across a wide range of content on social media. From news updates to political opinions to personal blogs, content creation acts as a source of income for many. In many cases, this has unfortunately facilitated the development of media that capitalises on polarising social issues and caters to the “majority,” even at the cost of being offensive or discriminatory towards particular groups. Read ahead to find out what fuels social media’s “economy of hate” and the alarming impacts this has on our society.

The use of social media is on the rise in the contemporary digital era. Following the boom in usage, it has now acquired the function of a community space for news updates, political ideas, and the development of online communities of individuals with shared interests. Being a social media celebrity comes with the added benefit of monetization. This content plays a major role in our daily discussions and the formation of personal opinions. With the added advantage of anonymity, this freedom of speech or expression of thoughts can go unchecked and develop a dark side too.

Cyberbullying or cyberharassment is becoming increasingly common among teenagers and adolescents, as well as in nations with fragile democratic structures and diverse social and religious groups. According to the Pew Research Centre, in 2022, at least half of the young people in the United States had experienced bullying at some point in their lives. India has one of the highest rates of cyberbullying. As per a study by McAfee, 85% of children in India have experienced cyberbullying or have perpetrated it themselves. This rate is nearly twice as high as the global average.

Content creators have a significant role in the perpetuation of cyberbullying. Targeting an individual or community for a few likes in order to grow an account is all too common on Instagram and X (previously Twitter). Some people post discriminatory content as a “joke,” while others post it as a social or political viewpoint. In India, social media is one of the most powerful tools used by politicians to propagate political messaging, which often includes ideological propoganda and hatred towards certain communities. Not only this, but social media has been employed to mould public opinion and cover up the true situation in areas such as Kashmir after the abrogation of Article 370, the current conversion of Uttrakhand into “devbhoomi”, ethnic violence in Manipur, and ethnic cleansing of Muslims in various parts of the country in the name of illegal encroachment. There are various social media accounts on X (formerly Twitter) dedicated entirely to spreading such malicious content.

Along with using social media for political purposes, another major issue is the use of social media to propagate disinformation about particular subjects such as reservation, gender discrimination, and the queer community. Multiple individuals on X (previously Twitter) grew their accounts by posting abusive and false information about these issues. Engaging in such posts (even if you disagree with the viewpoint being tweeted) helps such tweets develop reach, making it easier for the user to reach wider audiences who may be uneducated on such issues and gullible to misinformation.

The Centre for Countering Digital Hate strives to halt the dissemination of hate speech and false information online. It is a nonprofit organisation that works to defend internet civil liberties and human rights. The Centre for Countering Digital Hate was recently sued by Elon Musk. According to a report in the Washington Post, X filed a complaint in the U.S. Federal Court for the Northern District of California, alleging that CCDH engaged in a number of unlawful acts in an effort to inappropriately access protected X Corp. data. Here are a few citations from CCDH reports:

Anti-LGBT Hate Content

TW// Queerphobia

According to a report by the Centre for Countering Digital Hate, over 1.7 million tweets and retweets since the start of 2022 mention the LGBTQ+ community via a keyword such as “LGBT”, “gay”, “homosexual” or “trans” alongside slurs including “groomer”, “predator” and “paedophile”. The hateful ‘grooming’ narrative online is driven by a small number of influential accounts with large followings. Now new estimates from the Centre show that just five of these accounts are set to generate up to $6.4 million per year in ad revenues for Twitter.

Anti-Muslim Hate Content

TW// Islamophobia

A study by TRT World revealed that 86% of anti-Muslim content originates in the United States, the United Kingdom, and India. According to the research, such hostile content and disinformation led to violent attacks on Muslims and mosques.

According to a report by CCDH, social media companies, including Facebook, Instagram, TikTok, Twitter, and YouTube, failed to act on 89% of posts containing anti-Muslim hatred and Islamophobic content reported to them. CCDH researchers, using platforms’ own reporting tools, reported 530 posts that contain disturbing, bigoted, and dehumanising content that targets Muslim people through racist caricatures, conspiracies, and false claims. These posts were viewed at least 25 million times. Many of the abusive contents were easily identifiable, yet there was still inaction. Instagram, TikTok, and Twitter allow users to use hashtags such as #deathtoislam, #islamiscancer and #raghead. Content spread using the hashtags received at least 1.3 million impressions.

Misogyny and Sexism on Social Media

TW// Misogyny, Sexual Harrasement, and Mentions of Rape

CCDH exposed the most influential and largest incel forum (incel, standing for ‘involunatry celibate,’ a self-assigned social media term for mostly cis-gendered heterosexual men who consider themselves “denied” of sex by women and actively spread misogynistic, sexist, hostile content directed towards women and even men who they consider more sexually accomplished than themselves). This new in-depth study by the CCDH’s Quant Lab shows a 59% increase in mentions of mass attacks, widespread approval of sexual violence against women, with 9 in 10 posters supportive, and support for paedophilia, with the rules explicitly changing in March 2022 to permit the sexualization of ‘pubescent minors’. The ‘Incel Forum’ receives an average of 2.6 million monthly visits and has 17,000 members. Discourse is driven by 406 ‘power users, who produce 74.6% of all posts on the forum, some spending upwards of 10 hours a day on the forum. In some cases, boys as young as 15 are being led down a rabbit hole of hatred and extremism. An analysis of almost 1.2 million posts made over an 18-month period found:

  • A 59% increase in the use of terms and codewords relating to acts of mass violence.
  • Mention of rape every 29 minutes. 9 in 10 (89%) of posters in relevant discussions were supportive of sexual violence against women. The forum’s rules changed to permit the sexualization of “pubescent minors”. 
  • Analysis of discussions of paedophilia on the forum shows that 53% of posters are supportive of sexual violence against children.
  • One in five posts on the forum features misogynistic, racist, antisemitic, or anti-LGBTQ+ language.
  • Mainstream social media platforms like YouTube and Google are enabling pathways to the ‘Incelosphere’.

Casteist Content

From misogyny to queerphobia to caste and race, social issues across the world are being capitalized on under this “economy of hate.” Take, for instance, the Twitter account by the name of “Anuradha Tiwari,” which often posts defamatory and hateful content on reservations. Her whole X and LinkedIn profiles are packed with anti-reservation content. This kind of content fosters young people’s development of hateful opinions and prejudice. A report by The Centre for Internet & Society titled “Online Caste-Hate Speech: Pervasive Discrimination and Humiliation on Social Media” talks about the anti-reservation and casteist content across various social media platforms. Furthermore, it discusses how casteism on campuses is greatly impacted by such online hatred.

In conclusion, the economics of hate create a shadow that undermines our social fabric in the complex network of digital places. Creators are often motivated by financial gain to take advantage of conflicts and controversy by posting systematically discriminatory content online. This exploitation breeds bias, misinformation, and harassment, in addition to eroding empathy. A cycle of hatred is fueled by the pernicious attraction of money because attention-grabbing stories draw attention and increase the wealth of those who spread them. A holistic strategy that includes stronger content regulation, media literacy instruction, and ethical digital citizenship is necessary to combat this destructive influence. We may strive to create a digital environment that is based on respect, understanding, and true connection by eliminating the financial motivations for hatred.

Featured Image Credits: Article-14

Read Also: Decoding Deceptive Deepfake

Dhruv Bhati
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‘Dilution of Discrimination’: Dilemma over Ambedkar Elective at DU Economics Faculty

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The Economics Faculty of Delhi University welcomed a new elective on Ambedkar while replacing the old elective paper, ‘Economics of Discrimination’, going against the decisions taken by the Academic Council of the institution on August 11 and introducing a series of changes to elective papers in the syllabus.

‘Economic Thought of Dr. B.R. Ambedkar’, an elective paper welcomed by the Economics Department of Delhi University to be taught to undergraduate students this year has caused the axing of another elective subject, ‘Economics of Discrimination’, resulting in several faculty members expressing concerns.

The new paper includes Dr Ambedkar’s views and understanding of various aspects of economic systems; theories of economic development; labor welfare; economic policy making; and other issues in the Indian economy during the colonial period. It replaced a new ‘Economics of Discrimination’ paper, which was decided in the Academic Council meeting on August 11 while introducing a series of changes to elective papers in the syllabus.

The syllabi of this paper signifies that the subject talks about Dr. Ambedkar’s pioneering thought in the field of economics, relevance in the contemporary world and its implication for ‘social justice’, ‘equality’ and ‘inclusive development’.

An associate professor of Economics at Kamala Nehru College and an elected Academic Council Member, Monami Basu, mentioned to The Indian Express that the paper on Dr. Ambedkar was welcomed by the entire faculty as it talks about him as an ‘economic policy-maker’ during the post-colonial period, his thoughts on ‘colonial economy’ and how caste and labor are interconnected.  However, she adds that the paper on discrimination was dropped without consultation with Academic Council members, departments or committees of courses.

Another professor who has been teaching economics at DU for over two decades has professed to the Indian Express on conditions of anonymity that the focus on ‘caste discrimination’ has been diluted in the new Ambedkar paper and it is only 10% of the paper now. According to other faculty members, the now-dropped paper was the only one that focused on the concept of discrimination in the UG economics syllabus. It had themes such as gender and unequal burden of work; inequalities in access to land; and intersection of discrimination though race, caste, class and disability.

The first suggestion to drop three elective papers, including ‘Economics of Discrimination’, was made in an Academic Council meeting on May 26 and opposed by faculty members of several colleges. Vice Chancellor, Yogesh Singh had then consulted a six-member panel to revisit the syllabi.

Read Also: Text Removal and Renaming in DU’s History Syllabus: Brahmanization Term and Paper on Inequality Dropped

Featured Image Credits: Google Images

Priyanka Mukherjee

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Arts & Culture

Studying Abroad: Navigating the Fascination and Dilemma

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Lakhs of Indian students migrate to study abroad every year. What sparks the intrigue, and is it truly warranted?

The fascination with studying abroad among Indian students is a phenomenon that can be attributed to various factors, both societal and practical. While there is much to gain from a foreign degree like global exposure and quality education, a lot is lost, such as family and culture. How does one navigate the trade-offs and decipher how to make the right decision?

One factor driving this fascination might be how studying abroad is considered a mark of prestige and quality education in Indian society. Another contributing factor is the perception that they offer better academic opportunities and could lead to higher earning potential. From another perspective, limited domestic options due to low availability and high competition for seats in Indian institutes drive the youth to look for options abroad. Moreover, most education systems abroad curate their programs in a way that allows for variety and flexibility in the subjects and structures offered. This is appealing to Indian students.

I have always looked forward to pursuing a Master’s degree abroad because it’s hard to find career advancements domestically in my field, especially since it’s not of professional nature.” – Seher, a third-year student

Apart from these, there exist factors that seem to be rooted in no solid reasoning. Historical migration patterns in the family or social expectations can create a sense of normativity and peer pressure. The idea of studying abroad, which may have been limited to a certain social class earlier, has become a more common goal due to changing societal norms.

However, when reaching an age where the future seems too close, hesitations creep in. The potential difficulties regarding adapting to a new culture with different social norms and values, leaving family behind and the financial burden may contribute to students rethinking their decisions.

On not being able to receive a scholarship for the program I was accepted into, I dropped the idea of moving abroad. I would not have been able to handle the expenses.” – A DU alumnus.

Thus arises the need to introspect and assess your goals, both personal and professional. Navigate this decision by reflecting on your priorities regarding career and life goals. Get to know yourself better, try gauging through self-reflection and conversations with well-wishers on what suits you the best. Seek guidance from counselling services, college seniors or family members abroad to better understand the challenges and benefits of international study.

Due to these complexities, it’s essential to make informed decisions keeping in mind your ideals as well as practical considerations. Studying abroad can be an enriching and transformative experience only if guided by mindful intentions.

Read also: The Right Time to Study Abroad

Featured image credits: Unsplash

Arshiya Pathania

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“You Are Not Special”: Delhi HC Questions DU over Decision to Use CLAT Scores for 5-Year Law Course Admissions

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Delhi HC has rejected DU’s preference for CLAT instead of CUET for its 5-year law courses. The respondents of the PIL are DU’s Faculty of Law, Vice Chancellor of the University, UGC and Union of India through the Ministry of Education.

 On Thursday, August 17, the Delhi High Court questioned Delhi University on its decision to admit students to its new 5-year integrated law courses based on the Common Legal Admission Test (CLAT-UG) 2023 results. A petition submitted by Prince Singh, a student at DU’s Faculty of Law, challenged the University’s announcement of the 5-year integrated law courses, beginning in the academic year 2023-24. The Public Interest Litigation (PIL) filed by him sought admission to these courses through CUET UG 2023, following the directives of the Universities Grant Commission (UGC) for central universities. The Court granted Delhi University and the Centre time until the next hearing on August 25 to file their responses to the petition.

The bench, which included Chief Justice Satish Chandra Sharma and Justice Sanjeev Narula, stated that the Government of India, through the National Education Policy, had decided that admissions to all Central Universities would be done through the Common University Entrance Test (CUET) introduced by the Ministry of Education (MoE) and that Delhi University is “not special.”

You are not special. There is a national policy. If 18 other central universities are relying on the CUET scores for admissions, why is DU not doing the same?” the bench remarked.

 The court granted the University’s counsel time to file a counter-affidavit before the next hearing on August 25. The Union of India has also been given time to “file its reply” or seek “appropriate instructions in the matter.” However, the court stressed that if no counter-affidavit is submitted by the next hearing date, the matter will be heard on the question of grant of interim relief.

Delhi University’s counsel, Advocate Mohinder S Rupal, contended that the Vice-Chancellor, Prof. Yogesh Singh, formed a special committee of specialists, which delivered a detailed report to the Academic and Executive Councils of the University. During the hearing, he argued that the University only launched the 5-year integrated law degree this year and that if a stay is granted on the operation of the August 4 notification, the entire academic year will be wasted. He alleged that DU had not yet provided a schedule or timeline for admissions to its law courses.

It is not as if we are rushing the process. We haven’t started the admission process yet. The University will not issue any advertisement regarding applications for CLAT-based admissions to the 5-year law course till the next date of hearing.”- stated DU’s counsel, Mohinder Rupal.

 The PIL was filed in response to a notification issued by Delhi University on August 4 announcing the introduction of the Five-year Integrated Law Courses- B.A.LLB (Hons.) and BBA.LLB (Hons.), admissions to which would be undertaken by the CLAT scores of the aspirants.

“The Bar Council of India in its letter dated 26.07.2023 has accorded its approval of 60 seats for BA LLB (Hons) and 60 seats for BBA LLB (Hons). Admission to BA LLB (Hons) and BBA LLB (Hons) shall be based on merit in the Common Law Admission Test (CLAT) UG 2023 result. The classes for BA LLB (Hons) and BBA LLB (Hons) courses will be held at the Faculty of Law, Kanad Bhawan, North Campus, University of Delhi. The online application for admission to BA LLB (Hons) and BBA LLB (Hons) courses will be announced by the University soon,” stated the notification by Delhi University.

 The petition contended that by issuing this notification, Delhi University has placed a “wholly unreasonable condition” that violates the Right to Equality under Article 14 and the Right to Education under Article 21 of the Indian Constitution. The plea stressed that CUET is conducted in multiple languages while CLAT is held only in English, which leads to an admission advantage for a specific sub-group at DU’s Faculty of Law.

That the condition imposed for admission to the five-year integrated law courses at the Faculty of Law, University of Delhi, is wholly unreasonable and arbitrary. It lacks any intelligible differentia and has no rational nexus with the object of admission to the five-year integrated law courses at the Faculty of Law, University of Delhi,” the plea by Singh stated.

 

Read Also: Delhi High Court Seeks the Stand of the Centre and University in Opposing the New Admission Criteria – DU Beat – Delhi University’s Independent Student Newspaper

Featured Image Credits: Bar and Bench

 Manvi Goel

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After a Three-Year Hiatus, Delhi University Students’ Union Elections Are Back

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While the University Officials work on finalizing the dates, student leaders have started preparing for their election campaigns.

The student elections at Delhi University are scheduled to take place in September. The Delhi University Students Union is the representative body that stands for the majority of colleges and faculties’  students. Aside from this, elections are also  held each year for the students union at every college. The Delhi University Students Union is elected directly by the university’s and its member colleges’  students. Every year, the elections are typically held in August or September. Occurring every four years, it was last held in 2019, and was halted as a result of the Corona virus pandemic and its effects on the academic calendar.

Officials from the university stated earlier in July that election preparations will begin as soon as the university finished the admissions process for the upcoming session. Although the date has not yet been confirmed, DU registrar Vikas Gupta stated that it would be announced shortly and that one may anticipate it to happen in the final week of September.

Vice-chancellor Yogesh Singh, who will oversee the election process, named office bearers and members for the central council of the Delhi University Students’ Union (DUSU) for the academic year 2023–2024, according to a University announcement dated August 1. The VC also appointed college principals and heads of institutions to serve as office holders and council members in their respective colleges. The chief election officer, Professor Chandra Shekhar, has stated that the employing of Electronic Voting Machines (EVMs) will be done during the entire election process, which is expected to last between 10 and 12 days. In 2019, the Akhil Bhartiya Vidyarthi Parishad (ABVP) gained three seats, while the National Students’ Union of India (NSUI) gained one. Akshat Dahiya of the ABVP served as President, Pradeep Tanwar as Vice President, Ashish Lamba as Secretary, and Shivangi Karwal as Joint Secretary for the 2019–20 term.

Elections will be held for all four of these positions once again this year. All around the University, especially in the North Campus, preparations are being made for the same. While student leaders are planning, students are actively responding. The current president of the ABVP, Akshat Dahiya, states that they are getting ready to nominate their student leaders and will also begin disseminating information about the election procedure for students. Additionally, other organisations like the All India Students’ Association (AISA) and the Students’ Federation of India (SFI) are prepared to start their election campaigns. The previous president of SFI says that they will focus on issues that are specific to students, such as accommodation and other problems that students have on a daily basis, whereas ABVP will centre their election campaign on the four-year undergraduate programme, FYUP. In the meantime, the elections for the Delhi University Teachers’ Association (DUTA) have been set for September 27. The election calendar states that teacher nominations must be submitted by September 1. At the north campus of DU, the Arts Building complex and Satyakam Bhawan will serve as the locations for the voting.

On August 12, a number of teachers’ organizations, including the Democratic Teachers’ Front, merged to form the Democratic United Teachers’ Alliance. Among them were the Democratic Teachers’ Front, the Academic for Action and Development Teachers Association, and the Indian National Teachers’ Congress, which is a branch of the Congress. They declared Aditya Narayan Misra as a potential candidate for the position of DUTA president.

The University of Delhi student elections are unique and prominent, adding to the capital’s already politically charged climate. These elections hold value for the future of the University and also reflect student sentiments.

Read Also : https://dubeat.com/2023/07/12/dusu-launches-one-day-dusu-presidents-scheme/
Image Credits : Telegraph India

Priya Agrawal

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Campus Central

Dismal state of Delhi University’s Foreign Language Branch

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DU, often seen as India’s premier public institution, is technically equipped with a flurry of departments, from Finno-Ugric to Persian ones, but given Delhi University’s limited funds, inefficient administration and other maladies which rather famously plague the institution, one does question how well these departments continue to function?

One of my first experiences of the infamous DU chaos was when I visited the Faculty of Arts campus, to sign up for Russian classes, from the Slavonic Studies Department, the only one in the entire country. Not exactly to my surprise, most people I asked had no clue where the department was located within the campus. Eventually, from a back entrance, up a cobweb-covered staircase, I did find the department, a singular hallway with classrooms on either side and an administrative office with an aversion to Gmail. 

While my experience was obviously personal to me, the state of our foreign language departments, once created in order to help foster bilateral ties internationally, create a globalized perspective and in general, integrate the Indian student body with the rest of the world. However, some problems continue to persist. 

Both the Persian and Slavonic Departments have extremely low research output, as intimated by the information made public on their websites with the latter showing only 18 research candidates between 2004 and 2017.

Departments like those of Germanic and Romance Studies, simply do not seem to have functioning websites, which raises questions as to how interested students are to access crucial information regarding syllabi with ease, without even getting into the lack of awareness given the inaccessibility. Similarly, the epartment of Arabic studies, too, doesn’t have its own website to access.

Furthermore, a quick glance at the respective syllabi raises questions about its relevance, especially in comparison to universities abroad, which have far more extensive, well-rounded and relevant curriculums as related to DU whose department plans consist primarily of standard, older syllabi plans, with little to no practical component. 

These foreign language departments are usually aimed at fostering a sense of internationalism and facilitating India’s international relations ties, by creating academics and linguists who could encourage and foster a sense of globalism. But, as these departments blend into the shadows, it makes us question if India’s premier institution is losing its sense of internationalism, as a whole. 

Read also-  https://dubeat.com/2020/03/16/language-and-patriarchy-the-case-of-gendered-languages/

Image credits – DU Beat

 

Chaharika Uppal

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Arts & Culture

Love, Identity, and Friendship: How Heartstopper Reshaped the Representation of Queer Relationships in Literature and Cinema

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Heartstopper, the on-screen adaptation of a well-known graphic book by Alice Oseman, debuted its second season on Netflix on August 3, 2023. The television show, much like the first season, reshapes representation by delicately examining topics of love, identity, and friendship while offering a genuine and multidimensional picture of queer lives. Here is a careful examination of some of the themes that the show so wonderfully explores, thereby casting them in a new light.

Heartstopper, the acclaimed LGBTQ+ series, has emerged as a trailblazer in reshaping the portrayal of queer relationships, love, identity, diversity within the community, and friendship in a world where representation and diversity are becoming increasingly important and where representation is based on misconceptions and stereotypes in literature and cinema. The show has challenged these deep-rooted clichés by depicting its characters as diverse individuals whose sexual orientation or gender identity is only one aspect of their existence.

Heartstopper is centred on two primary protagonists, Nick and Charlie, as they navigate their way through love, self-discovery, friendship, and acceptance. However, the series covers much more. Whereas mainstream LGBT representation in films and television shows often focuses solely on two cis-guys falling in love and their sexual relationships, Heartstopper delves deeper. It highlights trans representation, lesbian relationships, self-discovery and acceptance, asexuality, disability, normalising older queer relationships, dilemmas in friendships, eating disorders, consent, healthy relationships and friendships, and highlighting that coming out is a personal choice and that it is not mandatory to come out.

While Kit Connor and Joe Locke steal the show as romantic leads Nick and Charlie, recognition is also due to the creation of characters such as friends Elle, Tao, Tara, and Darcy, perfectly crafted parents, and even attentive teachers. Heartstopper succeeds because it is such a well-rounded and balanced narrative about preteens navigating the challenges of a same-sex relationship.

-Collider

Trans Representation

Transgender representation in both literature and cinema is sorely sidelined or completely absent. Most transgender representation in literature and film only touches the tip of the iceberg, as trans characters are portrayed as “supporting characters” or “the best friends of gay protagonists.” Moreover, trans roles in film continue to be mainly acted by cis individuals, eliminating the very purpose of representation. However, in Heartstopper, Elle was presented as more than that. The series digs into Elle’s life and emphasises that her transgender identity does not define her.

Heartstopper sends the message that trans people are allowed to fall in love and be loved. That they too experience all the wide range of emotions we all do.

-gendergp

Elle and Tao’s tale is equally lovely. The dilemma of admitting your love to your closest friend, as well as the dread of losing them as a result, is well expressed. The bond between Tao’s mother and Elle is one of the most lovely aspects of the story. Tao’s mother’s reaction when she learns that her son and Elle are dating is heartwarming to say the least.

Bisexual Representation

There are many misunderstandings about the bisexual community, both within and outside the queer community. Bisexual individuals are frequently questioned about their sexuality, with the assumption that one cannot be bi if one prefers one gender over the other.

Nick had to constantly tell people he’s bi just goes to show how many people dismiss his sexuality and how disregarded bisexual people are in general within their queer community. He has every right to be loud and proud about his sexuality. don’t take that away from him.

-a Twitter user

This portrayal and discussion of Nick’s bisexuality sends a clear and loud message that bisexual people who have only dated people of the same gender are just as valid as bisexual people who have dated more than one gender or haven’t dated anyone at all.

Lesbian Representation

Queer representation in films and literature has been traditionally dominated by the narrative of two homosexual protagonists. When it comes to WLW relationships, a lot of stigma and misconceptions permeate society. Tara and Darcy’s story is just as important and eloquently depicted as Nick and Charlie’s. Season 2 showed Darcy’s connection with her mother and how queer people face a lot of alienation and hatred from their loved ones.

The reoccurring animation of darker colours flooding Darcy’s house, because it’s such a negative place for her, is so. It’s not safe, it’s not her home; when she’s there, it feels like she has a storm cloud over her head like she can’t be herself at all, and my heart breaks for her.

-Twitter user @spring_nwinter

Asexual Representation

The portrayal of asexuality and aromanticism is one of the most brilliantly crafted sections of Heartstopper. Isaac’s frustration at his friends for assuming a romantic relationship between him and James demonstrates how asexual people have to go through a lot to come to grips with their sexuality. The series emphasises the value of platonic love, demonstrating that romantic or sexual desire is not constant but fluid.

Isaac getting his own “heartstopper moment” as he clutches a book on being ace means so much to me. As an aspec person seeing that little thing reserved for moments of love symbolises his first steps in working out who he means a lot. self-acceptance is a form of love.

-Twitter user @clingynelson

The Dilemma of Coming Out

Coming out is never easy for queer people. In season one, Nick is coming to terms with his sexuality and is torn between wanting to come out and being afraid of doing so. The best aspect is the support he received from his friends and his boyfriend.

I want you to come out when and how you want to

-Charlie to Nick

Coming out as a part of the LGBTQIA+ community can be a complex and deeply personal process, often accompanied by various emotions and challenges. While it can be liberating and help individuals live authentically, it also comes with potential risks and considerations.

Normalising Older Queer Relationships

Older queer relationships are not free from societal stigma, a stigma they face from not only those outside the community but also from the younger generation of the community.

Queer people of all ages exist. It will always be so important to show that the way Heartstopper manages to pull it off is so beautiful. I love queer happiness. It gives you hope for the future, you know?”

-Twitter user @spring_nwinter

Families and Queer Acceptance, or Lack Thereof

Having a supportive family may be quite beneficial for queer individuals, but it can also be a deep challenge if the situation is reversed. The fact that season 2 gave us a glimpse of everyone’s family, whether supportive like Elle’s parents, Tao’s mother, Nick’s mother, and Charlie’s sister, or not supportive and hostile like Darcy’s mother and Nick’s brother, these small characters had such a large impact on the series and the emotions its viewers felt.

I appreciated that Elle got her stereotypical girl come down the stairs moment while her parents were interrogating her date. She gets to have all of these movie-worthy girl experiences, and it makes my heart feel so full. It’s something so small but so special to me.

-Twitter user @spring_nwinter

Friendships and Queer Platonic Love

Heartstopper discusses not just love and the queer community but also the importance of platonic love and friendship.

I will always praise Heartstopper for how they show such healthy friendships. how they show platonic love can be just as strong as romantic. Charlie and Taos’ bond is something so important to both of them and so familiar. they’ve got each other’s backs and always have.

-Twitter user @clingynelson

Healthy Relationships

Heartsopper discusses the characteristics of healthy relationships, both platonic and romantic. Whether it’s Tara confessing her love for Darcy or Charlie being the shield for Nick when Nick was deciding to come out.

I love you. That’s not me asking you to say it back or anything.

-Tara to Darcy

I am gonna do everything I can so that Nick doesn’t have to deal with what I did (in reference to bullying).

-Charlie to his sister

Eating Disorders

TW// ED

Heartstopper season 2 slowly introduces the conversation on eating disorders. By examining disordered eating in one of its main characters, who represents a wide range of identities and experiences, Heartstopper Season 2 defies preconceptions. The series deftly addresses compulsive eating, gradually bringing it to light as Charlie’s boyfriend, Nick, becomes aware of his eating habits. Heartstopper explores a variety of aspects of disordered eating, stressing how it affects relationships and loved ones and underscoring the value of open communication and support.

Conclusion

In essence, Heartstopper is more than just a straightforward love story. It represents a push for accurate and inclusive representation. The series bridges understanding barriers, develops empathy, and promotes a more inclusive society with its multiple characters and relevant situations. Discussions regarding the value of recognising queer relationships and people’s freedom to live truthfully are made possible through this.

In both cinema and literature, Heartstopper is a transformational force that has changed how queer relationships, love, identity, and friendships are portrayed. The show sparks dialogue and questions social conventions by emphasising the universal features of human connection while accurately depicting LGBTQ+ experiences. Heartstopper not only presents a moving narrative but also advances a more forgiving and accepting future in a society where varied perspectives are respected evermore.

Featured Image Credits: Heartstopper on Netflix

Read Also: Where are the Queer Movies, Bollywood?

Dhruv Bhati

bhatidhruve@gmail.com

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