DUTA conducts Jashn-e-Azadi against university authorities

Pinterest LinkedIn Tumblr

Delhi University Teachers’ Association (DUTA) conducted their cultural protest, Jashn-e-Azadi, on 27th March in front of the Kirori Mal College hostel gate against the rising instances of ‘totalitarian misgovernance’ by the University authorities. The stage was opened by a speech by DUTA president, Nandita Narain, who called out the authorities on the recent passage of the code of conduct which, she said, is meant to crush any dissenting voice in the university. She also pointed out the one-year MA course will only lead to further degradation of the academic standards of the university, which is already reeling under the affects of Four Year Undergraduate Programme (FYUP). Other points of concerns were FYUP itself, the second term of office of the VC and immediate filling of vacant posts in the faculty.

Artists followed her speech with their own forms of protests on stage. While former Indian Ocean member Sushmit Sen performed with his band, Sushmit Sen Chronicles, belling out one fusion number after another, folk artist Ratan Gambhir talked about the increasing commercialisation of education. Narain brought the evening to an end by again calling out for the urgent need to group and protest against the increasingly draconian nature of the university governance. She said that culture is one of the sharpest ways of protest and Jashn-e-Azadi was only one in a line of similar events, pointing to the cricket match which was played after the protest march on 14th February. She ended by saying, “Jab jab andhakar ka samay ayega, tab tab hum andhakar key bare mein bolengein, gaayengein”.

Featured Image Credit: Iresh Gupta for DU Beat

Pallab is a second year Literature student at Kirori Mal College who likes to believe that idealism still matters in the world, even though he himself finds it impractical at times. He likes to hoard more books than he can possibly read and wishes that writers begin to earn zillions by the time he becomes one.

Comments are closed.