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Sri Aurobindo College’s Dance Crew ‘Crunk’ was banned a few days back by the college, bringing to light several instances of harassment and abuse perpetrated by certain members, adding to the list of toxic cultural societies within DU.

Trigger Warning: Physical Abuse, Harassment and Image of Bruises

‘Crunk’, Sri Aurobindo College’s Dance Crew, one of the most reputed societies within the Delhi Dance Circuit (DDC) was disbanded by the college recently, following the suspension of the current president, Harsh Sharma, and PR head, Srishti Arora due to several incidents of physical and mental abuse and harassment, propelled by one of the present-choreographers, Divyansh Tripathy, a recent-graduate of Aurobindo College.

Speaking to DU Beat, Mitali Goyal, a student at Aurobindo College, former Vice-President of Crunk, and a victim of the shocking incidents that occurred within the society, recounts her journey through Crunk:

 “I joined Crunk in my first year in 2021 when Divyansh Tripathy was the President. Things went quite smoothly as there were some choreographers above him in the society who held power. However, during my second year, 2022-23, things had changed. Divyansh had passed out then but was coming to give guidance to the crew. From January 2023 onwards, Divyansh would hit us brutally with thick wooden sticks we used for our performance, every time we made mistakes. Many of us developed bruises and when we spoke against it, he would initially excuse it with ‘it’ll make you stronger’ or ‘this is how things have been happening in this society’.”

As time unfolded, the physical abuse became more intense with crew members- second years as well as freshers- being hit for the smallest of mistakes like coming back late from their breaks or asking for a day of leave from practice. And all this was done under the illusion of ‘maintaining the top-track record of Crunk within DDC’. While students raised their voices against Divyansh Tripathy, they continually received threats of being removed from the crew, something they could not afford considering Crunk to be one of the top-reputed dance crews in Delhi.

 “Juniors who talked to Divyansh about leaving the society received threats like ‘if you leave this society, I’ll make sure you leave the college as well’ or ‘if I ever see you at Chhatarpur metro station, you will face consequences’” –      adds Mitali to the horrifying incidents brewing within Crunk

The role of teacher convenors within DU also plays a massive role in this incident. Teacher convenors at Crunk were also not supportive of appointing Divyansh Tripathy as the choreographer at Crunk. While they were unaware of his acts of physical and mental abuse, they were aversive of his behavior of frequently, ‘shouting and creating nuisance within the college.’

Mitali goes on to add that,

“Initially when the beating wasn’t so bad, we as a crew tried to protect Divyansh a lot from the convenors so that he could come and guide the team. But the situation got worse, girls were slapped if the color of their jeans was slightly different from the one that was required at the performance. He would beat up the crew with those wooden sticks at fests as well, injuring their feet and hands. After the performance was over, he would send a sweet apology message to excuse his behavior. I had had enough and left the society in March 2023 and complained to the teacher convenor about Divyansh and the society was eventually banned a few days ago.”

As the 2022-23 session wrapped up in May 2023, Harsh Sharma, a batchmate of Mitali was elected as the President of Crunk for the 2023-24 tenure. Besides Harsh, Srishti Arora another batchmate was elected as the PR Head. However, despite his record, both heads decided upon re-appointing Divyansh as the choreographer of Crunk.

“Recently, many freshers out of Crunk had spoken up against Divyansh forcefully flirting with the juniors despite them being uncomfortable about it. To put a stop to all of this, we went up to the principal to file an FIR and we complained of physical and verbal abuse against him with all the witnesses. We filed a FIR against Divyansh at Malviya Nagar Police Station.” –      Mitali adds to the series of events

 

Members within Crunk also raised concerns about suspending Harsh Sharma and Srishti Arora for continually associating Crunk with Divyansh Tripathy despite numerous backlashes. However, while Crunk has been disbanded from the college, Harsh and Srishti have not yet been officially suspended but their entry has been banned from college. Concluding the conversation, Mitali says that,

 

“The worst part about all of this was the fact that despite having the power to stop Divyansh from perpetrating his horrible behavior upon the fresh batch of juniors as well, Harsh and Srishti did not take any measures but encouraged all of this.”

With several conversations creeping

 up about the toxic cultural societies within DU, it is relevant to note how students are forced into this narrative of productivity at the cost of self-degradation under the fake illusion of fame and repute in society. While societies are the spine of DU life, getting too consumed with the ideology of fame and credit can take a toll on one’s college experiences, perpetuating unhealthy spaces within the campus, like Crunk.

Read Also: Unveiling the ‘Culture of Toxicity’ in SVC’s FilmSoc

Featured Image Credits:

  • Crunk 1: cover picture, Credits: Facebook Account of Crunk
  • Crunk 2: Caption: Bruises Developed by Crunk Members For Being Physically Abused with Wooden Sticks by the Choreographer, Divyansh Tripathy, Credits: Mitali Goyal (Former Member of Crunk)

 

Priyanka Mukherjee

[email protected]

 

The recent fest of IIT Delhi, Rendezvous, was held from October 13 to 16, 2017. October 13 and 14 constituted the prelims of the various societies from across University of Delhi and IIT, Delhi.

Amidst the spirit of festivities and competition, Lady Shri Ram College’s Dance Society was disqualified despite making it to the finals owing to their ‘misbehaviour’. When the college’s dance society members demanded water bottles before their performance in the prelims, they were denied and told to go on stage without water. Putting up with this non-compliance of a simple request, LSR gave their best and got selected to appear for the final round by the judges.

Wing water is provided to all performing societies by the host college as the performances suck up all their energy and are exhausting. Unavailability of water can lead to dehydration of the team members which can ruin their performances.

After the prelims of the Western Dance Societies of DU colleges and IIT Delhi, the societies that reached the finals actually were – Misba of SGGSCC, Verve of Sri Venkateshwara College, Footloose of Shivaji College, LSR’s Dance Society, Zeal of Maitreyi College, and V-Defyn Dance Academy of IIT Delhi. After the tally of marks, this list was given to IIT Delhi’s BRCA, the organizing team to be uploaded and spread to the finalist teams.

The actual list uploaded by IIT Delhi fest organizers had the following finalist teams – Misba of SGGSCC, Zeal of Maitreyi College, Crunk of Sri Aurobindo College, Enliven of Gargi College, Verve of Sri Venkateshwara, and V-Defyn Dance Academy of IIT Delhi. Lady Shri Ram College’s Dance Society was removed without any prior information.

The original list of the finalist teams was requested by LSR to the judges who were courteous enough to provide it.

When the changed list was uploaded and LSR’s Dance Society wasn’t on the list, they contacted the PoC (person-in-charge) and were informed in a curt reply that their ‘misbehavior’ of asking for water had led to their disqualification.

The Society has posted on their Facebook page and questioned the authenticity of such fests if the lists can be changed on the whims and fancies of some students. Even the judges weren’t informed of this.

Meanwhile, the Dance Society of IIT Delhi has posted a clarification on their facebook page in which it accepts that there was a problem of availability of water in the spot due to some mismanagement from the hospitality team of RDV. The same conditions were also applicable to all other teams as well who managed to get water from the cooler. The disqualification of LSR was a decision of the organising team because their action delayed the event by sometime which prevented other participants from getting their promised time slot.

While the Dance Society, BRCA were not available, the dance society of LSR refused to speak to us.

 

Feature Image Credits: Dance Society, Lady Shri Ram College’s Facebook 

 

Prachi Mehra

[email protected]

Confluence- The annual cultural festival of Hansraj College which was a four days long was packed with various events by several societies and departments. This time, the fest was not just limited to cultural events and Star Nights but also included the technical fest and departmental fests in this same frame. Although the events and performances entertained the audiences spread across the four days but the prime attraction of the fest – a concert by Diljit Dosanjh had ended abruptly which left a lot of fans disheartened.

 

Day One: Inauguration,  Street Play, Western Choreo  and informal games. 

The first day began with the inaugural ceremony with teachers and members of the student union lighting the inaugural lamp. This was followed by the principal Dr. Rama, the principal of the college declaring the fest open. “We look to make Confluence 2017 to be bigger and better this year” she said.

 

This was followed by various events by the various departments of the college as well as events by the societies of the college. While ‘Botanique’ the botanical society organised ‘floristics’ their annual fest which saw the presence of an  alumnus Mr Varun Narain, a puppeteer who presented an excellent piece called photosynthesis in moonlight, the computer science department organised competitions of coding  and encrypt-decrypt. The Hansraj Dramatics Society organised ‘Bolbala- The Street Play Competition’ in which the first Prize was bagged by ‘Anuhuti’ of Sri Venkateswara College for their production ‘A’. The second and third prizes were won by Ibtida of Hindu College for ‘Saare Jahan Se Acha’ and Kshitij of Gargi College for ‘Main Kashmir aur aap?’ respectively. The event was organised in a non-competitive manner were participants chose the winners among themselves.  

In the Choreo competition was won by ‘Sensation’- the choreography society of Kirori Mal College while ‘Sparx’ the choreography society of Gargi College bagged the runners up prize. The first day also saw a lot of informal events like Momo Attack and Carom Games by Mathematics Department, Demarcedo and Mock Stock by commerce society and Mini Militia by Haritima 

 

Day Two: Youth Summit, Pahal and Art Exhibition 

Major attractions of Day 2 were the ‘Youth Summit’ organised by the NSS of Hansraj College, ‘Pahal’ by the society for the differently abled and Art Exhibition on show by Kalakriti.


The ‘Youth Summit- UTSAV’ organised by NSS showcased its community service programmes through a short documentary which was followed by a song by underprivileged kids of ‘Padhaku’. This was followed by a speaker session where the speakers inspired students to actively take part in community service and give back to the country.
Meanwhile at ‘Pahal’, differently abled students from across the university showcased their talent in singing, dancing and other extra-curricular activities.

The art exhibition saw numerous rhapsodies of art and colourful expressions at display for the visitors.

The second day also saw lots of fun events by various societies like ‘Gulli Cricket’, ’Slamp Poetry’ and ‘Game of Thrones- Utility Maxima’.

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underprivileged kids of Padhaku presenting a choir.

Day three: Musical Events, Cultural Show by North East Society and DJ Taran Duo

The third day of Confluence opened with melodious music events in the auditorium which were organised by Swaranjali, the music society of Hansraj College. The Indian Choir competition marked the start of the day which was won by ‘Dhwani’, the Indian music society of Lady Shri Ram College. ‘Musoc’ of Kirori Mal College won the second prize while the third prize was won by ‘Alaap’ of Sri Venkateswara College.

 

 

This was followed by the western choir which was won by Zephyr of Kamala Nehru College won the champions prize while the runners up was bagged by ‘Echo’ the western music society of Jesus and Mary College. The western Solo Dance was won by Gurpreet Kaur of JMC and Isha Chakrobarty of Gargi College bagged the runners up. 

 

.        

 

The cultural show organised by the north east society of Hansraj College drew a large attention with students performing regional dances like Bihu and Assamese Dances. The exhibition and Meena Bazaar which were on display at the LP near the canteen also drew a huge crowd.

 

 

The day came to an end in the evening with DJ Taran duo bringing the crowd to its feet with numbers like ‘Kala Chasma’ and ‘Aae dil hi mushkil’. 

 


 

 

Day Four: Folk and Indian Dances, Diljit Dosanjh live in Concert

The fourth was filled with lot of euphoria around with long queue of Dance events lined up for the day.  In the classical solo dance competition Nimisha from Janki Devi Memorial Cometition won the 1st Prize, the second prize was jointly won by Saumya Mittal of Miranda House College and Aishwarya of Sri Venkateswara College. The Classical Duet competition was won by Raghav and Aishwarya of Sri Venkateswara College.

   

The Folk Dance competition saw ‘Nrityakriti’ of Maitreyi College bagging the first prize with Haryanvi Folk Dance Competition. SGTB Khalsa College won the second prize while the third prize was jointly bagged by SGND Khalsa and Gargi College respectively.

 

The prime attraction of the day was the star night featuring Govinda, Diljit Dosanjh and Progressive brothers. While Govinda cancelled his plans in the last minute, Diljit’s concert was cut short with just a couple of songs due to the unruly crowd and various circumstances for safety reasons.

 

 

 

 

 

 Confluence 2017 Overview

 

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You can check the entire album of Confluence 2017 here.

 

Correspondents: Arindam Goswami, Anagha Rakta, Saumya Kalia, Vineeta Rana, Kriti Sharma, Joyee Bhattacharya, and Srivedant Kar

Photographers: Hitanksha Jain, Vegh Daswani, Prateek Singh, Sahil Chauhan, Harshit Thukral and Jasmine Chahal

 

Related: Read more from the life at Delhi University series here

 What sets it apart?

The choreography societies were formed from 2002, a young conception, it is currently under operation in colleges such as Sri Venkateswara College, Lady Shri Ram College, Hindu, Hansraj, Kirori Mal, Gargi College, Kamala Nehru College, Netaji Subhas Institute of Technology (NSIT) and Indian Institute of Technology, Delhi (IIT-D) Students choreograph their production often with the help from professional dance choreographers. The piece is built around a theme or a story based on social issues, mythologies, and fiction while others take inspirations from movies and books.  It is story telling in the form of dance; abstract yet meaningful. The ten-minute production is accompanied by a voice over in the beginning and in the end, that explains the theme and concludes it respectively.

 Not just a hobby

Being a member of the dance society, it is both, physically and mentally challenging. With practices stretching for as long as six hours it is no more just a casual hobby. In school, dances would be put up in 2 days time; college productions on the other hand, are a result of months of training, planning and choreography. Since it involves a storyline, students have to come up with ideas and concepts and build them in such a way that they leave an impact on the audience.

 Blood, Gut and Sweat

Initial months consist of rigorous training and stamina building. Blood, sweat and injuries are an every day passing thing, the body is perpetually agonized by sores and clots with pain in places you could never imagine. And yet, the members remain passionate and turn up day after day for the love of dance.

 The Challenge

It is important to have dancers that exhibit the same level of experience and training when on stage, decreasing the disparity between first, second an third years, which in fact, is natural. There is always an effort in making these differences less apparent and bringing the dancers to, if not same, but to at least a similar level.

 Just Friends Or…

There is no body you see more than your society members. You spend almost quarter of your day with them, everyday for 6 months. These people become your friends and eventually, the more clichéd, family. Most often your best friend would be your co society member and your purpose coming to college changes from your academic subject to your society. There is natural bonding just by the virtue of being around each other all the time and sharing memories from the outstation trips and DU festivals.

 All Rounder Much?

A dancer of the dance society is not only good at dancing but also other facets such as multitasking, crisis management and teamwork. Learning here is beyond dance, extending to life in general. The society builds you as an independent, dedicated, empathetic person, while also increasing your social circle. The fun and good times sneaked between practices always remain with you. It’s a place that makes you feel bad for the people who aren’t a part of this crazy rollercoaster. Being a member of the dance society, commitment, is the key for realizing your growth along with hard work and practice. Each day counts. The strenuous dance schedules and long hours of practice can sometimes take a toll, both on the body and studies. Time management is integral to work out a balance among various spheres but in the end, the magic of stage and lights shared with your tribe make it all worthwhile. [gallery columns="1" size="full" ids="36617,36618"] In pictures: Nritya, the choreography society of SVC Shefali Bharati [email protected]]]>

Related: Read more from the life at Delhi University series here

 What sets it apart?

The choreography societies were formed from 2002, a young conception, it is currently under operation in colleges such as Sri Venkateswara College, Lady Shri Ram College, Hindu, Hansraj, Kirori Mal, Gargi College, Kamala Nehru College, Netaji Subhas Institute of Technology (NSIT) and Indian Institute of Technology, Delhi (IIT-D) Students choreograph their production often with the help from professional dance choreographers. The piece is built around a theme or a story based on social issues, mythologies, and fiction while others take inspirations from movies and books.  It is story telling in the form of dance; abstract yet meaningful. The ten-minute production is accompanied by a voice over in the beginning and in the end, that explains the theme and concludes it respectively.

 Not just a hobby

Being a member of the dance society, it is both, physically and mentally challenging. With practices stretching for as long as six hours it is no more just a casual hobby. In school, dances would be put up in 2 days time; college productions on the other hand, are a result of months of training, planning and choreography. Since it involves a storyline, students have to come up with ideas and concepts and build them in such a way that they leave an impact on the audience.

 Blood, Gut and Sweat

Initial months consist of rigorous training and stamina building. Blood, sweat and injuries are an every day passing thing, the body is perpetually agonized by sores and clots with pain in places you could never imagine. And yet, the members remain passionate and turn up day after day for the love of dance.

 The Challenge

It is important to have dancers that exhibit the same level of experience and training when on stage, decreasing the disparity between first, second an third years, which in fact, is natural. There is always an effort in making these differences less apparent and bringing the dancers to, if not same, but to at least a similar level.

 Just Friends Or…

There is no body you see more than your society members. You spend almost quarter of your day with them, everyday for 6 months. These people become your friends and eventually, the more clichéd, family. Most often your best friend would be your co society member and your purpose coming to college changes from your academic subject to your society. There is natural bonding just by the virtue of being around each other all the time and sharing memories from the outstation trips and DU festivals.

 All Rounder Much?

A dancer of the dance society is not only good at dancing but also other facets such as multitasking, crisis management and teamwork. Learning here is beyond dance, extending to life in general. The society builds you as an independent, dedicated, empathetic person, while also increasing your social circle. The fun and good times sneaked between practices always remain with you. It’s a place that makes you feel bad for the people who aren’t a part of this crazy rollercoaster. Being a member of the dance society, commitment, is the key for realizing your growth along with hard work and practice. Each day counts. The strenuous dance schedules and long hours of practice can sometimes take a toll, both on the body and studies. Time management is integral to work out a balance among various spheres but in the end, the magic of stage and lights shared with your tribe make it all worthwhile.     [gallery columns="1" size="full" ids="36617,36618"]   In pictures: Nritya, the choreography society of SVC Shefali Bharati [email protected]]]>