shivaji college


In the last ten years, the Vayam Performing Arts Society has been steadily growing and expanding its scope, gaining for itself both recognition and experience. What began as an idea in the canteen of Delhi University’s Shivaji College in 2006 has now over 500 productions and 180 awards and special performances to its name. And Vayam’s name, a Sanskrit word that translates to “we”, carries within itself the ideas that society hopes to embody – togetherness, social empowerment and integrity.

Expanding its scope further, Vayam organized a ten-day- long confluence of varied art forms and artists in March this year titled “Malang – The Performing Arts Festival”. Taking the initiative of promotion of artists and art forms forward, the society recently staged their much appreciated theatrical production ‘Syaahi’ at Akshara Theater in Delhi.

The plot of ‘Syaahi’ is an amalgamation of three stories – ‘Gidhade’, ‘Kutte’ and ‘Sakharam Binder’ by the renowned Indian playwright, Vijay Tendulkar. It is not exactly an adaptation of any of the stories. Rather, the characters and instances of the stories have been used to carve out a script which appears to be an excellent confluence of a few extracts of these plays. The three plays are cushioned with a fictional story that runs as the plot line.


‘Syaahi’ is a fiction drawn on the canvas of factual instances. It tells the story of a budding writer whose writings are criticised, demeaned, denounced, and declared inappropriate. The writer digs up his life and brings out the darkest events to the pages. The book marks a huge success in his career and the writer emerges to be a potential source of income to the publisher. The publisher, in order to earn more profit, suggests that he pens down his own life. As the play progresses, we see him getting caught in his own writings; struggling between realism and surrealism. The writer intertwines his life and his writings to such an extent that ultimately he ends up destroying his own writings.


The actors of the play do a brilliant job of infusing authenticity and credibility into the story. Each scene of the play is intertwined beautifully to link various instances across the parallel lives of characters of the play. The entire cast including Aakash Bhardwaj, Rahul Yadav, Mansi Gupta, Akshay Tyagi, Nitesh Sharma, Ujwal Arora, Shubham Aggarwal, Sankhya Joshi and Lakshay Arora have worked for almost a year to build and develop their characters. The precision and execution of the screenplay is superlative. The smart use of concordant music and lights complements the scenes and makes the entire experience of watching the play all the more interesting and worthy.

Both the shows of the play were packed with enthusiastic spectators to an extent that there was no space to stand in the auditorium as people were sitting on stairs to watch the performance. The hall resonated with long and loud round of applause after both shows. The shades of humor, thrill, obsession and fear make this play enthralling, captivating and entertaining for the viewers. The audience moved out of the auditorium overwhelmed with the quality of theatre that they witnessed. There were words of praise and appreciation all around on the conclusion of the event as the audience and organisers were delighted with the proceedings of the event.

The highlight of the event was the promotion of social causes. The second show of the play was attended by almost 20 members of an NGO called ‘Yes! We Can’ which supports the cause of making daily life easier, accessible and enjoyable for persons with disability. It was a first opportunity for the differently abled persons present at the venue to witness a live performance of a stage play. The joy and satisfaction of attending the event was visible on their faces. Apart from this, a donation drive also formed an integral part of the event as useful material like clothes, bed sheet, books, utensils etc. were collected for the needy and handed over to ‘Kartavya – The Social Service Society of Shaheed Sukhdev College of Business Studies, University of Delhi’.

With its well established campus wing in Shivaji College, University of Delhi and professional wing based in Delhi and Mumbai, Vayam is making eminent progress to fulfill its aim to become a driver of social change by means of art. The society is also currently recruiting interested budding artists, script writers, directors, technicians and volunteers to expand its scale of activities.

Provided by Vayam Performing Arts Society

The students and faculty of Shivaji College have undertaken innovation project SHC-309 – Real Time Android Application for Travel Convenience. The students working on the project belong to various courses like B.Tech., Computer Science, and Economics.

Team : Prabhat Kumar, Shuchita Garg, Himanshu Anand, Shubham Goyal, Mukul Yadav, Akash Bhatt, Shivani , Enakshi, Shreya, Hariom

Mentor: Mr. Kamlesh Yadav

B.Tech students were engaged in the development work whoch involved designing user interface, navigation drawer and filter window. Enormous data was needed for populating the app. Hence, a data collection group was formulated. They worked effortlessly to gather data across the city.

Parking has become a problem in Delhi-NCR regions, not because there isn’t much parking space in the region but because there are only a few that people know of, making it really hard for people to find parking near their destination, forcing them to park on roads and thus, sometimes restricting space for traffic flow.

USHER, the Android app developed by the students, aims to provide an integrated solution for travel convenience, with an emphasis on providing information regarding nearby parking locations, garages and fuel stations in Delhi. The application aims to allow users to filter the parking space available on various parameters such as fare, distance from destination or the user’s current location, types of parking available, and also helps them navigate to their desired parking locations. It will also provide information on public parking, that is, those under control of DMRC and Municipal Corporations, which various other applications have failed to provide. The application also helps in locating and navigating to nearby garages in case of a break down. Users can refine their search based on different parameters. Work is in progress to add fuel stations to the app.

The app can be downloaded from Google Play store:  https://play.google.com/store/apps/details?id=com.shc309.usher&hl=en

Guest Post by members of SHC-309

What can you do to stick to your passion? How far can you go to chase your dreams? How determined can you become to follow your interests? With a remarkable resolve to take their aspirations to the next level, Vayam – The Performing Arts Society was formed by a consonant group of alumni of Shivaji College, University of Delhi. Vayam is an independent performing arts group based in Delhi registered under the Societies Regulations Act 1860. Run by an ideal blend of actors, directors, script writers, technicians and working professionals, the group has a stronghold in the Delhi theatre circuit with an expanding base in Mumbai. Vayam performs on regular basis at competitive and non-competitive platforms across India and their street plays and stage productions are based on myriad of thought-provoking issues.

With ‘EK Rishte Ki Maut’– A play by Vayam to be performed at Akshara Theatre on 24th of December, we bring to you an interview with Prateek Bedi (Treasurer and an active member of Vayam – The Performing Arts Society) who told us all about Vayam’s inception, journey and its future goals.

“‘Vayam’ means ‘We’ in Sanskrit. It signifies the core values of the organisation – Togetherness, Integrity, Creativity and Social Empowerment. We wanted to have a different name but at the same time we wanted it to reflect our core values and define our united front. And Vayam is just perfect as our name and identity.” – Prateek Bedi, member, Vayam


1. How does Vayam – the theatre society of Shivaji College differ from Vayam – The Performing Arts Society?

Vayam – The Theatre Society of Shivaji College and Vayam – The Performing Arts Society, are essentially two sides of the same coin. The most significant thread that binds the two organisations is the set of values and virtues they share. Since the professional unit has been founded by people who were once a part of the college society, there is a visible homogeneity and concurrence in the style of working and principles that both organisations share. However, there is a clear demarcation of authority and responsibility with regard to spheres of work that both groups handle. The college wing has an independent leadership who vigorously looks after the advancement of the unit in the campus theatre circuit. On the other hand, the professional society has a distinct legal identity and a competent organisational structure which works tirelessly to make the organisation grow and prosper in the professional ambit. Both organisations share a mutual relationship of togetherness and synergy in their area of work and conduct. They are of immense support to each other and leverage each other’s strengths to advance their goals and objectives.

2. How did Vayam make this transition from a college society to a performing arts group? When did you decide that it was time to take it beyond the college circuit and what challenges did you face to during this transition?

Vayam – The Theatre Society of Shivaji College, University of Delhi was started by a bunch of like minded creative enthusiasts in 2006. Vayam’s maiden performance of the street play called ‘Kashtomer’, which talked of consumer awareness, fetched them the third prize at Kamala Nehru College, University of Delhi in August 2006. It was in 2007 when the society grabbed the attention and admiration of the DU crowd with the stage adaptation of ‘Bade Bhai Sahab’ by Munshi Premchand when it swept almost every competitive platform and established a unique identity for the society. Further, the society blossomed under the aegis, support and guidance of its alumni. But though the society was doing well in the DU circuit, there were times when this ‘college’ tag, held back Vayam from stepping into the professional Delhi theatre scene and partner with other organisations in an official/legal capacity. Therefore, we decided to form Vayam – The Performing Arts Society where we could finally collaborate professionally and step into the Delhi theatre scene at a much larger scale.

Taking our college society to another level by getting a legal identity wasn’t easy for us. All the alumni who had been a part of college society were mostly pursuing different careers in finance, banking, IT, research, social work, photography etc. To get everyone together and work comprehensively towards the establishment and growth of Vayam was challenging. Moreover, initially we went through tough times during registration as most of our members were spread out across the country. Since we have been recently registered, we are trying to work our way through initial challenges of holding commercial performances, entering into professional partnerships etc. But we are working relentlessly to make a mark and a young & dynamic force of determined thespians is facing obstacles with courage and commitment.

3. It is hard to make theatre work while attending college as a student, how do you manage to do it as working professionals?

In Vayam, we have a strong and dedicated team of 30 people from diverse fields of photography, finance, banking, IT, research, etc. This diversity is one of our biggest advantages. We work quite systematically. We have a conference call every Sunday evening to discuss all the affairs. There is also a core team of 11 members – Lakshya, which works incessantly for smooth working of Vayam’s affairs. As of now, all our team members are alumni of the college society and are available to participate and work for the organisation selflessly. Since Delhi is our core base of development as of now, we have a distinct wing of individuals who work for projects in the city and are active throughout the year.

Vayam ek rishte ki maut

4. Tell us something about your latest production ‘Ek Rishte Ki Maut.‘ What differentiates it from the regular relationship and happily ever after plays?

The basic theme of the play is –  the changing dynamics of relationships in this fast paced world; where genuine love, attraction, happiness and care is somewhere getting lost between the deadlines and ego clashes. The couple in ‘Ek Rishte Ki Maut’ are lost in the cloud of smoke of their egos and misunderstandings, which slowly chokes their true emotions and love for each. Their petty fights reach to a point where they decide to divorce each other and break those vows to love unconditionally and irrevocably. It’s an ego versus love, and fairytale versus practicality, fight.

It’s a unique play which will grip you till the very end by its distinctive narrative technique, acting and dialogues. The play works as a time machine; it takes you to the good old sweet and sour memories of your relationship. It teaches you to love and you begin to value your partner all the more after watching the play. The play has the ability to make you smile and emotional at the same time. It’s a play which will completely engross the audience right from the beginning itself and would force them to deeply reflect and ask some serious questions about their demeanor and approach towards relationship.

Find out more about the play here


5. What’s next for Vayam?

We, at Vayam – The Performing Arts Society want to be the best performing arts group in the world by all means and aspects. We want to become a versatile and inclusive group of artists spread across plethora of art forms. Additionally, we want to improve the condition of art forms and artists, in and outside country by making performing arts more acceptable, popular and commercially profitable for the ones pursuing a career in this field. Moreover, we want to increase the range and number of our productions and expand ourselves in all potential fields of performing arts.

Buy tickets for ‘Ek Rishte Ki Maut’ here.

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