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Fire Break-Out and Violation of Bylaws: All in One for Mukherjee Nagar PGs

By DU Beat October 7, 2023

Days after a fire broke out in a PG at Mukherjee Nagar, leaving 35 lives in danger, the question arises: are the PGs following the normative procedure of establishing such an institution for living?

Following the massive fire breakout in a PG at Mukherjee Nagar, a senior municipal official was put to the task of conducting a survey to determine whether the PGs were following the correct procedure to be established. A door-to-door survey was conducted and revealed that 104 PG units have been earmarked. The buildings are operating in violation of building bylaws, the survey concluded.

The officials from civic bodies said that notices are being served to 104 PG units for alleged violations of laws. The notices have been issued to the owners, asking why the premises must not be sealed.

After the four-day survey concluded, the official remarked in conversation with Hindustan Times,

We have photographed these units. If a satisfactory answer is not provided to the show cause notice, it will be followed by a sealing drive.

It has been noted that the MCD is focusing on PG accommodations operating in buildings that are more than 9 metres tall and have more than 20 people staying in them. Hindustan Times noted that the higher authorities from MCD are focusing on these accommodations, particularly those that are more than 9 metres in height and have an occupancy of more than 20 people.

Interestingly, the fire broke out at the PG a day after a sealing drive for 20 coaching centres was conducted in the same area after a fire broke out in June.

The official further added,

According to the Master Plan of Delhi regulations and Unified Building Byelaws that came into effect after 2007, such units with more than 20 students and above 9m buildings cannot operate without a fire NOC. Only one unit was found operating with fire NOC issued by the Delhi Fire Services (DFS). We will also submit these findings in our action-taken report on the coaching centre fire safety case.

It is expected that the Delhi High Court shall hear the matter related to the fire safety for coaching centres and the consequent actions taken by the higher authorities of the civic body on October 10.

After the thorough investigation was completed, the MCD officials added that so far, most of the PG’s out of the 44 have been sealed since they are operating in the basement and mezzanine floors. Such activity is strictly prohibited in the basement area since it is a clear fire hazard. 24 out of these 44 units were coaching centres, while the rest were spaces like libraries and reading rooms. A second official associated with the drive commented,

We have also issued notices to units running on the first to the third floor and a hearing has been sought by them. We will have to wait for them to present their documents.

However, according to the Hindustan Times, the owners of such accommodations and coaching centres have shown their frustration as no clear regulations have been defined for them.

Coaching institutes were allowed to operate in commercial areas, mixed land areas, and residential areas by being included in ‘Other Activities’ Section 15.7 of the MPD 2021 subject to following the norms of ROW of road. The amendment regarding 20 people in one unit and the need for fire NOC was unjustly added in 2020 whereby coaching centres with 20 or more people were clubbed under the category of ‘educational building.

– Keshav Aggarwal, President, Educators’ Society, a union of coaching centres.

He further remarked that the clubbing had been done in a hurry, and the stringent regulations under the educational building were a consequence of the same.

But in such cases, there are too many grey areas, and the MCD needs to formulate fire safety policies. Indeed, such precautionary measures are crucial for the safety of an area, whether its residential or commercial in nature.

Featured Image Source: Magzter.com

Aanya Mehta
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Arts & Culture

The Historical Gems of Delhi : Kala, Kahaniya aur Rangmanch!

By DU Beat July 9, 2023

Delhi is the home of outstanding theatre arts, whilst Mumbai is the metropolis of Bollywood aspirations. In Delhi, stage art has a special significance and a rich history that is still being preserved through a variety of institutions and live performances.

Delhi, India’s capital, is so distinctive that it offers something to everyone. It has been bustling with possibilities for years, from its mouth-watering food to popular shopping places, monuments and old palaces, museums and government buildings. Out of everything, the city has been sustaining art forms and providing a platform for artists from different fields to explore, grow, and perform. It represents inclusion in culture, where everyone has an opportunity to contribute. One of the ancient gems of the city that is adding charm to it is – Theatre art. The many drama forms, stories, plays, and musicals.

Although many are aware that Mumbai is the “city of dreams,” many flock there to pursue their Bollywood aspirations and make a name for themselves as actors, directors, or singers. Delhi has been a well-known destination for theatre and stage art and has also produced many promising talents, but it is still less applauded for the accomplishments. While some of the artists here continued their careers in theatre and added to its appeal, others became great and well-respected artists in the cinema industry. In the western industry too, Los Angeles is recognised for its film industry, whereas New York is renowned for theatre. Although there has been a line of separation between the stage and the screen, there is still a connection that aids both industries’ growth in different ways. Their originality is beyond comparison.

Coming to Delhi and its vibrant stage art, the city preserves it in a variety of significant and minor ways – It has many students, rising artists, and has created a special audience of art lovers through live performances, nukkad nataks, drama schools, and college societies.

One of the well-known names is of NSD – National School of Drama, which has been a training facility since 1959, providing knowledge and enhancing the abilities of amateur artists. Although Sangeet Natak Akademi is its parent organisation, over the years it has relocated from a number of places. Mandi House is where it is currently set up. Mandi House, which once had ties to the princely state of Mandi, is now home to a number of theatre troupes and establishments, such as the National School of Drama and Shri Ram Centre for Performing Arts. The creation of NSD involved numerous notable playwrights and dramatists. A comprehensive curriculum, the promotion of several theatre genres, and one of the best playscripts have all been created here. NSD has a unique identity that focuses on both conserving the past and fostering hope for the future. From the nation’s capital, these groups organise numerous performances and broaden the horizons of theatre art throughout the entire nation.

The institution also holds workshops and other annual festivals like the “Bharat Rang Mahotsav” to raise awareness of the local arts and draw in more visitors. Children and newcomers to the sector can always use it as an excellent learning opportunity to get going on their path. How could one not include the outstanding alumni and directors who formed the very foundation of NSD with a name like that? Ebrahim Alkazi, a renowned theatrical instructor, was the first to transform the school in 1962 with the help of his expertise, leadership, and strict disciplinary measures. Many people still reflect on the illustrious 15 years the celebrated director spent at NSD, and his role in shaping the organisation helped it reach new heights. Without mentioning Ebrahim Alkazi’s skill, one cannot discuss Indian theatre or the National School of Drama in general. He made sure that the Indian theatre art is not lost and reaches a wider audience by establishing the three-year acting training, developing open theatre, and providing inspiration for the repertory. Some of his productions continue to receive praise as some of the best ever.

There is an unending number of well-known and gifted performers who are working in the entertainment business today, preserving the reputation of organisations like the National School of Drama and also bringing honour to the nation. The list of actors and actresses includes Naseeruddin Shah, Nawazuddin Siddiqui, Neena Gupta, Anupam Kher, Om Puri, Piyush Sharma, Irfan Khan, and many more. This is the National School of Drama’s legacy. This institution is only one of many centres in Delhi that have made contributions to the arts by producing top-notch plays and musicals. One is the Shri Ram Centre for Performing Arts, a renowned theatre company that has been producing plays and offering acting classes since 1958. SRC, like The National School of Drama, has also produced famous individuals in the industry. There are additional independent theatrical groups with base in Delhi that create venues for artists to gather, create fascinating stories, and perform all over the nation.

Delhi colleges have cultural societies that support the arts and permit students to experiment in the field from the college level on up, even at the university level. Ibtida was founded by renowned filmmaker Imtiaz Ali while he was attending Hindu College, as is well known. Many others, such Manoj Bajpayee and Siddharth Malhotra, who attended Delhi University, launched their careers using the many resources the city and university have to offer. It goes without saying that the institution is the alma mater of several well-known artists, starting with Shahrukh Khan, the King of Bollywood, who graduated from Hansraj College and began his career with Delhi’s Theatre Action Group.

Through the Drama Societies at Delhi University, students are contributing to the evolution of theatre art by continually taking chances and incorporating contemporary elements that make it more applicable for the current generation. This includes curating scripts, performing, and taking part in festivals and contests. Women’s rights, girl child education, and scripts promoting community solidarity are among the topics that are publicly performed in the form of Nukkad natak. All of these places are unique in that those who have spent time in these settings honing their craft and giving performances on Delhi stages still have a special appreciation for their formative years as budding performers. These alumni have often reminisced about their time at the National School of Drama or Mandi House and how they attribute their achievements to these institutions.

The singularity of stage and screen cannot be compared, as was stated in the article’s introduction. However, as films have become a popular form of entertainment, younger generations are less familiar with regional art practises and distinctive theatrical methods. As a result, people frequently treat stage and screen the same, which is a mistake. However, acting for the camera and performing live are truly two different things, and sadly, many people from the younger generations have not experienced the latter. Even newer artists who enrol in renowned acting schools participate in stage art in order to later pursue an acting profession. It’s because the Indian film industry gives them more chances to become popular and rich than if they continued with theatrical acting. This art faces a number of different obstacles along the way that make it challenging for it to endure.

Some of these difficulties were brought up in our conversations with a few students and instructors from renowned theatre schools.

Many people these days tend to believe that theatre is the ladder to take you to cinema, that if you begin from here eventually you will reach Bollywood,” they said. “This is untrue. Both theatre and film have unique meanings, and each has something different to offer. According to me, this phenomenon is causing stage art to lose some of its splendour. Many members of Delhi theatre groups just practise and develop their acting abilities in order to pursue a job in the film industry. I’m still relieved, though, that theatre is generating finest plays that the audience enjoys” – An artist from the Shri Ram Centre.

Original art forms in India existed for centuries before the advent of cinema, and were supported by wealthy businesses and appreciated by enormous audiences. Since the 17th century, live performances of Ramleela, which depicts the legendary Ramayana conflict between Ram and Ravana, have taken place at festivals. The popular theatre production Nautanki, which originated in Uttar Pradesh, had a significant impact on the Indian population. Dohas, ghazals, and chhand were frequently used, along with catchy songs and humorous dialogue. There are other well-known plots in this that centre on mythology. Nautanki, a kind of theatre that was once loved by both urban and rural inhabitants, grew in influence and scope as a result of assimilating numerous other theatre techniques. Unfortunately, the popularity that Nautanki once enjoyed is diminishing, much like that of many other creative forms, as a result of the rise of film and the elitist mindset that stereotypes this local talent.

Cities like Delhi still have a lot of places where individuals may learn about the subject and work to keep alive the artistic forms that previously captivated thousands of people. Those who are interested in finding out more can attend plays and exhibits at Mandi House, the Indian Habitat Centre, or the Kamini Auditorium, or they can join one of the theatre groups in their institutions. A Delhi Theatre Festival will be held in August and will feature many well-known performers and wonderful productions for the public.

Theatre has always been a means of expressing feelings and telling stories through music, quirky characters, and dark humour. Indian plays have masterfully portrayed the legends of the Ramayana, Mahabharat, and other great royal empires of India. In order to ensure that this vibrant culture is sustained, thrives, and receives the recognition it merits, Delhi must continue to support and maintain stage art.

Delhi is the home of great arts, if Mumbai is the city of Bollywood dreams. If Mumbai has seen the zenith of great artists, Delhi has seen their birth and struggle. Without Kala, Kahaniya, and Rangmanch, Delhi’s history would be incomplete!

List of Additional Sources:

https://thewire.in/the-arts/ebrahim-alkazi-modern-indian-theatre

Story of Ebrahim Alkazi, NSD director who shaped Indian theatre

https://devnautanki.com/about_history.html

Blog of Dr. Devendra Sharma, performer and writer of Nautanki artform.

Featured Image Credits: Top news India, NDTV

Priya Agrawal

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Campus Central

Saffronisation of Cultural Expression

By DU Beat July 3, 2023

The following piece seeks to understand the superimposition of dominant ideological narratives on cultural events. It does not, in any way attempt to disrespect the cultural/religious beliefs of individuals.

Delhi University has often been described as an educational space for multiculturalism and diversity, where students from all over India intermingle and share their cultures with one another. Very often, students bring to the university campus, festivals and celebrations from different corners of the country which helps them create a sense of community far from home. It is an act of claiming a space, far from one’s homeland that initiates intercultural interaction and contributes to the richness of the campus spaces.

However, is the culturally diverse space that many of us would like the university to be, a utopian imagination? Cultural expression is often monopolised by dominant majoritarian communities that can afford to be more visible and vocal. How do we distinguish free cultural expression from ideological imposition? Furthermore, what happens when politically motivated ideologies are superimposed on cultural festivals?

On 22^nd June, the Delhi Odia Students’ Association (DOSA) in collaboration with the Iskcon Student Centre organised the Jagannath Rath Yatra in the North Campus of Delhi University. It goes without saying that the Rath Yatra is a festival that is extremely close to the hearts of the devotees of Lord Jagannath. People from different socio-economic backgrounds come to join the procession, hoping to get a glimpse of the deity. People are often seen crying, overwhelmed to see the lord.

But can an event that is often hailed for its inclusive quality, retain its cultural ideals and innocence when it becomes so visibly saffronised? It is true that perhaps every cultural or religious festival is influenced by certain belief systems, but when the belief system is aligned with an ideology which translates into an aggressively asserted political agenda, it becomes potentially dangerous.

The political alignment of the procession organised in the campus was not simply reflected in symbols, but was also verbalised on certain occasions. The event began with an open and unapologetic assertion- ‘Bharat ka dharam, Sanatan dharam’, (The religion of India is Hinduism) and ended with Jai Shree Ram chants. The procession, adorned by huge saffron flags, traced the campus with hundreds of people joining in. The devotees danced and sang along; the sentimental and cultural essence of the procession could be felt. At the same time, the markers of it being a politically aligned procession were hard to ignore.

One could obviously argue that Jai Shri Ram chants in a Jagannath yatra is not arbitrary because Ram and Jagannath are essentially different avatars of Lord Vishnu. In today’s India however, Jai Shri Ram is an immensely politicized slogan – one that is rooted in majoritarian beliefs of Hindutva. To say that it is an innocent appeal to lord Ram is to disregard the persecution faced by thousands of people from minority communities, against whom the slogan has been weaponised.

Before the commencement of the yatra, an elaborate speech was given which emphasised upon values of devotion, servitude and gratitude. The cultural belief system of a Brahmanical conception of Hinduism was presented as the moral standards of India. While science, modernism and ‘western’ values received censure, the ‘Indian’ way of life was pedestalised. It must be noted that the Jagannath Rath Yatra at Puri has no custom of preaching. Everybody joins the event as a devotee and no authority figure is given the centre stage. Representatives from the Akhil Bhartiya Vidyarthi Parishad (ABVP) – a right wing student organisation affiliated with the Hindu nationalist RSS – were formally present in the event.

The Rath Yatra was provided immense police protection. It is entirely valid to ensure police deployment in cultural festivals to ensure orderly execution of the same. However, the sincerity with which police protection is provided to events that exude right wing sentiments is entirely absent when students get attacked by mobs on campus. When a mob of men, gate-crashed the college fest at Indraprastha College for Women, raised misogynistic slogans and Jai Shri Ram chants and harassed women, the police did little to ensure their safety. The police has acted either as passive observers or violent upholders of law in situations like these.

When a religious event is distorted and appropriated to further a political ideology, the cultural and emotional essence of the festival is hurt and disrespected. Although the devotees attending the rath yatra did not express concern regarding the nature of the yatra, the ideological undertones were felt without doubt.

The Jagannath Yatra is very close to our hearts. Devotees wish to remain connected with the lord Jagannath and seek his blessings. It is an expression of unadulterated and innocent devotion. It is not supposed to be used to further any ideological agenda” – Aditi Routray, a student at LSR

Featured image credits – Tulip for DU Beat

Tulip Banerjee

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ABVP Stages Protest at Aryabhatta College

By DU Beat June 25, 2023

The Akhil Bhartiya Vidyarthi Parishad organised a protest at the Aryabhatta College on 21^st June, in order to express concerns regarding student safety and student welfare in the campus. The college administration received condemnation from the protestors for apathy and indifference towards student issues.

On the 21^st of June, the Akhil Bhartiya Vidyarthi Parishad (ABVP) organised a protest at Aryabhatta College in the South Campus of the University of Delhi. The protest was reportedly organised in order to condemn the inability of the college administration to ensure student safety in and around the college campus. On 18^th June, a 19-year-old student named Nikhil Chauhan was allegedly stabbed to death outside the Aryabhatta College. The protestors blamed administrative negligence and poor security conditions around the college campus for the murder.

The protest, which was scheduled at 10:30, finally began at 11:30 and lasted for about 2 hours. The protestors reportedly bolted the college gates, not allowing students and faculty members to enter the campus. The protestors raised ‘vande mataram’ slogans and ‘bharat mata ki jai’ chants while asserting their demands.

The members of the ABVP made a list of demands that included – recruiting more female security guards, ensuring the availability of sanitary pad vending machines, renovating washrooms across the college campus etc. While some of the demands were specific and aimed at student welfare, other demands such as – “proper and strict action should be taken against incapable and abusive admin staff” were vague and incomprehensible. The protestors were mostly men and very few women were present at the site.

A student getting murdered right outside our college is a big deal. This could have been prevented. No action was taken by the admin staff even though they were aware of the fight between the victim and the accused that happened a week before the murder. The administration has been apathetic to student concerns. Students have to struggle for days even to solve minor issues. Our sports ground has been out of use for the past four months. We have made a list of demands addressing these concerns that we intend to place before the principal.” – Tarun Yadav, ABVP President for Aryabhatta College

The students, after staging the protest outside the college, marched inside the campus, raising slogans and vocalising their demands. The members of the ABVP expressed that they intend to place their demands in a meeting with the principal. There was tussle between the members of the admin and the protestors that resulted in chaos. Four representatives of the ABVP finally met with the principal and a meeting was held in order to discuss the concerns raised by the protestors. After the meeting, the members informed the protestors that almost all their demands had been readily accepted by the principal.

There was considerable police presence at the protest site. On being asked about how they feel about the deployment of police forces at the college, an ABVP representative stated that the police was present to help them carry out the protest without interference.

The police forces are not here to suppress our protest. They are here to ensure our security and to prevent any unwanted interference from other parties.” – Tarun Yadav, ABVP President for Aryabhatta College

Featured Image Credits – Pratik for DuBeat

Tulip Banerjee

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Hindu College Reconsiders Suspensions for Students

By DU Beat May 17, 2023

After issuing suspension notices and imposing fines on students for protesting, Hindu College is reconsidering its move. The students have submitted written apologies to the administration, and the principal is reportedly willing to let students explain themselves and address their concerns.

The Hindu College administration had issued notices suspending around 40 students and demanding a fine of Rs. 10,000, citing “gross misconduct” by students protesting against the administrative decision to reduce Mecca to a one-day event. The notice firmly stated that the students would not be allowed to take their semester exams if they failed to pay the fine. It further stated that they would not be allowed to hold any post of responsibility in the future and that “any repetition of such or other misconduct in the future will be treated with the utmost strictness, to the extent of rustication”. Additionally, 15 students have received a notice for financial fraud and cheating. The notice also alleged that the protesters caused damage to college property and behaved disrespectfully towards the principal, blocking her way and not letting her attend an official meeting.

However, after some deliberation and discussions, the principal, Ms. Anju Srivastava, is reconsidering the suspension. On the evening of May 9, a day after the suspension was issued, the principal reportedly held a meeting with the students. The students put forward their demands and concerns regarding the notice and requested that it be withdrawn.

They (the students) have given us verbal apologies and written apologies. We will give students another chance to put forward their sides. We are open to discussion with them. I have asked the disciplinary committee to look into each application separately on an urgent basis. The work has started. We will soon inform the students.

– Ms. Anju Srivastava, Principal of Hindu College, in conversation with PTI

The principal stated that the students will be given a chance to explain themselves and that their apologies will be accepted. It has been stressed that every student’s application will be reanalyzed in depth. The suspension notices drew widespread criticism from students involved in the protests. The students initially stated that they would resort to protesting against the suspension and the imposition of fines if they were not withdrawn.

The RSS-affiliated student body, Akhil Bharatiya Vidyarthi Parishad (ABVP), came out in support of the students and requested the administration withdraw the notice at the earliest. Despite all efforts to encourage dialogue between both sides, whether every student will be spared suspension is uncertain.

Featured Image Credits: Keshavi for DU Beat

Tulip Banerjee
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Campus Central

Hindu College Students Protest for Annual Fest ‘Mecca’

By DU Beat April 23, 2023

The annual festival of Hindu College, ‘Mecca’, has allegedly been put in jeopardy by an administration order to reduce the 3-day, star-studded event to just 1. Students of the college have reportedly gathered outside the college gates to stage a protest against the same.

An important cultural event in the college calendar, this year’s ‘Mecca’ was scheduled to be held on the 26th, 27th, and 28th of April, culminating in a megastar evening on the final day with Sunidhi Chauhan. Agreements had been made, and Coke Studio had signed up for sponsorship of about Rs. 34 lakhs. However, with the event just a week away, on April 20, the organising committee was informed by the college principal that the event should be wrapped up in a single day, i.e., April 28.

This order by the administration was reportedly in part due to the recent advisory issued by the University for college fests requiring NOC from the police or being limited to the students of the college. Students who have been working hard for months for this event have come out to protest against this arbitrary decision. The organising committee has also opposed this decision, saying that MOUs have been signed and all the arrangements have been made. The college administration has also allegedly made the distasteful demand that Sunidhi Chauhan be dressed in a saree; otherwise, she won’t be allowed to perform on stage, as a gimmick to stop the event from taking place.

“The admin has shown a similar attitude towards every event. We had a North-East Fest in our college which had an open entry, but the principal denied that just one day before the event. They’ve always opposed Mecca from the first day, but if they’re letting it happen, why cancel at the last moment? Coke Studio can easily file a case against the OC head of Mecca for breaking the MOUs.” – Devesh Arya, a third-year student at Hindu College

According to sources, various protesters allegedly came to the college on the night of the 20th, breaking the locks of the gates and protesting for Mecca to be held according to the original itinerary of 3 days. The next morning, they reportedly didn’t let the professors into the college as a sign of protest. Later in the day, they shifted their protest to the principal’s office. While some students alleged that protesting students were detained by the police and lathi charged, others have claimed otherwise. On the same day, i.e., the 21st of April, the principal issued a notice stating that they “were anguished to the state that they were left with no choice but to seek police assistance”.

“Students have crowded outside the auditorium since last night; they’ve spread the mattresses and are continuously protesting. Since then, the principal has also made many attempts to leave the premises, but every time was stopped by protesting students.” – An eyewitness from Hindu College

Many people in the organizing committee claimed having their own money pitched in, but now that there are limitations on the people allowed to attend the event, the students fear that the sponsors will back out and also tarnish the name of the college.

“We don’t have any additional demand; we just want to continue with the same old format that Mecca used to happen. This is all our demand, and as long as it’s not fulfilled, we will continue to protest. A meeting with the principal happened, but no response was received.” – Prabal Mishra, a student of Hindu College and Junior Executive Head in PR

Featured Image Credits: Devesh Arya for DU Beat

Samra Iqbal
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Delhi Student Bodies Protest Against Discontinuation of MANF, Allege Manhandling by Police

By Shriya Ganguly January 12, 2022

The Maulana Azad National Fellowship Scheme provided 5 years of financial support to minority scholars.

On 12th January 2022, members of the SFI (Students’ Federation of India) demonstrated against the government’s discontinuation of the Maulana Azad National Fellowship Scheme in front of the Ministry of Education, as well as at the University of Delhi and Jawaharlal Nehru University. Also part of the protest were members of the All India Students’ Association (AISA), Maulana Azad National Urdu University, Students’ Union (MSU), Krantikari Yuva Sangathan (KYS) and JNU Students’ Union, as well as students from institutions across the capital. The Maulana Azad National Fellowship was launched in 2009 and provided financial support for five years to students from six notified minority communities: Buddhists, Christians, Jains, Muslims, Parsis and Sikhs who were pursuing MPhils or PhDs.

While the government has claimed the decision to roll it back was taken because it overlapped with other schemes, opponents have argued that this justification is invalid, as students cannot benefit from more than one educational scheme in any case. They have also pointed out the discontinuation of other government aid such as the pre-matric scholarship for SC, ST, OBC and Minority students. They see this decision as part of a larger attack on minority scholars.

Shakir, a PhD student from DU, and a recipient of the MANF, told edexlive.com that following the decision he “will essentially have to stop my research, or rush through it to submit it soon.”

My academic journey will stop here. There are costs associated with being a research scholar that I cannot bear without this scholarship.” – Shakir, in conversation with edexlive.com

The protestors have alleged that they were manhandled by the police, being dragged across the road and shoved into buses despite demonstrating peacefully. Several students sustained injuries, and over 100 were detained at the Mandir Marg Police Station.

As far as I saw, all of the policemen at the protest were men and they seemed hostile right from the beginning. They soon began to push and shove us around, including the female protestors, and even those who were not seriously injured came out of the experience battered, both physically and otherwise.” – an MA student at the demonstration.

The student is not a member of any student political organisation, but attended the protest as she fears that the discontinuation of the MANF and other schemes like it will prove disastrous for her career as a scholar.

Feature Image credits: DU Beat

Shriya Ganguly

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Arts & Culture

Dear Freshers, This is Your Reality Check on DU Societies

By DU Beat September 30, 2021

With the rosy season of auditions going on, this is an introduction for freshers to the dark side of DU Societies.

As the audition season approaches, one could have seen the college areas buzzing with auditions. On the online campus, it’s a bit different; the society’s social media pages, which have been abandoned for long, now become the main agenda of society meetings. All of a sudden, reels are being posted, and you see clips of happy members of societies playing along, some on screens while some on the ground, and a Ritviz song playing in the background. The usual words that will be used in these videos are “family”, “creative community” and every adjective you can imagine for a bunch of happy undergrads. But are societies really this happy, or is it just the poster happiness to lure in freshers?

(Obviously, not all societies fall into this category, the main aim is to introduce freshers to the toxic side of DU societies.) A lot of societies are run by seniors who exercise control over all the functioning. At some colleges, administration or the teacher or convenor intervene, but at some, they don’t pay any heed. Some societies have also faced such extreme obstruction of administration that even their performances have been canceled, whereas the bullying by many societies goes unchecked due to no surveillance. (Societies should ideally lie between this tussle of control, where admin maintains minimum control but a required check, but hey, we are in DU!)

A hierarchy is maintained among all the members to maintain ‘discipline’. But this setup often leads to toxicity as seniors in positions of responsibility take undue advantage of their power. The societies that should act as communities housing creative talent become a powerhouse of trashy politics and toxicity, where bullying and ragging houses.

Recently, such a situation came to light during the auditions of Finance Investment Cell of Hansraj College, about which a first-year student said,

During our Finance Investment Cell interviews, the core team members made us dance against our will, I felt uncomfortable but since I wanted to get into the soc, I had to go with the flow. Later on, they were boasting about the fact that they made us do squats, dance, and sing in the interviews during our induction meeting.”

First Years who are already ridden with anxiety get pushed underneath the wish of being in the cool circles of college and fail to report such behaviors, and the cycle of toxicity continues. Another student from a dance society shared their experience in a conversation with DU Beat.

This certain level of hierarchy restricts our freedom as an artist and as a person. The role of unions should be to represent the members of the society and to guide us, but it feels like someone has given them authority and they just want to show it off.”

Even in the online mode, several students have suffered terrible things at the hands of societies. With the second batch moving into the online campus, we need to configure our thinking accordingly. If the cultural front of the university keeps on reeking privilege and toxicity, the development of the individual would be a far-gone concept here. It’s high time proper redressal forums (talking about Cultural Secretaries) work in every college to respond to all grievances and dismantle these toxic hierarchies.

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Kashish Shivani

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Diversity out of the Question of Languages

By DU Beat June 30, 2021

Following the recent events, we tried to locate what language our nation speaks—of hate or of Mir?

“I knew that language is the most private and yet most public things.” – Arundhati Roy, In What Language Does Rain Fall Over Tormented Cities?

What language do we speak altogether, collectively as a nation? 780, or the ones actually recognised? Of love or of hate? Do we even speak together, ever?

I learned in my history class about imagined communities. Are we just one true imagination that exists with all its hypocrisies with just one name that binds us together? The peculiar curiosity about your identity starts somewhere around our age only, I think India never got out of that phase, she is still trudging the path of curiosity to know all about it.

Being trilingual, I get how difficult it can be to brainstorm with three words meaning something somewhat similar but never the exact same. How does India manage with so many? We read about diversity since first grade. In the language, I read it, “Anekta mei ekta.” At times, I think her diversity could never get out of this essay. It tried and tried, but it was such a high pedestal that returning was never an option, but we found out her invisibility on the streets at times, for we all read or maybe heard it – India: A Land of Diversities.

But whose language does India actually speak? Of Ghalib or of those who went rallying against Fab India when it named its Diwali Collection Jashn-e-Riwaaz, which loosely translates into a celebration of tradition.

The social media went mad with hails of ‘NO Abrahaminsation of Hindu Festivals’. And amidst this, a Markazi Khayal came to me that what word could we substitute for Khyal in Kabhi Kabhi mere dil mei Khayal aata hai? Or maybe what would we substitute when the people actually discover that the words Hindi, Hindu and Hindostan are from Persian Arabic? Did I miss a class of Language partition when the words of Urdu casually entered the conversations and even a bit of Shudh Hindi found its place with slang from the local dialect?

The Partition happened when, during the British era, the Hindustani language broke up into Hindi and Urdu, and since then, the graph has been up and down with the ‘language’ that we decide to speak publicly, sometimes of hate and sometimes of mir.

According to a research paper about the decline of Urdu sounds,

First, the decline of Urdu sounds began in the 1990s, which marks the rise of the Hindutva politics and the beginning of the mushrooming of cable television networks.”

So, this is the language I have been referring to the language that the current hegemony chooses to speak.

A good thing about Grammarly is that you can set the tone of language that you want to deliver your content in, and it rectifies the words accordingly. What would the tone be when people don’t let Munawwar Faruqui perform in Goa for 500 people would set themselves on fire. The organisers received threats from several Hindutva groups, and shows in Raipur, Surat, Ahmedabad, Vadodara and Mumbai had to be cancelled. Munawwar was also arrested for a joke he did not tell, and the apex court that granted him release said the tone of the FIR was vague and no apparent reason for his arrest.

Clearly, the cancel culture in our country goes a different way, where the dominant group shuns the language that it does not want to hear, be it just the name of the collection, an advertisement that talks of love bonds, or anything that might prick the forces of Hindutva. Who will be the next Kaifi saheb, perhaps Ghalib or the true sense of diversity that we talked about on pages?

Although Hindi’s victory has been a resounding one, it does not seem to have entirely allayed its keepers’ anxieties. Perhaps that’s because their enemies are dead poets who have a habit of refusing to really die.” – Arundhati Roy, In What Language Does Rain Fall Over Tormented Cities?

There is a linguistic relativity hypothesis that says our language shapes our thought, and Arundhati writes in her essay that a country’s public language is its own public imagination. So, the next time you say ‘ye Ishq nahīñ āsāñ itnā hī samajh liije ik aag kā dariyā hai aur Duub ke jaanā hai’ know that in the current context it literally applies to the word Ishq for someday people might take offence for its existence because of its source.

All this is to say that we in India live and work (and write) in a complicated land, in which nothing is or ever will be settled. Especially not the question of language. Languages.” – Arundhati Roy, In What Language Does Rain Fall Over Tormented Cities?

Kashish Shivani

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A Clichéd Love Letter to North Campus from a Wandering Soul

By Sakshi Arora April 22, 2020

Fresh out of school, I was eager to join North Campus. I’ll put it simply. As cliché as it might sound and as annoying it might seem to my South Campus peers, North Campus is a world of its own. A world of the students, for the students, but not by the students.

A World where e-rickshaw drivers surround you like paparazzi, where Swiggy and Zomato give conveniently priced deliveries for the students, and where some lose their virginity. A world where some change their mentality (for good or bad reasons), some smoke their first cigarette or eat their first ‘malnourished’ momo in Kalyan Vihar, Vijay Nagar, or Kamla Nagar or non-Delhiites get to face some classic racist hate (again in Kalyan Vihar, Vijaynagar, or Kamla Nagar).

Where students, and even teachers come down to protest at the Arts Faculty when an obstacle arises, and great fests happen with mainstream musicians; and all the funds get drained with it. A world where all social classes have their own peer groups but unite under a common umbrella called the ‘College Canteen’. A world where attendance matters but doesn’t really matter.

A world where some sheltered kids get reality checks and try to change society in their little ways, and others become pseudo-intellectuals with their double-faced hypocrisy. A world where few become the future leaders by dominating student wings in the Students’ Union, like a gang of goons rather than a parliament of politicians, yet, there are more kids who tend to escape from the harsh realities and put their entire focus on studies. And then there are those who don’t exist in the real world; and only exist by the virtue of their involvement in the cultural societies of their college.

My point is that even though I have been living in this world for three years and I am to be a veteran soon as my course is about to end, I still can’t give you a guide to this world. That’s simply because it’s just so diverse as I have mentioned above. You are bound to be changed in various ways depending upon what path you take in North Campus. But that’s the thing about North Campus, most of us hardly chose paths consciously and some just choose us.

Okay, now, that just sounded ridiculously pretentious and poetically unrealistic. But what I mean to say is, if you are still going to be a student in North Campus (or even South Campus), try exploring the world which I tried describing in the aforementioned 400 words. This world might seem to get more Orwellian day-by-day, and soon after graduation we might become slaves to a larger system (I will have to see what happens when I reach that stage), so it’s better to make the best of our time in this Campus as much as we can.

I’m not saying burn your books, roll their pages into joints, smoke them up, and explore the city every day. Study, Wander, Write, Play, do whatever you want as long as you’re not harming anyone (so please don’t touch people at a college fest non-consensually, drive your car like you’re the DUSU president at a speed so high that a dog gets injured, or indulge in other miscreant behaviour of that sorts). If you hate the world of North Campus, then judge the living hell out of it and its people, and have a good laugh. Meet people, eat street food, throw around opinions, discern them, debate them, discuss them, sit idle in the college field. Study, surely study, but at the same don’t forget exploring this world you’re in. Because that world will give you knowledge that’s not in any sample paper or online module.

What knowledge awaits for you to be learned by in this Campus? That’s for you to find out.

So long,

Shaurya Singh Thapa,

Soon-to-be Ex-Web Editor, DU Beat.

Image Credits: Akarsh Mathur for DU Beat

Shaurya Singh Thapa

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