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Having been let down by women, two egoist and patriarchal characters go down the path of self-destruction, although one is heroic the other is not.

In a contemporary urban location, there is a rich egoist male who falls in love- this is a very common heroic pursuit in mainstream Bollywood, and the 2009 Anurag Kashyap (who has a certain Samuel Fuller and Aronofsky vibe to him) directed the movie Dev.D, and took on this trait to reveal very ironically how flawed a hero can be.

Image Credits: Film Week
Image Credits: Film Companion 

Adapted from Sarat Chandra’s Devdas, this movie is a romantic black comedy musical, with more preference to music than dialogues. Music by Amit Trivedi  fits perfectly with the scenes in the movie.

Dev is a chauvinist who took his childhood love Paro for granted, at one time slapped and embarrassed her, and thought that he actually loved her. He also once believed that she would be the only woman he’d ever love- again a common narrative that there’s just ‘the one’ and no one else.

Dev later realises that his love was flawed, he was flawed, and Paro never returns back to him. It’s not just the utter vulnerability in Dev’s character, but a fresh empowering effervescence of strong female characters which makes the film stand out.

Image Credits: Film Companion
Image Credits: Film Companion

A decade later, comes the movie that proves we are back to square one. Sandeep Vanga directed Kabir Singh which is a remake of Telugu film Arjun Reddy is a story about an egoist, entitled, chauvinist with anger issues who falls in love. The sound track went popular and so did the problematic aspects wrapped up nicely as the charisma of Kabir Singh. As a promoter of independent cinema, and appraiser of a film like Dev.D, I would never object to the portrayal of a problematic character like Kabir Singh who is after all, inspired from our society. An added bonus with Kabir Singh was that it was made with intention to appropriate his flaws and was received largely in the same horizon.

In my personal opinion, I feel that Kabir Singh did teach us a thing or two. It validated that the popular opinion still is to plaudit the hero with underlying misogyny and the success of such a film is representative in the profits it made. Also for all the wrong reasons, it did start a big discussion on male chauvinism. There’s a parallel in the society itself which is depictive of the two kinds of films discussed above, and the popularity and financial success of such movies will always reflect the popular status quo of us as a society.

Feature Image Credits: Filmistaan

Umaima Khanam

[email protected]

 

An unpopular opinion- Kabir Singh was very informative, it taught us some lessons, a few dos and mostly don’ts for this Valentine’s. Note them down, and you are good to go.

1. Do not name your dog after your ex

Do not have the same name for your pet and your ex, if things patch up, it might get awkward and confusing. 

You are lying if you did not want to find out how things would be after Kabir, Preeti and Preeti- the dog got together.

There would be absolute confusion! Imagine Kabir calling Preeti upstairs for some quality time but ends up getting licked by a dog. (PETA approves that love story)

 

2. C O N S E N T

Ask them before you ‘shower your affection’. They might not want to be the ‘lucky’ receivers and you might receive a slap, cuss words, or a flying footwear.

Hey Kabir, remember when you got agitated when that guy harassed Preeti? Well, you are no less! Ask your “kisne touch kia?” (who touched her?) question while looking in the mirror. 

Preeti had poker face on while Kabir kissed her on the cheek. That’s the opposite of romantic

 

 3. Do not stare that creepily, even background music will not help

Do not stare creepily at a person you have feelings for, it will make them uncomfortable and no amount of soothing music can nullify that. And it’s even more uncomfortable if you are the senior and both of you are in a premier ragging institution.

 

 

4. “Meri bandi” (my girl) logic does not exist

 

Slave trade had been abolished long ago, so it might get difficult to acquire ownership over a human. Kabir might not know about it, but that does not mean we did not tell you.

If you like someone, don’t scare her coevals by saying, “she is mine, you can have any other”, that’s not appropriate, because this literally is not a fish market, or even a flea market for that matter.

If you like someone, tell them how you feel about them. Simple.

 

5. Do not force her to be friends with random humans

You do not have to introduce them to the permutation and combination of friendship. So do not force friendship, especially with the “pretty chick- healthy chick” motto, that is absurd.

 

6. Let her study on her own

If they are rank-holders, they can find their way out. Trust us.

Do not take her to secluded areas or draw on their hands (especially if they live in a hostel with water scarcity) it is scary and irritating. 

Especially for all the competitive Monicas- if they end up getting more marks than you, you will only feel bad and not in love.

 

 7. Private space is irrelevant in India

No matter how much you try to explain the concept of Private Space, or introduce the concept of right angles or age phenomenon, India will not understand that easily.

Especially, if the intruders to your private space are your parents, please do get a room.

 

8. Do not slap each other

If one of you raises your voice while talking about a difference in opinion, it is advised to inform your partner about the same, do not slap.

Secondly, if your partner cannot muster courage to tell their parents about your relationship, do not slap.

Thirdly, just do not slap, that is physical violence.

 

If you are a single soul, be thankful, it is better to be alone than in an abusive Kabir’s company. Preeti agrees on this.

Happy Valentine’s!

Feature Image Credits: @deewar_

Priyanshi Banerjee

[email protected]

 

An unpopular opinion- Kabir Singh was very informative, it taught us some lessons, a few dos and mostly don’ts for this Valentine’s. Note them down, and you are good to go. 1. Do not name your dog after your ex Do not have the same name for your pet and your ex, if things patch up, it might get awkward and confusing.  You are lying if you did not want to find out how things would be after Kabir, Preeti and Preeti- the dog got together. There would be absolute confusion! Imagine Kabir calling Preeti upstairs for some quality time but ends up getting licked by a dog. (PETA approves that love story)   2. C O N S E N T Ask them before you ‘shower your affection’. They might not want to be the ‘lucky’ receivers and you might receive a slap, cuss words, or a flying footwear. Hey Kabir, remember when you got agitated when that guy harassed Preeti? Well, you are no less! Ask your “kisne touch kia?” (who touched her?) question while looking in the mirror.  Preeti had poker face on while Kabir kissed her on the cheek. That’s the opposite of romantic    3. Do not stare that creepily, even background music will not help Do not stare creepily at a person you have feelings for, it will make them uncomfortable and no amount of soothing music can nullify that. And it’s even more uncomfortable if you are the senior and both of you are in a premier ragging institution.     4. “Meri bandi” (my girl) logic does not exist   Slave trade had been abolished long ago, so it might get difficult to acquire ownership over a human. Kabir might not know about it, but that does not mean we did not tell you. If you like someone, don’t scare her coevals by saying, “she is mine, you can have any other”, that’s not appropriate, because this literally is not a fish market, or even a flea market for that matter. If you like someone, tell them how you feel about them. Simple.   5. Do not force her to be friends with random humans You do not have to introduce them to the permutation and combination of friendship. So do not force friendship, especially with the “pretty chick- healthy chick” motto, that is absurd.   6. Let her study on her own If they are rank-holders, they can find their way out. Trust us. Do not take her to secluded areas or draw on their hands (especially if they live in a hostel with water scarcity) it is scary and irritating.  Especially for all the competitive Monicas- if they end up getting more marks than you, you will only feel bad and not in love.    7. Private space is irrelevant in India No matter how much you try to explain the concept of Private Space, or introduce the concept of right angles or age phenomenon, India will not understand that easily. Especially, if the intruders to your private space are your parents, please do get a room.   8. Do not slap each other If one of you raises your voice while talking about a difference in opinion, it is advised to inform your partner about the same, do not slap. Secondly, if your partner cannot muster courage to tell their parents about your relationship, do not slap. Thirdly, just do not slap, that is physical violence.   If you are a single soul, be thankful, it is better to be alone than in an abusive Kabir’s company. Preeti agrees on this. Happy Valentine’s! Feature Image Credits: @deewar_ Priyanshi Banerjee [email protected]  ]]>

Recently released amidst debates Kabir Singh had parts of it shot inside Miranda House’s lush green and beautiful campus. Though complaints of inconvenience have arisen. Read on to find out more.

DU Beat posted a poll on its Instagram feed on 11th July 2019, asking students how they felt about a film being shot on campus, the post saw more than a few negative responses which spoke of inconvenience caused during the shoot

comment

Image Credits: Screenshot by Sakshi Arora

Image Caption: A comment by an agitated student which garnered 110 likes.

 

Digging deeper into the issue we found out that girls were made extremely uncomfortable and suffered profusely during these shoots. According to the students they were never informed before any shooting began, and the crew would unannouncedly barge in on their college lives for a few days, making them miserable.

Bala Panchanatha shared “The shooting went on for about 4-5 days. The hostel and the college were both used for filming. The film crew impeded on our routine, they even restricted our movement within our own hostels; we were not allowed to take pictures of ourselves or our friends in the hostel area. The Union did not do anything, but they spoke to the warden – sort of a token gesture. However, due to widespread dissatisfaction and anger, we were told that we would be informed about future shoots. The current Union is more responsive in that sense. The crew was rude, entitled and smoked right outside the hostel gate.”

Aatreyee Tamuly, another student also shared that “First of all, it’s not ethical to interfere with the daily life of college just for some heavy amount. Also, blocking most parts of the corridors without prior notice causes a lot of inconvenience to the students. The safety of students also comes under question. If the college authorities need the money so badly out of these shooting events, it would be in the best interest of everyone to allow it on holidays or on weekends when college isn’t operational.”

In an article by an ex-Miranda History student, Ambica Naithani for the Citizen, she proclaims that The ex-Principal, Dr Pratibha Jolly in her speech on Founders Days said, “When we need to earn a quick buck, we also allow the film industry to shoot our beautiful campus.” referring to a number of films like Kabir Singh and Half Girlfriend shot inside the Miranda House Campus. A student who requested to be anonymous shared that she felt this was the worst part about this whole ordeal that the Principal was willing to compromise their security for capitalising on their beautiful campus.

In the same article, many other students like Tridisha and Apurva Sinha also highlight the hypocrisy of this whole process. The students fought tooth and nail to lift the curfew in hostels which was there for ‘security reasons’ while for monetary benefits the same security was easily put in danger.

DU Beat contacted the Student Union of Miranda House for a comment, they did not respond.

 

Image Credits: Shiksha.com

Sakshi Arora

[email protected]

People praised cult Telegu film Arjun Reddy, highlighting all the ‘cool elements’ while turning a blind eye to the problematic ones. People might say, ‘Hey it’s just a movie’. But in a film driven society like ours, should it be treated as just a movie?

 

A bearded hunk wakes up. He chugs some whiskey and rides his Royal Enfield without a helmet. No, I’m not describing a stereotypical stud from my locality. I’m describing Arjun Reddy or should I say, Kabir Singh.

The film directed by Sandeep Vanga is a remake of Vanga’s own Telegu debut Arjun Reddy. When Arjun Reddy released in 2017, critics and audiences had gone gaga over it. I decided to give it a watch myself and what I discovered shocked me. After Kabir Singh’s release, I was equally shocked.

Spoilers ahead! Tread carefully.

Arjun Reddy is the story of a high functioning alcoholic surgeon with anger management issues. His downfall starts when his girlfriend marries someone else as her father wants her to marry a boy of her own caste. While the caste angle and depiction of a ‘non-Devdas-like’ alcoholism can be appreciated, my take isn’t meant to praise it.

The first half builds up on Master’s student Arjun and fresher Preethi forming their relationship in college. And this is where the problem starts.

Arjun is sitting outside and his gaze shifts to a line of girls walking in a glum fashion. Arjun’s eyes and the camera, zoom in straight at Preethi. He is smitten. So, he keeps on staring, and staring, and staring. A whole song plays in the background for this ‘staring sequence’! Of course, all of this is normal behaviour. He’s just looking at the girl like how creeps stare at you in the metro. So normal right!

Arjun intimidates the freshers saying that nobody should mess with Preethi. It clearly seems like Arjun is a product of the ‘She’s mine’ mentality. And he’s having these possessive notions for a girl whom he hasn’t even talked to yet. Sigh.

As critic Sowmya Rajendran wrote, ‘He has marked Preethi for himself, without as much as knowing her name or having a conversation with her.’

Finally, the two leads have a one-on-one conversation. Preethi is uncomfortably silent. Arjun walks ahead and gets closer. And guess what? He kisses her on the cheek! All of this in the first meeting! Error 404. Consent not found.

The last straw was this scene where body shaming is thrown straight at your face. Arjun makes Preethi sit with a chubby girl in class. Arjun gives the logic behind this, ‘Fat chicks are like teddy bears. They’re warm and loyal’.

While I start scratching my head, Arjun doesn’t stop. He tells Preethi to be good friends with her because ‘a good-looking chick’ and ‘a fat chick’ form a ‘deadly combination’. Of course, only slim girls are good-looking, right!

I get it. Most of the rowdy college boys have problematic thoughts. And I get it. Vanga wants to show such a rowdy college boy. But the only repentance that Arjun has all throughout the movie is regarding his drug abuse. But we never see him repenting on his mentally abusive behaviour.

When Preethi’s parents show their casteism, Arjun is angered and he has every right to be. But when Preethi runs towards him and cries, Arjun straight-up slaps her! Yes, of course, when life gets hard for us, we should take it out on our lover.

If Arjun got what he deserved and the movie ended on a tragic note, all of this would have been justified. But no, Arjun gets a happy ending where he shows Preethi that he has quit drugs and gone back to normal. And of course, they end up getting married, yada, yada, yada.

You might think Preethi forgave Arjun after he got sober and accepted his mistakes. No, right from the time when she got slapped and verbally yelled at by her angry, young man, she has continued to love him. She admits that she didn’t let her husband touch her. She loved Arjun all this time. 100 points for the ‘sati-savitriness’!

If you made the choice of standing up against your husband in your forced marriage, that’s great Preethi! But if you have always excused your lover boy Arjun’s toxic ways, that’s messed up!

What the film fails to show us is that Arjun has been dominant with his ego right from the beginning. A love story that started with staring and ‘marking territory’ is shown as a pure bond towards the end.

Needless to say, Kabir Singh brings the same elements from Vanga’s script to Hindi speaking audiences. While people are still wooed by the ‘coolness’ of Shahid Kapoor as the bearded hottie riding his pike past Miranda House and are posting Instagram stories reading ‘Need a Kabir Singh in my life’, there are also people and critics who are saying such movies are only going to give a boost to toxic male egos, and are posting Instagram stories reading ‘How did this movie even get made?’.

I don’t know about Kabir Singh’s future. As for Arjun Reddy, I agree if people say it’s a trendsetter in Indian cinema but that’s the sad part. If critically-acclaimed ‘modern’ dramas have such problematic angles, then what good can we expect from the ‘no-brainers’ in the film industry.

 

Featured Image Credits- YouTube

 

Shaurya Singh Thapa

[email protected]

 

People praised cult Telegu film Arjun Reddy, highlighting all the ‘cool elements’ while turning a blind eye to the problematic ones. People might say, ‘Hey it’s just a movie’. But in a film driven society like ours, should it be treated as just a movie?   A bearded hunk wakes up. He chugs some whiskey and rides his Royal Enfield without a helmet. No, I’m not describing a stereotypical stud from my locality. I’m describing Arjun Reddy or should I say, Kabir Singh. The film directed by Sandeep Vanga is a remake of Vanga’s own Telegu debut Arjun Reddy. When Arjun Reddy released in 2017, critics and audiences had gone gaga over it. I decided to give it a watch myself and what I discovered shocked me. After Kabir Singh’s release, I was equally shocked. Spoilers ahead! Tread carefully. Arjun Reddy is the story of a high functioning alcoholic surgeon with anger management issues. His downfall starts when his girlfriend marries someone else as her father wants her to marry a boy of her own caste. While the caste angle and depiction of a ‘non-Devdas-like’ alcoholism can be appreciated, my take isn’t meant to praise it. The first half builds up on Master’s student Arjun and fresher Preethi forming their relationship in college. And this is where the problem starts. Arjun is sitting outside and his gaze shifts to a line of girls walking in a glum fashion. Arjun’s eyes and the camera, zoom in straight at Preethi. He is smitten. So, he keeps on staring, and staring, and staring. A whole song plays in the background for this ‘staring sequence’! Of course, all of this is normal behaviour. He’s just looking at the girl like how creeps stare at you in the metro. So normal right! Arjun intimidates the freshers saying that nobody should mess with Preethi. It clearly seems like Arjun is a product of the ‘She’s mine’ mentality. And he’s having these possessive notions for a girl whom he hasn’t even talked to yet. Sigh. As critic Sowmya Rajendran wrote, ‘He has marked Preethi for himself, without as much as knowing her name or having a conversation with her.’ Finally, the two leads have a one-on-one conversation. Preethi is uncomfortably silent. Arjun walks ahead and gets closer. And guess what? He kisses her on the cheek! All of this in the first meeting! Error 404. Consent not found. The last straw was this scene where body shaming is thrown straight at your face. Arjun makes Preethi sit with a chubby girl in class. Arjun gives the logic behind this, ‘Fat chicks are like teddy bears. They’re warm and loyal’. While I start scratching my head, Arjun doesn’t stop. He tells Preethi to be good friends with her because ‘a good-looking chick’ and ‘a fat chick’ form a ‘deadly combination’. Of course, only slim girls are good-looking, right! I get it. Most of the rowdy college boys have problematic thoughts. And I get it. Vanga wants to show such a rowdy college boy. But the only repentance that Arjun has all throughout the movie is regarding his drug abuse. But we never see him repenting on his mentally abusive behaviour. When Preethi’s parents show their casteism, Arjun is angered and he has every right to be. But when Preethi runs towards him and cries, Arjun straight-up slaps her! Yes, of course, when life gets hard for us, we should take it out on our lover. If Arjun got what he deserved and the movie ended on a tragic note, all of this would have been justified. But no, Arjun gets a happy ending where he shows Preethi that he has quit drugs and gone back to normal. And of course, they end up getting married, yada, yada, yada. You might think Preethi forgave Arjun after he got sober and accepted his mistakes. No, right from the time when she got slapped and verbally yelled at by her angry, young man, she has continued to love him. She admits that she didn’t let her husband touch her. She loved Arjun all this time. 100 points for the ‘sati-savitriness’! If you made the choice of standing up against your husband in your forced marriage, that’s great Preethi! But if you have always excused your lover boy Arjun’s toxic ways, that’s messed up! What the film fails to show us is that Arjun has been dominant with his ego right from the beginning. A love story that started with staring and ‘marking territory’ is shown as a pure bond towards the end. Needless to say, Kabir Singh brings the same elements from Vanga’s script to Hindi speaking audiences. While people are still wooed by the ‘coolness’ of Shahid Kapoor as the bearded hottie riding his pike past Miranda House and are posting Instagram stories reading ‘Need a Kabir Singh in my life’, there are also people and critics who are saying such movies are only going to give a boost to toxic male egos, and are posting Instagram stories reading ‘How did this movie even get made?’. I don’t know about Kabir Singh’s future. As for Arjun Reddy, I agree if people say it’s a trendsetter in Indian cinema but that’s the sad part. If critically-acclaimed ‘modern’ dramas have such problematic angles, then what good can we expect from the ‘no-brainers’ in the film industry.   Featured Image Credits- YouTube   Shaurya Singh Thapa [email protected]  ]]>