Tag

dramatics

Browsing

The Fine Arts Society and Dramatics Society of Hans Raj College organised Annual Cultural Event on 12-13th March. The event aims to bring all the cultural societies of the college together to perform for the home crowd.

Chief Guest for the event was Dr. Suchitra Gupta – Deputy Dean, Culture and Youth Affairs, University of Delhi. She said, “I appreciate the effort of college authorities for organising this cultural event in the cultural week alloted by the University.” The event was also attended by the college principal, Dr. VK Khwatra; ECA Convenor, Mrs. Sonal Gupta; Hindi Dramatics Head, Mr. M.P Sharma and other teachers of various departments.

The first day began with the Rangoli Making in front of the auditorium with participation from both students and teachers. This was followed by Swaranjali – the music society of college performing it’s Indian choir composition called Pratham Gajavadana Dhyaye Sada. After the spiritual Ganesh Vandana, the lamp lighting ceremony took place. All the guests for the day lit the holy lamp.

Dr. V.K. Khwatra while addressing the audience said, “Cultural activities are the essence of one’s college life. Irrespective of what your future plans are, each student should go through the process of joining a society in college and doing something productive along with studies.”

The performances started with Terpsichoreon – the choreography society of college performing their annual dance production. A 10-minute dance act on the theme, “personality fear” talked about how we should accept and acknowledge this fear because one can by no means overcome this personality fear.

B (247) (1)
Siddhi Jain with her Bharat Natyam Performance

Siddhi Jain, the ECA entry for dance performed Bharatanatyam for the audience. The act performed was a ‘Pushpanjali’ – which means an offering of flowers. Siddhi is a disciple of Guru Jayalakshmi Eshwar and has been learning Bharata Natyam since the age of five years. She has also performed in Japan under the cultural programme JNESYS.

Oorja – the western dance society performed thereafter. The western dance was performed on a medley of various hindi and punjabi songs. Tanushree Pande, the president of the society said, “Oorja is the only society to have bagged a chance to perform with world’s best Latin dancers at IFL 2013. We consider this as a great achievement.”

Santosh – a Sanskrit honours student of the college was handling fillers in the event. He was entertaining the audience with his Hindi shayari.

A Kathak dance was performed by a Srihari Madhav, a trained Kathak Dancer. He is also an ECA entrant into the college for dance and is part of Terpsichoreon. He started with a ganesh vandana by Late Guru Pandit Durga Lal which was followed by conventional kathak performance on Panjitji’s compositions in teentaal. Srihari who is trained Kathak dancer from Kathak Kendra, the national academy of Kathak dance says, “During my childhood, a teacher used to come to train my sister. I just joined in then. Not many male dancwers go out to learn this dance form but a form like this stays with you for life.” Srihari is a proud performer for CWG 2010 Youth Festival and Didacta Education Fair in Hanover Germnay.

Day one ended with a performance by Hansraj Dramatics Society who presented their much acclaimed production ‘Holi’. The play has won the first position at SGTB Khalsa, Daulat Ram College and Jesus and Mary College. Holi, a story about a bunch of hostel friends showcases the different levels of temperament of today’s youth. A play that projects the events happening in a single day talks about the realistic lifestyle of a college hostel and how the timeline changes from day to night. The production has also won awards at Dyal Singh College, Hindu College and St. Stephens College. Purusharth Budhiraja and Nirmal Kothari, actors for the production have also bagged the best actor awards. Mrs. Gupta, the chief guest who is also an eminent theatre personality gave members of Holi a small feedback and expressed her desire to have one common theatre production for the whole university.

Mrs. Sonal Gupta, the ECA Convenor said, “It is great to see how all the societies of the college excel in various competitions all over the country. It is a matter of great pride for the college.”

Abhivyakti, theatre society of Maitreyi College organised Intifada – the 2nd annual street theatre fest along with Rhapsody – the annual cultural fest of the college on 10th March. The street festival saw various societies from all over the university coming and participation in the competition. 10 teams presented their annual street productions. Participating colleges were Keshav Mahavidyalaya College, Gargi College, Shaheed Bhagat Singh Evening College, P.G.D.A.V. College, Indraprastha College for Women, Ramanujan College, Sri Guru Gobind Singh College of Commerce, Shivaji College, Hans Raj College and SGTB Khalsa College. IMG_0969 With the fest season coming to an end, each team had performed a lot in the recent past. But certain plays like Bas Samajhne ki Baat hai by Shivaji College left the audience crying. Their play was based on old age problems. SGTB Khalsa’s We, the people based on politics surprised the spectators with its different elements. Radhika, an avid follower of street theatre said, “It is great to notice that every play has some changes incorporated for their performance compared to the last one. With performances happening each day, this shows how much teams are working hard towards improving their production.” Rehaayi by Hansraj Dramatics Society bagged the third position at the festival whereas the first runners-up team was Sri Guru Gobind Singh College of Commerce for their play Chidiya ki Kahaani. The winners for Intifada was Gargi College for their production Joota.

IMG_1065

Former Convener of Sri Venkateswara College, Dr Manish Sharma was one of the three judges for the event. Mr. Nilesh Deepak, an eminent theatre artist, who was also a judge said that, “Theatre in DU circuit is still alive and happening. It feels great to know that there is an uprising and this looks like a change.” Head of Commerce Department of the host college, Ms. Nilima Chaudhary was the third judge for Intifada. Minna, the president of Gargi Dramatics Society said, “It feels great when a very simple production like Joota gets so much appreciation from the audience. This shows how quality matters more than the quantity of the subject.”]]>

Lady Shri Ram College’s (LSR) Dramatics society on 9th March, Sunday performed their annual street play production, “Jahaan Neelaam hai Insaaniyat” at G.B Road, New Delhi’s largest red light area. The play revolves around prostitution and talks about the rights of prostitutes and how it should be recognized as a profession and not looked down at with disgrace.

The performance was scheduled with legal police permissions with help of Khanabadosh – a theatre group of ex-Delhi University students who do street theatre only for public awareness.

At 12:30 PM, LSR Dramatics Society and Khanabadosh made a common call in the area before starting the performances. ‘Demo-crazy’ was the first play presented by Khanabadosh on politics. It talked about how democracy isn’t only the matter of voting and is formed by people and not politicians.

This was followed by ‘Jahaan Neelaam Hai Insaaniyat’ by LSR girls. The play had many spectators from all over the area. Chandu who was present there to watch the play said, “Hum zyadatar dukaandar log hai yahan jo dekh rahe hai, jinn log ko aap dikhaana chahte hain unhe koi baahar aane nahi deta.”

Performance attracted various actors from different college societies of the University. Members of an NGO, Kat-Katha which works towards the welfare of children of prostitutes were also present. Mr. Sandeep Rawat, founder of Samarth – an organization that does theatre with blind students of Delhi University was also part of the audience.

On asking about the security issues, Aishwarya – a student of LSR who had come to watch the play told DU Beat, “Yes, I had some fear in mind while coming to this area. But there was this nervous excitement as well. Theatre in the university is a mere source of winning competitions nowadays, but this step is very rare. This is where this play belongs.”

The play talked about the problems a woman in this profession has to face and how the men in our society are the leading force. It highlighted that most of the women are trafficked in our country and they don’t choose to be where they are. The play was written using various slogans that left the crowd teary-eyed like “Kya yehi vo duniya sanskari, jahan ghat ghat pe bikti nari” & “Woh auzaar thi, auzaar hai aur auzaar hi rahegi.” The play projected that the public does nothing for a woman who undergoes such trauma. “Hum to aaj ki janta, humein vaishya ki haalat se koi farak ni padta.” According to people in the audience, a small drawback for both the plays was that they had few dialogues in the English language. The message may not have been clearly delivered.

Talking about why a topic like prostitution was chosen, Nishtha Pandey – the society’s president said, “There are many preconceived notions about this matter. The incorrect fact with people is that 15% of the women choose this work on their own, whereas this percentage is only 2%. Myths regarding this subjects are not really myths. It is true that 60-70% of the women who are prostitutes are affected by HIV AIDS. Their condition is horrifying. Ours is a small step towards this.”

The president of the society also feels that addressing prostitutes as sex workers only glamourises the name and doesn’t gurantee any rights or respect. Hence the play used the term ‘prostitutes’ against ‘sex workers.’ The act also provided solutions in the end by mentioning that unionisation should be undertaken for these prostitutes to protect their rights as being done at Sonagachi, one of the biggest red light areas of Kolkata. The members of the society also said that they feel that finally the motive of making this play was achieved. Mr. Siddhant Sharma, the leading person behind organising this all also congratulated the artists from LSR.

But the most important question that arises here is that was the target audience actually targeted. As commented by a localite of that area the women are not allowed outside the brothels for any such happenings. Ramlal said, “Isse farak bohot kam padega. Aisa kaam jaari rakhna hoga jiske chalte logo ko zyada se zyada pta chalta rahe.” Due to this very fact, no questions were raised by people from the local audience during the question answer round. The team promised that they will try making efforts in this regards in the future as well.

“Kal ek vaishya ne kaha, ki aaj mujh par jung lag gya hai,
Kal tak jo mere dar aata tha, aaj wahi mujhse darr gaya hai.
Koi dalal ko kyun nahi tokta, kyun ilzaam mujh par hi lag gya hai,
Kal ek vaishya ne kaha, ki aaj mujh par jung lag gya hai.
Jab tak hum andekha karenge, tab tak chalegi haiwaniyat,
Mitta do unn hawaalon ki, jahan nilaam hai insaaniyat”

Day two at Medina – the annual theatre festival of Hindu College witnessed the street play competition – Itehaad-e-Ibtida on 7th March. After day one of Qissa-e-Ibtida (stage play competition), Dastan goi (Urdu storytelling) and Filmy Chakkar (Bollywood Quiz), day two featured only the nine hour long street play competition.

Continuing the tradition of bringing something new and unique for street theatre artists, Medina is not about the usual annual productions being performed by various teams. All the artists are given different challenges each year – these range from performing the production of other teams participating, to performing a 2 year old production of your own society with a preparation time of few hours. This year all the teams were shuffled, each time having members of 5 other teams divided according to the year of their study and music art portrayed in the performances. Through this process, 10 teams were formed and they were given 3 hours preparation time to make a new play on different social topics given to each team through a chit system. The topics given were related to the topics on which plays in the university have been happening recently.

Mr. Sahil Yadav, alumni of Ibtida and presently in Jawaharlal Nehru University judged the event. He mentioned, “Medina is different because it is not a usual competition. Artists come out of their comfort zone. They perform with people whom they don’t know, brainstorm and form a play in few hours.”

Participating teams included SGTB Khalsa College, Hansraj College, Jesus and Mary College, PGDAV College, Ramanujan College, Shri Ram College of Commerce, Shaheed Sukhdev College of Business Studies, Miranda House, Shivaji and Guru Teg Bahadur Institute of Technology.

After 3 hours of preparation, all the teams presented their plays. The results were as follows:

1st position:
Team – final year students of Ramanujan College, second year students of SGTB Khalsa and first year students of GTBIT with musicians from Jesus and Mary College. They performed a play on Gender Inequality.

2nd position:
Team – final year students from College of Business Studies and Hansraj College, second year students from shivaji and PGDAV freshers with musicians from Shri Ram College of Commerce. “Old Age is…” is the play they presented on old age challenges and problems.

Retiring Actor Award: Prabhjot Singh, SGTB Khalsa College

Newcomer Award: Nikita Kumar, Miranda House

IMG-20140308-WA0017

Rohit Kumar of India’s Got Talent fame, made a sand painting depicting various elements of street theatre. This was followed by the feedback session and small celebration organised by Ibtida. The cake cutting was followed by a DJ where students themselves also sang songs from Hindi cinema. All the participants, same as the judge really liked the concept.

A member of dramatics society of Shri Ram College Of Commerce said, “Itehaad-e-Ibtida is the best and the most creative theatre festival of Delhi University. We wait for Medina 2015. Thank you for keeping the true spirit of theatre alive in the circuit.”

With the tagline ‘Sailing through Drama’, Ibtida – the Hindi dramatics society of Hindu College is holding Medina, the 3rd Annual theatre festival on 6th-7th March.

Three events were scheduled for the first day of Medina. These included DastangoiFilmy Chakkar and Qissa-e-Ibtida.

The day started with Dastangoi, the last form of Urdu storytelling event which went for an hour. Dastangoi promotes the lost art of Urdu storytelling. “Kabir ke dohe ko, unki kavitaaon ko, unki zindagi ke baare mein muh zubani btana hi hamara kaam hai”, said Ankit Chadha who was the performer for the event. Ankit is the alumni of Ibtida and Hindu College. Dastangoi was held at the Virgin Tree in the college campus where Mr. Chadha was too subtle to be the lead performer. Sitting on a mattress under the tree, he attracted a lot of spectators.

Dastangoi by ankit
Dastangoi

Filmy Chakkar, the bollywood quiz was also held at the same place as that of Dastangoi right after it. Various teams participated and the quiz was divided into three rounds. Each question had various hints and teams were marked accordingly. The participants had to guess names of bollywood actors and films through these hints. Abhyuday Tiwari and Pranjal from Hindu College won Filmy Chakkar with a cash prize of Rs. 1000 and prizes in kind worth Rs. 4000.

Last in line for the first day at Medina was Qissa-e-Ibtida – the non competitive stage play event. Four top teams were selected for the finals by the Ibtida team through a screening process. This celebration of theatre began with Kirori Mal College performing their production God followed by Can’t Pay, Won’t Pay by SGTB Khalsa College and The Private Ear by Ramjas College. The last play for Qissa-E-Ibtida was by Hans Raj College presenting Holi, their annual production.

filmy chakkar
Filmy Chakkar

Mr. Avtar Sahani – the eminent movie and theatre personality judged the event. Each team was awarded Rs. 4000 and two best actors were adjudged and presented Rs. 1000 each. Sahib Singh from SGTB Khalsa and Priyanka Kumar from KMC got the title for their respective productions.

Mr. Sahani provided feedback to all four teams and said, “Choose less subject matter, but do justice to what is there in the final script. Too many things lead to confusion. Clarity in theatre is very important which can be achieved by not deviating from the main theme of the act.” He appreciated all teams for their effort and expressed happiness that theatre is still alive in the university.

While Ibtida, the Hindi Dramatics society of Hindu College prepared for ‘Medina 2014’, Masque – the English theatre society organised ‘Masquerade 2014’ on the 5th and 6th of March, 2014 at Akshara Theatre, a well known exquisite theatre and arts complex of Delhi. ‘Masquerade’ is the fourth theatre event organised by Masque, however the second year for it being a theatre celebration. The festival in its first two editions was a competitive event where the performing teams used to fight for a title.

“The basic motive behind organising Masquerade 2014 is that theatre, as a paid profession is not appreciated in our society quite well. Hence, we wish to attract theatre enthusiasts from DU to celebrate theatre and its spirit and cater to an audience spread across Delhi. And that is why we thought of changing it to a non-competitive event after the second edition of the festival”, Mrinalini, president of the society said.

The event formerly being merely theatre oriented, witnessed the incorporation of music into the festival for the first time.  “When we organize this festival to celebrate theatre, and then why not include other cultural aspects like music?” said Akanksha, the Vice President of Masque.” In light of the same, Masquerade 2014 had seven theatre performances (out of which, one was by the host team) and four musical performances which include bands as well as the individual acts. Through the prelim process, six stage teams were shortlisted out of total of eighteen teams.

Day One – March 5th, 2014 ( Wednesday)

Numerous colleges like Shivaji College, Hans Raj College and Ramjas College presented their annual productions namely Mission 31, Holi and The Private Ear respectively. Dhruv Visvanath, who had previously performed at the fests like Sri Venkateswara’s Nexus and Hansraj College’s Confluence also performed for the audience. Vidur Hans and The Burnt Alternative, another band that played with harmonic acoustic sounds and is indulged in serious song writing process showed up for the day.

The audience comprised of people from all age groups including the families of performers.The organising society had done arrangements wherein the photos of all teams were put up, with a feedback chart at the counters. Anybody from the audience or other teams could write his/her views about the respective team’s performance. The chart was later presented to the respective teams by the members of Masque.

Day Two – March 6th, 2014 ( Thursday)

Day 2 witnessed similar plays and audiences as Day 1. Another band called ‘L for Vendetta’ famous from its recent win at the ‘Battle of Bands’ in Hans Raj College’s ‘Confluence 2014’ also performed at Masquerade. Lady Shri Ram College, Delhi Technical University, Kirori Mal College and the host team also presented their stage annual productions which are Love and Money, Kya Dilli Kya Lahore, The Chatroom and 5th Symphony respectively.

Neeraja Narayanaswamy, the lead vocalist of the band, Moon Shadow Frequency also performed at the festival. The concluding day for ‘Masquerade’ was the first day of the Hindi Dramatics Fest of Hindu College, Medina – 2014.

Astitva, the dramatics society of Dyal Singh College organised Expressions – the annual theatre festival of the society on 4th-5th March. The festival witnessed stage performances from ten college theatre societies of Delhi University. This was Astitva‘s 6th theatre festival as a motive to encourage campus theatre. Day 1 witnessed five performances which were The Fifth Symphony by Hindu College, Blindspot by Gargi College, The Nerd by Shri Ram College of Commerce, Fandi by Delhi Technical University and Shivaji College performed Mission 31. The viewers had mixed opinions about the performances on Day 1. Mandira, a spectator, says, “As it is the end of the festival season, the performances seem repetitive now. But there are certain ones, which you never get bored of.”

cartoons

The festival was organized with decorations done by the Fine Arts society of the college. Each production by different teams had photographs on display with the production poster. Also, the display board for Astitva and it’s members was put up. Artists from the college had made production illustrations in form of cartoons and caricatures. Mr. V.K Sharma and Mrs. Kirandeep Sharma came over as judges for Expression 14. A graduate from National School of Drama, Mr. Sharma is the member of NSD repertory company for 4 years now. He is the writer and director of many plays and also had acted in films like Mujhe Kuch Kehna Hai, Milenge Milenge, Khosla ka Khosla and Fukrey. He is the founder director of Khilona, India’s first company having adults performing for children. Mrs. Kirandeep Sharma with an overall experience of 25 years is a famous writer, director and an actor with specialization in children’s theatre. She is presently the associate director of Khilona and has worked with NSD’S TIE company for three years as a Professional Expert. 5 other plays from the theatre circuit took up the stage on Day 2 of Expressions. It started with Shaheed Bhagat Singh College’s performance, A Reasonable Doubt. The day then saw performances like Holi by Hans Raj Dramatics Society, Kya Dilli Kya Lahore by Delhi Technical University, Birthday Party by Shaheed Bhagat Singh Evening College and Ek Rishte ki Maut by Shivaji College. Performances on Day 2 got more acclaimed than the first day of festival. [caption id="attachment_20700" align="aligncenter" width="560"]holi by hansraj 3 ‘Holi’ by Hans Raj College[/caption] The festival ended with feedback from the judges and result declaration. Shivaji College bagged the first position for Mission 31 and won the cash prize of Rs. 7000. Kya Dilli Kya Lahore by DTU and Holi by Hans Raj College were adjudged the second and third best respectively. They won Rs. 5000 and Rs. 3000. Arpit Vashist from DTU won the best actor award for playing the lead role in Fandi. “Winning the best actor award makes me feel good. But winning it for the production and for the whole team is what makes me really happy”, Arpit said. Shri Ram College of Commerce bagged the award for Best Direction for The Nerd.]]>

Rangmanchiyata (The Stage Play Competition) with the theme “Tribute to Campus Theatre” was held on Day 1 as part of Eclat – The theatre festival organised by the Hans Raj Dramatics Society. The competition commenced in Auditorium right after the inaugural ceremony. Judges for the event were Mr. Sanjeev Saluja, experienced theatre actor and director and also the member of Board of National Committee of Satya Sai Organisation and Mr. Pranay Manchanda, a young graduate from London Academy of Music and Dramatic Art and an actor and director with experience of 16 years.

the private ear by ramjas
The Private Ear by Ramjas College

6 top teams from the theatre circuit were selected for the main event after the screening process. Day 1 of Rangmanchiyata has 4 teams presenting their productions. The other 2 teams will be performing on Day 2 and results will be declared on Day 2 of Eclat along with the street play results, also scheduled to be held on the second day. The productions presented were Mamtaz Bhai Patang Waale by Dyal Singh College, The Private Ear by Ramjas College, Batch 2002 by Hindu college and Delhi Technical University performed Kya Dilli, Kya Lahore!

The auditorium was jampacked for all 4 performances and they ended with an individual team feedback from both the judges. Mr. Manchanda said, “I look at plays not as judge but as someone from audience who may have paid 500 bucks to watch the play. Today I saw amazing performances from the campus circuit but teams need to focus more on story and one should understand the character well before portraying it up on the stage”

The second day of Shruti 2014, Indraprastha College for Women’s annual cultural fest saw many events like Debate, Dumb Charades and On-the-Spot Mobile Film Making lined up. One of them was Chauraha, the street play competition. All the top colleges including LSR, Hansraj, Khalsa participated in the event.

The event was disrupted due to heavy rains but nothing could dampen the participants’ spirits. The competition recommenced at a different venue after the rain subsided.

Chauraha was judged by Dr. Anupam Pauchauri and Mrs. Durga Sharma from the National School of Drama. Shivaji College’s street play Bas Samajhne Ki Baat Hai bagged the first prize while Gargi College’s Joota won the second position. JMC was awarded the popular choice award for their street play Gunaah Hai, Par Saza Nahi which focussed on the treatment of a rape survivor.

Another unique contest on Day 2 of Shruti was the Wall Painting competition. Students from Arts Faculty got a certificate of appreciation and a cash prize worth 3000 rupees as they were unopposed. They painted the wall in shades of grey black and blue and made it look beautiful.

Image Credit: Sakshi Jaiswal

Shakespeare Sabha, the Multilingual Dramatics Society of St. Stephen’s College organised Daastan’14 – the first national theatre fest of the college on 22nd-25th February. The four-day festival saw famous personalities coming in, theatre conferences, the desi-street passion and the set stage performances.

Personalities and Theatrics

The festival kickstarted on 22nd February and was inaugurated by Mr. Barry John who held a panel discussion in the college on the topic – Scope of Experimentation in Campus Theatre. He talked about how flexible the campus theatre format is to encourage certain degree of experimentation into theatre and other panelists were presenting their views on the same.

This was followed by the Student Paper presentation where students who believe that they know and understand the fascinating world of theatre, had to present their views on the topic “Theatre and Ideology”.

Day two saw an interactive session with Mr. Girish Karnad, one of the foremost playwrights and directors in India. This was another discussion on theatrics and implementation.

Anhad: The street fever

Followed by different call songs, loud voices, social issues, self composed tracks, dhols, drums, dance and reality, day two also featured Anhad – The Street Play competition. As a part of the same, 13 teams from the University performed their annual productions on different social issues.

Anhad was judged by Ms. Dhwani (a theatre alumni from Kirori Mal College), Mr Rahul Khanna (Works with Asmita Theatre Group) and Mr. Anuj (Works with Tadpole Theatre). Mr. Anuj said, “All 13 teams presented a spectacular show infront of us, and it was tough to jugde and decide the winners.”

The results were as follows:

First Position – Ankur, The street play society of SGTB Khalsa College for ‘We, The People’
Second Position – Shri Guru Gobind Singh College of Commerce – Manchantantra for ‘Chidiya ki kahaani’
Third position – Kshitij (Gargi College) for Joota and KehKasha (Jesus and Mary College) for Guna hai, par sazaa nahi

Bhaasha: Ramjas takes home the stage

Day 3 and Day 4 were slotted for Bhaasha – the multilingual one-act play inter-college competition. The event was judged by Mr. Benil Biswas – Assistant Professor at the School of Culture and Creative Expressions, Ambedkar University where he teaches Performance Studies. Second judge for Bhaasha was Mr. Neel Sengupta who is an alumni from Kirori Mal College and works with Tadpole Theatre Company.

Bhaasha saw 9 stage performances from various different colleges of Delhi. The festival witnessed both original and adapted  scripts alongside competent story lines and execution. Plays talked about identities, emotions, friendships on one hand and betrayal, revenge and loss on the other. They were beautifully portrayed by different light effects, sound and music and flashbacks as suited.

The results for Bhaasha were as follows:

First Position: Ramjas College for Nishaanchi 
First runners-up: SGTB Khalsa for Can’t Pay, Won’t Pay 
Second runners-up: Hansraj College for Holi
Special Mention: Delhi Technological University for Kya Dilli, Kya Lahore
Best Direction: Nishaanchi (Ramjas College) – Directed by Gopal and Prashant
Best Actor: Praveen Shukla for Nishaanchi (Ramjas College)
Special Mention: Kshitij Mervin for Nishaanchi (Ramjas College) and Gagan Arora for The Dark Room (SBSC Evening College)

The Prize Distribution Ceremony was followed by individual team feedback from both the judges. Mr. Sengupta said, “College plays that are self scripted are generally found to be adapted from the popular culture, that is our cinema and adapted plays sometimes fail to impress due to certain miscalculations. Though there is a lot of scope in campus theatre, teams need to explore and research more.”