Tag

drama

Browsing

In the last ten years, the Vayam Performing Arts Society has been steadily growing and expanding its scope, gaining for itself both recognition and experience. What began as an idea in the canteen of Delhi University’s Shivaji College in 2006 has now over 500 productions and 180 awards and special performances to its name. And Vayam’s name, a Sanskrit word that translates to “we”, carries within itself the ideas that society hopes to embody – togetherness, social empowerment and integrity.

Taking the initiative of promotion of artists and art forms forward, the society recently staged their fresh and impactful theatrical production ‘1500 ka dost’ at Akshara Theater in Delhi for the first time.

With a new beginning to the New Year, the two shows of the play were packed with enthusiastic spectators to an extent that there was no space to stand in the auditorium as people were sitting on stairs to watch the performances. The hall resonated with a round of applause after both shows. The shades of humour, emotions and nostalgia made the play enthralling, captivating and entertaining for the viewers.

15936975_1186099731505169_6014875275285790154_o

The actors of the play do a brilliant job of infusing authenticity and credibility into the story. Each scene of the play is intertwined beautifully to enliven the old sweet flavours of friendship in everyone’s mind. The three directors of the play viz. Ashtam Neelkanth, Rahul Saini and Amit Tiwari left no stone unturned to make the play a landmark production. Their vision and technical skills have given wings to an idea by turning it into a spectacular theatrical masterpiece. The entire cast and crew including Ravi Bhadoria, Samridhi Dutta, Praveen Pillai, Rakesh Kumar, Shalu Balyan, Achla Arya, Rahul Yadav, Ramjeet Rambhar, Amit Pahel, Gunjan Tiwari, Neha Mishra, Harsh Gautam, Nayan Nayyar, Prashant Shishodia, Deepak Maggo, Rahul Garg, Savya Jindal, Anmol Jain and Shravan Kumarhas worked for almost three months to polish their characters. The precision and execution of the screenplay is superlative. The smart use of concordant music and lights complements the scenes and makes the entire experience of watching the play all the more interesting and worthy.

15895873_1186114454837030_8869875833090239189_o 

The audience moved out of the auditorium overwhelmed with the quality of theatre that they witnessed. There were words of praise and appreciation all around on the conclusion of the event as the audience and organisers were delighted with the proceedings of the event. From décor to arrangements, performance to feedback, the event was a success. The audience could be seen experiencing a mixed bag of emotions throughout the performance. Warm smiles and affectionate tears could be seen in one sight. The feedback cards were evident of the extent to which the play moved the audience. Post cards were distributed to the audience to motivate them for writing a wholehearted message to their old friends.  The highlight of the production was its immaculate direction, stimulating concept and a high-spirited, resplendent cast. The production seemed all the more special and powerful because of the presence of persons with disability in the cast. The event was organised in partnership with “Yes! We Can”, an NGO that supports the cause of disability. The support and encouragement of 12 partner organisations including BSE India Ltd., Ekaa industries and ItsPossible Group added more glitter and excellence to the event. The hard work and perseverance of cast and crew is remarkable and has brought glory to journey of Vayam.

15974955_1186134654835010_1176339344961139480_o

With its well established campus wing in Shivaji College, University of Delhi and professional wing based in Delhi and Mumbai, Vayam is making eminent progress to fulfill its aim to become a driver of social change by means of art. The society is also currently recruiting interested budding artists, script writers, directors, technicians and volunteers to expand its scale of activities.

Social Media Links: Facebook | YouTube | Twitter | Instagram

Vayam, the performing arts society, presented their play, ‘Ek Rishte ki Maut’ on 24th December 2015 at Akshara Theatre.

e5

The play is about the ‘never-ending fight for true love’, a philsophy which many of us fail to follow. The story beautifully portrays how giving-up on your soulmate can be the worst decision of your life.

The play starts with a couple filing for divorce and soon enters into a flashback of their happy times together as a married couple – sweet memories of how they used to care for each other and the dream of doing things they used to love and of the window where they both used to sit together during the rainy season and enjoy coffee together. After a series of events and realisation of how life was much better when they were together, they concluded it’s worth it to give their marriage another chance and to fight for something they never actually wanted to give-up.

The play is a masterpiece as far as direction goes. Very well crafted scenes are blended with apt use of stage set-ups. The director understood each actor’s strength and utilised it at the right places to bring out impactful performances.

It was the acting -the display of emotions – that stole the show. The timing of different scenes, lighting and the background score which kept the audience into the play. You know the characters are embedded so deep in the actor’s skin when you see the audience in tears.

By Prateek Singh for DU Beat

reality-shows-in-indiaREAL FUN!

By Tanya Agarwal

A seventy year old man forced to admit to having slept with a prostitute as his tense wife and daughter look on, Rakhi Sawant fluttering her eyes at the camera and accusing participants in her Swyamvar of playing with her delicate heart, Gauhar Khan bursting into tears and piling all the blame for her bad dancing on her hapless choreographer… if you condemn such harmless, albeit theatrical entertainment and say it debases popular taste, then you’re just a puffed up snob who hasn’t yet tried watching the said shows, conveniently assuming that it’s for those with low intellect and no one but the likes of Udita Goswami to look to for amusement.

The supposedly blatant unreality of reality television creates the most unlikely situations and the reaction of the various pseudo celebrities featured in these shows is pure entertainment. It is precisely this that keeps even the cerebral people glued to shows like ‘Big Boss’ and ‘Sach Ka Saamna’. High brow attitudes are out of vogue and society sees no harm in being entertained by any kind of entertainment at all nowadays. Reality shows are the symbols of the age of mass culture that we live in today.

We are so accustomed to the petty dramas of everyday life that they’re no longer of much interest to us anymore. The lives of people like Manmohan Tiwari and Abhijeet Sawant played out on national television therefore, comes as a refreshing change, presenting us with a peek into a world exotically different from our monotonous, scheduled existence. It is amazing fun to watch celebrities on TV and find out how they actually are in real life and whether they truly live up to their typecast roles. It also funny to hear Anu Malik, the architect of songs like “do me a favour, let’s play holi” and “oonchi hai building”, pretend to be a connoisseur of music and dole out advice to participants. Once in a while, it’s good to just go with the deception and sit back and enjoy.

Reality shows not only keep us entertained but they are also a great platform for those with aptitude and willingness to work hard. These shows can be credited with churning out some pretty great talent, examples being Sunidhi Chauhan and Sonu Nigam – both hugely successful singers.

In the end, we are after all, a democracy. Neither is anyone compelled to participate in these shows, nor is anyone obliged to watch them. So cheers to those who can afford to step down from their high ground and appreciate some mindless fun, and to the rest, live and let live, people!

ISS REALITY TV SE MUJHE BACHAO

By Aina Mathew

If on one channel you have old men jumping up and cracking coconuts with their heads in the name of entertainment, on another rival one you get chubby little toothless girls prancing around dressed as bais, all to instigate laughter. While Shah Rukh tackles fifth graders, Salman has roti-making competitions with Mallika Sherawat. At absolutely no time of the day can you channel-surf without coming across at least ten reality shows featuring complete madcap behaviour. The idiot box is truly living up to its name these days.

With the overwhelming number of reality shows flooding our TV screens, you’d think we’d get to see fascinating, inventive programmes with something new being offered each day. On the contrary, almost all these shows are rip-offs of popular western shows. ‘Indian Idol’ is an exact copy of ‘American Idol’; ‘Is Jungle Se Mujhe Bachao!’ follows in the footsteps of ‘I’m a Celebrity, Get Me Out of Here!’; ‘Sach Ka Saamna’ is modeled exactly along the lines of ‘The Moment of Truth’ and so on and so forth, until originality, much less sense is the last thing you’d associate with Indian television. The format is the same, the rules are the same, and everything is the same except the quality, which falls dreadfully below tolerance levels. Our answer to Simon Cowell’s sharp, witty remarks is the sad shayari of Anu Malik who, by the way, takes up more footage than the participants themselves with his histrionics. While western audiences are left shaken by the candid confessions of participants on The Moment of Truth, we have to contend with the ramblings of retired cricketers. Why would anyone want to subject themselves to such torture?

I fail to understand why the producers of all these nutty programmes classify them under reality TV. Whether it’s a stand up comedy competition or a game show or a singing contest, it all eventually turns into a K-serial anyway. Drama, suspense, romance – name it and you have it. All the elements of an Ekta Kapoor hit are intrinsic to every “reality” show that have graced Indian television sets. More than their singing abilities, endurance levels or dancing skill, the talent that always comes out best among participants is their acting. With every elimination, rivals who couldn’t stand being in the same room without a torrent of beeps renting the air turn into friends for life who drown themselves in tears of remorse. Thanks to “reality” TV, our desi Pamela Anderson has turned into a blushing, demure sati savitri who gets a heart attack every time a potential husband so much as brushes against her little finger. If this is all the reality that TV can offer, I’d rather just revert to the saas bahu serials, thank you very much.

In conclusion, reality TV is a complete waste of time and energy. If anyone gains from these shows, it’s the medicine industry that now has a bigger market for headache pills and those resuscitated stars of yesteryears who can finally stop selling water purifiers and scream at wannabe dancers instead.

Every fresher will find to his or her amazement and hopefully excitement that the first week of college means a constant of barrage of society promotions and recruitments.  However don’t let the volley of auditions and college activities confuse and stray you from the path of your destined society, since the society you join ends up defining the circle of people you associate with.

Delhi University societies are not just friendship circles. They rely on hard work, talent and dedication. As a society, you participate in umpteen college, inter-college and inter-university competitions. Every society of every college has its own fest, and you can rely on these to keep your nose to the grind stone all year-long. As you audition for the various societies, the harsh and apparent nit-picking during selections will only be proof of the high standards and professionalism of the societies, making it a good idea not to take them too lightly.

The prominent societies (you might have to start getting used to calling them SOCs) with a presence felt in almost every college are:

  1. THE DEBSOC: Debating ought to come easy to you to not just join but stay in this one. Arguably this society houses Delhi University’s best speakers and hence is definitely worth being a part of.

  2. THE CHOREOSOC: Involving insane amount of rehearsing, the theme-based choreography done by a lot of Delhi university colleges is something you don’t want to miss.

  3. THE DRAMSOC: It’s time you got out of that shell. Trust this society to teach you that and so much more. You might just work with people having years of experience at the NSD.

  4. ENGLISH AND LITERARY SOCIETIES: The hub of intellectual and literary discussions and activities. A must for all aspiring writers out there as well.

  5. FILM AND PHOTOGRAPHY SOCIETY: For all the unconventional, or even so- called taboo movies that you missed watching and discussing, and to hone the photographer in you.

And DU BEAT: for the conscientious and prompt writer. A little bit of self-promotion never hurt.