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The possibility of a Gay Judge being appointed to the Delhi High Court is definitely a step forward but what does this mean in the larger context of legalization of civil union of same-sex marriages?

Saurabh Kirpal is still slated to be the first openly gay judge of the Delhi High Court. In a more perfect world, only his qualifications to be a judge would matter and be of any consequence to the nomination board making the decision and the larger body of jurisprudence Kirpal would be serving upon his nomination. His identity as a cis-gendered gay man should be incidental, something to be neither extraneously celebrated nor held against him. Yet it’s hard to deny the suspicion that his nomination, pending 2017, fell victim to his sexuality. It was deferred every year. The government denied the red flags had anything to do with his sexual orientation, and argued that the nomination was denied purely on grounds of security concerns which rose out of the Swiss nationality of Kirpa’s partner Nicolas Germain Bachmann. The concern, which is deeply ironic, also points out two major fallacies in the stance taken by the government.

The concern of a foreign national spouse has never been a cause of concern in the case of Dr. S. Jaishankar whose wife Kyoto Jaishankar is of Japanese nationality. Furthermore the acknowledgement of a national threat being posed by Kirpal’s partner is an inadvertent admission of the existence of a same-sex couples in the higher political echelons of the Indian bureaucracy – something that the government has otherwise been blind to in general as far as the larger public is concerned. It points out the hypocrisy of the stance which acknowledgement same-sex partnership only on grounds of security concerns but denied the possibility of the same when citizens use its existence as a legitimate ground to demand recognition of civil unions between same-sex partners.

In the month of October the Union has told the Court its stance on same-sex marriages by saying that it went against the foundational objective of marital unions – reproduction, which could only be possible if there was a marriage between a biological man and a woman. In the end of November, the same-sex marriage hearings came up before the Delhi High Court yet again and was dimsissed by the court. The petition seeking to legalise the civil union of same-sex partners had sought the same under the Hindu Marriage act, Special Marriage Act and the Foreign Marriage Act. The court argued saying that the same could not be granted under the Hindu marriage Act since same-sex partnership went against the precincts of Hinduism and a secualr state intervention in the issue of religion in a Hindu-majority population state would only be detrimental.

Some observers say India is lucky that it already has a Special Marriages Act that can be used to bypass issues of religion and could be a way to allow same-sex civil marriage. But the government has already made clear that just because homosexual sex was decriminalised it did not mean homosexuality and its anciliiary institutions were being legitimised, thereby keeping recognition of same-sex marraige off the table as far as the Centre was concerned. This brings to light a larger debate concerning the existence of freedoms for citizens without the right to act upon it. Currently owing to the historic decriminalisation of Section 377, homosexuality can no longer be punished by law. However the carrying out of any form of love, if desirous to be resultant in marriage, will not be recognised by the State on grounds of it harming the social fabric of the community at large. Furthermore, the non-existence of acknowledgement of civil unions denies same-sex partners rights to tools of public assistance such as insurance and property rights as well.

But as the case of Kirpal proves, these lines are trickier to navigate than we ever imagine. It was inevitable that the ball would not stop rolling at decriminalisation just because the government drew a line in the sand. Gay people cannot come out of the shadows yet leave their relationships in the closet. One could debate about whether marriage should be the top priority for the movement and whether the whole idea of trying benefits to marriage is outdated but it’s only natural that LGBTQ popeople would want the same rights as everyone else. In fact various trans-rights have criticised the decision to legalise marriage in an atmosphere where the discriminatory Trans Bill still holds sway over the populace as emblematic of the mainstream ueer movements repeated erasure of gender minorities and trans bodies in favour of cis-gendered, upper-class queer folks. Their primary critique being directed at the lawyer duo Arundhati Katju and her partner who have in many ways become the face of the liberation movement at large. While their advocacy intentions are never questioned their prominence as the face of the movement is repeatedly brought to question as they embody the centralisation of cis-gender upper class domination of queer discourses.

Currently the debate around marriage in India is wrapped around symbols and rituals. Does Dabur get to give a lesbian twist to Karva Chauth in an advertisement for skin bleaching products which have been at the receiving end of criticism for more than a year now following moves by brands like Fair and Lovely in changing well established marketing strategies? Can fashion designer Sabyasachi pair a mangalsutra, an ornament that is situated in a historicity of patriarchy and misogyny, with low necklines and suggestive intimacy following being heavily criticised for selling Indian artisanship to western corporate setups? What truly are the politics of a brand like Tanishq showing a Muslim family organising a traditional Hindu baby shower for their Hindu daughter-in-law in a country where the marketing head of the same company, which stands as one of the most reputed in its field, gets death threats on grounds of promoting love-jihaad?

The debate around such questions and scenarios can only be contemplated if one realises that the construction of marriage as a social document is not reductive to mere symbols – objective and metaphorical. Marriage is not only about bindis, mangalsutras and Karva Chauth but more about social acceptance and respectability and accessibility to public resources. Although gay weddings are the rage of the hour as clearly proven by the Telengana marriage reception, basic rights are still denied to same-sex partners. An event of heartbreaking magnitude can be traced back to the pandemic when an NRI married to an American same-sex partner was denied entry into India, although the same rule was relaxed for heterosexual couples of the same order.

As Sandip Ray puts succinctly in a Times Of India editorial with regard to the same,

In the end progress is about these boring things. The first openly gay judge on the Delhi High Court makes for a good news story and will be a point of inspiration for many. It is something to be welcomed but what LGBTQ Indians ultimately need are those joint bank accounts, the health insurance plans, joint custody of children and hospital visitation rights. Just like every other couple.”

 

Read Also
Section 377 – Has anything changed?
A Post-377 World: Is this really Freedom?

 

Anwesh Banerjee

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The War Diary of Asha-san provides a fascinating glimpse into the life of a young girl who was prepared to make the ultimate sacrifice for India’s independence. It is a moving account of the great endeavours undertaken by India’s brave patriots in order to win freedom from British rule.

Lt. Bharati ‘Asha’ Sahay Choudhry was born in Japan in 1928 to Anand Mohan Sahay and Sati Sen. Both her parents were completely committed to the ideal of Indian independence. They believed that Netaji Subhash Chandra Bose was the leader who could win India’s freedom, and became some of his most ardent supporters and closest confidantes. Growing up in such a household where her parents considered the struggle for independence to be more important than everything else, Lt. Bharati (or Asha-san) was imbibed with the ideals of patriotism and sacrifice for her nation from a very young age.

Asha began to write this diary in June 1943, when she was 15 years old and World War II was in full swing. It begins with an account of her meeting Netaji for the first time, and requesting to fight in the Rani of Jhansi Regiment of the Indian National Army. Just a teenager, Asha-san was already ready to take up arms and do her part for the liberation of India. As readers, we are provided with a view into a very unique situation of cross-cultural transmission. Asha-san’s love for Japan is evident in her writing. We get a glimpse of life in wartime Japan and a firsthand account of the alliance between Netaji’s Azad Hind Government and Japan, which is still not widely discussed in most accounts of India’s freedom struggle. With Asha-san’s father being one of Netaji’s closest companions, we also see the extent of the impact Netaji had on the general population of east and south-east Asia, and how he served as an inspiration for countless Indians.

For their thousand questions of ‘Why?’ we had one answer: `For freedom.’

In 1945, Asha-san left her home at the age of 17 to enlist in the Rani of Jhansi regiment. The diary details her journey through south-east Asia and the guerilla training she underwent as part of the Rani of Jhansi Regiment. The reader is presented with Asha-san’s single minded focus on the liberation of India at every turn. The extent of her patriotism is incredible, especially considering that she had never set foot in India at the time. It is impossible to not be moved while reading about the great sacrifices made by the soldiers of the Indian National Army. Even after the Japanese surrender and Netaji’s untimely death, the men and women of the INA were undeterred and wished to carry on their struggle for independence. Asha-san’s bravery shines through her words.

It is like looking into the fluttering pages of history- as though each wave carries with it a story of a historical marvel or a disaster. How many ferries, boats and ships must have sunk in this bay? How many lovers of India, how many invaders must be spending sleepless nights under this sea?

The diary also provides us with an intimate glimpse into the highest echelons of the Indian freedom fighters. Through her parents, Asha-san was introduced to people like Mahatma Gandhi, Jawaharlal Nehru and Sarojini Naidu, to name just a few. Aptly, the diary ends in August 1947, when India finally gained independence from the British, and the lifelong vision of all these brave freedom fighters was realised. This is the story of a young girl who had already dedicated her life to her country at the age of 15, and it serves as an important reminder of the ideals and values we must continue to strive for as India completes 75 years of her independence. The book is incredibly engaging as a whole, and a must-read for people who are interested in India’s freedom struggle.

Read Also: Indian Universities and Activism: Fifty-Shades of Azadi

Urmi Maitra [email protected]

Picking the perfect footwear for the chilly season can be a hassle – especially when trying to keep both fashion and comfort in check. Read on to find some helpful knacks for choosing this important wardrobe essential.

The onset of a winter is almost flirtatious in its nature – it sets in with a little sway, wraps itself around your head, waltzes with the sky till has you completely in its hold: crisp, catchy, cold. And so is the season fashion, adorned in warm, cosy hues and the blessings of Mariah Carey.

Since the longest time, fashion for the feet has been getting all the gaze, and for good reason: it can ramp any outfit up to a better level. Winter footwear is significant in more ways than one, for its important that one keeps their feet snug and comfortable in the changing weather. Here are the must-have footwear fashion favourites for the cold:

  1. BOOTS, BOOTS, AND BOOTS

We believe the universe solely created winter time so that everyone could flaunt this ultimate fashion essential. Boots come in all shapes and sizes, suited to one’s needs. They are a solid shield against the brittle weather, and also provide an ultra-chic look to any outfit that you’re wearing. You can opt for chunky ankle-length boots for a staple daily wear. If you want go down the glitterati road, knee-high boots are the power shoes that you need. Pair them with skirts, dresses, or jeans to turn on the glam.

Spotted: Hailey Bieber and Olivia Rodrigo championing boots in their own styles.

Olivia Rodrigo
Hailey Bieber
  • GOOD OL’ SNEAKERS

A good pair of sneakers can quickly become a heaven in disguise when searching for your daily footwear. They last the year round, and can be paired with almost all outfits. For winters, you can style them with cool, patterned socks, stockings and tights, or just by themselves. Remember to buy a size that fits you well, and a sole that doesn’t hurt with regular wear. For a more fashion-forward look, you could try buying a pair in colours that pop (or are conventionally summer!).

Spotted: Bella Hadid and Timothee Chalamet sporting sneakers – both casual and glam.

Bella Hadid
Timothee Chalamet
  • FUZZY SLIPPERS

While there is a host of options to choose from when it comes to footwear that you wear outside, what are the choices when its cold at home and you want your toes to be just as snug and warm? The answer is fuzzy slippers. Supremely comfortable and hugging, they keep your feet warm even when it’s freezing outside. These come in the cutest of patterns, so you can choose one that suits your personality best. You can opt for open-toe or full cover options, according to preference.

Spotted: Fuzzy Slippers in various styles.

Feature Image Credits: Evening Standard

Read Also:

Auburn Umbrella: Fashion in Online College

Molina Singh

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Why does winter have to be the season of beige, grey and early sunrises? Here are a few easy ways to incorporate colour in your winter fits that could potentially banish seasonal depression.

Are you tired of wearing the same monotonous coats, jackets and hoodies that look as lifeless as the weather right now? Incorporating colour in your wardrobe can be a serious mood booster, and help make dressing up 10 times more fun. We’ve compiled a few ways to incorporate spring colours in your winter clothes, to help carry over some of that liveliness to this season too!

  • Colourful pants

One criminally underrated way to spice up your outfits is by investing in colourful pants. Ditch the usual blue and black denim for bottomless in bright, bold colours. Not only will this allow you to rewear outfits in your closet in a new way, but it will also add some serious Pinterest energy to your entire fit.

  • Colourful Outerwear- Neutral sweaters and black jackets are classics, but in additional to these- colourful Outerwear like blazers, sweaters and sweater vests in bright colours like purple, pink, green- these are statements pieces that can be paired with other pieces in your wardrobe, thus making them versatile.
  • Bags- If incorporating colour in your clothes is too intimidating, try introducing it through accessories! Bags in bright colours are a super easy way to introduce a fun pop of colour in your outfit and make it look more vibrant.
  • Funky Sweaters- Easily the best way to brighten up your look, brightly coloured, printed sweaters are your best friends this winter. Available across thrift stores, Urbanic and other online stores- they’re a super cute way to jazz up your outfit!

We hope these tips on how to incorporate colour in your winter wardrobe help you cheer up this season! Life is way too short to wear neutrals all the time, experimenting with colour could be the perfect way to build a versatile closet!

 

Read Also- Auburn Umbrella: Wardrobe Essentials for Delhi Winters

 

Featured Image Credits: Celestial Youth on tumblr

 

Chiransha Prasad

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The three P’s of Student Life of DU- Pyaar, Padhai, and Politics are quite diverse topics on their
own. DU isn’t solely about studies, romance, or political life. It is a synthesis of all of them based on personal preferences.


I was reminded by one of my professors that student life is about the three Ps: Pyaar, Padhai, and Politics, with each student finding their own specific niche. The relationship between DU and its students has even more P’s – Parampara, Pratishtha alongside the former three, but what blends the students’ relationship with the varsity is Pain. Pyaar, Padhai, and Politics are three unique aspects of the life of a DU student. These are three chariots leading the students into their own but different pathways.

The academic life of a DU student is two-fold. Thousands and thousands migrate from their cities and states for receiving their degrees from the most prestigious colleges in the country, but only after coming here do they realize that the external perception of the varsity being only about studies is perturbed by the dawn that majority of the students here lose their academic concerns after the 1 st semester. Students come all dressed up, tidy and neat with books equivalent to the weight of a schoolbag, making it into libraries after regular classes in the freshman year. Then there are also the students who’ve enrolled themselves into a bunch of societies exude all strengths of their bodies and minds, but still turn up to class. Another section straightaway starts going places, exploring the newfound freedom barely showing up to their professors. Slowly as the years pass, classrooms get more empty, and similar to how folks shed their tidy clothes to fit into comfy Pajamas, the Society kids lose their balls of energy to attend classes after hectic running around, practicing, etc tasks. Even the studious UPSC aspirants start skipping college to attend coaching and self-study. Honestly, their stance makes sense as well. Once I eavesdropped on a conversation between two guys in my PG. One was saying, “You know, the real experience of college life comes from having new experiences, not from the routine existence of waking up at 8 in the morning to coming back at 4ish.”

As for examinations, ( most) DU Students don’t study every day but only before the exams. And the outcomes are not that bad, some even went on to be Gold Medalists in the past. It doesn’t mean people don’t study at all. Academics is what generally isn’t preferred much here. People strive to finish analyzing what topic they’re interested in.

Pyaar” is another aspect that often lingers in discussions about college life. Especially at DU having places like “Lovers Spot” nurtures the cocooned new romantics inside students. The cycle of breaking free from strict authority at home, fuelled by unrealistic expectations from movies, especially Bollywood, creates musings for the new romantics. Also, college is the closest equivalent to the perfect American high school dream for Indian students. Many do find love here, many break up, and some even make it beyond the boundaries of graduation. Most importantly, it is more of a realization that the perfect fairytale love story is next to uncommon in real life and that relationships do require effort, work, space, and understanding (The Katy Perry Way).

When I was a little girl I used to read fairy tales. In fairy tales, you meet Prince Charming and he’s everything you ever wanted. In fairy tales, the bad guy is very easy to spot. The bad guy is always wearing a black cape so you always know who he is. Then you grow up and you realize that Prince Charming is not as easy to find as you thought. You realize the bad guy is not wearing a black cape and he’s not easy to spot; he’s really funny, and he makes you laugh, and he has perfect hair.

Taylor Swift

 

During my first month in Delhi, an acquaintance of mine said, “Being in a relationship helps fill the void of loneliness and mechanical busyness of life here.” Everyone has a different perspective on love. Clearly, if it’s positive for you, then go for it. But immature relationships often culminate into a lot of hurts when combated.

College politics of DU is a topic of interest, fear, hesitation, and passion for many. The first place
where students get the opportunity to explore their political self to those who come solely for political purposes, assuming positions of power and battling ideologies. Staging protests and raising concerns, is regarded as a vital stage of vigilance by them. There are again people who have ideologies and views on national concerns but do not like to muddle in violent politics for the same. Protesting against unjust and unfair steps taken by the administration, and violence faced by students, this is an essential cry for justice, but not everyone is motivated by the love of justice. Some use these topics as matters of splattering mud over others and clout chasing.

The politics of DU is messy, complicated with unknown motivations and often takes over the education and academics of DU. The threat to being neutral is a lingering question that is quite
debatable. Often, peaceful protests turn into rigorous ones. Even a small infiltration leads to a huge mess—the involvement of cops, media, etc. But for a good cause, it exposes the faulty administration oftentimes. And then there is election politics wherein candidates go to unmeasured lengths to appear as a whitewashed version of the perfect one. The unfiltered side is often motivated by the lust for power, a really positive element turned negative.

The three aspects of student life at DU aren’t completely negative or positive and one isn’t superior to the other. There is a fourth P that lingers around all the former P’s. That is – Pain. The pain of attending classes and juggling societies, the pain of cramming before exams, of assignment
heartbreak pain, the pain of political failure, etc. Student life is about extracting the best lessons out of these.

 

Read Also :Romanticising Short Term Romance and Friendships

Featured Image Credits: Medium

 

Hritwik Pratim Kalyan

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In recent years, the trend of mental illness being an aesthetic has seen a hike. Is this really a
harmless aesthetic, or does the “Fleabag Era” have deeper connotations?


If you use social media, chances are you’ve heard the phrase “In my Fleabag era”. The phrase is
based on the popular show Fleabag, which is centred around a female protagonist who
chaotically blunders her way through life. In the years since Fleabag was released, such chaotic
and self-destructive behaviour has become an aesthetic on social media. The question is, why?

People liked Fleabag because they felt that it was an accurate depiction of the messy realities of
life and mental health issues. However, relatability has given way to something else in recent
months, it has become cool and quirky to have a mental illness. While this in itself is not
something new, the aestheticisation of mental illness is definitely something that has not been seen before.

There is nothing inherently wrong when someone who is suffering from a mental illness turns
their experience into an aesthetic; often, doing this makes the experience more bearable for them.
The problem begins when this ‘aesthetic’ becomes trendy, which leads to the romanticisation of
mental illness by those who do not necessarily suffer from it. Such people often end up inducing
traits of different mental illnesses simply because they wish to be part of the trend.

Another problem with this trend is that it often discourages those who are suffering from mental
health issues from seeking help. They find a sense of community with others who suffer from
similar issues, and they often believe that seeking help would mean that they would no longer
remain part of said community.

The reality of life itself is that it is messy and chaotic, and it is much more so for those who
suffer from mental health issues. These issues are serious and people require professional help to
get better. The large-scale aestheticising of mental illness leads to the widening of the problem.
Being sad all the time is not “sad girl core.” It is often a sign that help is required.

 

Read Also: Questioning Mental Health – The Flawed Society

 

Featured Image Credits: Dazed

 

Urmi Maitra

 

[email protected]

What is it like to be a female student journalist? Is it always dangerous, or can one bypass the gendered prejudices and discrimination? What are the things that make journalism a gendered experience? Female student journalists across the country answer these questions, and more.


Untoward comments, sly taunts, and that nagging feeling of being unsafe –the life of a female student journalist. Student journalism provides exciting opportunities for work experience, but the female experience is often undermined and disregarded. That the ‘second sex’ faces discrimination, harassment, and prejudice stemming from patriarchy is evident in the numerous instances reported in the news. A greater number of such reports, however, die unknown, due
to the fears and social stigma that surround them.

Watching, reading, and listening about such instances generates a psychological fear that can be
extremely disempowering. It’s almost as if you know beforehand that you will be treated differently because of your gender. For most of us, this unfortunate reality gradually sinks
in. The eventual acceptance of the fact that your work as a journalist will come with an unwanted package of sexism is perhaps the saddest part. DU Beat spoke to female student journalists across the country, and this article is an attempt to give them agency and acknowledge their struggles.

The first thing that most journalists mentioned while researching for this article was time. Working at odd hours is a major limiting factor on every female journalist’s mind. Returning home after covering events, fests and seminars at night can be daunting, especially in cities
like Delhi, where women’s safety is a persistent fear.

Since it is a time sensitive job, we must be on the go constantly. Safety is a big issue. My parents were initially very against me joining a media outlet since it involved going out in the late evenings. Being a student, you need to balance time with your studies as well, and being a woman, with the hundred other kinds of work and duties society expects you to perform. I used to feel quite odd travelling by metro at odd hours and being at fests at night. It can be a thrilling experience, but there is this constant fear at the back of your head that something can, at any time, go wrong.

shared an anonymous journalist

The hesitation of getting quotes for a news report from men was also something most female journalists said they tried to avoid.

I have thankfully never faced any sort of gender discrimination directly being a female journalist, but that is also because I try to never put myself in that position in the first place. I am very wary of men in general, and more comfortable getting quotes from women, if I am
honest. Fellow student journalists have said that many people can be creepy when it comes to giving quotes. They might harass you even after you have completed your professional
conversation.

A female student journalist studying in Lady Shri Ram College for Women commented

Covering and reporting student politics is also, unfortunately, a gendered experience. The rough
world of politics can be tougher for female journalists to navigate.

I feel like I have faced more problems not because I am a student journalist but because I’m a female student journalist. Perhaps the biggest hurdle is contacting political parties for quotes. The biggest concern is safety. As a woman, you are stuck in a messy situation where your contact is being shared with the world. I know a lot of female student journalists who have gotten bullied or harassed while trying to report a situation. Since we do this work in good faith, it feels sad when you hear about such instances. I spoke to a member of an organisation once, and later got repeated requests from them on Instagram. It is a weird world out there, and when you are doing such a job, you are exposing yourself more.

lamented yet another female student journalist

Another correspondent highlighted how her decision to report a piece of news led to her staying indoors for a week for safety reasons.

There are always times when you hesitate to ask quotes from student political organisations. I was very sceptical about asking them for quotes since they are known for looking your name up on social media and sending unsolicited messages. Once a report I wrote received a lot of backlash from a particular student body. I was asked to stay at home for a week after that. Another time, while interviewing a professor accused of sexual harassment, he talked to me inappropriately. The worst part is that we think that this is a given, that it is a part of being a journalist.

she said

This sad reality is only worsened when women go for on-ground reporting. For a female student
journalist studying in Mumbai, speaking to men face to face has been a disenchanting experience.

They make you feel so uncomfortable. It is almost as if they do not view you as another human worthy of self-respect.Cases of sexual harassment and bullying are widespread.

she said

College students who come to study in a city from their hometowns face an added layer of risk.

When I came to Delhi, I felt that everyone viewed me differently. I felt that there were issues
I wanted to talk about but could not.Freedom of speech is different for men and women. Plus, contacting people can be a different engagement as a gender minority. Identity for me has been a point of observance, I noticed that a person from another state or a privileged background could get away by talking about certain things in a simplistic manner. Whereas, being a Kashmiri Muslim woman, I could not talk about certain things, fearing that it would be held against me. Journalism is so many things, but your identity defines what kind of journalism you want to do. Feminist intersectional stories need more voice.

commented a female student journalist

For Kashish Shivani, the Web Editor of DU Beat handling the danger of being known is fearsome.

As a woman, you have to always be on guard. You cannot talk candidly to anyone. Once people know you, your social media handles, your email address, and your phone number, you find yourself in uncomfortable situations. There have been instances where when one person from an organisation or college society starts following, their friends also follow suit. This is a confusing place to be in, as you are constantly wondering when something untoward will happen.

Kashish Shivani, Web Editor of DU Beat

Kashish commented on her experience as a female student journalist.

Accompanying women covering on ground protests is a persistent fear. And particularly while interacting with men, when you see for yourself that men are not talking to you in a completely professional manner. That feeling of not being fully accepted or respected is disheartening. Moreover, the relations my fellow male correspondents have with contacts are very different from the relations I have with them.

Kashish Shivani, Web Editor of DU Beat

Such instances highlight the subtle difference most women can make out, where they are not treated as equal to their male counterparts.

Perhaps the most thought-provoking remark was from Himasweeta Sarma, the current Editor-in-Chief of DU Beat.

Most of the messages we receive on DU Beat’s account are addressed to ‘sir’. I think that this speaks a lot about the current state of women in journalism considering that since 2011, four or five times the post of Editor or Editor-in-Chief has been held by a woman and yet this persists.

Himasweeta Sarma, Editor-in-Chief of DU Beat

Most of the female student journalists whose quotes were used in this article have been kept anonymous, upon request. As one of them pointed out, “This is the strangest irony, me asking you to not mention names and keep me anonymous right after talking about how important it is to popularise female experiences in journalism.” Preferring to remain anonymous and going without credit because of gendered fear is yet another disempowering reality that female journalists face. Virginia Woolf’s words echoed in my head the entire time I typed this article, “For most of history, Anonymous was a woman.”

 

Read Also: Press Freedom in The Lives of Struggling Student Journalists

 

Featured Image Credits: BBC News

 

Shiuli Sural

 

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The ‘sanskari’ girl who is hailed as the upholder of Indian traditions is usually depicted as shy, obedient, and draping a well-pleated saree, complete with a modest, non-midriff-baring blouse. But what happens when we realise that many of the elements of the saree that we see today have been informed by colonial notions of decency? Does it still hold the same weightage as a part of our ‘sabhyata’? Read on to know more about the colonial legacy of the modern saree.


The word ‘saree’ has its origins in Sanskrit. It literally means “a strip of cloth”, but within the folds of the pallu lie deeper, darker secrets of colonial informed women’s oppression.

The modern saree blouse, as we see it today, is probably one of the most celebrated colonial legacies in our society. Given the climate of our country, our women never deemed it necessary to put two layers of clothing on their body. This idea that women in our society could divorce morality and modesty from their bodies baffled our colonists. The fact that women could dress comfortably in just a long piece of cloth and still be treated with respect was a concept alien to them. They believed that we were promiscuous, uncivilised perverts. The introduction of petticoats and chemises, which the white rulers believed was required to uphold decorum, introduced Victorian ethics and morals into the Indian saree story.

One cannot imagine draping a saree these days without the petticoat. Saree drapers usually tighten it to the point of suffocation—anything to prevent an embarrassing, accidental slip of that fabric that may range anywhere from 3.5 to 9 yards. But this petticoat is a symbol of a colonial hangover we are still under the influence of.

It came to India with the Europeans and was influenced by the numerous petticoats women would don in the early 19th century in Europe.  Many petticoats would be worn under the over gown to show the great fullness of the skirt. The petticoat may also have found its way into the saree vocabulary due to the diaphanous material that was used to drape sarees before the Europeans came to India. The sheer material may have appeared too scandalous to the British, who, with their ideas of modesty and propriety, would have considered a petticoat underskirt along with the blouse necessary to transform a “vulgar” manner of wearing a saree to a “decent” and “appropriate” one.

The style of draping the saree did not escape colonial influence either. The Nivi drape, which has its origins in Andhra Pradesh, was combined with elements of the Parsi Gara style by Jnanadanandini Devi, a social reformer from the Tagore family. The style was further refined and gave rise to the Brahmika style, so called because it was mainly adopted by the Brahmo Samaj women. She was also the woman who first started the trend of wearing the contemporary blouse after she was denied entry to an English club because she wore the saree on her bare breasts. She was initially a follower of the Thakurbari drape of Bengal, which required no pleats, petticoats, or blouses.

The question that should be asked is if we should really tie our value to material artefacts left over from our never-ending colonial hangover, such as the blouse and the petticoat, and let these very tangible things determine how valuable we are to the general public. These Imperial gifts of objectification and sexualisation have been internalised by us and are now recognised as elements of our own culture, our sanskriti and our sabhyata. It’s time for us to begin unlearning our assumptions from the colonial era and reclaim the authority that has always been ours to possess and never the colonists’ to take away.

 

Read Also: Auburn Umbrella: Fall Wardrobe Essentials

 

Featured Image Credits:  Jamini Roy

 

Devanshi Panda

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Debarati Mitra

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Here’s everything you need to know about the B.A. Programme course offered at DU!


With the introduction of the NEP and the FYUP for the 2022-23 session, courses are bound to face a drastic shift. Still, it helps to know what the course has looked like up till now.

What Did the Course Structure Look Like?

Like an honours course, the syllabus of B.A. Programme was divided over a span of 3 years and 6 semesters. A student pursuing this degree appeared for 4 examinations in each semester. What makes the B.A. programme unique is the liberality of choices: a student may combine any two courses of their choice. This allows a wider scope of exploration in case a candidate is confused about the way forward after 12th.

A B.A. Programme course emphasises interdisciplinary studies rather than a single subject-based specialisation. Some colleges, like Stephen’s, also offer general coursework of B.A. Programme where the students are taught a number of humanities disciplines together and are not required to choose combinations for themselves.

The foremost components of a B.A. Programme degree were the two core courses: these are the discipline specifications that form the base of the degree. Each student was required to choose two discipline-specific courses. Colleges at DU offer a very wide range of options for the same and there is no dearth of combinations. In the first 4 semesters, a student had to sit for a total of 12 core-based examinations.

The next component was an AECC (Ability Enhancement Compulsory Course) paper for the first year of graduation. It varied from one semester to the next: usually being a language of choice in the first and environmental science in the next. Most colleges allowed the students to choose amongst at least 3 languages for this paper. The third component of a B.A. Programme degree was an SEC (Skill Enhancement Course) paper for the second year of graduation. The aim behind the introduction of the SEC was to give some vocational education in their chosen graduate subject to the students. DU uptill now has offered a range of choices here, but this is usually pre-decided by college administration according to the availability of faculty.

Some of the combinations of B.A. programmes offered by colleges include:

  • Combinations of History, Political Science, Psychology, Geography, Sociology, Philosophy, etc. being very popular choices.
  • Combinations of Foreign languages/a wide range of Indian languages including Sanskrit with History, Geography, etc.
  • Combination of the above-mentioned disciplines with vocational subjects such as nutrition, entrepreneurship, advertising, etc.

How High Were the Previous Cut-offs? 

Cut-offs for B.A programmes have varied widely, depending on the college and the course combination. They have varied from 88% in Motilal Nehru College(evening) to 99.25% in Miranda House College in the first cut-off.

Refer to the links below for the detailed cut-off sheets :

What Career Choices are Available After This Course?

  • Academics
  •  UPSC
  • MBA
  • Business Analytics
  • Data Science
  • Digital Marketing
  • LLB, etc.

What Do Students Think About This Course?

 If you do not want to limit yourself to one subject or discipline, or if you are very indecisive like me and would rather keep the options open, then BA Prog. is the only way to go. – Manasvi, B.A( History+ Political Science) Programme student from LSR

Manasvi admits that the divide between Hons. and Prog. still exists where Hons. is seen as better and more demanding by the students and the faculty alike. The way her experience has been,B.A Programme usually  ends up getting the worse end of it in terms of faculty as well as other amenities.

It does open you up to interdisciplinary education, but that also means that you have two subjects asking you to prioritise them and you just end up juggling between them, prioritising none, and getiing overwhelmed. – Manasvi added

Read Also: #Admissions2022: Course Profile- B.A. (Hons.) Sociology

Featured Image Credits: DU Beat

Devanshi Panda

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With the commencement of the 2022 admission season, many DU aspirants are in a state of confusion and panic over which college to choose, and what would be best for them. Here we present the college profile of Hansraj College of the University of Delhi to make taking an informed choice easier for you.


Hansraj College was established in 1948. It is located in the University of Delhi’s North Campus. It has been ranked 14th in the college rankings of NIRF 2022. The college is known for having produced several alumni who have excelled in their respective fields. Notable alumni include Shah Rukh Khan, Naveen Jindal, and Kiren Rijiju.

Courses & Placements

The college offers the following undergraduate course:-

  • B.A. (Honours)
    • Economics
    • English
    • Hindi
    • History
    • Philosophy
    • Sanskrit
  • B.A. (Programme)
  • B.Com (Honours)
  • B.Sc (Honours)
    • Anthropology
    • Botany
    • Chemistry
    • Computer Science
    • Electronics
    • Geology
    • Mathematics
    • Physics
    • Zoology
  • B.Sc (Programme)

In the 2021 placement drive, the highest package offered in Hansraj College was 20.25 LPA. The average package was 5.7 LPA. 115 companies participated in the placement drive, and over 185 offers were made. The top recruiters were McKinsey & Company, Boston Consulting Group, DE Shaw & Co., and United Airlines.

Scholarships

Merit and need-based Scholarships are given by the college. The Student Welfare Committee holds interviews for the same. The number of students that benefit is usually around 100 but varies as per the students’ requirements. The college also has the facility to give fee concessions from 50% to 100%, based on annual income, family background, girl child, etc.

Other Scholarships: The students are also offered scholarships by DAV, Single Girl Child policy, NCERT, and FAEA to name a few. In addition to these scholarships, students also benefit from the Inspire scholarships by the Department of Science and Technology and the scholarships extended by CBSE.

Scholarship for the Enabling Unit: Two awards of Rs.5000 and Rs.3000 are given to the meritorious students of the Enabling Unit every year by the College Alumni Association.

Scholarship for Differently-Abled Students: Every student belonging to the differently-abled category gets a full fee waiver and is required to contribute to the Students’ Union fund and some other minimal charges only.

Note: additional information about the scholarships can be found on the respective college websites.

Societies

The college has several societies. These include:

  • Hansraj Dramatics Society
  • English Debating Society
  • Illuminati, the quiz society
  • Kalakriti, the fine arts society
  • Nishtha, the civil services society

Note: Further information about the societies can be found on the respective college website. 

Facilities

  • Library: The library comprises four sections: the Main Library, individual Departmental Libraries (Sciences), the Periodicals, and the Textbook Sections.
  • Amphitheatre and Auditorium: The College has a feature-rich air-conditioned auditorium having a seating capacity of around 600 which makes it one of the largest auditoriums in the University.
  • Canteen
  • Sports Facilities: The College has facilities for both outdoor and indoor games. The College has a huge sports ground and a basketball court between the college and the hostel premises.
  • Laboratories: This includes laboratories for Chemistry, Physics, Electronics, Botany, Zoology, and Computer Labs.
  • Seminar Room
  • Common Room
  • Yoga Room
  • Medical Facilities: College has a medical room with all the necessary first aid and a mobile stretcher. Hansraj is well connected to a hospital that is within 500m of its main gate.
  • Yagyashala: The college has an established Vishwa Bandhu Centre of Indian Culture (Delhi Unit). The VVRI centre now works in alliance with the research department of D.A.V. College Management for the collection, preservation, and publication of ancient texts.
  • Computer Facilities: The college campus is Wi-Fi enabled with access to all the resources that the University provides centrally.
  • Hostel Facilities: The College accommodates around 200 undergraduate male students in its hostel. It has a common room, a multifaceted gym, and arrangements for indoor and outdoor games. The building of a women’s hostel has recently been sanctioned by the college administration.
  • Enabling Unit: This cell consists of more than 100 volunteers to assist students with physical disabilities, with their regular course of studies. An Enabling Unit Room with audio aids, computer facility, etc. is available in the college. Ramps and a foot-over bridge connecting two different blocks of the college have been constructed.
  • Photostat cum Stationery Shop
  • Language Lab and Media Centre: It’s an acoustically efficient media centre that is soundproofed. It has sturdy walls to keep any disturbance out. The rooms are outfitted with the most up-to-date computer systems as well as other necessary equipment such as printers, microphone systems, and audio mixer soundboard consoles.

What do Students Say About their College?

The constant chatter at Lover’s Point, coffee brewing at the Nescafe, sitting on the path beside the office – Hansraj is an emotion. Walking around the red walls, one can spot students getting their books to the library, the dogs eating their food, and the casual drop of SRK’s name in conversations under the C-block trees. This is Hansraj.

Shiuli Sural, a 3rd year student.

Read Also: ‘Beyond The Obvious: Hansraj College

Featured Image Credits: DU Beat Archives

Urmi Maitra

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