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Lakshya, the theatre society of Kamala Nehru College, was recently disqualified in the Mahavidyalaya Natya Samaroh organised by the Sahitya Kala Parishad. Lakshya’s annual theatre production, “Shahira Ke Naam”, is a play that revolves around college girls who live their life to the fullest. Naturally, the play involved a few simple words to describe women’s underwear. At the end of their performance, an announcement was made to inform the participants that morality must be maintained in the plays. It was after this that the society was informed that they were disqualified.

The students wondered if the disqualification was because they had used a few swear words. However, other teams had used many more vulgar words. Eventually, they were told that it was because of their use of words such as “bra” and “panty” that they had been disqualified. The Sahitya Kala Parishad stated that such words were acceptable in a girls’ college, but not for a public performance viewed by families. The problem with this is that there were a few other plays which also used questionable language, which was arguably more offensive – misogynistic and casteist.

Such backlash for merely mentioning women’s underwear was called out by the students of the society as well as their convenor. Soon, the news began to spread and theatre societies of other colleges, as well as the general student community shared their own views in support of the Kamala Nehru students. For instance, Rangayan, the dramatics society of Atma Ram Sanatan Dharma College said that “creating havoc out of the usage of these terms and their portrayal is archaic and abnormal”. Dilgrace Kaur, Vice President of Lakshya stated that the Sahitya Kala Parishad had come under fire before for similar reasons.

When the news reached the organisers, they claimed that the society was not disqualified, but would only lose marks for offensive language. Monami Basu, the teacher convener of the society said she received a call from Kapil Mishra, the Minister of Water, Tourism, Art, Culture and Gurudwara Election. He said he would ask the Sahitya Kala Parishad to neither disqualify nor deduct marks for the performance.

On 31 January, members of Pinjra Tod protested against the misogynistic decision off the Sahitya Kala Parishad. They hung bras in the Shri Ram Centre, where the performance had taken place. Somaya Gupta, one of the protesters, said that “it’s high time that people start normalising things such as women’s undergarments” and that the protest was not “just about the disqualification, but about prohibiting conversation even in a cultural space”.

It remains to be seen what the Sahitya Kala Parishad and other conservative organisations will take from the students’ attempts to fight this misogyny. As Monami Basu said, “If it titillates you, it is your problem. We reject your pretentious hypocritical propriety.”

 

 

Image Credits: The Hindu

Vineeta Rana

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We’re all with familiar with the phrase ‘OscarsSoWhite”, however this year the Oscar diversity drought came to a temporary halt with a sizeable number of black nominations. However, is this just a farce? The tussle between Casey Affleck and Nate Parker makes us think so.

At the Sundance Film Festival last year, Nate Parker’s directorial debut The Birth of a Nation about a 1831 Virginia slave rebellion and Casey Affleck starrer Manchester By The Sea about a Boston janitor promised to make the Oscar rounds. With the coming of 2017, there seems to be no trace or mention of Parker while Affleck has picked up a Golden Globe for his portrayal of the heart broken janitor. So what changed? When Parker’s film released in October, it was overshadowed by the news that back in 1999, nineteen year old Parker and the film’s co-writer Jean Celestin had been accused of raping a fellow student in college. Parker was acquitted on grounds that he had consensual sex with the victim prior to the incident. Amidst the uproar, sexual harassment charges against Affleck resurfaced which allegedly took place on the set of his 2010 mockumentary, I’m Still Here. According to the Guardian, “original allegations included claims that Affleck hired transvestite prostitutes ‘for his personal gratification’ and during filming, referred to women as cows, manhandled her when she rejected his sexual advances and instructed a camera operator to flash his genitals at her.”

The one thing that has particularly galled a number of observers is the profiles of Affleck that make only a mere passing mention of his indiscretions. In stark contrast, when the news of Parker broke out, The Daily Beast says Academy voters said that they won’t even watch the movie while the American Film Institute cancelled a screening. Rev Al Sharpton, the civil rights activist, told the Root , an online magazine of African American culture, “Is the standard now that you can take an almost two-decade acquittal and deny him the Oscars, but it’s all right for others who’ve done crazy stuff to be Oscar material? I just want to know, what’s the standard?”

There is no escaping Affleck’s privilege as Ben Affleck’s younger brother who has one of Hollywood’s most enduring friendships with the influential Matt Damon. There is definitely no escaping the race factor as The Daily Wire rightly puts, “Black man acquitted of a single incident involving one woman 17 years ago, has his entire career destroyed. White man who settled two sexual harassment suits from two separate accusers that involve alleged behavior on a film set just six years ago, is well on his way to Oscar glory.”

This is reminiscent of Harper Lee’s ‘To Kill a Mockingbird” where a black man is accused of rape simply because he is black and such violence is attributed to his race. Thus, ladies and gentlemen we observe that Nate Parker has disappeared of the Oscar radar while Ben’s little brother is on an award winning roll.

Image Credits: www.newyorker.com

Anahita Sahu

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Politicians are a species which is said to possess a pivotal incongruity between what is spoken and what is done. The governance of nations is criticised when the leaders fail to deliver their share of promises when the battle of votes is won; to the extent, the very idea of following-up policies after election seems almost ludicrous. But, the newly elected Honourable President of the United States has defied the majority of precedents by sticking to and staying true to the stream of actions which would be undertaken by the Obama-successor. For, the unfurling of impregnable walls and population bans has set the ball in motion for the term of the newly elected leader of the US.

After the Inauguration Day, President Trump (sigh) signed a series of Executive Orders to begin his term (or rule.) The one order which managed to stun the world collectively was the ‘temporary block on immigrants from Seven-Muslim majority countries.’ However, as the Trump administration refutes, it is not a Muslim ban. The order merely constitutes imposing a 90-day ban for residents of Syria, Iran, Iraq, Libya, Somalia, Sudan, and Yemen along with the prevention of refugees from entering the country for 120 days. But, the terminology of ‘Muslim Ban’ doesn’t seem to be applicable here, especially when the order was signed on the Holocaust Remembrance Day, does it?

With the world collectively condemning the harsh step taken by one of the leading countries, gestures of opposition have been taken by different sects. Here’s how the strength of unity is endeavouring to make a difference!

United Nations

At a time, which calls for compassion and lending support, a time which has been torn by the ravages of war, the UN refugee agency (UNHCR) and International Organisation for Migration urged the administration to continue offering asylum to refugees and people affected by the goriness of war. A joint statement was issued by the two agencies, commenting that “The longstanding US policy of welcoming refugees has created a win-win situation: it has saved the lives of some of the most vulnerable people in the world who have in turn enriched and strengthened their new societies.” A reversal of such a move would result in the loss of lives of hundreds and thousands of people fleeing war.

Global Leaders

The wave of reprove over the immigration ban was reverberated by the political leaders all across the world, preaching the arguments of humanity and kindness. Nations have released various statements regarding the necessity of accepting refugees and propagating the values of unity and kindness. Former President Obama, issued a statement through his spokesperson, saying, “The President fundamentally disagrees with the notion of discriminating against individuals because of their faith or religion.” The German Chancellor, Angela Merkel, further highlighted the notions of the Geneva Conventions and the colossal importance of accepting refugees on humanitarian grounds. The political scales have been lifted comically with the release of country-specific videos, mockingly claiming their nations as the ‘second best’ in typical Trump vernacular!

Business-sector

A show of solidarity was poured by the business arena of the country, with leading companies like Apple, Mircrosoft, Google, Facebook, Uber writing a joint letter to oppose the travel ban on immigrants from seven Muslim-majority countries. Moreover, the global coffee retailer, Starbucks’ announcement regarding the hiring of 10,000 refugees came as a bridge of harmony. They would focus on hiring immigrants “who have served with U.S. troops as interpreters and support personnel,” thus, seeking to protect those who branched out to help them. The ideals of global integration and humanity endeavour to be restored in the midst of an order aiming to isolate a ravaged community.

Entertainment

The world of art and entertainment isn’t fair behind in demonstrating their despair. Producers like Joss Whedon, Dan Harmon, and Danny Zuker and other took part in a protest at LAX, along with a unified platform for speaking at the SAG Awards in January. With an outrage on social media platforms and members of Hollywood expressing their bafflement over the move, the cry is coming from far and wide. This was further reverberated by the brilliant Ellen DeGeneres, who on her show drew the compelling analogy between Dory’s world and that of today.

 

Image Credits: ABC

 

Saumya Kalia

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7th February marked a startling day as we witnessed an entire auditorium brimming with women all around, each of them more captivated than the next, completely engrossed in the sweet words of his holiness,  the 14th Dalai Lama, Lhamo Dondrub who with his tranquil saffron robe and delightful chuckle instantly put the audience at ease.

Before we set out to describe how this event was and always will be one for the serene and prestigious walls of Jesus and Mary College, it is important to reiterate why the Dalai Lama seems to bring metaphorical peace doves with him and fill a feeling of awe in everyone’s eyes. Tibetan Buddhists believe him to be the 14th reincarnation of the original Dalai Lama, a spiritual leader who was born in 1351 and who was said to be the reincarnation of Avalokiteshvara, Buddhism’s Bodhisattva of Compassion.

The Commerce Department organised this event almost effortlessly with security and sanity both intact despite the over imposing crowd of college students and faculty. The sole objective of this Talk was to enlighten the audience on Compassion, Mercy and Universal Responsibility in a way that opens up your mind and does not leave you feeling intimidated. All our eyes and senses were open as the Dalai Lama spoke about how everyone’s ultimate desire is happiness and our devotion to god and segregation based on religion has nothing to do with that ultimate goal. We live in such cushioned environments that the only grief that reflects in our eyes is from the Television channels. His holiness gave a befitting example of how proud Punjabis are and their need to display their beliefs which sent the audience in raves.

The Dalai Lama collaborated his energies to make us envision a world of ‘Oneness’ and ‘Compassion’ because human beings are social animals and their first instinct is to be compassionate and we need to train our minds to bring that out more. The only solution to mould our minds it to further educate ourselves and to remember that affection in turn brings affection back to you.

The World’s individual identities must be put aside to focus on global issues like global warming where someone’s faith or religion does not need to interfere with one’s notion to do good for themselves and for others. He spoke about how institutions like various colleges in Delhi University have blossoming potential to produce compassionate human beings because that is what you are remembered for, he then went on to express his undying adulation for Mother Teresa and her devotion to society. He was particularly peeved by how there are segregations and various excuses for violence even within religions like in Islam even though the religion is based on one Quran.

He believes that there are scientific approaches to meditation that facilitate you in moulding your minds to exude more compassion and prevent the overflow of emotions which is when people take imbalanced decisions.

Dalai Lama
“We must utilise logic and so we must investigate, we do not accept easily, why? And how?” Image credits: Natasha Maria, Jesus and Mary College

 

“We must utilise logic and so we must investigate, we do not accept easily, why? And how?” said the Dalai Lama on his scientific approach to expanding your mind. Questioning is a part of the key pillars on the path to a sound mind.

There were without a doubt various questions raised by the audience including some by both keen students and members of the faculty. As a response to a question on militancy, his holiness asked us to tap into our intelligence and not rely on negative actions and bullying as a coping mechanism, he touched on relations between China and India and stated that they needed to trust each other and above all “De-militarize”. He urged the millennials present there to maintain their moral principles no matter what profession one might choose because each professions fills a vital place in the world.

He concluded by cementing a belief of responsibility in each of us through analytical meditation and quietness which is where we tend to open up to our realisations more. Teachers and students must have a cooperative and open relationship where there is a lot of room for dialogue and that is how students can be steered to the right path, through trust. If one’s mind is peaceful and smiling then physical ailments can go away because such is the power of the mind.

 Feature Image: Mehak Dhawan, Jesus and Mary College

Baani Kashyap

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Economics, while all-pervasive and key to the functioning of all realms of society, is also often blamed to be dry and inaccessible for the general population who aren’t well-versed with the jargon that comes with the discipline. Prof. Ashok Sanjay Guha‘s latest release, Economics Without Tears: a New Approach to an Old Discipline, is an attempt to change that perception. Through his book, Prof. Guha, who is recognised as one of the most impressive contemporary Indian economists, attempts to not only introduce economic theory to students and the general reader, but to also show that economics can simultaneously be a learning experience and huge entertainment. The book has been received with much adulation by the who’s who of the world of economics, including Jagdish Bhagwati, Professor of Economics, Law and International Affairs at Columbia University, and Pranab Bardhan, Professor at the Department of Economics at University of California, Berkeley.

The book is set to be launched by Prof. Yogesh Kumar Tyagi, the Vice – Chancellor of the University of Delhi, in the presence of the author, on February 13, 2017, in an event that is being organised by the Department of Economics of Miranda House, in collaboration with Penguin Random House, India. The launch will be followed by an interactive session with Professor Guha and Dr. Parikshit Ghosh, who is an Associate Professor with the Delhi School of Economics.

The event is open for all students and teachers of and beyond the University of Delhi.

Date: February 13, 2017

Venue: Seminar Hall, Miranda House

Timings: 10:30 a.m.

(Students must carry their ID cards for entry)

With inputs from the Department of Economics, Miranda House

Shubham Kaushik

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South Korea’s most successful T.V. Show, Descendants of the Sun will soon air on Indian Television. The hauntingly beautiful and tragic love story of Caption Yoo Si-Jin and Doctor Kang Mo-Yeon has won numerous hearts across the world in 2016. Get ready to be swept over by the Hallyu-wave (Korean-wave) as Song Joong Ki and Song Hye Kyo brings to us the wartime love story fraught with heartbreaks and romance!

Descendants of the Sun, South Korea’s most successful Television Drama which is also allegedly being dubbed as Asia Best show of 2016 is soon going to air on Indian Television. The demographic of Indian Television scene has seen rapid change over the past few years. In the recent years the viewership of American and British shows has not only increased in India but, the Asian and European Cinema is also gaining audiences. The recent success of Pakistani and Turkish T.V. Shows is a textbook example of how cinema, especially T.V. shows can transcend boundaries.

Descendants of the Sun, starring South Korea’s famous actors, Song Joong Ki as the very dashing, charming and heartbreakingly cute Army Caption Yoo Sin-Jin and Song Hye-Kyo as talented, stubborn yet beautiful surgeon Kang Mo-Yeon brings to us a tale of love and heartbreak in the times of war. This show has everything from drama, action, and thrill to heartbreaks and romance which will surely sweep you off your feet! Even though the show is a romance drama one can clearly see the underlying patriotism of the characters towards their nation.

Spoiler Alert!

Love and Mission!

Captain Yoo Si Jin – “Doctors don’t have boyfriends because they’re too busy.”
Doctor Kang Mo Yeon – “Soldiers don’t have girlfriends because it’s too hard (too much work).”

Caption Yoo Si-Jin and Doctor Kang Mo Yeon’s love story will definitely make you cry and laugh like never before. Caption Yoo Si-Jin is a part of secret UN-peacekeeping team and Kang Mo-Yeon is a famous doctor. The never ending cycle of guy leaving the girl for mission takes a toll on their relationship. But, fate has other plans for them. Kang Mo volunteers as a surgeon for a medical relief project in the area where Yoo Si Jin is posted. The story moves forward and their love is threatened by natural disasters, war, car-wrecks, gunfights and Ebolo like virus outbreaks.

Patriotism

Don’t be fooled by the Caption Yoo’s flower boy face and chocolate abs because the show has some serious fight scenes from knife fights, fist fights to gunfights! Caption Yoo believes he fights “for the peace & freedom for the land” he lives in and “protecting beauties, elders, and children” is his ultimate rule. The narrative is fraught with commando fights, North Korean spies, CIA-backed military coups and jaw-dropping action sequences where Song Joong Ki fights gangsters, mafia and natural disasters.

Second leads, bromance and OST!

Apart from the leads, the seconds leads Dae Young and Myung Joo’s consistent palpable chemistry and unwavering love for each other defying army hierarchy will surely tug your heartstrings. Also, K-Pop listeners will recognise Shinee’s (K-Pop boy group) leader Onew giving a stoic performance as a doctor.

The show’s OSTs are beautiful, especially Chen (from EXO) and Punch’s “Everytime” is a song which make you fall in love. The breathtakingly beautiful locations and top notch cinematography will keep you glued to screen. The humour, bromance and extremely cheesy lines will make smile throughout the 16 episode. People will die, get kidnapped, shot and tragedies will occur but, amidst all chaos and war the beacon of love will shine the brightest.

Catch Descendants of the Sun on Zee Zindagi at 8-9 PM, Monday-Saturday from 8th February, 2017 in India.

Image Credits: http://www.koreandrama.today/

Nidhi Panchal

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To escape is to create a safe haven for the perturbed minds and souls yearning for a different reality, but when do we need to snap back to the truth from our imagination?

Shirley Jackson in her book said, “No live organism can continue for long to exist sanely under conditions of absolute reality.” Through Alice we were taught that “Imagination is the only weapon in the war against reality.” These words of wisdom resonate far and wide; for, the realms of truth can be bitter and harsh, and it is a coping mechanism of the mind to resort to ideas which provide the cushion of comfort. To be able to pursue the pleasures of distraction and engage in the happiness of fanaticism is what an escapist seeks, and to evade from the emotional turmoil of our hearts is what an escapist needs.

The aesthetically pleasing movies, the heart-engrossing books, and the time-warp periods of daydreaming are the portals to a different you, and that’s endearing. The vexations and sometimes overwhelming aspects of life are minimised through this, giving you the freshness and strength to get back at the troubles with a recharged dose. However, the excess of anything is deemed to be perverse, and so goes for the issues of the mind. The theories of Economics oddly fit the gaps of this puzzle; for like the Law of Diminishing Marginal Utility states, the more we invest ourselves into the realm of escapism, the more its value and advantages disappear into delusion. Think of escapism like chilli flakes or oregano on your pizza. You can sprinkle it on the top to savour and relish the taste, but too much of it will ruin the whole thing.

The indulgence in a different space, in enjoyment or indifference, can be instrumental only to a certain degree. Resorting to a hobby can transport you into a dimension of relaxation and give you the time you need to cope with the uninvited eventfulness. But the other times, the human mind fails to distinguish between escapism and avoidance, and everything is then ignored in the name of ‘distraction.’ It can hinder parts of your life in ways incomprehensible. So often do the bifurcations of right and wrong fade away into shades of grey, and in a similar fashion does the minute line between these two entities becomes consciously irrelevant.

Stop. Ask yourselves: How to wake up from that dream we would like to live every day? Transcend the ideas of fun from the confines of our mind to the stretches of real life experiences. There’s so much to do, so much to explore. Moments are limited, cherished, and yearned for; and to live in the moment is one of the greatest joys of life. With the fact that one wishes to ‘escape’ work, love, or life in general, it becomes monumental to ask yourself why. Why the need to hide away from the perturbing parts of life? The ‘whys’ and ‘whats’ need to be answered before its late, for the defence mechanism we so conveniently employ can only shield us from the monochromes of life for so long. Maybe, what’s harsh and bitter doesn’t need to be stressful and disconcerting; they are just renditions of unhappiness which your escape mode constructs. The mind is fascination and beautiful, but the vastness and depth of your untampered vision are what makes all the difference.

In the words of Haruki Murakami, “Closing your eyes isn’t going to change anything. Nothing’s going to disappear just because you can’t see what’s going on. In fact, things will even be worse the next time you open your eyes. That’s the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won’t make time stand still.”

 

Image Credits: Fine Art America

 

Saumya Kalia

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Sanjay Leela Bhansali was slapped and his set was vandalized by the fringe group Karni Sena, and made the whole nation question if artistic freedom even exists in India…

Based on some floating rumours, members of Karni Sena vandalised the set of upcoming movie Padmavati and attacked crew members and director Sanjay Leela Bhansali at Jaigarh Fort in Jaipur. The reason for the vandalism according to the Karni Sena members is allegly that Bhansali is “distorting historical facts” because apparently Alauldin Khilji and Rani Padmavati have an intimate scene in the movie. This however, was just a rumour and Bhansali and team have gone on record saying that there isn’t such a thing.

It is shocking as Bhansali, who is a National Award Winner and a recipient of the Padma Shri, has to go through the pains of this vandalism because a section felt as if it was their moral duty to stop the “distortion” of the truth. Which brings me to my question: is there always a need for the absolute truth in art?

This is not the first time an incident like this has taken place in Indian cinema – social pressure has jeopardized many movies in the past. A few months back, when Fawad Khan was forced to leave the country and his movie Ae Dil Hai Mushkil was termed “anti-national”. The situation got so bad that the director Karan Johar had to make an apology video because people were boycotting his movie because of their “nationalist” beliefs. Why is Indian politics getting involved with art again and again?

This is also not the first Bhansali movie that has faced a controversy like this. His movie, Goliyon ki Raasleela, Ram-Leela, was scrutinized for using the words raasleela and ramleela in the title. Petitions were filed against the movie by Hindu protesting and the screening was banned in Uttar Pradesh. Kamal Hassan’s film Vishwaroopam faced many controversies initiating a two week ban in Tamil Nadu as well as protests from the Muslim community.

Filmmaker Govind Nihalani says: “The level of intolerance today is much higher. Today, censorship is happening by private groups – everyone wants to see how one has presented a character or story in the name of religion, history, personality, etc.”

Lack of artistic freedom is not just restricted to only cinema. Writers and painters also have their art banned because it is “not suited to the Indian culture.” Whatever Indian culture is, it shouldn’t be taking away someone’s right to express themselves through art.

Image credits: DNA India

 

Anagha Rakta

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A multitude of people bear witness to the magical fest period; for each eye views the enigma on stage in a different light. What do your eyes see during these vibrant days?

Between the starry nights and stimulating events; between the pre-fest anticipation and the post-fest remembrances; between the excitement of a fresher and the nostalgia of a third year lies the magnificence of the fest season. The long affair is the product of months of diligent planning, hours of tiresome execution, and transcendence of the vision into reality. Read on to explore what strings in the back of the mind of the college factions!

The Enthused Fresher’s

Stories, anecdotes, and experiences are often parted to the first years as the extensive bits of pearls of wisdom. The first thing to grace our minds in relation to DU is the grand affair of fests which lasts for weeks. With elevated expectations do the first years get ready to grace their first cycle to witness the glory!

The Nostalgic Soon-to-be-Pass outs

As the graduation phase draws to a close for the topmost layer of students, a wave of beaming nostalgia hits the hearts and souls of the those who shall bid adieu to the varsity which has managed to envelop our lives. With a stream of flashbacks clouding their thoughts and vision to capture anything and everything, this set of the audience is sure to make the best of the bests!

The Over-worked Organisers

From the department fests to college fests, leave it to the Organising Committee to be flustered with an incessant supply of work and a shortage of time to do it. To see all ideas translated into action is a thing of beauty, but the degree of hard work and hectic schedules which go in the behind-the-scenes is exhausting. Running through the event, they are the architects of the wonderful creations!

The Omnipotent Media Team

Once the stage is set, from hunting for information to endeavouring to achieve the perfect click, the media teams (yours truly!) circle the campus with recording devices, ready to spread all reins of our coverage. The goal of this faction lies in the belief of covering and capturing the very essence of the event, to be chronicled for the world to remember!

 

Image Credits: DU Beat

Image Caption: The varying perspectives of the different sections of people who visit fests!

 

Saumya Kalia

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As a community of believers of free speech, the burgeoning slam poetry scene in India is surprisingly averse to constructive criticism, giving way to its own stagnation.

 

There is something inherently ironic when a community, usually invested in voicing the most uncomfortably true opinions about the society, itself shies away from criticism. It signifies an unwillingness to grow. Currently, this is what threatens to make the desi version of slam seem gimmicky. Non-acceptance, the elephant in the room which nobody is willing to confront, may as well turn the tables for a presently blossoming slam poetry scene across Delhi’s cafes and colleges. Let’s face it, India still has miles to go to produce performance poetry matching the levels of, say, the “Button Poetry” series. There is too much focus on performance, and often the content suffers.

“I usually attend slams because it’s good money. I just have to write to engage the crowd and evoke a few responses, but I’m not really happy with what I write,” claims a second year student, a regular at competitive poetry slam events across the DU circuit. There are, believe it or not, students who think desi slam is just a passing trend. Some find the “training grounds” for young slam poets (workshops, slam retreats etc.) too pricey. They provide close to no useful training for that amount of money.

This is the rotten core underneath the shiny veneer of a sense of empowerment, which many budding poets experience by reciting at these events. This is a facet which many relate to, but are scared to confess. When the herd follows one route, can an individual sheep turn the other way? But it must, if India is to witness world-class slam poetry events, producing top-notch poets.

On one hand, the genre of slam poetry is in itself, without a doubt, an excellent means of communicating hard-hitting messages. A live audience can listen and respond to politics, sexuality, anxiety, love, heartbreak and much more, almost immediately. It provides the poet instant gratification, if he or she was successful at moving the audience. And if not, the audience can very well discard them. The results are immediate.

However, on the other hand, the current and popular version of slam in colleges edges dangerously close to melodrama. It should not(contrary to misconceptions) just be about evoking uncontrollable tears as if it were a cheesy saas-bahu soap, or evoking peals of laughter as if it were stand-up comedy.Granted that slam requires a certain kind of writing — poetry meant to be read aloud, not read in solitude. Even so, there should be a standard, key concept and structure to it. Poetry cannot be a mindless formula of rousing extreme emotions.

In a country where education is one of the most profitable businesses, young poets have to ensure that the slam scene doesn’t head down that dirty road. It is time to swallow the bitter pill of constructive criticism. Nobody is a “born” poet and actor. We all have to begin by learning the tricks of the trade.

 

Image credits:ndsmcobserver.com

Image caption: Keep calm and Poetry Slam

 

Deepannita Misra

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