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June 2013

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Tom Hanks portrayed the role of Robert Langdon first in The Da Vinci Code.
Tom Hanks portrayed the role of Robert Langdon first in The Da Vinci Code.

Dan Brown, one of the most widely read authors across the globe, is back with yet another spine chilling novel. And not just any power packed thriller but another book featuring ‘Robert Langdon’, the insightful professor from Harvard who cracked the secret of the Holy Grail in the Da Vinci Code. His latest offering, Inferno, takes Langdon to Florence, Italy where Langdon finds himself not only suffering from retrograde amnesia but also trapped in a cat and mouse chase with WHO. In this roller coaster ride spanning over a day and a half, Brown once again shows his prowess in keeping his readers hooked to the pages without food or water, powerless in the face of an imaginary apocalypse and an imaginary Professor playing Superman.

Not to reveal too much and not to make this piece of writing yet another review of perhaps this year’s most reviewed book, lets focus our attention on Robert Langdon, the Harvard Symbolist who shot to fame after his escapades at the Vatican and whose popularity soared the charts with The Da Vinci Code. What makes him the awe-inspiring personality that everyone thinks he is?

Being an ardent Robert Langdon follower, I have compiled a list of credentials that make every student want Robert Langdon as his professor, even if it means studying iconology and symbology :

  • He knows everything there is to know about every relevant person in history: As each of his adventures gets more perplexing Mr.Langdon has no qualms about solving archaic riddles and messages which stem from the famous works of prominent shapers of history and which also take the story forward.
  • Displays of superhuman Dexterity : Remember the time Langdon was trapped in the Vatican Library in Angels and Demons or the time he excuses himself to the washroom in the Louvre in The Da Vinci Code. A normal person would be completely bogged down and clueless about which way to run, but not Monsieur Langdon. Also running away from the police or International Organizations is his area of expertise.
  • His enviable ‘personal connections’: Langdon always seems to know whom to contact and which strings to pull. Right from caretakers of museums to owners of private chateaus, Langdon not only knows everyone but can just as easily call upon them in the hour of need.  Private jets and possession of priceless artifacts often comes with the package.
  • A beacon of bravery: Langdon is nothing if not courageous. Right from saving an entire country while walking on egg shells in Angels and Demons to saving his dear friend from a psychotic killer(who turns out to be his friend’s son) in The Lost Symbol to the more recent, trying to save the entire world from a pandemic, Langdon has displayed the virtue of bravery like no other.

Leaving all his abilities and shortcomings apart, Robert Langdon has captured human imagination like no other and has carved a niche for himself in the minds of is readers. For me, he is the hybrid of Harry Potter and Einstein.

File photo
File photo

This admission season, as per university guidelines, ECA aspirants will not get more than 15% concession from the last cutoff for a specific course in the general cutoff list. Till 2011 there was no minimum eligibility criterion for students successful in ECA trials. It is being said that putting a bar on the concession in academic merit will prevent backdoor entries in colleges and hence a maximum of 15% concession in the cutoff has been introduced.

a) Super Category: Direct Admission by the College without Trials

Sports  persons  who  have  participated / represented  the  country  in the following competition(s):

  1. Olympic Games by  International Olympic Committee
    1. World  Championships  under  International  Sports  Federations (IQA  and/or MYAS recognized / affiliated Games)
    2. Asian Games by Olympic Council of Asia
    3. Asian Championships organized by International Federation of concerned game / sport (recognized/ affiliated by MYAS and / or lOA)
    4. Commonwealth Games, S.A.F. Games and Afro-Asian Games
    5. Paralympic Games (recognized/ affiliated by IOC and / or MYAS)

b) Admission  based on Sports Trials

  1. Maximum 50 Marks for Sports Certificates
  2. It is essential for the candidate to qualify any One of the following Fitness Test items for Archery, Chess and Shooting and any Two of the following Fitness

Test  items for  other  Games/Sports  as  per the standards  laid down  by the university (for the general fitness):

1 Strength Standing broad Jump:1.65 mts for Men1.15 mts for Women Three attempts allowed
2 Endurance 1000 mts Run / Walk:5.00 mm   for Men6.00 mm    for Women One attempt allowed
3 Speed 50 mts. Dash:8.00 sec. for Men9.00 sec. for Women One attempt allowed

A candidate who qualifies the Fitness Test will be issues a certificate by the concerned college. This certificate will be accepted by other colleges too.

A maximum of 50 marks are allotted for Sports Trails, which includes skills test, game performance test, game specific fitness, fundamentals of the game/sport etc. A minimum of 18 marks are required to make a candidate eligible for sports admission. Schedule for the sports trials can be accessed from the website of individual colleges.


Image Credits: Additi Seth
[email protected]

DU_Logo1The Faculty members of the History Department at Delhi University recently wrote an open letter criticizing the FYUP and highlighting significant loopholes in the way in which this new undergraduate system was implemented by the University officials. Here it is:

“We are in the midst of strong protests by teachers and students against the imposition of the Four Year Undergraduate Programme (FYUP) in Delhi University by the University administration. Since forums for academic discussion and debate in the University are no longer functioning, this letter from Faculty members in the History Department at Delhi University seeks to set the record straight on many details related to this issue.

1) The public needs to know that discussions regarding the new FYUP were managed by the University authorities, not in a democratic academic environment framed by University regulations, but in committees carefully screened by the University administration. The Department of History, indeed no department in the university, was involved in its formulation. We were eventually given a framework within which we were compelled to produce a syllabus for undergraduate instruction (about 35 courses to be taught in the third and fourth years of the programme) in the ridiculously short time of a fortnight, eventually changed to a month. University authorities clearly have no conception that a task of this kind requires time for serious deliberation and discussion about academic content of the courses and the pedagogic principles underlining them.

2) If the History Department was distanced from the framing of the course structure of the FYUP, it was kept entirely in the dark in the making of the compulsory ‘Foundation Courses’ to be taught to every single student in the first two years. Until recently we were actually not privy to their contents – such is the level to which the University has distanced its Faculties from itself today. All new courses in the University are supposed to be first debated in the respective Department Councils, and then passed by their Committee of Courses and finally the respective Faculties. These basic University regulations that ensure the quality and academic integrity of its courses were systematically flouted to enable the passing of the Foundation Courses. The Faculty of the History Department was not informed, nor did we participate in the recently conducted orientation programme for the History Foundation Course which was held for the first batch of specially selected college teachers.

3) Serious questions can be asked about the intellectual and pedagogical quality of the Foundation Courses prepared by the University. The Indian History and Culture Course, for instance, lacks academic rigour, refers to subjects from history while providing no context, and does not introduce students to historical methodology or serious scholarship. Some of the signatories to this letter have drawn attention elsewhere – that the course suffers from a naive and flat presentism, and fails even so much as to mention caste, class or community formation. The casualness in the preparation of this course is underlined by the fact that some of its parts are plagiarized from a Class XI CBSE textbook. Leaving the ethics of the case aside for the moment, the education of first year students in Delhi University is pegged at the same standard as the CBSE! The course has a sophisticated bibliography, but it is clear that these readings were not the inspiration for its contents or the philosophy that guided its pedagogy. A more likely hint of its sources of inspiration lie in the online materials – links to Wikipedia – to which students are also guided. This is shocking considering that teachers all over the world strongly dissuade their students from using their variable and unverifiable quality of information.

4) It is essential to keep in mind that University Education is a moment for both intellectual exploration and training in the complexities of different disciplines. Instead we have courses like the compulsory Integrating Mind, Body and Heart, which consist entirely of a foray into selective episodes in the life of Mahatma Gandhi plucked out of context and require that students model themselves on him (and him alone) in their life. Surely the goal of a modern University is to promote independent and wide-ranging thinking rather than this kind of uncritical and most un-Gandhian worship / adulation of a single individual, no matter how great s/he may be.

The protest and anxiety voiced by the signatories to this letter cuts through the differing intellectual persuasions of the members of the History Department. While the University administrators blame the University Faculties for stymieing progress and course revision, this is far from the truth. We are protesting draconian changes that are conceptually weak, irregularly framed and arbitrarily enforced.”

NASA (National Aeronautics and Space Administration) organized the Lunabotics Mining Competition in which it challenged university level students to design and build a lunar excavator, known as a LUNABOT, that can mine on lunar surface. Kirori Mal College in collaboration with Cluster Innovation Centre, University of Delhi (whose Lunabot was on display at Antardhvani 2013) was one of the 50 International institutions invited to participate in NASA’s Fourth Annual Lunabotics The Mining Competition was held at the Kennedy Space Center, Florida, USA from the 20th to 24th of May 2013. The KMC-CIC Lunabotics Team was one of the 12 exceptional teams whose Lunabot was successfully able to mine and dump the lunar simulant. It was the only Indian team to bring laurels to their country by winning two awards out of the five categories at the prestigious event. They won the second position for the outreach category as well as for Luna’s worldwide campaign category.

Dr. Sumitra Mohanty, Assoc Prof. Dept. of Physics was the faculty advisor of the team. The unflinching inspiration and support extended by her helped the team to scale to the projected heights. The team was led by Anubrata Saha a final year, B.Sc. (H) Physics student who the team described as the perfect leader who stays calm and refuses to give up even in the most difficult conditions. The competition was in relevance to NASA’s recently announced mission to find an asteroid by 2016 and then bring it to Cis-Lunar space; the technology concepts developed by the university teams for this competition conceivably could be used to mine resources on Asteroids as well as on Mars. KMC-CIC Lunabotics Team feels highly privileged to bring recognition to Delhi University and looks forward to continuing its engagement with NASA . It also aims to continue its winning streak at the NASA LMC 2014

“The Great Gatsby” follows Fitzgerald’s classical work portraying Nick Carraway (Tobey Maguire) as the narrator who leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz, drinking-games and sky-rocketing stocks. Chasing his dream to make it big after Yale, Nick lands next door to a mysterious, large-hearted, party-giving millionaire, Jay Gatsby portrayed by Leonardo DiCaprio, and drives across the bay for dinner at the home of his cousin, Daisy (Carey Mulligan), and her good for nothing, blue-blooded husband, Tom Buchanan (Joel Edgerton). It is thus that Nick is drawn into the captivating world of the super rich, their illusions, love and deceit with lead characters being his own cousin, her husband and his dear friend, Gatsby. As Nick bears witness, within and without of the world he inhabits, he pens a tale of impossible love, incorruptible dreams, treachery, power of the rich and holds a mirror to our own modern times and struggles.

The movie takes you through a bumpy ride of overdone glittering parties and grandiose displays of wealth with Jay-Z music and Lana Del Ray backgrounds. You know the 2013 Great Gatsby hasn’t done justice to the 1925 Great Gatsby, when there is an overuse of the dialogue “Old Sport” and Daisy’s unreal helplessness crosses all bounds. The hopelessly optimistic Gatsby after a while begins to disappoint the modern trended generation and leads to a predictive ending.

For what it is worth, I would rate the movie a 3.5 out 5 for Tobey Maguire pulls the movie to its ending. His narration of witty life-lessons makes you walk out with a thought. The Great Gatsby definitely teaches one how to party, but fails to be a testament to the determination of the human spirit, and the reality of the American Dream.

Sahiba Chawdhary
[email protected] 

About 150 teachers and students who had gathered to protest against the four-year undergraduate programme (FYUP) in Delhi University were arrested at India Gate on Monday. The protest was a peaceful candlelight protest and was organised by the Joint Action Front for Democratic Education (JAFDE).

There were about 500 teachers and students in all who came together at India Gate to hold a torchlight procession. All the detained teachers and students were loaded onto buses and kept in the Parliament Street Police. On this matter, S B S Tyagi, DCP, New Delhi was quoted as saying, “They didn’t have our permission to protest at India Gate. We advised them to move to Jantar Mantar but they refused. We had to detain them.”