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Caucus, the group discussion forum at Hindu College organized Vaktavya – the 6th annual group discussion festival on 25-26th March. The festival was scheduled to have bilingual group discussions and baithaks.

 “Banning the burqua: Can women’s rights trump religion”

For Day 1, “Banning the burqua: Can women’s rights trump religion” was the discussed topic for conventional group discussion (GD). Discussion was moderated by Caucus members. Arushi Walecha was the Chairperson for the discussion and Pratishtha Mahajan sat as the Rapporteur. Each participant during the discussion was allowed to present his or her views and each opinion was recorded with the moderators. Mohammed Ziyad Ansari, a participant in the course of discussion remarked, “Islamic religious books not only talk about hijab (burqua) for women but for men as well. The purpose of hijab is not only covering one’s self, but also to show respect, lower the case and guard modesty.”

After 60 minutes of bilingual discussion, moderation and recording of views, the group came out with a common solution which mentioned that whether burqua or not, depends on the individuals choice. Ziyad also added that, “It should be the woman who should choose. We should keep in mind that Quran doesn’t impose burqua on anyone, it presents a choice.” The group also felt that, in the west there are many predetermined notions about these women who wear burquas. So someone who hasn’t experienced it or someone who doesn’t have full knowledge of the same has no right to condemn this system. Raja was adjudged the winner for this round of discussion.

“Is secularism irrelevant in the current Indian political context?”

Baithak at Vaktavya conducted a discussed on, “Is secularism irrelevant in the current Indian political context?” Baithak is an open discussion where no one moderates the discussion. Instead, a peer evaluation system is followed where the whole group evaluates other speakers and a best speaker is declared. This was also a bilingual discussion on what secularism is defined and understood as. The group also discussed about whether secularism as an issue is relevant in political discourse.

Baithak that was conducted for over one hour came out with the conclusion that despite the current political emphasis on development and economics, secularism still remains an agenda. Sandeep Singh, a baithak participant mentions, “Secularism stands on a proposition that religion and government state should be separated. But this agenda of secularism influences our perception of the political parties and candidates participating in the elections.” Sandeep was also declared the winner of this baithak session by his co-participants.

“Should schools teach – virginity is not a virtue”

On the second day, baithak‘s discussion revolved around the topic – “Should schools teach – virginity is not a virtue.” After 70 minute exercise of presenting their views, the group unanimously decided that virginity should be based on individuals perception and not as a universal virtue. Aishwarya Puri, the winner of this baithak round mentions, “Virginity should not be taught in schools, because when virginity is associated with a term like virtue, it becomes subjective.” A few members of the group also  presented their opinions on why this subject of virginity should be a part of school teachings.

 “Realism v/s Escapism : Does cinema need a purpose”

The last discussion at the festival had Nimisha Kawatra and Nishtia Khattar moderating the discussion as Chairperson and Rapporteur respectively. The topic, “Realism v/s Escapism : Does cinema need a purpose” had mixed views coming in from the participants. According to the members of the group, cinema works both ways. On one hand, it is a chute to propel one into another world for two hours and on the other, it can ground someone more firmly into the reality and enable him or her to see past the illusions of the society. Sandeep, who also bagged the first prize at baithak of secularism, was declared the winner for this discussion as well.

Vaktavya came to an end with screening of a short film called The Naturalist by Connor Hurley for all the Caucus members.

replaced Amit Trivedi for the star night. Advaita, a Delhi based rock and fusion band took on the stage at 7:45 PM. The band was a team of seven members and they performed eight songs from their own albums. The band was welcomed by team Moksha with bursting fireworks up in the sky. Advaita fused in Indian classical with western rock music. Their songs were accompanied by beats of the tabla and notes of a sarangi, along with the usual acoustic guitar and keyboard. The Hindustani vocals with variation in the notes created euphony for the listeners. [caption id="attachment_21531" align="aligncenter" width="640"]DSC_0178 Image Credit: Ishaan Gambhir for DU Beat[/caption] The highlight songs by them for the evening were Miliha which means ‘extremely beautiful’ and Durga. Another song that left the audience almost silent was WHY which questiones the happenings in the world on account of time and age. The lead western vocalist engaged the crowd well by saying out the lyrics slowly for them and then asking the audience to sing and join him. During one hour of their performance, all hands were seen up in the air, dancing or waving to the band. [caption id="attachment_21530" align="aligncenter" width="640"]DSC_0244 DJ Lloyd with the dancing crowd. | Image Credit: Iresh Gupta for DU Beat[/caption] Five minutes after Advaita’s exit, Bollywood’s DJ Lloyd started with his dance numbers changing the Sufi mood of band’s last two songs into the party mode. People were seen up on the chairs and some on shoulders. DJ Lloyd who came all over from Mumbai to play at NSIT, mixed up the tracks according to the changing environment within the dancing groups. “Baby Doll and Party All Night were the craziest numbers for the evening. DJ made up well for Amit’s absence”, said Kartik Rishi who was there to attend the musical evening. The last day of Moksha also witnessed Oorja, the western dance competition. Team from Sri Venkateshwara College, Verve was declared the winner. Jesus and Mary College’s Mudra and Indraprastha College for Women’s Afroza bagged the second and third positions respectively. Featured Image Credit: Ishaan Gambhir for DU Beat]]>

Amit Trivedi’s first ever performance in North India that was scheduled to be held on 22nd March at Moksha – the annual cultural festival of Netaji Subhash Institute of Technology has undergone a last minute cancellation. As per the official announcement Amit was performing with Mili Nair, Divya Kumar, Karthik and Jaggi (his band members).

Trivedi’s performance has been cancelled due to unavoidable circumstances.

The organisers have roped in last minute replacements for Moksha’s Pro Night. The band, Advaita will be performing 5 pm on wards, followed by DJ Lloyd’s live music from 7 pm.

advaitaTeam Moksha promises the disappointed audience an entertaining evening nonetheless. The festival season this year also witnessed a cancellation at Reverie, Gargi College’s annual cultural fest where Neeraj Sridhar replaced Arijit Singh.

Image courtesy: http://advaitaonline.net/band]]>

He set new benchmarks for literature in independent India. This Sikh’s love for poetry, avidity to make people laugh and his well known ardor for Indian literature made him a pivotal author and journalist among the Indian readers.

On the 20th day of this March, Khushwant Singh passed away at the age of 99. The writer who led a wholesome life was suffering from breathing problems. Khushwant Singh had contributed to the literature for over six decades now. Apart from numerous short story collections, Singh wrote over 50 books during his tenure.

Jasleen Kaur, a literature student from St. Stephen’s College from where Khushwant Singh also got his degree says, “Reading Khushwant Singh’s work would be a treat for any reader. He makes his reader very much a part of his stories that we cannot withdraw our self from it, even if we want to. I still remember how his Train to Pakistan gave me goosebumps.”

Khushwant Singh was known to take up topics which undertook him through a personal experience or which were of a delicate nature to a certain community or cast. He also portrayed matters of religion and God through his books. He was also known for portraying gender and sex as an important subject to write on. Ms. Kajori Sen, an anchor at NDTV 24X7 says, “Khushwant Singh’s death essentially means end of an era. What he represented not only as a satirist but as a chronicler of India’s Independence and many of the events that transpired thereafter is incredibly significant. If we look at the books that he has written he was very critical, also very appreciative and had a clarity of vision which was inspiration for journalists for generations.”

Khushwant Sahab also took up the mission to bring out the unknown facts about Punjab and Sikhs through his writings. Bhawsheel Sahni, a sikh himself says, “His identity for sikhs is unquestionable. He was straightforward man. For me he was that person who would say that he drinks alcohol and not say that he mixes it with coke. He will be one of the best modern literature writers. With Malice towards one and all is that type of column which even the politician and well as the middle class man will associate with.” With Malice Towards One and All – the weekly column of Khushwant Singh that appeared in over 100 newspapers of India including The Telegraph, Hindustan Times and The Pioneer is known to be one of the most widely read columns of the nation.

He was also the former editor of Hindustan Times. As a journalist, he also edited ‘Illustrated Weekly Of India.’ Anne Cherian, a senior correspondent with Times of India says, “Khushwant Singh has left a rich legacy of literary work for the generations to come. Be it as a author, journalist or jester, he was fearless when it came to wielding the pen. He will always inspire the writers behind him.”

Khushwant was one person who could laugh on himself. He was famous for his wicked sense of humor among people of all age groups. Kajori Sen agrees by saying that, “The other thing that Khushwant Singh had which was hugely important was his sense of humour. Too often, there is a sense that journalism as a profession in India takes itself far too seriously. Khushwant was giving the imperils to that fact. As he himself said when he was 28, he didn’t want anybody to give a damn about what they were saying as long as they were saying it well.”


Ms. Kajori who had met Khushwant Singh a few months back to check whether the rumours of the author’s death are true or not, added, “It is a huge loss to the country but we can all be fortunate in saying, he had a great run, he was a great man. 99 years of Khushwant Singh mean that we have rich, journalistic, literary and historical tradition.”

He catered to the reading needs of all age groups and people from all professions. Maitry Barua, Head of English Department at Hansraj College, Delhi University said, “We can never find such a writer again. Someone who mixed his journalistic skills with a side of literary touch to his writings. He was the master poet. Someone who loved nature and his sarcasm and wit was unquestionable. As a teacher, I have both read and taught his stories and books. But something for which he will be remembered throughout is Train to Pakistan, which only someone like Khushwant can write.”

Khushwant Singh’s physical absence does not mean that he will be forgotten, his books will always adorn our bookshelves, for he is now in the realm of immortal writers.

Festival season at Delhi University has almost touched the finishing line. In hindsight, certain trends dominated the culture and the crowd over these few months. From main college fests to department fests, from star performances to sponsorships, from food stalls to fashion (and its disasters), the University witnessed the most vibrant period of the year.

This year, star performances, the greatest deal of the big college fests attracted huge crowds at most of the colleges. Unions with high budgets went to call performers like Arijit Singh, Mohit Chauhan, Shaan, Papon and Kailash Kher to name a few whereas many colleges saw Punjabi stars like Diljit Dosanjh, Bohemia, Indeep Bakshi among others. This new trend of hooking up Punjabi stars for the fests seems to be a fair deal, mainly because they aren’t buried under extensive Bollywood rage and it ends up being a less costly affair. Not only that, Punjabi performers create that insane mood among the spectators by singing party numbers.

With many star nights overlapping, DUites had started blabbering to themselves about where to go and where not to. Though looking at it from a broad perspective, artists performing this year were more appreciated and attracted large audiences compared to last year. The college fests that were tagged as “big” last year might have disappointed a few, while few others (probably the ones that are not usually listed in the top 5 college fests of Delhi University) attracted many young heads from all over the University. This also encouraged better participations in various main and filler events of the fests. In terms of creativity and organisation, most of the colleges did not fail to impress.

The individual department and society fests within the colleges were almost as big budget affairs as were college fests. Histrionica and Eclat, the Theatre fests of Shri Ram College of Commerce and Hansraj College respectively, Appulse – the Commerce fest of Kirori Mal College and Scoop – the Journalism fest of Delhi College of Arts and Commerce to name a few were bigger this year. The cash prizes and awards at all the fests around the University were inciting enough to grab the attention. Sponsorships remained an issue with most of the colleges as all the decisions were taken at the last moment but in the end big brands like Coca Cola, BBM, Radio Mirchi, BlackBerry etc. were seen as partners with the fests.

The food stalls at most of the fests, however, disappointed majority of students. While the usual chaat, bhelpuri, pasta were commonly found at colleges, at certain times, the college canteen was seen to be more occupied than the food stalls at the fest. Local new eating joints and restaurants in the University area were also catering to students occasionally.

After attending classes late for the whole year, dressed up in night suits and pyjamas; the fest season practically changed the routine of all university students. Reaching 4 hours before the arrival of the star performer and dressing up to impress others were most the trends among the youngsters, especially girls. Fashion disasters weren’t missing nevertheless.

Largely, the colour and flavour of all these elements during this season will surely make up all for the messed up schedule during the other time of the year. Finally comes a time, when students stop thinking about the confusion going on and struggle to get to the classes on time. The time is here.

See you all next year at the fests!

Illustration credits: Mehr Gill for DU Beat

After the first day at the Hans Raj Annual Cultural Event focused on dance and drama, the second day turned out to be a musical one.

The event was attended by few guests and dignitaries. Dr. V.K Khwatra – principal of the college, Mrs. Sonal Gupta – ECA Convenor, Mr. M.P Sharma – Dramatics Head and Sports Faculty, Dr. Mahasweta Saika and other faculty members of the college were present.

Swaranjali – the music society of college had the present as well as alumni bands performing. The function also witnessed some solo performances by members of the society.

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Jasleen Kaur – member of Swaranjali started the event with her solo performance. She sang two songs for the audience which were both punjabi folk tracks. Aisian Nighwan originally sung by Richa Sharma for Coke Studio was her first song and is about the joyful feeling one experiences in love. Charkha by Wadali Brothers, on the contrary is about separation and pain in love which she sung next. Jasleen is a well known classical and sufi singer and she has featured on various channels like Zee Punjabi, Fateh TV, PTC Punjabi and more. She was the only one from the university to perform a solo at Mood Indigo, IIT – Bombay’s classical concert where she opened for famous Pandit Ronu Majhumdar and secured the third position.

Raagleela – last year’s Indian Band of the college performed its five original productions. The band has opened for Salim-Sulaiman at Mood Indigo 2012 and was also shortlisted in top 100 bands of country to compete for a slot at MTV Coke Studio.

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Freewill was also an alumni band that performed for the event. It was a western band of the college for the year 2012-13. The members reunited after a year to perform in the college. They performed one original production and two cover productions.

Sagar Chawla, who is the keyboard player for both Freewill and Raagleela said, “I feel really nostalgic to come back to the place from where it all started. But at the same time we all miss the presence of Rachna Ma’am. This all couldn’t have been possible without them.” Members also dedicated a song to Late. Rachna Sharma, who was the ECA Convener of the college.

Nirupan Sinha, a western vocalist of the college band and also part of Freewill also gave a solo performance. Nirupan performed two songs which were Dreaming and Make you feel my love. He had bagged the first position for western solo singing at Lady Shri Ram College for Women, Kamala Nehru College, Sri Guru Gobind Singh College of Commerce and ISBF. At Mood Indigo, he was adjudged the second best singer.

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Last for the day was the current band of the college – Hansraj Projekt. The band performed it’s four original productions namely Batiyaan, Dil Se, Tarapa & In and Out. The home crowd at Hans Raj cheered for their band and the guests also enjoyed the performance.

Hansraj Projekt with it’s four productions this year has bagged various prizes at different competition like other societies of the college. They won the battle of bands at IIT Bombay where they also opened for Mohit Chauhan. The band was awarded an recording contract with T-SERIES there. It also recorded the track Kaisa Hota for the album Sounds of Freedom’14. The band participated in the band competitions all over the country and were awarded first positions at Lady Shri Ram College for Women, IIT Delhi, Shaheed Sukhdev College of Business Studies and ISBF.

Sajal Sharma, the president of Swaranjali and also a member of Hansraj Projekt and Freewill told DU Beat, “This was a mission for us and it was accomplished. It was great to have the alumni members coming in and taking part in this small celebration of music.”

Image Credit: Udit Chauhan

Intifada 2014, Abhivyakti – the theatre society of Maitreyi College organised AKS – the 2nd stage theatre festival of the college on 11th March. Total five teams took part in the festival, out of which one was a non-competitive entry. Shri Ram College of Commerce presented their play titled The Nerd, Hans Raj College performed Holi, Ek Rishte ki Maut by Shivaji College and Shaheed Bhagat Singh Evening College (SBS (E) ) performed their two productions namely The Dark Room and A Birthday Party (non competitive). [caption id="attachment_21222" align="aligncenter" width="538"]holi ‘Holi’ by Hans Raj College[/caption] Dr. Manish Sharma, who also judged Intifada – the street play fest of the college judged Aks as well. Dr. Sharma is the Head of English Faculty of the college and a former convenor of Sri Venkateswara College. He said, “Street and stage theatre are two separate forms of dramatic art. Street focuses more on voice and subject whereas stage focus more on expression and matter.” Mr. Satish Mukhatib, PhD in theatre from Jawaharlal Nehru University was the second judge. Mr. Mukhatib is also the head of Jumbish Theatre Group. The plays performed covered the different genres of theatre. The Nerd by SRCC was a comical family drama where as Ek Rishte Ki Maut by Shivaji was a serious story of a post marriage relationship. The Dark Room and Holi by SBS (E) and Hans Raj College respectively talked about both friendships and betrayals. [caption id="attachment_21223" align="aligncenter" width="672"]nerds ‘Nerds’ by Shri Ram College of Commerce[/caption] The two best actor awards were bagged by SRCC for The Nerd. Vishnu Sinha and Mitali Mehul won Rs. 1000 each. Their team was also declared the first runners-up team for the competition. Cash prize of Rs. 3000 was awarded. Shivaji College’s Ek Rishte Ki Maut was adjudged the best play at Aks. They were presented with Rs. 5000 in cash. Mr. Mukhatib during the feedback and comments mentioned, “Theatre sometimes fails to cover each aspect. The plays that had played well with lights/sounds and acting skills couldn’t deliver the message and diverted from the topic. Others that justified the subject couldn’t impress with the external factors. No play can work only with sounds, lights, acting or the subject. A blend of all this is necessary.” Image Credit: Anisha Shekhar]]>

The Fine Arts Society and Dramatics Society of Hans Raj College organised Annual Cultural Event on 12-13th March. The event aims to bring all the cultural societies of the college together to perform for the home crowd.

Chief Guest for the event was Dr. Suchitra Gupta – Deputy Dean, Culture and Youth Affairs, University of Delhi. She said, “I appreciate the effort of college authorities for organising this cultural event in the cultural week alloted by the University.” The event was also attended by the college principal, Dr. VK Khwatra; ECA Convenor, Mrs. Sonal Gupta; Hindi Dramatics Head, Mr. M.P Sharma and other teachers of various departments.

The first day began with the Rangoli Making in front of the auditorium with participation from both students and teachers. This was followed by Swaranjali – the music society of college performing it’s Indian choir composition called Pratham Gajavadana Dhyaye Sada. After the spiritual Ganesh Vandana, the lamp lighting ceremony took place. All the guests for the day lit the holy lamp.

Dr. V.K. Khwatra while addressing the audience said, “Cultural activities are the essence of one’s college life. Irrespective of what your future plans are, each student should go through the process of joining a society in college and doing something productive along with studies.”

The performances started with Terpsichoreon – the choreography society of college performing their annual dance production. A 10-minute dance act on the theme, “personality fear” talked about how we should accept and acknowledge this fear because one can by no means overcome this personality fear.

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Siddhi Jain with her Bharat Natyam Performance

Siddhi Jain, the ECA entry for dance performed Bharatanatyam for the audience. The act performed was a ‘Pushpanjali’ – which means an offering of flowers. Siddhi is a disciple of Guru Jayalakshmi Eshwar and has been learning Bharata Natyam since the age of five years. She has also performed in Japan under the cultural programme JNESYS.

Oorja – the western dance society performed thereafter. The western dance was performed on a medley of various hindi and punjabi songs. Tanushree Pande, the president of the society said, “Oorja is the only society to have bagged a chance to perform with world’s best Latin dancers at IFL 2013. We consider this as a great achievement.”

Santosh – a Sanskrit honours student of the college was handling fillers in the event. He was entertaining the audience with his Hindi shayari.

A Kathak dance was performed by a Srihari Madhav, a trained Kathak Dancer. He is also an ECA entrant into the college for dance and is part of Terpsichoreon. He started with a ganesh vandana by Late Guru Pandit Durga Lal which was followed by conventional kathak performance on Panjitji’s compositions in teentaal. Srihari who is trained Kathak dancer from Kathak Kendra, the national academy of Kathak dance says, “During my childhood, a teacher used to come to train my sister. I just joined in then. Not many male dancwers go out to learn this dance form but a form like this stays with you for life.” Srihari is a proud performer for CWG 2010 Youth Festival and Didacta Education Fair in Hanover Germnay.

Day one ended with a performance by Hansraj Dramatics Society who presented their much acclaimed production ‘Holi’. The play has won the first position at SGTB Khalsa, Daulat Ram College and Jesus and Mary College. Holi, a story about a bunch of hostel friends showcases the different levels of temperament of today’s youth. A play that projects the events happening in a single day talks about the realistic lifestyle of a college hostel and how the timeline changes from day to night. The production has also won awards at Dyal Singh College, Hindu College and St. Stephens College. Purusharth Budhiraja and Nirmal Kothari, actors for the production have also bagged the best actor awards. Mrs. Gupta, the chief guest who is also an eminent theatre personality gave members of Holi a small feedback and expressed her desire to have one common theatre production for the whole university.

Mrs. Sonal Gupta, the ECA Convenor said, “It is great to see how all the societies of the college excel in various competitions all over the country. It is a matter of great pride for the college.”

Abhivyakti, theatre society of Maitreyi College organised Intifada – the 2nd annual street theatre fest along with Rhapsody – the annual cultural fest of the college on 10th March. The street festival saw various societies from all over the university coming and participation in the competition. 10 teams presented their annual street productions. Participating colleges were Keshav Mahavidyalaya College, Gargi College, Shaheed Bhagat Singh Evening College, P.G.D.A.V. College, Indraprastha College for Women, Ramanujan College, Sri Guru Gobind Singh College of Commerce, Shivaji College, Hans Raj College and SGTB Khalsa College. IMG_0969 With the fest season coming to an end, each team had performed a lot in the recent past. But certain plays like Bas Samajhne ki Baat hai by Shivaji College left the audience crying. Their play was based on old age problems. SGTB Khalsa’s We, the people based on politics surprised the spectators with its different elements. Radhika, an avid follower of street theatre said, “It is great to notice that every play has some changes incorporated for their performance compared to the last one. With performances happening each day, this shows how much teams are working hard towards improving their production.” Rehaayi by Hansraj Dramatics Society bagged the third position at the festival whereas the first runners-up team was Sri Guru Gobind Singh College of Commerce for their play Chidiya ki Kahaani. The winners for Intifada was Gargi College for their production Joota.

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Former Convener of Sri Venkateswara College, Dr Manish Sharma was one of the three judges for the event. Mr. Nilesh Deepak, an eminent theatre artist, who was also a judge said that, “Theatre in DU circuit is still alive and happening. It feels great to know that there is an uprising and this looks like a change.” Head of Commerce Department of the host college, Ms. Nilima Chaudhary was the third judge for Intifada. Minna, the president of Gargi Dramatics Society said, “It feels great when a very simple production like Joota gets so much appreciation from the audience. This shows how quality matters more than the quantity of the subject.”]]>

Lady Shri Ram College’s (LSR) Dramatics society on 9th March, Sunday performed their annual street play production, “Jahaan Neelaam hai Insaaniyat” at G.B Road, New Delhi’s largest red light area. The play revolves around prostitution and talks about the rights of prostitutes and how it should be recognized as a profession and not looked down at with disgrace.

The performance was scheduled with legal police permissions with help of Khanabadosh – a theatre group of ex-Delhi University students who do street theatre only for public awareness.

At 12:30 PM, LSR Dramatics Society and Khanabadosh made a common call in the area before starting the performances. ‘Demo-crazy’ was the first play presented by Khanabadosh on politics. It talked about how democracy isn’t only the matter of voting and is formed by people and not politicians.

This was followed by ‘Jahaan Neelaam Hai Insaaniyat’ by LSR girls. The play had many spectators from all over the area. Chandu who was present there to watch the play said, “Hum zyadatar dukaandar log hai yahan jo dekh rahe hai, jinn log ko aap dikhaana chahte hain unhe koi baahar aane nahi deta.”

Performance attracted various actors from different college societies of the University. Members of an NGO, Kat-Katha which works towards the welfare of children of prostitutes were also present. Mr. Sandeep Rawat, founder of Samarth – an organization that does theatre with blind students of Delhi University was also part of the audience.

On asking about the security issues, Aishwarya – a student of LSR who had come to watch the play told DU Beat, “Yes, I had some fear in mind while coming to this area. But there was this nervous excitement as well. Theatre in the university is a mere source of winning competitions nowadays, but this step is very rare. This is where this play belongs.”

The play talked about the problems a woman in this profession has to face and how the men in our society are the leading force. It highlighted that most of the women are trafficked in our country and they don’t choose to be where they are. The play was written using various slogans that left the crowd teary-eyed like “Kya yehi vo duniya sanskari, jahan ghat ghat pe bikti nari” & “Woh auzaar thi, auzaar hai aur auzaar hi rahegi.” The play projected that the public does nothing for a woman who undergoes such trauma. “Hum to aaj ki janta, humein vaishya ki haalat se koi farak ni padta.” According to people in the audience, a small drawback for both the plays was that they had few dialogues in the English language. The message may not have been clearly delivered.

Talking about why a topic like prostitution was chosen, Nishtha Pandey – the society’s president said, “There are many preconceived notions about this matter. The incorrect fact with people is that 15% of the women choose this work on their own, whereas this percentage is only 2%. Myths regarding this subjects are not really myths. It is true that 60-70% of the women who are prostitutes are affected by HIV AIDS. Their condition is horrifying. Ours is a small step towards this.”

The president of the society also feels that addressing prostitutes as sex workers only glamourises the name and doesn’t gurantee any rights or respect. Hence the play used the term ‘prostitutes’ against ‘sex workers.’ The act also provided solutions in the end by mentioning that unionisation should be undertaken for these prostitutes to protect their rights as being done at Sonagachi, one of the biggest red light areas of Kolkata. The members of the society also said that they feel that finally the motive of making this play was achieved. Mr. Siddhant Sharma, the leading person behind organising this all also congratulated the artists from LSR.

But the most important question that arises here is that was the target audience actually targeted. As commented by a localite of that area the women are not allowed outside the brothels for any such happenings. Ramlal said, “Isse farak bohot kam padega. Aisa kaam jaari rakhna hoga jiske chalte logo ko zyada se zyada pta chalta rahe.” Due to this very fact, no questions were raised by people from the local audience during the question answer round. The team promised that they will try making efforts in this regards in the future as well.

“Kal ek vaishya ne kaha, ki aaj mujh par jung lag gya hai,
Kal tak jo mere dar aata tha, aaj wahi mujhse darr gaya hai.
Koi dalal ko kyun nahi tokta, kyun ilzaam mujh par hi lag gya hai,
Kal ek vaishya ne kaha, ki aaj mujh par jung lag gya hai.
Jab tak hum andekha karenge, tab tak chalegi haiwaniyat,
Mitta do unn hawaalon ki, jahan nilaam hai insaaniyat”