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Poetry, arguably the most beautiful form of literary expression, has been around for as long as history itself. But, in this age of social media and commercialisation, what has poetry evolved to?

Poetry is a form of literature that strings words together, heavily using literary devices, symbolism, and emotive language. It is an art form as old as language itself: the earliest poetry has been believed to have been sung and recited verbally to remember law, history or genealogy. Gradually, it evolved into a form of emotive self-expression: talking about love, pride, anger, sadness, beauty and everything else you could feel.

French poet Paul Valery once said that while prose is walking, poetry is dancing. The freedom to explore, that the art form gives to its audience, is its most striking feature; possibly the most important reason for the rise in its popularity. From the court poets of the Mughal Era to Slam Poetry meetings of the modern times, Poetry has come a long way.

Poetry has always had the tag of elitism and complexity attached to it. The poetry circles of the medieval ages and the commissions by the royalty to artists and poets have made poetry associated with the nobility.

But, like every other product in a capitalist world, poetry, too, has undergone commercialisation and a change in its consumption.

So, poetry isn’t anything new; accessibility to it is, though. Humans are social animals, and all we ever want is to connect and be understood. In the age of internet and isolation, when there’s a lack of depth in interpersonal relationships, poetry has become a platform people connect to.

Through blogs, online poetry groups, Instagram poets, and slam poetry, poetry has been made accessible to the masses. Poetry, stripped to its core, is just words strung together aesthetically and what makes it attractive is its subjectivity: the understanding of a poem completely depends on the reader. With the internet, a blog post or an Instagram/Twitter update can get you an audience of millions. A very well-known example of the is the famous poet Rupi Kaur. She’s one of the only few poets in recent years to have made it big commercially and has made poetry popular in common perception as well.

“Rupi Kaur seems to be like an oasis the desert of poetry. Honey and Milk have nourished poetry in modern days,” said Priyanshi Banerjee, a first-year student at Lady Sri Ram College.

However, what this age of Instagram poetry and commercialisation has also done is bring about a compromise in its quality. Poetry is produced in easy, consumable bites, and it becomes a tool of gathering ‘likes’ and validation, rather than a true expression of the self. For internet aesthetics, the essence of the art itself might get neglected.

“I have personally never enjoyed Rupi Kaur’s work and never will, there must be people out there who do enjoy that, good for them. I feel that looking at how many much more talented poets died broke and penniless, Rupi Kaur is much more popular and commercially successful because of the internet and because her poetry does not pose any questions, it’s a few short lines on something all of us agree on, there’s no thinking involved when you read her poetry, and that’s why it might appeal to so many people,” says Prabhanu, a first-year student of Kirori Mal College.

“I feel that Rupi Kaur lacks truth, cause few of her verses are from a privileged position. But, on the other hand, it’s her choice to choose her subjects,” adds Chhavi, a first-year student of Sri Venkateswara College.

But I think that’s the beauty in the freedom this art form provides; it is so incredibly forgiving and accepting. No one truly has the power to dictate what poetry is, not when a million others are doing it a million different ways.

Feature Image Credits: Sarthak Singhal for DU Beat

Satviki Sanjay

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“Our backs tell stories no books have the spine to carry.”

Rupi Kaur’s milk and honey has been a New York Times Bestseller for 52 consecutive weeks. One of her initial works, the book is a collection of poetry and prose. A 24-year-old Canadian writer of Indian descent, Kaur has housed her times of struggle in this piece of art. Her style of writing is based on the Gurmukhi script in which just one case and only periods are used. Hence, she writes in lowercase and makes use of only periods as a way of honoring her culture. Her books have been translated into about thirty other languages; which explains the increasing love for her poetry.

Rupi tackles various issues through her poetry, from growing up seeing broken families to love and heartbreak, or gender and race, before finishing with a healing full of wisdom and lessons learned. People consume poetry through lyrics on a daily basis without ever realising, and that’s what she manages to do with the simplicity and brutal honesty of her words. She fearlessly challenges taboos, and this brave form of expression inspires her readers. Her honest, authentic voice speaks to the young people who relate to her portrayal of pain and struggle at different points of life.

The emotional intensity of her message of self-empowerment and affirmation, combined with her passionate expression truly resonates in the book. With a firm belief, her relatable poetry, not clouded behind elaborate metaphor or archaic syntax, can heal and prevent convulsions. Kaur breaks her book into four parts; “the hurting”, “the loving”, “the breaking” and “the healing”. The poems open in a certain dark aura depicting her battles with sexual assault and familial issues. The next section, “the loving”, is a more  emotionally uplifting read, about building and realising a sweet and idealistic bond of love. “the breaking” brings aching poems penned during heartbreaks. The last section of this book is about empowering women to embrace themselves and to value who they are regardless of the turmoil they have endured. Kaur holds nothing back; there is no mystery in her poems, but each one captures a seemingly familiar thought or feeling with such an exquisitely satisfying and unique form of expression. The poems are illustrated with simple line drawings, to accompany or offer a new understanding to the words.

While reading the collection from its beginning to end, one can walk through her own journey, or can find herself in a poem or prose while letting the book fall open on a new page, and venture into that one poem, exploring that one expression to its full depth. Whether you’re a regular poetry reader, or someone who dives into verses from time to time, you can quench your thirst through these poems.

Feature Image credits:  Stella constellations

Radhika Boruah

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