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What is it like to be a female student journalist? Is it always dangerous, or can one bypass the gendered prejudices and discrimination? What are the things that make journalism a gendered experience? Female student journalists across the country answer these questions, and more.


Untoward comments, sly taunts, and that nagging feeling of being unsafe –the life of a female student journalist. Student journalism provides exciting opportunities for work experience, but the female experience is often undermined and disregarded. That the ‘second sex’ faces discrimination, harassment, and prejudice stemming from patriarchy is evident in the numerous instances reported in the news. A greater number of such reports, however, die unknown, due
to the fears and social stigma that surround them.

Watching, reading, and listening about such instances generates a psychological fear that can be
extremely disempowering. It’s almost as if you know beforehand that you will be treated differently because of your gender. For most of us, this unfortunate reality gradually sinks
in. The eventual acceptance of the fact that your work as a journalist will come with an unwanted package of sexism is perhaps the saddest part. DU Beat spoke to female student journalists across the country, and this article is an attempt to give them agency and acknowledge their struggles.

The first thing that most journalists mentioned while researching for this article was time. Working at odd hours is a major limiting factor on every female journalist’s mind. Returning home after covering events, fests and seminars at night can be daunting, especially in cities
like Delhi, where women’s safety is a persistent fear.

Since it is a time sensitive job, we must be on the go constantly. Safety is a big issue. My parents were initially very against me joining a media outlet since it involved going out in the late evenings. Being a student, you need to balance time with your studies as well, and being a woman, with the hundred other kinds of work and duties society expects you to perform. I used to feel quite odd travelling by metro at odd hours and being at fests at night. It can be a thrilling experience, but there is this constant fear at the back of your head that something can, at any time, go wrong.

shared an anonymous journalist

The hesitation of getting quotes for a news report from men was also something most female journalists said they tried to avoid.

I have thankfully never faced any sort of gender discrimination directly being a female journalist, but that is also because I try to never put myself in that position in the first place. I am very wary of men in general, and more comfortable getting quotes from women, if I am
honest. Fellow student journalists have said that many people can be creepy when it comes to giving quotes. They might harass you even after you have completed your professional
conversation.

A female student journalist studying in Lady Shri Ram College for Women commented

Covering and reporting student politics is also, unfortunately, a gendered experience. The rough
world of politics can be tougher for female journalists to navigate.

I feel like I have faced more problems not because I am a student journalist but because I’m a female student journalist. Perhaps the biggest hurdle is contacting political parties for quotes. The biggest concern is safety. As a woman, you are stuck in a messy situation where your contact is being shared with the world. I know a lot of female student journalists who have gotten bullied or harassed while trying to report a situation. Since we do this work in good faith, it feels sad when you hear about such instances. I spoke to a member of an organisation once, and later got repeated requests from them on Instagram. It is a weird world out there, and when you are doing such a job, you are exposing yourself more.

lamented yet another female student journalist

Another correspondent highlighted how her decision to report a piece of news led to her staying indoors for a week for safety reasons.

There are always times when you hesitate to ask quotes from student political organisations. I was very sceptical about asking them for quotes since they are known for looking your name up on social media and sending unsolicited messages. Once a report I wrote received a lot of backlash from a particular student body. I was asked to stay at home for a week after that. Another time, while interviewing a professor accused of sexual harassment, he talked to me inappropriately. The worst part is that we think that this is a given, that it is a part of being a journalist.

she said

This sad reality is only worsened when women go for on-ground reporting. For a female student
journalist studying in Mumbai, speaking to men face to face has been a disenchanting experience.

They make you feel so uncomfortable. It is almost as if they do not view you as another human worthy of self-respect.Cases of sexual harassment and bullying are widespread.

she said

College students who come to study in a city from their hometowns face an added layer of risk.

When I came to Delhi, I felt that everyone viewed me differently. I felt that there were issues
I wanted to talk about but could not.Freedom of speech is different for men and women. Plus, contacting people can be a different engagement as a gender minority. Identity for me has been a point of observance, I noticed that a person from another state or a privileged background could get away by talking about certain things in a simplistic manner. Whereas, being a Kashmiri Muslim woman, I could not talk about certain things, fearing that it would be held against me. Journalism is so many things, but your identity defines what kind of journalism you want to do. Feminist intersectional stories need more voice.

commented a female student journalist

For Kashish Shivani, the Web Editor of DU Beat handling the danger of being known is fearsome.

As a woman, you have to always be on guard. You cannot talk candidly to anyone. Once people know you, your social media handles, your email address, and your phone number, you find yourself in uncomfortable situations. There have been instances where when one person from an organisation or college society starts following, their friends also follow suit. This is a confusing place to be in, as you are constantly wondering when something untoward will happen.

Kashish Shivani, Web Editor of DU Beat

Kashish commented on her experience as a female student journalist.

Accompanying women covering on ground protests is a persistent fear. And particularly while interacting with men, when you see for yourself that men are not talking to you in a completely professional manner. That feeling of not being fully accepted or respected is disheartening. Moreover, the relations my fellow male correspondents have with contacts are very different from the relations I have with them.

Kashish Shivani, Web Editor of DU Beat

Such instances highlight the subtle difference most women can make out, where they are not treated as equal to their male counterparts.

Perhaps the most thought-provoking remark was from Himasweeta Sarma, the current Editor-in-Chief of DU Beat.

Most of the messages we receive on DU Beat’s account are addressed to ‘sir’. I think that this speaks a lot about the current state of women in journalism considering that since 2011, four or five times the post of Editor or Editor-in-Chief has been held by a woman and yet this persists.

Himasweeta Sarma, Editor-in-Chief of DU Beat

Most of the female student journalists whose quotes were used in this article have been kept anonymous, upon request. As one of them pointed out, “This is the strangest irony, me asking you to not mention names and keep me anonymous right after talking about how important it is to popularise female experiences in journalism.” Preferring to remain anonymous and going without credit because of gendered fear is yet another disempowering reality that female journalists face. Virginia Woolf’s words echoed in my head the entire time I typed this article, “For most of history, Anonymous was a woman.”

 

Read Also: Press Freedom in The Lives of Struggling Student Journalists

 

Featured Image Credits: BBC News

 

Shiuli Sural

 

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The ‘sanskari’ girl who is hailed as the upholder of Indian traditions is usually depicted as shy, obedient, and draping a well-pleated saree, complete with a modest, non-midriff-baring blouse. But what happens when we realise that many of the elements of the saree that we see today have been informed by colonial notions of decency? Does it still hold the same weightage as a part of our ‘sabhyata’? Read on to know more about the colonial legacy of the modern saree.


The word ‘saree’ has its origins in Sanskrit. It literally means “a strip of cloth”, but within the folds of the pallu lie deeper, darker secrets of colonial informed women’s oppression.

The modern saree blouse, as we see it today, is probably one of the most celebrated colonial legacies in our society. Given the climate of our country, our women never deemed it necessary to put two layers of clothing on their body. This idea that women in our society could divorce morality and modesty from their bodies baffled our colonists. The fact that women could dress comfortably in just a long piece of cloth and still be treated with respect was a concept alien to them. They believed that we were promiscuous, uncivilised perverts. The introduction of petticoats and chemises, which the white rulers believed was required to uphold decorum, introduced Victorian ethics and morals into the Indian saree story.

One cannot imagine draping a saree these days without the petticoat. Saree drapers usually tighten it to the point of suffocation—anything to prevent an embarrassing, accidental slip of that fabric that may range anywhere from 3.5 to 9 yards. But this petticoat is a symbol of a colonial hangover we are still under the influence of.

It came to India with the Europeans and was influenced by the numerous petticoats women would don in the early 19th century in Europe.  Many petticoats would be worn under the over gown to show the great fullness of the skirt. The petticoat may also have found its way into the saree vocabulary due to the diaphanous material that was used to drape sarees before the Europeans came to India. The sheer material may have appeared too scandalous to the British, who, with their ideas of modesty and propriety, would have considered a petticoat underskirt along with the blouse necessary to transform a “vulgar” manner of wearing a saree to a “decent” and “appropriate” one.

The style of draping the saree did not escape colonial influence either. The Nivi drape, which has its origins in Andhra Pradesh, was combined with elements of the Parsi Gara style by Jnanadanandini Devi, a social reformer from the Tagore family. The style was further refined and gave rise to the Brahmika style, so called because it was mainly adopted by the Brahmo Samaj women. She was also the woman who first started the trend of wearing the contemporary blouse after she was denied entry to an English club because she wore the saree on her bare breasts. She was initially a follower of the Thakurbari drape of Bengal, which required no pleats, petticoats, or blouses.

The question that should be asked is if we should really tie our value to material artefacts left over from our never-ending colonial hangover, such as the blouse and the petticoat, and let these very tangible things determine how valuable we are to the general public. These Imperial gifts of objectification and sexualisation have been internalised by us and are now recognised as elements of our own culture, our sanskriti and our sabhyata. It’s time for us to begin unlearning our assumptions from the colonial era and reclaim the authority that has always been ours to possess and never the colonists’ to take away.

 

Read Also: Auburn Umbrella: Fall Wardrobe Essentials

 

Featured Image Credits:  Jamini Roy

 

Devanshi Panda

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Debarati Mitra

[email protected]

Here’s everything you need to know about the B.A. Programme course offered at DU!


With the introduction of the NEP and the FYUP for the 2022-23 session, courses are bound to face a drastic shift. Still, it helps to know what the course has looked like up till now.

What Did the Course Structure Look Like?

Like an honours course, the syllabus of B.A. Programme was divided over a span of 3 years and 6 semesters. A student pursuing this degree appeared for 4 examinations in each semester. What makes the B.A. programme unique is the liberality of choices: a student may combine any two courses of their choice. This allows a wider scope of exploration in case a candidate is confused about the way forward after 12th.

A B.A. Programme course emphasises interdisciplinary studies rather than a single subject-based specialisation. Some colleges, like Stephen’s, also offer general coursework of B.A. Programme where the students are taught a number of humanities disciplines together and are not required to choose combinations for themselves.

The foremost components of a B.A. Programme degree were the two core courses: these are the discipline specifications that form the base of the degree. Each student was required to choose two discipline-specific courses. Colleges at DU offer a very wide range of options for the same and there is no dearth of combinations. In the first 4 semesters, a student had to sit for a total of 12 core-based examinations.

The next component was an AECC (Ability Enhancement Compulsory Course) paper for the first year of graduation. It varied from one semester to the next: usually being a language of choice in the first and environmental science in the next. Most colleges allowed the students to choose amongst at least 3 languages for this paper. The third component of a B.A. Programme degree was an SEC (Skill Enhancement Course) paper for the second year of graduation. The aim behind the introduction of the SEC was to give some vocational education in their chosen graduate subject to the students. DU uptill now has offered a range of choices here, but this is usually pre-decided by college administration according to the availability of faculty.

Some of the combinations of B.A. programmes offered by colleges include:

  • Combinations of History, Political Science, Psychology, Geography, Sociology, Philosophy, etc. being very popular choices.
  • Combinations of Foreign languages/a wide range of Indian languages including Sanskrit with History, Geography, etc.
  • Combination of the above-mentioned disciplines with vocational subjects such as nutrition, entrepreneurship, advertising, etc.

How High Were the Previous Cut-offs? 

Cut-offs for B.A programmes have varied widely, depending on the college and the course combination. They have varied from 88% in Motilal Nehru College(evening) to 99.25% in Miranda House College in the first cut-off.

Refer to the links below for the detailed cut-off sheets :

What Career Choices are Available After This Course?

  • Academics
  •  UPSC
  • MBA
  • Business Analytics
  • Data Science
  • Digital Marketing
  • LLB, etc.

What Do Students Think About This Course?

 If you do not want to limit yourself to one subject or discipline, or if you are very indecisive like me and would rather keep the options open, then BA Prog. is the only way to go. – Manasvi, B.A( History+ Political Science) Programme student from LSR

Manasvi admits that the divide between Hons. and Prog. still exists where Hons. is seen as better and more demanding by the students and the faculty alike. The way her experience has been,B.A Programme usually  ends up getting the worse end of it in terms of faculty as well as other amenities.

It does open you up to interdisciplinary education, but that also means that you have two subjects asking you to prioritise them and you just end up juggling between them, prioritising none, and getiing overwhelmed. – Manasvi added

Read Also: #Admissions2022: Course Profile- B.A. (Hons.) Sociology

Featured Image Credits: DU Beat

Devanshi Panda

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With the commencement of the 2022 admission season, many DU aspirants are in a state of confusion and panic over which college to choose, and what would be best for them. Here we present the college profile of Hansraj College of the University of Delhi to make taking an informed choice easier for you.


Hansraj College was established in 1948. It is located in the University of Delhi’s North Campus. It has been ranked 14th in the college rankings of NIRF 2022. The college is known for having produced several alumni who have excelled in their respective fields. Notable alumni include Shah Rukh Khan, Naveen Jindal, and Kiren Rijiju.

Courses & Placements

The college offers the following undergraduate course:-

  • B.A. (Honours)
    • Economics
    • English
    • Hindi
    • History
    • Philosophy
    • Sanskrit
  • B.A. (Programme)
  • B.Com (Honours)
  • B.Sc (Honours)
    • Anthropology
    • Botany
    • Chemistry
    • Computer Science
    • Electronics
    • Geology
    • Mathematics
    • Physics
    • Zoology
  • B.Sc (Programme)

In the 2021 placement drive, the highest package offered in Hansraj College was 20.25 LPA. The average package was 5.7 LPA. 115 companies participated in the placement drive, and over 185 offers were made. The top recruiters were McKinsey & Company, Boston Consulting Group, DE Shaw & Co., and United Airlines.

Scholarships

Merit and need-based Scholarships are given by the college. The Student Welfare Committee holds interviews for the same. The number of students that benefit is usually around 100 but varies as per the students’ requirements. The college also has the facility to give fee concessions from 50% to 100%, based on annual income, family background, girl child, etc.

Other Scholarships: The students are also offered scholarships by DAV, Single Girl Child policy, NCERT, and FAEA to name a few. In addition to these scholarships, students also benefit from the Inspire scholarships by the Department of Science and Technology and the scholarships extended by CBSE.

Scholarship for the Enabling Unit: Two awards of Rs.5000 and Rs.3000 are given to the meritorious students of the Enabling Unit every year by the College Alumni Association.

Scholarship for Differently-Abled Students: Every student belonging to the differently-abled category gets a full fee waiver and is required to contribute to the Students’ Union fund and some other minimal charges only.

Note: additional information about the scholarships can be found on the respective college websites.

Societies

The college has several societies. These include:

  • Hansraj Dramatics Society
  • English Debating Society
  • Illuminati, the quiz society
  • Kalakriti, the fine arts society
  • Nishtha, the civil services society

Note: Further information about the societies can be found on the respective college website. 

Facilities

  • Library: The library comprises four sections: the Main Library, individual Departmental Libraries (Sciences), the Periodicals, and the Textbook Sections.
  • Amphitheatre and Auditorium: The College has a feature-rich air-conditioned auditorium having a seating capacity of around 600 which makes it one of the largest auditoriums in the University.
  • Canteen
  • Sports Facilities: The College has facilities for both outdoor and indoor games. The College has a huge sports ground and a basketball court between the college and the hostel premises.
  • Laboratories: This includes laboratories for Chemistry, Physics, Electronics, Botany, Zoology, and Computer Labs.
  • Seminar Room
  • Common Room
  • Yoga Room
  • Medical Facilities: College has a medical room with all the necessary first aid and a mobile stretcher. Hansraj is well connected to a hospital that is within 500m of its main gate.
  • Yagyashala: The college has an established Vishwa Bandhu Centre of Indian Culture (Delhi Unit). The VVRI centre now works in alliance with the research department of D.A.V. College Management for the collection, preservation, and publication of ancient texts.
  • Computer Facilities: The college campus is Wi-Fi enabled with access to all the resources that the University provides centrally.
  • Hostel Facilities: The College accommodates around 200 undergraduate male students in its hostel. It has a common room, a multifaceted gym, and arrangements for indoor and outdoor games. The building of a women’s hostel has recently been sanctioned by the college administration.
  • Enabling Unit: This cell consists of more than 100 volunteers to assist students with physical disabilities, with their regular course of studies. An Enabling Unit Room with audio aids, computer facility, etc. is available in the college. Ramps and a foot-over bridge connecting two different blocks of the college have been constructed.
  • Photostat cum Stationery Shop
  • Language Lab and Media Centre: It’s an acoustically efficient media centre that is soundproofed. It has sturdy walls to keep any disturbance out. The rooms are outfitted with the most up-to-date computer systems as well as other necessary equipment such as printers, microphone systems, and audio mixer soundboard consoles.

What do Students Say About their College?

The constant chatter at Lover’s Point, coffee brewing at the Nescafe, sitting on the path beside the office – Hansraj is an emotion. Walking around the red walls, one can spot students getting their books to the library, the dogs eating their food, and the casual drop of SRK’s name in conversations under the C-block trees. This is Hansraj.

Shiuli Sural, a 3rd year student.

Read Also: ‘Beyond The Obvious: Hansraj College

Featured Image Credits: DU Beat Archives

Urmi Maitra

[email protected]

Here’s everything you need to know about the B.A. (Honours) Sociology course offered at DU!


With the introduction of the NEP and the FYUP for the 2022-23 session, courses are bound to face a drastic shift. However, it helps to know what the course has looked like up till now. 

What Did the Course Structure Look Like?

B.A. (Honours) Sociology was divided into six semesters, two every year. The first two semesters had Introduction to Sociology – 1,   Sociology of India-1, Introduction to Sociology-2 and  Sociology of India -2. The second and third semesters consisted of  Political Sociology, Sociology of Religion, Sociology of Gender, Economic Sociology, Sociology Of Kinship, and Social Stratification. The last two semesters consisted of Sociological Thinkers, Sociological Research Methods, Sociological Thinkers-2, and Sociological Research Methods-2.

How High Were the Previous Cut-offs? 

Cut-offs ranged from 98.75% in Miranda House College and Lady Shri Ram College for Women  to 91% in Bharati College for Women in 2021.

Refer to the links below for detailed cut-offs:

What Career Choices are Available After This Course?

  • Academics
  • Social Work
  • Law
  • Management
  • Policy Making
  • Human Resource Development
  • Research
  • Civil Services

Which Colleges Offer This Course?

Colleges that  offer B.A. (Honours) Sociology  course include Shree Venkateshwara College, Lady Shri Ram College, Miranda House, Hindu College, Kamla Nehru College, Jesus and Mary, Janki Devi Memorial College, Maitreyi College and Bharati College.

What Do Students Think About This Course?

Studying sociology in Delhi University is a dream come true. It has made me think about situations and things in a very different way than before. Sociology of gender in the 3rd semester is one such paper which has been the most enriching and interesting for me personally. It has made me think analytically about the concept of gender itself.

Anonymous

Are there any Notable Alumni from B.A. (Honours) Sociology?

  • Dipankar Gupta (Professor and Author of Redefining Caste in India)
  • Deepak Mehta (Professor at Ashoka University, Researcher)
  • Jit Uberoi (Author of Science and Culture)
  • Amita Baviskar (Professor at Ashoka University)
  • Gopa Sabharwal (Professor at Lady Shriram College)

 

Read Also: #Admissions2022: College Profile- Hansraj College

Featured Image Credits: DU Beat Archives

Devanshi Panda

[email protected]

The lesser known art forms of Bengal have seen a rise in popularity in contemporary times. This is the story of Baul-geeti, an integral part of Bengal’s Oral traditions, which posed questions two centuries back that are still relevant today.


Growing up in a Bengali household in North Kolkata, my summer break afternoons were often filled with an elaborate plate of jackfruit, mangoes and watermelons that my grandmother brought in after lunch. What would accompany this huge palette of the various shades of yellows and reds, were stories of Shantiniketan and Birbhum, where my grandma had spent a considerable portion of her youth. My drowsy eyes would look at her face light up as she spoke about the men who had no home, who wandered and stayed wherever their hearts wanted, who considered the world their home. Her broken, out-of-breath notes sang of these men in big alkhallas. She sang of the minstrels who have been a part and parcel of Bengal, she sang of the Bauls.

The Bauls are folk artists of Bengal. They renounce society and claim the open skies and lands as their country. They are nomads who sing of the Supreme One and their love towards the celestial entity. They believe in no discriminatory factors—religion, gender, caste, creed, race; they preach and practise Deha-tatta, which holds that every being is equal with the Supreme One himself, who resides in us all. It’s not just limited to living beings either. Bauls respect and love beings from all species, big and small. These wandering minstrels rejected social hierarchies and divisive constructs. Their radical rejection of social institutions manifests itself in the emancipatory enactment of this form of music where they find and celebrate love, life, and liberation. You, according to the Bauls, can only be one step closer to God by helping other living beings.

Baul music is often composed without any formal training or any record. The music of the ektara,
dotara and, at times, khonjoni, synthesises with their own voices to create, what can be called, one
of the greatest cultural symbols of Bengal. This culture was born in Birbhum and crossed boundaries to the different eastern regions of our country, including the international border of Bangladesh. The most fascinating aspect of this entire art form has to be its lack of recorded material. It forms a major chunk of the oral traditions of the region, with minimal written songs. The Bauls sing from their memory, and their heart. The complex compositions are passed down from one generation to another. Yet, almost everyone who listens to their music finds themselves in the peculiar daze of the heart-wrenching and soulful tunes of the dotara.

The Baul community also has a male-dominated image in popular culture where they are depicted in huge saffron robes, heavy beards and matted locks of hair, rudraksha around their wrists and neck and a dotara. The saffron alkhalla, or the loose garment, is a way of showcasing their association with the divine. The women of this community, on the other hand, wear simple white sarees and sport matted hair but ditch the rudraksha. They are seldom included by the general public in Baul narratives even though they have had similar contributions to the art.

We cannot talk about Baul-or Baul culture without mentioning the man who was responsible for
bringing it to the world—Lalon Fakir Shah, the greatest Baul artist to have ever existed. The origin of Lalon Fakir is still debatable. Nobody till date knows where exactly he was born, which religion or caste he was born into or who his parents were. Some say he was a Muslim while others claim he was a Hindu. Even his disciples, upon his death, never revealed his place of origin or his religion.

Fakir Shah was a monumental figure in composing Baul-geeti, with thousands of Bengali songs
to his name. Out of all these, only 600 were documented after his demise. He was the
person who inspired the whole concept of contemporary Baul gaan and their philosophies as
we know them today. What Lalon preached was essentially the result of syncretism of various
philosophies and traditions like Hinduism, Islam, Buddhism, and Jainism. Like today, he was a radical opponent of all established institutions, to the extent wherein one of his compositions, he
sang, “If the creator is one, why so many religions?”.

The captivating angle to his songs were his vocal approach to issues of caste, communalism,
and patriarchy two hundred years back. Songs like,

“Brahman, chandal, Chamaar,
Cobbler
Everyone is cleansed by the same
water”

opposed the oppressive system with such poetic poignance that it resonates with people till date. Even issues like patriarchy were addressed through lyrics which posed questions like,

“A Muslim is marked by the sign of circumcision; but how should you
mark a woman?”
(Translated by Azfar Hussain)

Personally, if there has to be one line by Fakir Lalon that really stirred
me, it would be-
“A person who secretly has rice
from the hearth of a prostitute
What does his religion have to do
with it?”

Folk music, or any music that had subaltern roots, was looked down upon by the Bhodrolok i.e. gentlemen of Bengal. It rose as an alternate narrative and culture to the hegemonic forms of art that were prevalent. They were an attempt for some communities to establish their place in the existing power structures of society at the time, while in other cases, like those of the Bauls, they were a harsh critique of the ways of the world and the conditions that mankind had created in order to discriminate against others.

In contemporary times, the religious extremism that we often encounter was exactly what these
cultures opposed. The question of what religion you were born with and which religion you’ll leave the world with was one question that the Bauls asked society.

Interestingly, Baul-geeti, something that went against modern-day capitalism, has become a child of the same today. In the 60s and the 70s, the Bauls went global and dazzled the world with their talent. Purna Das Baul, the Baul Samrat, even played with music sensations like Bob Dylan and Tina Turner. In more recent times, Kartik Das Baul went from singing on the local trains of Kolkata for some loose change to being one of the top Baul artists in the country. This in no way is a claim that this commercialisation is bad. It was necessary for these unrecognised artists to spread their creations. And it was almost inevitable, since sustaining oneself in 2022 certainly requires a lot more monetary resources than at any other time in history.

For someone from the land of these artists, to witness the world enjoy their music without ever trying to decipher the underlying meaning in their songs seems like an insult to the art, the philosophy and the artists. It is a bittersweet feeling, as a bangaali, that something that
is so close to my heart, is not just mine anymore—it is the world’s to share; on the other hand, there is pride and pride only that the beautiful language and the songs reach millions today.

Read Also: My City, My Pujo: An Open Art Gallery

Featured Image Credits: Osho World

Debarati Mitra
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With both achievements and adversities on its plate, DU completed 100 years this year. Is this milestone praiseworthy or an indication of stagnation over the years?*


100 years since the birth of one of the most prestigous educational institutions in the country. 100 years since history started soaking itself within the red walls of different corners of Delhi. 100 years since students’ voices began to gain prominence among the masses. Happy 100th birthday, University of Delhi. Thank you for being a rosy dream that took its time to reveal the thorns of hidden behind the petals of (in)excellence.

Surviving 100 years in this changing world is, indeed, an accomplishment. One that deserves congratulations. However when the world was changing, did DU care to change for the betterment of the base of its foundation, the students? To an extent favourable by the administration? Yes. To an extent aspired by the student community? No. DU is yet to be the university I was promised on my admission, yet to be the institution 70,000 students are sold as a dream every year. DU is so much more than the brand name it provides and we as students are being turned into believing the supremacy possesed by this clout alone.

Despite acting as the womb for students’ holistic development for a century, negligence towards their issues and demands is still a concern unaddressed. Despite acting as the breeding ground for student politics for a century, arbitrary assault and detainment of protestors is still seen. Despite claiming itself to be a melting pot of students from nooks and corners of the country, discrimination yet persists with stereotypes attached to each state, each community and each individual. I agree to the fact that such revolutionary changes can come about only gradually but wasn’t 100 years enough for the same? Will there be change in the next 100 years or will sluggishness be DU’s return gift to its students?

To DU, I say: instead of having pompous shows to ascertain your glory over other academic institutions in the country, maybe consider listening to the woes of your students. Listen to students who demand their rights through the medium of protests in front of Arts Faculty. Listen to the students who have to spend numerous hours looking for internships after graduation because of the lack of skill-based programmes. Most importantly, listen to the Professors who make DU what it is. The sea of expectations never ceases, I agree but does that mean even the basic ones should be ignored? If you ask me if I’m proud to be a part of DU, my answer would surely be positive. Yes, I’m proud to be a part and to become an alumnus of DU but…And this but always remain. DU, precisely, DU administration, it’s time for you to make your birthday resolutions. I hope you don’t break them like every other promise of yours.

 

*This article first appeared in our physical newsletter Volume 16, Issue 5. Don’t forget to grab your copy of the latest edition of our newspaper every Wednesday!

 

Featured Image Credits: Devesh Arya for DU Beat

Himasweeta Sarma

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With both achievements and adversities on its plate, DU completed 100 years this year. Is this milestone praiseworthy or an indication of stagnation over the years?*


100 years since the birth of one of the most prestigous educational institutions in the country. 100 years since history started soaking itself within the red walls of different corners of Delhi. 100 years since students’ voices began to gain prominence among the masses. Happy 100th birthday, University of Delhi. Thank you for being a rosy dream that took its time to reveal the thorns of hidden behind the petals of (in)excellence.

Surviving 100 years in this changing world is, indeed, an accomplishment. One that deserves congratulations. However when the world was changing, did DU care to change for the betterment of the base of its foundation, the students? To an extent favourable by the administration? Yes. To an extent aspired by the student community? No. DU is yet to be the university I was promised on my admission, yet to be the institution 70,000 students are sold as a dream every year. DU is so much more than the brand name it provides and we as students are being turned into believing the supremacy possesed by this clout alone.

Despite acting as the womb for students’ holistic development for a century, negligence towards their issues and demands is still a concern unaddressed. Despite acting as the breeding ground for student politics for a century, arbitrary assault and detainment of protestors is still seen. Despite claiming itself to be a melting pot of students from nooks and corners of the country, discrimination yet persists with stereotypes attached to each state, each community and each individual. I agree to the fact that such revolutionary changes can come about only gradually but wasn’t 100 years enough for the same? Will there be change in the next 100 years or will sluggishness be DU’s return gift to its students?

To DU, I say: instead of having pompous shows to ascertain your glory over other academic institutions in the country, maybe consider listening to the woes of your students. Listen to students who demand their rights through the medium of protests in front of Arts Faculty. Listen to the students who have to spend numerous hours looking for internships after graduation because of the lack of skill-based programmes. Most importantly, listen to the Professors who make DU what it is. The sea of expectations never ceases, I agree but does that mean even the basic ones should be ignored? If you ask me if I’m proud to be a part of DU, my answer would surely be positive. Yes, I’m proud to be a part and to become an alumnus of DU but…And this but always remain. DU, precisely, DU administration, it’s time for you to make your birthday resolutions. I hope you don’t break them like every other promise of yours.

 

*This article first appeared in our physical newsletter Volume 16, Issue 5. Don’t forget to grab your copy of the latest edition of our newspaper every Wednesday!

 

Featured Image Credits: Devesh Arya for DU Beat

Himasweeta Sarma

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Lights, Camera, Action! What does it mean when you’re not just the main character of your life, but also the cinematographer? Does the subtle art of romanticisation actually resolve all the mundanities of life, or does it only blur them to the point of denial? Read more as we try to make sense of this era of romanticisation.


“Half love, Half regret. Dressing up for polaroids and cigarettes.” This ménage à trois between cute outfits, aesthetic pictures, and sleek French cigarettes is the perfect escape for any DU student in today’s day and age. But does it really save you from despair, or is it simply eating up your storage?

To understand the exact set of emotions, lighting, and reasons that go behind explaining how “August slipped into a moment of time”, one either needs to possess a creative mind or be accepting of one. The art of making the mundanity of daily life feel like a Bollywood movie is not an easy one, but is it as rewarding as social media makes it out to be? You spend 30 mins selecting the best, most “aesthetic”, and Pinterest-worthy clips and photos. Another 1 hour goes into compiling them in the right order, adding the right effects, choosing the right music, and then posting this 2363574th masterpiece you’ve made on social media at the RIGHT time (yes, there IS a right time for posting) with the right captions and hashtags (because of the algorithm, niche, SEO, and other paraphernalia), curating the perfect Instagram feed. A total of near about 2 hours in a day. The distraction these 120 minutes bring in the life of a generally overworked, anxious, done-with-existence student can actually do wonders. The hassles of the excruciating deadlines, haggling seats in the metro, and waiting in long queues at Rajiv chowk effortlessly translate into a moment of bliss and peace when there’s a lens behind which everything seems less glib and the world feels a little less real. And so, the “era of romanticisation” takes the wheel of your life. Every metro ride, every day at the college, every date, and every concert becomes a potential reel idea!

Also Read: #DUBeat Review – Pavsacha Nibandh: An Essay of Dissolving Rain and Romanticism

Someone might see a leaf on the road, but you see the beauty of the rain and the nature tethered to the leaf that has fallen too far from the tree it was once attached to. Full Imtiaz Ali moment. The once “unrealistic expectations” from Bollywood movies feel a tad too realistic, now that you’ve tapped into your creativity. Maybe keeping the delusion alive is how you attempt to ape a life less ordinary. But that’s also exactly where Bollywood is to be blamed. The uncertainties of starting a new life in a new college in a new city with people you’ve never met before can’t all be washed away just by hitting the record button. It might feel like you’re trying to make sense of everything by this but it can take mere seconds for the cloudiness of romanticisation to fade. What is it, if not a coping mechanism? On some days the skies are pretty, the concerts hit a little too well, sunlight adorns the classrooms just right, the art date with your friends develops into a core memory, and the day ends on such a high that nothing ever could top it off. What follows is the next day where you’re in bed all day, just lying there and existing, while the sky out there is painted in grim hues of blue and grey. Or even the day when you have the abhorring realisation that your college fans don’t actually work. That’s when the yearning for another good day kicks in; the addiction of never having another dead day. That erstwhile feeling of contentment gets laundered by the echo chambers of your extravagant “carpe diem” needs. Your emotional, mental, physical, and GPay capacities all take the brunt of your #PinterestEra.

Enhancing this pantomime attempt to “romanticise life” is this baarish. Delhi might be literally flooding with the September rains but people are trying to make something out of this too. Great attempt, but just no.

When I look up, the sky is pretty and pink, and the tiny little droplets on my coffee mug, the metro windowpanes make everything all the more bearable and prettier, but that’s when I look down and realise my shoes are soaking wet in muddy water and an insect is trying to climb up my trousers.”

Rain might seem like a good excuse for all your chai-pakora, Mr-Darcy-saying-I-love-you-most-ardently, Barso-re fantasies, but only up to a certain point. After that, it’s just a menace and a week-long recovery from the cold you contracted because of it.

This subtle art of romanticisation could be a product of all the conditioning we’ve garnered as Bollywood or literature babies, or it could also be an artist’s eccentric take on life. Seeing that the realisation of the former will only bring us despair, so for the time being (as we struggle to meet the deadlines and maneuver our college lives), let’s just stick to the latter and pretend we’re all in a Karan Johar production of ‘Student of the Year: Delhi University edition’.

Read Also: Delhi Rains: Evenings of Nostalgia and Love

Featured Image Credits: Vidushi Sinha for DU Beat.

Vidushi Sinha

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If we turn the pages of our history, we will realise that our freedom struggle was an essential chapter in the history of the University of Delhi. It has been about 80 years since Mahatma Gandhi gave us the slogan “Do or Die”, and within weeks of the pronouncement of the slogan at the Bombay Session of 1942, protests started to take shape across the colleges of DU. From burning down an electric sub-station (by the students of Ramjas College) to marching in protest on 10 August 1942, against the authorities who jailed the Congress leaders the previous day (students of Hindu College, Indraprastha College, and St, Stephen’s College), DU was the political hub during the time. So, this culture of protest so firmly entrenched among DU students even today can be traced back all the way to our country’s struggle for independence.

Established in 1922, a time when India was engulfed by its struggle for freedom, both students and teachers were active participants in the anti-British movement. However, soon, the students realised a need for a union. It was in 1947, under the founder of the Delhi School of Economics, Vijayendra Kasturi Ranga Varadaraja Rao (V. K. R. V. Rao), when a provisional committee consisting of presidents of all the colleges was bestowed with the responsibility to draft the Delhi University Students’ Union (DUSU) Constitution and take necessary steps for the creation of this institution. On 9 April 1949, DUSU came to life and was inaugurated by our first Prime Minister, Pt. Jawaharlal Nehru. Since its inception, DUSU has become the first step toward the political scenario of the larger part of the country. Students belonging to various groups, having a range of ideologies, contest to be part of its panel. Some of the most notable student organisations that it represents are the Akhil Bharatiya Vidyarthi Parishad (ABVP), the National Students’ Union of India (NSUI), Students’ Federation of India (SFI), Chhatra Yuva Sangharsh Samiti (CYSS), All India Students’ Association (AISA), and many more.

Delhi University is as well known for its politics as well as for its historical significance and educational culture. Its political atmosphere is so important that at times, even mainstream political parties take keen interest in it. Nevertheless, it is worth noticing how the culture of protest and dissent was born in the sensitive pre-independence independence and how it has transformed since then to take its present form. Are the organisations doing their jobs correctly or are they just practicing dissent in the name of vote-bank politics? This is one of the most crucial questions we must seek the answer to.

The ABVP, a right-wing student organisation affiliated with the Rashtriya Swayamsevak Sangh (RSS), has had the most successful run in DUSU history in recent years. The root cause of this success can be traced back to the period of the Emergency in 1975, when DUSU once again became a centre of political resistance. Arun Jaitley, a former member of ABVP and Bhartiya Janata Party (BJP), was elected as the president of DUSU in 1974. He is known to have played the most instrumental role in bringing reform to DUSU. Until 1973, colleges used to elect 10 DUSU councilors, who further used to elect the panel of DUSU. However, from 1973 this policy was transformed into ‘one-student, one-vote’, turning the system from an indirect to a direct democracy. Also, Jaitley is famously known for being the first satyagrahi against the imposition of an internal emergency. In 1977, Vijay Goel, who was affiliated with ABVP, became the President of DUSU. His focus during the campaign was the excesses that occurred during the emergency.

More recently, Nupur Sharma, a former BJP national spokesperson, was elected DUSU president as the ABVP candidate in 2008. This broke the ABVP’s eight-year wait for power in the DUSU, which had been dominated by NSUI. That year, the other three posts (Vice President, Secretary, and Joint Secretary) went to the NSUI.

If we look at the last 10 years, the NSUI has only held the President’s seat only twice. This does beg the inevitable question of why the ABVP has found so much success. During the internal emergency, it can be credited to the country’s political atmosphere, which helped in garnering support. In its initial days, it is safe to say that people were more focused on work than their political inclinations and other interests. But what about today? Is it functioning the way the students desire or is it enjoying an undue dominance? Is it standing for the students and working for their demands, or are they too invested in getting memorandums signed in the name of vote banks? On the other hand, the left-wing parties, which emerged as a force to content with in DU politics quite recently, have centred their existence around fighting for or against various issues through protests and rallies. In this respect, their innovation and resourcefulness is beyond compare.

But the larger question remains: are any of the organisations working for the students, or has their functioning been overcome by their self-interest and blinded by lofty goals of perhaps being a part of the ‘real deal’?

But what is the real deal now, apart from the “glorious” past that DUSU holds? Since 2019, DUSU elections have not been held and even for this year as I type this out, there is no clarity or instruction about them. For a Student’s Union that has not seen elections in the past three years, to term this period as worthy of congratulations to the DU fraternity is a disaster in itself that reflects what sort of bizarreness surrounds DU politics today. At nearly every step the recommendations of the Lyngdoh committee (set up by the Ministry of Human Resource Development (MHRD) in 2006 as per the direction of the Supreme Court to reform students’ union elections and to get rid of money and muscle power in student politics), are sidelined. Even a short conversation with those batches who have witnessed the famous DU elections is enough to know the huge amounts spent to buy students’ votes with freebies.

Every party in this arena carries its burden of faults. With major players being invisible throughout the year, some parties have engaged themselves in constant show politics. earning a name for themselves as “far protestors”. Be it any event or protest, you are most likely to see the same faces appearing everywhere, carrying faulty lies around.

But what’s the real issue here? Are parties facing problems in mobilising the students of DU? Or has its flame died down? Maybe it has just become a mere shell of what it used to be with constant clamping down on dissent at the college level. Though efforts by left parties in the form of reading circles can’t be ignored, ABVP too has attempted to mobilise students. But the fault of parties lies majorly in being unable to maintain a connection with the students. Even with these events and attempts to get closer to the students’ community, student parties cling to rigid ideologies rather than adapting to the circumstances, often barring those without political influence from engaging in what remains of student politics at the university. Indiscriminate fights and beatings do the rest of the work of turning students away from politics, with only 39% voting recorded in the last elections.

One of the biggest shortcomings of the DUSU is the exclusion of various colleges, especially ‘women’s colleges’, whose students have been visibly political in their stance. The absence of political presence on these campuses is clear exclusion by the administration and the silence of student parties over this issue makes clear their lack of concern over diverse representation in their parties, which is often stressed upon by them to win brownie points.

With fringe protests occurring only for some matters chosen specifically to grab as much attention as possible, the majority of student issues largely remain ignored. So, it is the right time to question what is being done of the legacy DUSU had in the name of power and politics and, more importantly, to start a conscious and organised movement to politicise (or rather, repoliticise) DUites.

 

Image Credits: Times of India

Ankita Baidya

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Kashish Shivani

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