Miranda House

Celluloid, Miranda House organises talk with Pankaj Butalia

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Celluloid, the film society of Miranda House organised an interactive session with the award winning filmmaker, Pankaj Butalia. Co-incidentally, Pankaj Bataulia as a student was co-founder of a film society which shared the same name, Celluloid.

His documentary, The Textures of Loss, an account of the sufferings of Kashmir and Kashmiris was also screened a week before this session. The documentary is second in his trilogy of documentaries about the conflicts in India with Manipur Song being the first and A Landscape of Neglect being the third and final parts. The interactive session held on 2nd of September, started off with a brief lecture by the speaker which was followed by questions and general comments. 
A wide range of topics were discussed during the session.

The speaker began by elucidating on the craft of film/documentary making. Humorously engaging with the issue of censorship, Mr. Pankaj Butalia informed, “I was asked to put disclaimers stating that I do not subscribe to the views expressed in this documentary “. The speaker talked about foreground narratives, tailoring, and filtered voices in a documentary. Trust building with the subjects of the documentary was explained by the speaker through his experience with the widows of Vrindavan for his acclaimed film, Moksha (1993.)

A discussion followed, whereby the Kashmir conflict was compared with other conflict-ridden areas such as Manipur. The discussion highlighted the differences in the modes of resistance in these areas as well as the role of women in such protests. In this context, the example of naked protest in Manipur was remembered to highlight a sense of empowerment that the Manipuri women had. These voices, as was concluded, often get stifled in Kashmir because of the shrouds of shame. The questions which were asked not only facilitated understanding but helped in dealing with popular misconceptions about the ironies of nationalism and patriotism too. 
The discussion ended with an explanation of motifs and images in films. It was said of some images that their irrelevance and silence is in fact the voice of such moments. 


Celluloid was overwhelmed by the response and outcome of the event. The society’s vision for this session in the words of its president is to, “screen movies which are not very publicized but the content and the thought behind them is worthy of appreciation.”

Tooba Towfiq
[email protected]

Image Credits: Jasmine Chahal

Journalism has been called the “first rough draft of history”. D.U.B may be termed as the first rough draft of DU history. Freedom to Express.

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