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The Central Placement Cell of Delhi University will be conducting a series of weekly webinars for its students from 5 to 6 pm starting from 4th May. 

For undergraduate and postgraduate students, the Central Placement Cell of the University of Delhi (DU) has planned a series of webinars on various topics that ought to help students in their professional lives. Apart from these webinars, the varsity has also decided upon conducting a webinar on COVID-19 and the challenges of the visually impaired.

The five webinars will be free of cost and will be organized weekly starting from the 4th May. The students will be required to register online prior to the webinar. The link to the webinar can be found on the official website of Delhi University http://www.du.ac.in/du/. These webinars will take place on Mondays from 5 to 6 pm. Experts from various fields will apprise the attendees on various topics that will help them in improving their resumes and giving better interviews. The list of the webinars is given below-

  • Gen Z and Jobs of the Future- 4th May 2020
  • Business Ethics- 11th May 2020
  • Introduction of Data Analytics- 18th May 2020
  • Case Studies- 25th May 2020
  • Resume and Interview tips and tricks- 1st June 2020

The webinar on COVID-19 will most likely be addressed by Shakuntala D Gamlin, Secretary, Department of Empowerment of Person with Disabilities. The Vice-Chancellor (VC) Yogesh Tyagi will be among eleven people who will be attending the webinar.

“These weekly webinars will prove to be useful for students looking to improve their resumes and to gain knowledge about business ethics and data analytics,” said Tejasvi, a student at Lady Shri Ram College.

The varsity has also issued a notice for students stating that the Academic Calendar has been modified by extending the date of dispersal of classes from 28th April 2020 to 15th May 2020. This notice has officially shifted the plausible date of semester examinations that are still being discussed.

The varsity is also taking forward the admission process for the session of 2020-21. The last date to submit applications for foreign students seeking admission in UG is 12th June. Applications for Indian citizens are yet to be released.

 

Feature Image Credits: Niharika Dabral for DU Beat

Suhani Malhotra

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In a monumental win for India and Delhi University (DU), students of Shaheed Sukhdev Colllege of Business Studies (SSCBS) were declared winners at the Global Case Competition, Harvard University 2020.

Shaheed Sukhdev College of Business Studies (SSCBS) brought laurels to Delhi University (DU) as well as the nation. In the first-ever win for India of this kind, SSCBS bagged the first position representing India at the Global Case Competition at Harvard University (GCCH) 2020. Competing with over 140 teams from universities such as Massachusetts Institute of Technology, John Hopkins University, HEC Paris and London Business School. 

Prize money of 10,000 USD was awarded to the winning team. Mr Olivier Levyne, Managing Director, CACIB announced the glorious win to the team comprising of 2nd-year students from  SSCBS- Sparsh Sehgal, Ojas Jhamb, Kunal Vats, Raghav Nath and Aanand Negi. They were mentored under the able guidance of the faculty members Mr Neeraj Sehrawat and Mr Amit Kumar.

Image Credits: Press Release, SSCBS
Image Credits: Press Release, SSCBS

Kunal Vats spoke to DU Beat, “I hope this win sets a precedent of Indian teams winning big at the global stage and inspires many business students to work towards their dreams,” The team members expressed their delight too, “It has been a dream come true for us! Winning it has been surreal. Competing against and beating the top universities from around the world will always have a special place in our lives. We’re happy that our hard work and quality of work was rewarded. This edition was online as compared to the other rounds held at Harvard, and we were able to adapt to the new format effectively. We’re really glad that this competition happened despite the ongoing pandemic!” 

Congratulating the winners, Dr Poonam Verma, Principal, SSCBS says, “It was a great opportunity for our students to learn and interact with other international students. I am glad that our students are achieving international laurels and bringing positive news especially during such times,”

The GCCH is organized by the IFSA Network and Harvard GSAS Business Club. One of the most prestigious case competitions, it attracts the brightest economists, business-minds and finance-enthusiasts from around the world. With a mere three weeks in hand, students compete on a finance case involving strategic management, eventually, culminating at Harvard University, Cambridge, Massachusetts. Due to the pandemic, the event was organised through an online mode. School of Business and Economics, Brazil and John Hopkins University were declared the first and second runner-up, respectively. 

Feature Image Credits: Official Website, SSCBS

Anandi Sen

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Shifa-Ur-Rehman, President, Jamia Millia Islamia Alumni Association (JMIAA), has been sent to ten-day police custody under the charges of planning a criminal conspiracy with Umar Khalid, a former Jawahar Lal Nehru University (JNU) student.

A Delhi Court on 27th April sent Shifa-Ur-Rehman, President, Jamia Millia Islamia Alumni Association (JMIAA), to a ten-day police custody. The police informed the Court, about Rehman being involved in a criminal conspiracy, along with Umar Khalid, a former Jawahar Lal Nehru University (JNU) student. Rehman has been arrested under the stringent Unlawful Activities Prevention Act (UAPA), for the riots that took place in Northeast Delhi in the month of February.

In the previous week the police also booked Jamia Millia Islamia (JMI) students Meeran Haider and Safoora Zargar under UAPA. The same students have also been booked for the offenses of murder, attempt to murder, sedition, and promotion of enmity between different groups based on religion. In the first information report the police even claimed the communal violence to be a “premeditation conspiracy”.

“We had technical evidence against him which suggests that he incited mobs during the riots. He was also seen in the CCTV footage which was collected from the riot-affected areas. We have checked his call record details and WhatsApp messages and found more evidence which suggests his involvement in the riots,” said police about Rehman, who is also a member of the Jamia Coordination Committee (JCC).

While taking his custody, police told the court that Rehman’s name popped up after the interrogation of others, who were arrested as a part of the same case. The case dealt with the communal violence, due to conflicting opinions regarding the newly passed law of Citizenship (Amendment) Act (CAA), National Registry of Citizens (NRC), and National Population Registry (NPR). The police produced Rehman in front of justice Sanjeev Kumar and told that his custody is important for disclosing the larger conspiracy, and would also supplement in revealing the other names involved. Many have criticised the charges filed under the Unlawful Activities Prevention Act against individuals protesting the CAA-NRC-NPR.

Clashes had broken out between the supporters of the law and those opposing it between 23rd to 26th February in Northeast Delhi, one of the worst the capital has witnessed since the anti-Sikh riots of 1984.

Feature Image Credits: Scroll

Kriti Gupta

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The great feeling we experience out on the dance floor has a scientific explanation behind it. Dance is more than moving to music, it’s the manifestation of self’s deepest passions and an escape to our own nirvana.

“The job of feet is walking, but their hobby is dancing.” – Amit Kalantri

What do weddings, parties, other celebratory occasions and now even funerals have in common? It’s dancing. Dance is the most rhythmic, gracious way of expressing emotion. A beautiful series of movements knitted together to match harmoniously with music; dance touches the soul of the performer as well as the audience. Numerous cultures have developed their own dance form that depicts its customs and traditions in a unique way.

When we move, we feel good. Grooving to the beats of music has many benefits on our physical well – being. It improves balance, flexibility, cardiovascular health and increases strength.Dance also leads to body awareness such as maintaining proper posture, thus preventing injuries and long term ailments. Apart from the benefits of movement and music, the most vital impact of dancing is on mental health. A growing number of researchers have proven that while dancing, an abundance of mood-improving chemicals is released within the body of the dancer. This happiness does not end as you stop dancing, rather can continue for more thana week. For those who find it difficult to express their feelings, dance offers an alternative mode to creatively express their mind. Therapists also prescribe dance to patients suffering from social anxiety and/or a fear of public speaking as dance allows people to ditch self-consciousness. According to a study conducted by the University of Oxford, dancing alongside other dancers “lights up brain pathways,” which break down the hesitation we usually face in interacting with people. Establishing these connections helps one experience a sense of oneness and unity.Dance as a therapy is particularly recommended for depression reduction.

Dance is the perfect combination of physical exertion and creativity. But the most incredible aspect of dancing, which makes it especially beneficial for mental health issues is its inclusivity. Anyone can participate, whether a teenager or a senior adult and move in whatever way music takes him/her. This makes it popular even among people who usually shy away from other kinds of exercises.

Currently, all of us are fighting difficult and testing times that have negatively affected our psychological well – being. Stress and boredom are peaking and the lockdown seems to have put a stop on all our pizzazz as well. But on the other hand, it is offering us a ‘me’ time to reset, rejuvenate and refocus. And, dance can prove to be our liberator. So, jump out of the couch, put on the song which makes you sway or shimmy and just dance, with/without a partner because ‘jab tak tumhare pair chalenge tumhara mood accha rahega, tumhare pair ruke toh yeh stress badega (as long as your feet move, you will be in a good mood, if your feet stop moving, stress will increase).’

Feature Image Credits: Dreamstime

IpshikaGhosh

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Dance through time has remained to be a form of expression around the world. And like any kind of art, it too has evolved and changed with passing trends and influences. Dance forms reflect various aspects of the society, and their timeline through the ages is corroborated by its evolution.

  1. The Roaring 20s

The 1920s, famously known as the Roaring Twenties, were a time of economic prosperity, especially in the western society. This decade was also known as the “années folles” or the ‘crazy years’, emphasizing the era’s social, artistic, and cultural dynamism.

This era is defined by dances like the Lindy Hop, Foxtrot, Waltz, the Shimmy, and the Charleston.

  1. The Threadbare Thirties

The 1930s, famously known as the Threadbare Thirties, was a period defined by political and economic crises worldwide, including the Great Depression, which would eventually result in the Second World War in the coming decade.

This era is defined by dances like the Hop, Jitterbug, and the Jive. It also saw the popularization of exotic dance forms of Latin America like the Samba, Conga, and the Rumba.

  1. The Fightin’ Forties

The 1940s, also known as the Fightin’ Forties, is an era defined majorly by the wars that took up most of this time period. The Second World War took up the majority of this era’s first half, followed by a war-weary Europe being led towards the starting of the West’s Cold War while the East saw the liberation of various nation-states that were under the western allies. Despite the war-stricken nature of this era, people found comfort in music and dance, and the activity continued to flourish.

This era is defined by the popularity of jazz, and a blend of jazz dances were popular in this era, like the Cakewalk and the Charleston, Black Bottom, Susie Q, the Shake Blues and the Gutbucket Blues, the Trunky Doo, and the Big Apple.

  1. The Fabulous Fifties

The 1950s, also known as the Fabulous Fifties, is defined as an era of growth and rebellion. Though the world hadn’t completely come out of political struggle, with the Korean War and the Vietnam War still raging, major dances evolved from movies like “Grease” and “Hairspray”.

This era is defined by the popularity of the iconic Rock n Roll era, as well as other dances like the Boogie Woogie, the bop, and the Chalypso.

  1. The Swingin’ Sixties

The 1960s, also known as the Swingin’ Sixties, is an era defined by a revolution in social norms regarding clothing, sex, drugs, sexualities, and formalities. This era is also defined as one of irresponsible excess, flamboyance, and decay of social order. The Sixties saw a fall or relaxation of social taboos.

Artists like “The Beatles” had a huge impact on the dance trends of this era, and the 1940s saw the introduction of over 400 dances. Some of these include- the Fly, the Mashed Potato, the Twist, and the Funky Chicken.

  1. Synthpop Disco Seventies 

The 1970s saw a rapidly emerging urban nightlife scene. It can be seen as a reaction by the 1960’s counterculture. Disco-goers often were associated with expensive, extravagant and sexy fashion. There was also a thriving drug subculture in the disco scene and clubs were also associated with promiscuity. Disco started as a mixture of music from venues popular with African Americans, Hispanic and Latino Americans, Italian Americans, and LGBT people in Philadelphia and New York City.

Several dance styles were developed during the period of disco’s popularity in the United States, including “the Bump” and “the Hustle”. Well-known disco artists include Donna Summer, Gloria Gaynor, and the Bee Gees, while films like Saturday Night Fever (1977) and Thank God It’s Friday (1978) contributed to disco’s mainstream popularity.

  1. The Rockin’ Eighties 

The eighties saw great advancement in technology and

The Eighties were heavily influenced by rock music, as well as breakdancing. It was also the year of punk and heavy metal such as moshing- jumping around to the sounds of loud heavy metal music. Moshing, Jacking, and Voguing are iconic styles that came out of this dance era. Many styles from this era have been changed to fit the current music, for example mosh pits at EDM concerts.

Even though break dancing was such a big thing, A famous dance film in the 1980s was “Dirty Dancing” which featured a dance style called lambada. Lambada, a dance with long-standing Brazilian roots, was a very sensual dance, even though it was very fast paced.

  1. The Hip Nineties 

The 1990s was the era of hip hop, which has influenced our dance culture today. Hip hop and rap culture saw an immense growth and gave rise to the baggy jeans, loose shirt and backwards cap hip hop look. Artists like Tupac Shakur, Jay Z, and Ice Cube shaped the youth culture worldwide.The 1990s had dances from the tootsie roll, the running man, to the macarena that still are popular.

Zumba, an exercise dance, also gained mass popularity in the 1990s. This dance combines aerobic movements, and salsa dance and has now become a staple exercise worldwide to help build strength and improve movement.  

  1. The Trendy 2000s 

The 2000s saw the advent of the internet and artists like Brittany Spears, N’Sync, Beyonce and Ciara changing the music and dance scene wave with their hit singles and rocking dance moves.

The 2000’s were also characterized by the ever-increasing interest in electronic music. Street Dance styles like Krumping became popular. It saw a blend of y different types of dance such as hip hop, vogue, and disco. The popularisation of videos due to YouTube also made movies to songs iconic and heavily replicated, such as Beyonce’s Single Ladies, Soulja Boy’s Crank That and Young B’s Chicken Noodle Soup.

  1. Viral Dances of Today: 

Gangnam Style: originating from the popular kpop song, Gangnam Style, by PSY, it became popular in 2012- Its music video was the most watched video on Youtube until Despacito came along. The dance consists of several moves done in the video and still remains iconic.

The Floss: The floss dance became famous when a 16-year-old kid,  Russell Horning, who became famously known as The Backpack Kid, started posting videos of himself doing this strange dance. The dance soon became viral, and Horning gained a massive following- even performed his dance on Saturday Night Live to Katy Perry’s song “Swish” and had the dance be included in one of Fortnite’s moves.

The Tiktok Savage Dance: with the advent of quick content consumption apps like Tiktok, dances like the Savage dance and the Renegade have become viral. ticktokers have a 15 second sassy routine to the tunes of Savage by Megan Thee Stallion.

Feature Image Credits: Buzzfeed

Shreya Juyal 

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Satviki Sanjay

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This World Dance Day 2020, let no dancer feel inferior, let no dance be motivated by one’s body size, let dance be what it is, an expression of words. 

I was fourteen when I last danced on the stage. After years of learning Kathak and looking at other dancers, a question poked me right in the face. With gorgeous long hair, well proportionate bodies, beautiful Kathak dancers danced right beside me, while I tried to avoid looking at the large mirror right in front of me. Was I trying to avoid not dancing in front of others? I disliked how my breasts moved when I danced, or how I looked amidst several slim and lean women. It took my years of body positivity and unlearning to go back on stage without fearing log kya kahenge? 

My privilege provided me with the resources to learn and unlearn that dance is an emotion. Yet, over 13% of British adults considered attempting suicide over concerns related to body issues. The quest for a thinner body is consistent. According to BBC, ballet dancers are over 10% more vulnerable to eating disorders than non-dancers. With girls as young as 12, they question even puberty to not give them a shape a Ballerina would have. Low body weight and menstrual imbalance largely characterise their childhood. 

According to research conducted by the National Center for Biotechnology Information and National Institute of Health, “Dancers were more likely to have an eating disorder when strict modified DSM-3-R criteria were applied.” If statistics are to be believed, anorexia nervosa and bulimia nervosa largely affect the young dancers. 

However, the other side of the spectrum expects women to be “fuller” with appropriate distribution of body weight. Devika, a Mohiniattam dancer who has battled with her lean body says, “Back in my childhood, I was a skinny person, but I loved dance way too much to let go of it. I always remained unnoticed and right at the back of the line. Being skinny and tall was tough, I looked weird. I kept on dancing right at the back until I acclaimed my position right at the centre.”

For some, dance is freedom, yet, they remain confined to the shackles of societal norms and body standards propagated by capitalist pioneers, feeding off the young minds. Traditionally, dance has narrowed itself to lean, slim and proportionate dancers leaving a large part of individuals with bodies which are, well, normal. A Bharatnatyam and Contemporary dancer from Kolkata, Rajlakshmi Ghosh Dastidar sometimes gives in to what others would think. “I’m a dancer, yet I shy away sometimes. I always think about what people will think. I know I shouldn’t. But you see, dancing in front of an audience on stage and dancing in public randomly has a lot of difference. I feel uncomfortable.” 

In 2017, a #BoPoBallerina (#BodyPositiveBallerina) movement was initiated by an Anorexia Nervosa survivor who aims to build a change in the dance world by encouraging body diversity and the body positivity movement. Recently, body positivity lectures have also been introduced in dance classes. Nothing is more disappointing than a ten-year-old limiting herself because she feels inferior due to her body! 

In a world surrounded by constant jibes coupled with insecurity, let dance remain free of its constraints. On the World Dance Day 2020, let no dancer feel inferior, let no dance be motivated by one’s body size, let dance be what it is, an expression of words. 

Feature Image Credits: Today Show

Anandi Sen

[email protected]

Even the most beautiful journeys can have the most sudden and abrupt endings. And my journey with DUB is the best example here!

It was in July 2018, the orientation ceremony of DUB took place. I was sitting alone in a corner, leaning on the wall of a room full of about some 50  strangers. Nervous and hesitant to interact with any new face, with this I began a new journey of my life and perhaps the most important one!

College life can be very difficult for some, and I was no different. However, DUB has been the most tender companion to embark on this bittersweet journey with. Over the months, my love for this place has only grown deeper. From being a naive, nervous kid, I got to head a team of my own and make a small family under the umbrella of this big, fat joint family.

DUB has always been known for its people. And the opportunity to share a table with the Delhi university’s best and the finest writers, photographers, managers, and designers, was something only DUB could have given. But it’s the quality of work that these people create together, makes DUB known and stand out among the slab.

And now, when my journey with DUB Is ending, I have nothing else than immense gratitude for everyone I’ve worked within DUB, and a huge bundle of memories that I shall reminiscent over the coming years of my life.

Ending this beautiful journey, especially in these tough circumstances, makes this challenge even harder than its nature. However, a quote that I live by, “finding aesthetics in times of crisis” shall be the attitude, as despite many unventured paths, it was one delightful journey.

So, if I got to go back, and have a conversation with that nervous kid that I was once, I would only tell her to hold on to each moment, stay a little more late at the Monday meetings, attend more fest coverages, create more graphics and enjoy every bit of it, cause eventually, when all of this will be over, she’s going to love and cherish this journey till ducks start barking or forever! And who knows if she’ll get a chance to give a goodbye hug to everyone or not.

Signing Off,

Sanjana Sanehi

Head of Design 2019-2020

 

As the war on the wretched virus wages on, every single person is also dealing with the consequences of the same. With their whole future in front of them, students are staring a mammoth obstacle in front of them.

The year 2020, as many says, has turned the world upside down. Numerous concerns surround the apprehensive students. The Economic pandemic that will follow this outbreak topping the list. With the markets crashing down, major industries will suffer a huge loss leading to unemployment and layoffs. Travel and Tourism industry which employs around 4 crore people expecting 12 lakh layoffs while the retail industry expects 1 crore layoffs. The stress of having unemployment is already circling every student’s head.

Getting a placement only seems like a handful of a challenge for them. And with DU signalling more delay in third-year examinations, the challenges only seem to increase. While DU authorities are confident that they can conduct the examinations online, many doubt their ambitious plans.

As many students aim for higher students in India as well as abroad, the sudden change in the schedule and work environment of the whole world has left students on pins and needles regarding the upcoming entrances and selections. As many universities from around the world start their entrance examinations and other formalities for admissions from April to June. Students who plan on studying abroad, are becoming sceptical of their future aspects leading them to rethink their priorities and choices.

This botch to the whole semester has left students perturbed. Manav Gupta, a third-year B.Com (Hons) student, said, “The uncertainty which is surrounding the virus as well as our examinations has left me confused and frustrated as to what I should study and what I shouldn’t. It is also truly disheartening that my batch will be missing our last days of college and might even our farewells”.

Not only is this wretched virus affecting the students with dreams of studying  abroad, but also the ones who have been preparing for various entrance examinations in the country. Be it NEET, JEE or SSB, all these exams have been postponed and uncertainty hangs over them.

Akshat Singh Rathore, an Army aspirant who was preparing for SSB this year, said, “Last year I took a drop to prepare for SSB examinations, but not only have the exams been postponed but also the stress over the preparations for the same is growing”.

Similarly, Mrinalika Chauhan, who had recently cleared her Tata Institute of Social Sciences entrance exam, said, “I just cleared my TISS entrance process which includes an exam and a series of interviews. But the result of the same is not being declared due to the coronavirus and this has put me in dilemma, should I wait for the result or should I apply elsewhere also”.

In addition to this, the first and second-year students are also suffering with many teachers facing difficulties in finishing the course in time. Even though many colleges were quick to take classes online but recent incidents have derailed this effort as well. Many teachers have reported incidents of harassment by students in online classes via obscene messages and language.

Speaking on the issue, Shitakshi Thakur, a student of Maharaja Agrasen College, said, “Just recently we had a class on Skype and it was an utter disaster as well as an embarrassing for us students. One of the students disrupted and disturbed the class again and again. It feels like we aren’t ‘educated’ enough to take online classes.”

The Coronavirus and Economic Pandemic along with the social distancing has taken a toll over the students’ mental and emotional health. However, the pandemic is also a stark reminder of how powerless humans are even though we tend to think otherwise.

 

Feature Image Credits: Paintvalley

Aniket Singh Chauhan

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On 15th October 2017 I was at a family function when I asked my cousin brother who was the director of DU Beat then that I wanted to join DU Beat. My initial plan was to join DU Beat as a photographer and learn. But my cousin suggested that I should go for marketing. Never thought that that suggestion will change my life forever.

I sent my resume (which was not that great) to my cousin and he then forwarded it to the then marketing head, Saim Akhtar. It took almost two months for me to clear all the rounds due to my laziness. But thanks to the patience of Abhilasha Gandhi (Head of Media operations 2017-18) and Ayushi Singhal (Head of HR 2017-18) I was recruited in DUB on 7th January 2018.

I have been a part of DUB for almost two and a half years. Have worked with three teams and more than 100+ people. My journey in DUB was nothing short of a roller coaster. When I joined the marketing team there were eight members in the team (including me) and I was the youngest amongst all.

The month I joined DUB organised their very own fest called Mushaira. Mushaira was one of the best things that happened to me in DUB. In Mushaira I handled my very own gaming stall which witnessed a footfall of more than 200+ gamers. I met rest of the departments then I bonded with them immediately. That’s the thing about DUB no matter where you are from or what you are studying you’ll fit right in. So did I.

In DUB, I always got a weird stare whenever someone got to know that I was doing Maths honors. But to be honest, I have spent majority of my college time with DUB peeps rather than studying maths. And I have no regret or remorse. I have no idea when DUB became a family from a team.

In October 2018, I went to Goa with the DUB fam for covering Waves, the cultural fest of BITS Goa. No matter wherever I go, Goa will always remain the best trip of my life. I slept for 12-15 hours in five days. From seeing sunset at Baga beach to seeing sunrise at Dona Paula we didn’t realise how that time passed away. I have been to so many places with DUB fam that I never thought I will ever go and hopefully we’ll go and explore more places.

In marketing, it took me six months to get my first deal signed. I was a little demotivated but after signing my first deal I was very happy. I learned everything about marketing from my cousin sister and also my mentor, Kriti Gupta. She scolded whenever I messed up and taught me how to avoid doing the same mistakes in the future. Without her guidance and training I don’t think I would have made a good executive. I closed roughly around 15 deals for the organisation. One thing I learnt in marketing is that patience is the key. It’s like you have to chase a client for weeks and after the completion of the campaign you still have to chase them for weeks to get the payment. This I can say that I definitely became a patient person.

The best thing about my job was that it required less field work as compared to other departments but at the same time this was the worst thing. Reason being you sometimes get bored at home waiting for leads to come and you were hardly coordinating with anyone. Things went like this for almost an year. Our meetings never took place with other departments so hardly anyone knew us. But I went to almost every fest and I met everyone there. I spent more time at fest with DUB team rather than attending classes at college. In a media organization, marketing team is the one which works behind the camera. Hardly anyone knows us but without us, the organisation cannot run. It’s like we are the back bone of the organisation. However, without the hardwork of other departments we won’t be able to sell ad spaces on our platforms.

On 9th April 2019, I was elected as the new marketing head for the tenure 2019-20. This was the first time I was going to lead a time of my own. Under me, I trained three talented executives who have so much potential in them. I tried to help them whenever I can and helped them reach their targets. I never thought that from being a rookie to becoming a head I’ll learn so much. But thanks to DUB, I learned a lot.

I’ll miss a lot of things about DU Beat, like Monday meetings, seeing other departments stress over print cycle, tapri sessions and attending fests. I don’t think I’ll be able to get the same joy that I got from DUB from any other organisation. But as all things comes to an end my journey with DUB also did. I never thought that my tenure will end without a farewell. DUB farewells are the most memorable things. I have given two farewells and this time it was my turn to get a farewell. Because of the pandemic that’s going on my dream of getting a farewell will remain a dream. But it’s okay as at this moment surviving is more important than a farewell.

I hope to stay in touch with all the beautiful souls that I have worked with and probably I’ll crash one or two Monday meetings.

I wish the new heads all the best for their tenure.

Signing off,

Deepesh Varshney 

Head of Marketing, 2019-2020

Having been let down by women, two egoist and patriarchal characters go down the path of self-destruction, although one is heroic the other is not.

In a contemporary urban location, there is a rich egoist male who falls in love- this is a very common heroic pursuit in mainstream Bollywood, and the 2009 Anurag Kashyap (who has a certain Samuel Fuller and Aronofsky vibe to him) directed the movie Dev.D, and took on this trait to reveal very ironically how flawed a hero can be.

Image Credits: Film Week
Image Credits: Film Companion 

Adapted from Sarat Chandra’s Devdas, this movie is a romantic black comedy musical, with more preference to music than dialogues. Music by Amit Trivedi  fits perfectly with the scenes in the movie.

Dev is a chauvinist who took his childhood love Paro for granted, at one time slapped and embarrassed her, and thought that he actually loved her. He also once believed that she would be the only woman he’d ever love- again a common narrative that there’s just ‘the one’ and no one else.

Dev later realises that his love was flawed, he was flawed, and Paro never returns back to him. It’s not just the utter vulnerability in Dev’s character, but a fresh empowering effervescence of strong female characters which makes the film stand out.

Image Credits: Film Companion
Image Credits: Film Companion

A decade later, comes the movie that proves we are back to square one. Sandeep Vanga directed Kabir Singh which is a remake of Telugu film Arjun Reddy is a story about an egoist, entitled, chauvinist with anger issues who falls in love. The sound track went popular and so did the problematic aspects wrapped up nicely as the charisma of Kabir Singh. As a promoter of independent cinema, and appraiser of a film like Dev.D, I would never object to the portrayal of a problematic character like Kabir Singh who is after all, inspired from our society. An added bonus with Kabir Singh was that it was made with intention to appropriate his flaws and was received largely in the same horizon.

In my personal opinion, I feel that Kabir Singh did teach us a thing or two. It validated that the popular opinion still is to plaudit the hero with underlying misogyny and the success of such a film is representative in the profits it made. Also for all the wrong reasons, it did start a big discussion on male chauvinism. There’s a parallel in the society itself which is depictive of the two kinds of films discussed above, and the popularity and financial success of such movies will always reflect the popular status quo of us as a society.

Feature Image Credits: Filmistaan

Umaima Khanam

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