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DUTA wrote to the Deputy Chief Minister highlighting the inadequacy of the previous grant to cover employees’ salaries and pensions.

On 3rd April 2020, the Delhi University Teachers’ Association (DUTA) wrote to Shri Manish Sisodia, Minister of Education and Deputy Chief Minister, New Delhi regarding the inadequacy of the grant released by the government to 12 Delhi University colleges funded by the Delhi Government. The funds released on 30th March were said to be insufficient and many colleges were unable to pay the salaries and pensions of both teaching and non-teaching employees.

The Association had written to the Government on 26th March, requesting them to enquire into the insufficiency of funds after many colleges had alleged that the grant would only cover the salaries and other expenses for two months which had been due since January.  

Hem Chand Jain, acting principal of Deen Dayal Upadhyaya College, told NewsClick, “Given the dues in form of arrears, property tax, salaries of teachers and non-teaching staff, we had expected an approximate grant of Rs 12-13 crore. But, with this amount we would be able to pay the salaries for January and February only. The salary of March which would be paid on April 1 cannot be covered in this amount. Additionally, we need to pay Rs 1.90 crore as Property Tax. Whether our electricity and water connections will continue or not in absence of payment, we do not know.”

He added, “Traditionally, we used to get grants in March for the salaries till June. How will we pay salaries till May or June? I hope the Delhi Government releases the required grant soon.” The sanction order, however, had awarded Rs 4.2 crore for salaries and Rs 40 lakh for other expenses to the college.

The reason for this crisis is said to be the tussle between the Delhi Government and the Delhi University administration regarding the appointment of governing bodies of the twelve colleges that are funded by the Delhi Government. The DU administration had rejected the names of the people that the Aam Aadmi Party Government in Delhi had suggested since they did not qualify the criteria that are in place to appoint members to the governing bodies. AAP, however, accuses the administration of creating roadblocks at the behest of the BJP Government in the Centre.

Delhi Government funds 28 colleges in all – 12 fully and 16 colleges partially. The 12 colleges are Indira Gandhi Institute of Physical Education & Sports Science, Shaheed Sukhdev College of Business Studies, Shaheed Raj Guru College , Deen Dayal Upadhyaya College, Dr Bhim Rao Ambedkar College, Acharya Narendra Dev College, Bhagini Nivedita College, Keshav Maha Vidyalaya, Maharaja Agrasen College, Aditi Mahavidyalaya, Mahirishi Balmiki College of Education and Bhaskara Charya College of Applied Science.

Sixteen colleges that are partially-funded by the Delhi Government are Shivaji College, Motilal Nehru College, Laxmi Bai College, Shaheed Bhagat Singh College, Maiteryi College, SPM College for Women, Satyawati College, Vivekanand College, Rajdhani College, Kamla Nehru College, Gargi College, Swami Shardhanand College, Kalindi College, Bharti College, Sri Aurbindo College and Delhi College of Arts and Commerce.

Image Credits: DU Beat Archives 

Khush Vardhan Dembla

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Akhil Bhartiya Vidyarthi Parishad (ABVP) and Delhi University Students’ Union (DUSU) have collaborated to launch online remedial classes for all students of the capital. 

In a press statement released on Tuesday, 31st March 2020, ABVP and DUSU announced initiatives to launch online remedial classes for all Delhi students. The organisations, recognising the grave academic losses occurring to the student community of the capital region due to the COVID-19 pandemic spread and lockdown, have decided to launch these remedial classes for all resident students of Delhi. Under this platform, all registered students will be able to access these classes.

This initiative involved not just students from the University of Delhi, but also students From Jawaharlal Nehru University (JNU), Jamilia Millie Islamia (JMI), Indraprastha University (IP), Ambedkar University, as well as other registered colleges. Any student registered as a resident of Delhi can access this initiative. With the use of e-mail, voice notes, and online classes, the organisations plan to deliver the initiative of remedial classes to help students. The organisations also stated that a digital copy of all the course material will be made available to download.

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Featured Image Credits: Akhil Bhartiya Vidyarthi Parishad (ABVP)

 

“The national capital, being an education hub, has been affected by the ongoing lockdown. As a consequence, the student community has suffered in terms of loss of thousands of hours of classroom instructions, no access to public libraries, and the absence of functional alternatives. It is to address these significant problems that ABVP Delhi and DUSU have brought together more than 80 professors and teachers from eminent institutes like Delhi University and JNU, who will provide online guidance to students in more than twenty different disciplines. Students from DU, JNU, Jamia Millia Islamia, IP University, Ambedkar University, and others can register themselves to join these online remedial classes. Doubts of the students will be cleared via e-mail, voice notes and discussions during online classes. Course materials would also be made available in the digital form,” the press release stated.

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Featured Image Credits: Akhil Bhartiya Vidyarthi Parishad (ABVP)

 

Sidharth Yadav, State Secretary, ABVP Delhi, said, “ABVP activists and volunteers have responded to the lockdown in more ways than one. Distribution of ration and similar essential goods among the stranded students, prompt medical assistance, appeals for the forbearance of rentals have been some of our initiatives. Online remedial classes add another dimension to our comprehensive response to this crisis. As a sincere representative of students, our efforts to assist the student community and the larger society will continue with the same momentum throughout the lockdown.”

“Distance learning and social distancing seem to be the only way out in these trying times. While we are thankful to the professors and scholars who have agreed to guide the students, we would request the varsity administration to institutionalize similar efforts for maximized scope and reach. We are endeavouring to provide a wide spectrum of e-learning resources and would urge the students to join these in large numbers. More instructors, courses, and study materials will be added as and when required,” Akshit Dahiya, President, DUSU, also stated.

The capital has been put under lockdown as per the orders of the government to prevent the spread of the pandemic, with educational institutions being shut down indefinitely until further orders.

 

Featured Image Credits: DU Beat Archives

Shreya Juyal

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Amidst the coronavirus lockdown, while many University of Delhi (DU) students are enjoying a vacation at their home, there are still many who could not make it home in time, and thus, are forced to stay in Delhi under unbearable conditions.

In a recent notice released on the University’s website, it was made clear to all of the students residing in any hostel of DU that there would be necessities provided to them even during the indefinite countrywide lockdown. But the story so far for the residents of Ambedkar Ganguly Students House for Women (AGSHW) has been completely different.

According to the recent information being circulated over social media, Amisha Nanda, a student residing in AGSHW could not enter the hostel even after constant appeals to the authorities. The security guards were instructed by the Provost to throw out any student trying to enter. The provost, Dr Anu Aggarwal stands unmoved to the requests by the students. Students are not able to get basic amenities like food and electricity in the hostel.

Before this, on 20th March 2020, the residents were evacuated on the grounds of a lockdown being initiated and other hostels of DU also being shut down. The notice from the Ministry of Human Resource Development (MHRD) came the very next day, which was opposite to what the authorities had been saying.

But the clash between the authorities and residents of AGSHW is not new, there had been protests in the Dhaka Complex since late February 2020, over the problematic statements by Dr K Ratnabali such as “a girl’s body is a mystery”. Amisha is facing disciplinary action for the same and the parents of many students are being called up for the same. While talking to DU Beat, Amisha said, “The series of hostel authorities being vindictive is never-ending. They casually dismiss from the job the contract workers and they would still do everything so as to corner me or the other residents who would want to stay (in the hostel).”

As for the current scenario, Amisha said, “As of now, I am still locked inside. If they’re following the government order, they better first fulfill the condition that accompanies that is proper accommodation and essential facilities. Quarantining is not a problem.”

The students, while understanding that proper precautions need to be taken to prevent the coronavirus, demand a hostel with proper living conditions and basic living amenities, for the guards to not lose their job and for the hostel to provide shelter to all the residents, even if there are only a few residing in the hostel.

 

Featured Image Credits: Delhi University Official Website

Akshat Arora

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Bringing in the foreground- the issue of rising mental health issues with those strata of the society which is pushed in the background with ease of oblivion, negligence, and denial.

The one we honour with superficial and pretentious superlatives like a multi-tasker, caregiver and resilient is subjected to suit the likes of our ease and comfort, where we as a society conveniently flip the switch from that- to labelling her as a nobody, serving subject and a labour machine who has no entitlement to emotions of her own. This only throws light on the irony, hypocrisy, and failure of a coherent society.

Perpetually propagated ideology since time immemorial till today is celebration and romanticism of the sacrifices and suppression of desires that the housewives engulf in for the sake of their families. We often express ourselves as being grateful to the relentless hard work our mothers and wives do for us when de facto we should be feeling guilty. The learning outcome should be to change the status quo, and not to further reinforce it. The apportion of this baggage has resulted in multiple mental health issues in our homemakers.

The most common cases would include homemakers facing anger issues, anxiety and depression as common threads. The stressors are the daily domestic hassles. Amidst all of this, if they take a break and mistakenly use it in watching soap operas, which should ideally provide an escape from their tiring life, it consequently does more harm than good. Working on the kernel of truth, a majority of them further sell the idea of an idealistic cohesive ‘bahu’ who is the chastest soul on earth and would do wonders for the sake of her family. Early arranged marriage, young motherhood, low social status, domestic violence, and economic dependence are some of the gruesome factors which affect them physically but more mentally because treatment for the latter is not even an option.

Data from the National Crime Records Bureau (NCRB) shows that one of the largest groups of suicides in India are housewives. Approximately 63 housewives took their own lives every day in the year 2018 accounting for 17% of all suicides on average. It’s already a known fact that NCRB data is guilty of underestimation since many cases go unrecorded. Instances of burn injury against housewives have been deliberately turned to be reported as accidents as reported by India spend indicates the further depletion of the authenticity of the data.

Psychological disorders such as multiple personality disorder when found among women especially in rural areas and those in urban areas who have superstitious beliefs are taken to shamans for exorcism where they are physically tortured. Even in educated households, some husbands are found guilty of falsifying mental illness allegations on their wives to institutionalize them and get an easy divorce. The conditions of institutions in India are very poor and what happens inside them to these women goes unquestioned. This was reported by the vice.

Suppression of sexual desires, the discrepancy between the real self and ideal self and mental exhaustion among other things which go unnoticed form the crux of the problems. From casual ignorance to complete disdain for the share of work done, homemakers have fallen victim to varying degrees of mental health issues. Acknowledgement of the work done by housewives and accreditation of dignity which has been long overdue can go a long way in alleviating the problems. Mental illness itself is a taboo in our country and access to therapeutic facilities is a privilege. With such uprise in suicidal tendencies and depression and lack of infrastructure and free-thinking society, the least we can do is to deconstruct the problematic approaches of inherent patriarchy which puts women in vulnerable positions in the first place.

Featured Image Credits: The Guardian

 

Umaima Khanam

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As soon as the lockdown was announced by the Prime Minister on March 24th, the Ministry of Home Affairs put down the rules and regulations which are to be followed during the lockdown. Read on to find out.

The whole nation has been under complete lockdown since March 24. The lockdown, as of now, is 21 day long and a lot of us have various confusions over the do’s and don’ts of the same. And this confusion and deliberation has led to various social media memes about police taking action against those who violated the lockdown. So to save you from becoming a meme here’s guide of the things and activities that you can and can’t do during these 21 says.

What is shut? 

Most State and Union Territory government offices will remain shut. However, police stations and municipal bodies for essential services like municipal bodies, administrative services, home guards, electricity, water and sanitation will function with minimum staff
Offices of the Government of India, its Autonomous/Subordinate Offices bad Public Corporations shall remain closed. With exemption to Defence, CAPFs (Central Armed Police Forces), Disaster management, post offices, National Informatics Centre and Early Warning Agencies
Commercial and private establishments that work in non-essential services will remain shut and work-from-home
All educational institutions, including coaching classes, will remain shut
All places of worship will be closed to the public. No religious congregation will be permitted–without exceptions. Funerals are permitted but attendance will be capped at 20 persons
Transport services (air, rail and roadways) will be suspended. Only transportation for essential and emergency services will continue to function

 

What is open? 

Hospitals, nursing homes, dispensaries, chemists and ambulance services
Shops and stores selling groceries, fruits, vegetables, dairy, meat and fish
Banks, ATMs and insurance offices
Petrol pumps as well as CNG and LPG stations
Delivery of all essential goods including food, pharmaceuticals and medical equipment through e-commerce.
Private security services

 

Can I order online? 

Yes, you can order essential items like food, medicines, etc. via online platforms like Zomato, Flipkart, Amazon, Grofers, Big Basket, Medlife, Pharm Easy.etc. However these platforms are only serving select cities and localities.

Can I go outside my house? 

You can go step outside your house, however, there are certain conditions related to it. A person is allowed to only step out only in case of an emergency or a valid reason. Valid reasons may include the need to buy rations, medicines, essential/life sustainingcommodities, etc. and you are required to do so only in your local areas of residence  

What if I violate the lockdown measures? 

The refusal to abide by the directions given by the Central as well as the state governments will result into a fine or/and an imprisonment of up to one year. If the unruly behaviour persists then the sentence may extend upto two years.

How do I approach doctors if I develop COVID-19 symptoms? 

You are allowed to go the hospital in case you develop any symptom related to COVID-19.

How can I reach out for help? 

Apart from this, you may also reach out for help via these phone numbers:-

Central Helpline: +91-11-23978046 and 1075
Central Helpline E-mail: ncov2019@gov.in or ncov2019@gmail.com
Delhi Helpline: 011-22307145
Uttar Pradesh Helpline: 18001805145
Haryana Helpline: 8558893911

Image Credits: Jewel Samad/AFP 

Aniket Singh Chauhan

[email protected]

Love for humanity, Love for art, Love for language, Love for the sake of Love. This World Theatre Day, presenting before you a tale of ‘living letters’ which encapsulate love in most variegated forms. 

Why ‘Tumhari Amrita’? 

In times, when Bertolt Brecht and Jean Paul Sartre; Oscar Wilde and Samuel Beckett become so relevant in a geopolitical and existential crisis, where and entire human populace is at halt, what makes an epistolary play about two ‘simple’ lovers so special? The answer might not be substantiated by the mere witnessing of this modern play, that initially even made its makers skeptical about its reception and future but would actually require a study in entirety surpassing the actual stage. 

When acclaimed Indian Playwright and director Feroz Abbas Khan got hold of American writer A. R. Gurney’s Pulitzer Nominated Love Letters, he thought of developing something akin and approached veteran screenwriter Javed Siddiqui, who re-narrativised the play in an Indian context and etched the greatest Indian Play of modern times. 

Two people reading out letters on a stage amidst an audience that has never seen something like this before seemed very experimental and interesting, especially when the only two actors comprised of legends like Shabana Azmi and Farooq Sheikh. 

Love for Language

Perhaps, Love has no language and can never be explained through words and utterances but if there is any known colloquial diction that can provide this emotion a script, it lies in this expression by Khushwant Singh, “Agar Aap Urdu Seekhna Chahte hai toh Ishq Kar Lijiye, aur agar Ishq karna chahte hai toh Urdu Seekh Lijiye.”

When Khan modelled the Indianised version of the Love Letters he believed Urdu to be the only medium that could ‘move the audience emotionally’ and ‘paint word pictures’, the language was popular both among the theater practitioners and viewers equally, he fused Urdu with a touch of Hindustani and hence the ‘jazbaats‘ were draped in these ‘khutoots‘. Moments of silence sometimes speak more and give us the language of love. 

Love for Humanity

Amrita Nigam and Zulfikar Haider are attached with nothing but the string of love which has shreds of passion, understanding and respect; despite belonging to different religions and culture, the shared emotion transcends a timeline of thirty five years from a period before independence and then attaining it with partition following till emergency. 

The play has not only been humanitarian in act but also in approach with more than thirty percent of the entire screening done for charity, the play has traveled the entire globe and has raised money for victims of Earthquakes in Lathur and Pakistan, the Kashmiri Pandits and a special drive at the United Nations. 

Love for Art

The play was an experiment in Indian theatre and has brought the stalwarts Khan, Siddiqui, Azmi and Sheikh together to create the longest running modern play in Indian History, the journey that began in 1992 lasted upto Shaikh’s death in 2013. Over the years, the play has brought immense honor to the art and to the country, with acclaim and emotional offerings the makers received and is still registered on the memories of the audience. 

Love for the sake of Love

In today’s world, envy and jealousy has rigged the human system, the low means and harsh actions are resultant of the lost love and compassion that can only be filled back by something like ‘Tumhari Amrita’, Zulfi and America’s love for each other was propotianate to their respective emotions that resonated in their actions while arguing and getting back. 

It cannot be mere coincidence that this epic tale of love had it’s final screening at the Taj Nature Walk, against the backdrop of Taj Mahal. The fortunate will always remember the departed Farooq Shaikh and living legends – Shabana Azmi, Javed Sahab and Feroz Abbas Khan. 

Image Credits: The Caravan Magazine

Faizan Salik

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On World Theatre Day, we must apprise ourselves of the enthralling, incomparable beauty of traditional Indian theatre forms and acknowledge the need to resurrect them into mainstream culture. 

“I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being.” – Oscar Wilde

Theatre is a branch of performing arts that comprises of acting out stories. It stimulates creativity and is one of the most popular modes of entertainment and jubilation. But theatre is much more than this; it is a platform for expression of different nuances of our everyday life through the subtle fusion of drama and/or music and dance. 

Since ancient times, our Indian culture has given huge impetus to the performing arts. From performing in the courts of kings to an auditorium stage, Indian theatre has grown a lot and the diversity of its forms is mesmerizing. Natyashastra, written by Bharata Muni around 500 BCE is the earliest contribution to Indian theatre that vividly describes the theory behind a theatrical performance and depicts the mind of a performer. Indian theatre is usually categorized into three specific periods – Classical, Cultural and Modern; each period bringing in different areas of interests and traditions. The classical theatre was marked by composition and performance in the language of Gods – Sanskrit and had playwrights like Kalidasa (also known as Indian Shakespeare), Sudraka, Bhasa and Bhavabhuti influenced by epics and mythologies. Cultural period saw the rise of folk theatre in vernacular languages with themes like romance, heroism etc. Beginning in the late eighteenth century during the time of British consolidation in India, realism and nationalism pervaded modern theatre and had legends like Rabindranath Tagore, Kalyanam Raghuramariah, Dinabandhu Mitra etc. composing revolutionary works. Such was the acclaim and influence of Indian theatre that the British Government was forced to impose the Dramatic Performances Act in 1876 to prevent the use of theatre as a tool of protest. 

Traditional Indian theatre is so rich in diversity and vigour that almost every state in India and further different ethnic groups have myriad forms of traditional theatre. But in all these forms the element of ‘simplicity’ is innate that leads to the development of an immediate, realistic and rhythmic relationship with the spectators. Regional peculiarities create a connection that is unhindered by social and economic divisions. One of the most magnificent facet of traditional Indian theatre is the beauteous use of dance and music. For instance, Tamasha a traditional folk theatre form of Maharashtra comprises of classical music, footwork at lightning-speed, and vivid gestures while in Bhand Jashn a traditional Kashmiri theatre form, the art of making the entry by dancing has been perfected as the way each character walks and enters the platform identifies him. Indian theatre has not remained untouched by urbanization and other changes and tried to improvise the aspects in innovative styles. Nautanki is usually associated with Uttar Pradesh. The stories revolve around mythological and folk tales and contemporary heroes. There was a time when only men acted in Nautanki but nowadays, women have also started taking part in the performances.  Swang from Haryana, Rasleela from Uttar Pradesh, Bhavai from Gujarat, Maach from Madhya Pradesh are just some other theatre forms in the grand myriad of Indian theatre culture. Koodiyattam or Kutiyattam, is a traditional performing art form from Kerala. It has been recognised by UNESCO as a ‘Masterpiece of the Oral and Intangible Heritage of Humanity’ as it is one of the oldest theatre forms, based on Sanskrit theatre traditions. 

Cinema and television have certainly emerged as the greatest adversaries of theatre and a falling appreciation of these art forms is witnessed. Their reach and knowledge has become limited and is popular only in the circles of theatre admirers. Theatre is such an art form that not only expresses meaning through narration but also brings people together. It leads to development of skills like listening, imagination and empathy. Moreover, its contribution to the economy and growth of neglected areas cannot be missed. The government as well as the citizens, especially the students can play a huge role in this endeavor of remembering our customs. 

Thus, in order to strengthen our roots and concretise the cohesiveness of our culture, recognition and popularization of traditional Indian theatre is very essential, otherwise we would lose these precious jewels of our sublime Indian culture to westernisation forever.

Feature Image Credits: indiaheritagedesk.com

Ipshika Ghosh

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Suddenly, no more do you hear the rattle of bullets, nor do you see any Sisyphean clashes in the name of religion or beliefs.  All you see is concern for loved ones and prayers for the ones afflicted. The current pandemic has showcased how beauteous humanity really is.

The year 2020 has been terrifying. We never could have anticipated such testing and difficult times. Our everyday lives and activities have come to halt as we battle against a microscopic enemy, who is gnawing at our strength and harmony every second. Entire countries have been locked down, more than 14,000 people have lost their lives, flights and trains have been cancelled and people have been  asked to quarantine themselves; scaring us all whether this is the end of the world as we know it. Sir Francis Bacon quoted, “In order for the light to shine so brightly, the darkness must be present.” And in these dark times, the innate benevolence, unity and resilience of humans have transpired as our gleam of light.

The entire atmos has been engulfed in clouds of dismay and gloom but from different corners of the world we also hear stories of courage, magnanimity and empowerment. Usually, movies depict state of affairs like these as total chaos, people going into frenzy, turning bloodthirsty for survival and so on. Although some people have contributed to mayhem by hoarding sanitizers, toilet papers and other necessary items and by spreading fake news and lies; it is well evident that during such a threatening pandemic we have not descended into anarchy. Videos from countries such as Spain and Italy are being shared in which residents can be seen holding musical concerts and singing to the tunes of famous songs, from their balconies in order to raise each other’s spirits. As the elderly is under the highest risk and advised to be under strict self – isolation, their neighbors, random strangers and numerous people on platforms like Nextdoor app are offering to help them buy groceries, medicines, etc. Many celebrities have also taken up the responsibility of spreading awareness and asking people not to panic. For instance, Ndlovu Youth Choir, a group of young South African singers released a catchy music video to raise awareness of proper hygiene and optimism.  Some even have donated to address the supply shortages of necessary goods and to food banks, while others decided to pay for the salaries of certain workers who will be greatly affected by the shutdown. Few celebrities have also come up with unique ways to help out like Josh Gad, the voice behind Olaf from Frozen, has been live streaming himself, reading from his favourite children’s book while Lizzo, an American singer, recently hosted a 30 minute meditation session on Instagram. The coronavirus outbreak has shown that the medical staff, sanitation workers, people running grocery shops, pharmacies and other authorities working day in and day out to aid us are the real heroes of current times, and the masses have recognized and appreciated their selfless service by clapping and beating thalis (steel plates). Another incredible aspect of this turmoil is the encouragement given to all to talk about any mental health issues they are facing, through means of social media and helpline numbers. 

Apart from all these positive and consoling instances, cases of hostility and racial discrimination have also been reported from different places. Incidents like a woman at an Australian supermarket allegedly pulled a knife on a man in a confrontation over toilet paper, a Singaporean student of Chinese ethnicity was beaten up on the streets of London, an Asian man was left stranded on a road in Egypt and bullied by the passers – by, and many North – eastern students in Delhi were taunted and called ‘Corona’; are not only infuriating but also show that some of us can stoop so low. This kind of demeanour and attitude is a thousand times more deadly than the virus itself. 

Rebecca Solnit, in her book ‘A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster’ (2011) which examines the resiliency of human beings during catastrophic times quoted, “Disaster doesn’t sort us out by preferences; it drags us into emergencies that require we act, and act altruistically, bravely, and with initiative in order to survive or save the neighbors, no matter how we vote or what we do for a living.” We must realize that all of us are dealing with a common enemy. This silent killer has already ruined many lives and families. It is high time that we shun our differences and contribute in whatever capacity to the higher cause of defeating COVID – 19 before it further ravages our lives. We must not let this crisis shatter our dreams and toilings rather use it to bring out the best in us and empower all. In the end, the ‘marvelous’ words of T’Challa from the movie Black Panther are sure to inspire us and must define our future course – 

“We will work to be an example of how we, as brothers and sisters on this earth, should treat each other. Now, more than ever, the illusions of division threaten our very existence. We all know the truth: more connects us than separates us. But in times of crisis the wise build bridges, while the foolish build barriers. We must find a way to look after one another, as if we were one single tribe.”

Image Credits – Nicolò Campo/LightRocket via Getty Images

Ipshika Ghosh

[email protected]

 

 

 

A look at how national media outlets have covered coronavirus (COVID-19) and how it raises the hypocrisies and biases intrinsic in India media.

According to the World Health Organization (WHO), coronavirus disease is an infectious disease caused by a newly discovered virus. While it is mild for most of the people it affects, it can prove fatal to older people and/or people with other underlying health or respiratory diseases. As a global pandemic due to its highly infectious nature, extensive media coverage is required, however, the coverage provided by Indian “journalists” such as Arnab Goswami or Sudhir Chaudhary is dubious at best.

The initial stages of coronavirus consist of foreign nationals or returning citizens entering India from high-risk countries, a stage where contact tracing is easy. At this point, Indian media had gone into a coronavirus reporting frenzy, in the initial stages, those who are affected are mostly those who can afford to travel abroad. It is crucial at this juncture to look at the coverage of the aftermath of the Delhi Riots, which in most media houses was non-existent. Stories of bodies being pulled out of drains or empty relief camps or mass detentions of Muslim youth by the Delhi Police evaded the public eye as we chose to focus on the coronavirus.

Now, that the coronavirus is nearing the third stage, which is the community or local transmission, we look at the fallacies of the fourth estate again. There isn’t a single article against the current central government for its low testing rates, Modi not laying down any concrete plans in his speech, the shoddy quarantine facilities, rising xenophobia against people from the North East, and the work done by the communist government is not to be found on the front pages of Zee News, Republic, Times of India, or the Aaj Tak website front page. The media houses mentioned above have been responsible for baying for the blood of peaceful protesters at any instance, however, people who have disobeyed quarantine instructions or hid their travel history and put thousands of people at risk get just a report. Kanika or Kanhaiya and Umar just go to show the difference a name makes in this country.

At the time of writing this article, the Janata Curfew is in place, with media houses focusing to report on PM Modi’s tweets on Janata Curfew, or pictures of empty streets during a curfew, what the Grade A level Journalism of these media houses mentioned above still have failed to report as of 12:01 pm on 22nd March 2020, was how during a government-mandated nationwide lock down and curfew, petrol bombs were hurled at peaceful protesters in Shaheen Bagh. Will the government, police or the people responsible be put under media scrutiny for this? Perhaps tonight we will get to see reports on how the 5 pm clapping ordered by Modi will create vibrations and how Modi is following astrology with his extremely wise and thought out decisions because of agar Modi ne bola hai, toh kuch soch samajh ke bola hoga.

 

Featured Image Credits: UN News

 

Prabhanu Kumar Das

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Several universities have shut down due to the COVID-19 outbreak in the country. Our very own Delhi University (DU) is one of them, has taken several measures to minimise the effect of this shutdown on the students.

As nearly all of Delhi University colleges have taken to online classes, the University has decided to grant the students access to its library resources from home. The students can use a Virtual Private Network (VPN) connection to access the data. This step was taken after the coronavirus pandemic spreads across our nation. Presently, the number of coronavirus cases have crossed 600. People all over the world have been requested to stay indoors and practise self-isolation to prevent the further spread of this virus.

To establish a VPN connection, students must know their DU Wi-Fi password and DU Wi-Fi username. However, non-members of DU Library will not be able to use the facility. In case of any problem related to the service, students can write an email to [email protected]. The University had earlier suspended classes till 31st March and will now be shut till the 14th April, owing to the nationwide lockdown announced by Prime Minister Narendra Modi on this Tuesday.

Screenshot_20200327-000300

Several colleges have started using online teaching apps like Moodle, Zoom, Google Meet, etc. to meet up the syllabus goals.

Many other institutions like IIT-Delhi, Jawahar Lal Nehru University (JNU), Jamia Milia Islamia (JMI), etc. have also gone online. Although the effectiveness of these measures will come to light only in the coming weeks. Questions regarding class, access and privilege echo all around as offices, schools and colleges turn to online modes of continuing their work. While institutions are doing their best to provide this information on the internet, how many people will have the resources to avail these benefits?

 

 

Featured Image Credits: Aakarsh Gupta for DU Beat 

Aniket Singh Chauhan

[email protected]