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March 6, 2017

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With a palpable energy and anticipation running high, Shri Ram College of Commerce’s annual cultural fest, Crossroads, certainly brought the beat back with a confluence of enthralling performances and a colourful ambience. As the degree of the crowd pouring in amplified with every hour, the exhilaration levels were also met with satiation and pleasure.
The first-day kick started with Thirakh, the Western Dance Competition, which witnessed the energising performances by a motley of colleges. With a participation of eleven teams, each offering strong contention, the event was adjudged by the very famous, Desi Hoppers. Maitreyi College’s Zeal bagged the first award for their engaging moves, followed by Shri Guru Gobind Singh College of Commerce’s Misba.
After announcing the results, Desi Hoppers, the Mumbai-based dance crew who represented India at the World of Dance Championship, grooved on stage with the winning teams and addressed the audience.
As the sun set, the fahrenheit rose at Crossroads’17. The  EDM artist ‘Lost stories’ led the crowd into a frenzy as he came up with leading numbers one after the other. The jam-packed audience were on their toes throughout the hour as the DJ came up with chart toppers like ‘Closer’, ‘Boulevard of broken dreams’, ‘Yellow’ and ‘Bang Bang’ tuned to their best beats.
‘Lost Stories’ led the way to the awaited star of the night, DJ Chetas. Constantly ranked as one of the leading DJs globally,  he set the energy of the house to newer levels as he started with latest bollywood and global chartbusters  like ‘Kala Chasma’ and ‘Cheap thrills’. The crowd cheered throughout as followed next all time bollywood blockbusters like ‘Oh ho jaane jaane’, ‘Buleya’ and ‘Naadan Parindey’. The DJ concluded with a soulful streak finally ending  with ‘Channa Mereya’, marking the end of the first day at SRCC Crossroads.

Anagha Rakta
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Saumya Kalia
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Nikhil Kumar
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Feature Image by Kartik Kher for DU Beat

 

The students of Delhi University’s School of Open Learning (SOL) protested outside the office of University Grants Commission (UGC) in opposition to a UGC directive which deems specification of the ‘mode of learning’ on the degrees awarded by it.

The students demanded a roll back of this directive calling it to be a ‘devaluation’ of their degrees.  UGC had issued guidelines to make mentioning of “Mode of Delivery” compulsory on documents issued to correspondence students, including their degrees.

According to the UGC, this move has been taken “in order to erase ambiguities between conventional mode degrees and ODL mode degrees.”

Harish Gautam, member of Krantikari Yuva Sangathan, which is an association of SOL students said, “Those pursuing correspondence courses in different open universities across the country come from disadvantaged and marginalised sections of society.” Further, arguing that such a decision would decrease their already dismal chances of getting good jobs or admissions in regular post-graduate courses of different universities, since mentioning mode of delivery would mean that their degrees will be treated inferior to those pursued through regular mode.

The students have also submitted a memorandum to the UGC demanding the annulment of the UGC guideline.

Image credits: timesofindia.indiatimes.com

Aditya Narang

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It’s commonly said that Bollywood makes movie stars and Hollywood makes star movies.

Bollywood and Hollywood rule hearts of billions of movie-buffs worldwide. Despite various similarities, both the movie industries draw their inspiration from varied sources, which provide basic ideas for commencing with a celluloid venture. Indians are always shy when it comes to comparison between Hollywood and Bollywood. Now, it’s fair to say that Bollywood is behind Hollywood when it comes to experimenting with a variety of genres. India has been making films for a hundred years; getting started just ten years later than America. Storytelling is a craft as much as anything else.  So is screenwriting.

As the film industry grows, so does the list of film festivals and awards ceremonies across the globe. What better way to spend two to three hours of your day than to watch a masterfully-written movie? From the good old movies to today’s featured flicks, film industry has something for everyone. From the Academy Awards in Los Angeles, Cannes Film Festival in France to International Indian Film Academy Awards, there is an awards ceremony for various types of films. There are awards distributed by critics, the festival and industry professionals as well as the general public. But here comes another comparison between the Hollywood award shows and the Indian award shows. First, Hollywood is inclusive of films and artists from all around the world which tends to be encouraging for the artists for being recognized in a global platform. But, as the trend goes with awards of Indian Cinema, most of them include Bollywood actors only.

Of lately, Indian viewers have turned to appreciating Hollywood and to tuning to International Award shows to keep track of the best films released globally. Hollywood studios put out between 200-250 movies a year and own 85% of the world market share, while Indian movie industry puts out about 1000 movies and has 4% market share. This is not to say Hollywood always makes better movies than Indian industries.  It just means Hollywood is able to tell more universal stories. Not one Indian movie has been a mainstream movie that audiences all over the world have flocked to see.  Every year, Hollywood puts out a handful that the whole world, basically, pays to watch.  If a comparison is to be made standing on neutral ground, Indian film makers rarely venture out to tell universal stories that everybody in the world can understand. Thus, Indian viewers in the present time have turned to Hollywood as a large part of Indian Cinema is about conventional song and dance sequences whereas Hollywood rarely follows the trend of relying on music heavily, except for a few movies and it drives its motivation from a diverse set of emotional, fictional and non-fictional subjects with a universal appeal. Bollywood in general is a genre as recognised by the world but, Hollywood is a style. Also, B-Town actors like Priyanka Chopra and Deepika Padukone are creating news because they got into Hollywood. It is an achievement to enter Hollywood. Is it true vice-versa? Not really.

Image credits: india.com

Radhika Boruah

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Sleepless nights, daily bouts of anxiety, and a fearful anticipation of what is to come: remember what the month of March meant back in your 12th grade?

If I were a time lord from Gallifrey and possessed the ability to cross the barriers of space and time, in no universe would I choose to relive the daunting experience the Central Board of Secondary Education nefariously termed as the Board examinations (assuming other worlds had this system). All students undergo the privilege of viewing these examinations in precisely three lenses: the early stages of 12th grade where the idea of taking the ‘most important’ examinations in one’s life is spiced up in all shades of worry, undergoing the boards in real time, and reflecting back on the turbulent period with retrospection.

The beginning of the last year of high school sets the anticipation for the next twelve months, structured with incessant study warnings and cycles of mock tests. As months’ pass, the degree of nostalgia and affinity harboured towards the school premises begins to grow, for the latter has been the platform of a million memories. This fusion of fond remembrances and anxious forebodings forms the crux of the second half of the academic session. Enter phase two, when the month of March brings with itself an endearing spring and a haunting set of examinations. This period may be looked in different ways; for some may approach the Boards with a sense of stoicism and ‘come what may happen’ attitude, and some may enter the halls with trepidation and uneasiness. A trend which has been observed by batches alike is the relative directness in the way questions are framed in Boards. Our preparation often conditions us to try diverse questions to become accustomed to handling a variety, so the real question paper might not seem all that difficult. Five/six examinations and innumerable panic attacks later, there comes a brief period of relief before the college hunt begins (days of relaxation and nothingness must wait!) where their culmination would be absorbed, and a final farewell to the portals of the school must be bid. School farewell and scribble days are two pillars which sustain one’s sanity amidst the chaos, don’t they?

Months and semester later, when we’re engulfed in a life of SGPAs, attendance issues, society frolic, and celebrating with friends new and old, the events of our respective Board years are fresh in our memories as another batch prepares to take the exams this week. All the anxious fears of the heart which believed that a month would define their futures now stand in question; for the results, do have a slight bearing on where one goes to college. But what one chooses to make out of the opportunities is individually-tailored. After receiving abundant advice on the dos and don’t(s) for this season, here’s a reality check for the soon to be pass outs: There must be a feeling which is spilling across your body, mind, and soul right now. I remember the waves of anxiety and incessant worry cycles which shall overturn you till the very end of this examination cycle. I remember the restlessness, the expectations, and the fear of failing. Days and hours later, you shall be beginning the journey you have been preparing for the past year. Wrapped up in a veil of terror and overhyped anticipation, the reality is far less scary. This month will end before you know, and each examination will be a success story if you don’t let the fear grip your heart.

Be prepared, be brave, and be ready!

Image Credits: Outlook India

Saumya Kalia

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