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The much awaited literary festival of Hindu College, Mushaira 2018 witnessed students flocking from a myriad of colleges of the University of Delhi. The event started with customary lighting of lamps by Nasera Sharma, Guest Speaker, along with Dr. Anju Srivastava, the Principal of Hindu College, and Manisha Pandey, Speaker of Hindu College Parliament. Muhammed Daniyal, Minister of Literary Activities of the Hindu College Parliament delivered the keynote address delineating the problems they had to face to come up with the speakers line-up. He presented a timeline of how the society evolved from the stage of genesis to the present day. He painted Mushaira as a stage to revoke the atmosphere of hysteria and intolerance.

Nasera Sharma began with the first speaking session on “Ignored languages and their revival with special emphasis on Urdu”. She made a strong point about the current generation before talking on her subject, about holding the power to resolve the issues that the current generation created. She quoted “Sarkar aati jaati hai par naagrik bane rehte hai”. She protested the belief of eliminating the use of English in order to promote Hindi before telling about how different languages like Pashto and Sanskrit are related through grammar. She emphasised on how India came close to the Middle Eastern countries through literature. Bemoaning the lack of knowledge of people she mentioned that Urdu is a victim of political divisions. Concluding her talk, she shed light on how the originality and beauty of the Hindi language is dying.

Maintaining the poetic vibe, Hindi Kavi Sammelan followed next. More than ten guests were invited to speak on this event. Madhyam Saxena was the first speaker who started the session on a comic note leaving the audience in giggles. The short poems or shayaris as we know them revolved mainly around romance. Some notable guests who came up to mesmerise the audience were Shambhu Shikhar and Azhar Iqbal. The presence of such renowned artists added to the lustre of the already entertaining event. Even though it was the longest session of the day, but the laughter didn’t let the enthusiasm fade. The session also featured some university poets such as Nitin Kumar of KiroriMal College and Sanjana Jha, who is a Hindu College alumuna.

The last and the most anticipated performance of the day was a Qawali session by Junior Qutbi Brothers. They began their performance by informing the crowd about the 800 year old tradition of Qawali, which they believe, is an integral part of the cultures of the Indian subcontinent. They serenaded the crowd with devotional songs like Chaap Tilak as well as popular hits like Coke Studio’s version of Afreen Afreen by Rahat Fateh Ali Khan. The first day of Mushaira 2018 ended on a soulful and melodious note.

 

Feature Image Credits: Sahil Chauhan for DU Beat.

Oorja Tapan
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Karan Singhania
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Sandeep Samal
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Bhavya Banerjee
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Robert Frost once espoused, “Poetry is when an emotion has found its thought and the thought has found words.”  I resonated with this quote when I read Love in the time of Pokemon: Poems about love, loneliness, and other funny things by debut poet Anurag Verma. As someone who doesn’t like to read poetry per se, this book was oddly captivating and relatable. The collection of 23 poems induces themes of tragic humor, isolation, randomness, nostalgia, love, and urban sprawl. The book was ranked number 4th on Amazon bestseller list, while its free Kindle version topped the charts.

We got an opportunity to have a tête-à-tête with Anurag about writing, weird names and lonely people living in matchbox apartments. Excerpts:

 

Why does the name on your book read Anurag minus Verma ?

There is an interesting story behind it. I was a confused kid, so while I was filling the class 10th board exam form, I forgot the spelling of my surname due to nervousness. ‘Verma’ or ‘Varma’, I thought. I called up my father but he was busy in a meeting. So wrote my name without any surname. Therefore all my official documents like passport, Aadhar Card were without any surname because they are based on my class 10th form. Although on Facebook it’s mandatory to write a surname. So I wrote Anurag Minus Verma. I found it more interesting and from then on I use it as pseudonym.

2

 

Most of your poems like ‘The man who did nothing’, ‘Sadness of building after rain’, ‘Big city loneliness’ and ‘Add Poem’ are set in an urban backdrop and give a sense of cynicism. What personal experience and observations shaped these poems?

Most of the poems are a result of wandering on the streets of the city. Eavesdropping on the the conversations of strangers, looking at people sitting alone in apartments or having random conversations about life with drunkards at a wineshop. The more you talk and look at them, the more you realize the amount of loneliness which is out on display on city streets. Though I don’t look at it from hopeless gaze because there is also a great deal of humor among people which somehow becomes the tool for survival in this strange world. That is the reason I want to incorporate various shades of human life such as loneliness, humor, nostalgia among various other things. City plays an important character to incorporate these elements.

Can you share your favorite lines from the book?

all the weight of those years

which have piled up into

minutes, days, week, years

are right here,

unfolding in the

Hotel Supreme Heritage

 

where two people watching a separate dream together,

are walking through their own nightmares

and I wonder that from the weight

of the collective loneliness in the room

the building will collapse and we would

be just another 2 people of the world dead

by the volcano of love.

When was the first time you decided that writing was was something you had to do? Was there a moment of epiphany, or the realization seeped in gradually?

I think it was during engineering. I was living kind of a purposeless life. I wrote some stories and poems during that time. For the first time I felt mildly felt good about my existence.  I had serious issues with expression in the form of spoken words. As an introvert, it was difficult for me to talk and say what I feel. When I am writing, I feel powerful, maybe the only time. I can say things which are not possible to say otherwise. Writing gives a certain degree of power to the misfits. In fact the first time I proposed a girl was through an SMS, while she was sitting in front of me.

What is the best thing about writing poetry?

Poetry gives you the chance to mix your nostalgia with fantasy. It gives a certain degree of meaning to many random events that had happened to us, and if a poet can express that with immaculate observations then it can create magic. So even a painful breakup from your girlfriend becomes an exciting opportunity to write poetry. All poets subconsciously love pain.

What’s the worst thing about writing poetry?

Difficult thing about writing the poetry is the vulnerability associated with it. You need to dwell in your past events to derive minute details and observation. For example, to write about your first love you need to time-travel to that event in your mind. So, after so many years you are back at that lost world again which you have tried to hide in your subconscious mind. You are there, smelling the perfume of your lover, feeling the texture of her dress. It opens up barrage of memories associated with it  and then evenings become lonelier.

Do you think that poetry is reviving again these days, especially with the advent of online platforms?

In the contemporary times, distribution of any art has become much easier. It’s easier to find an audience as there are lots of distribution channels available like Instagram, blogs, etc. But in terms of form and content it has become more mediocre than it was before. Now the sensational content and loud performances have taken the place of poetry which comes out from deeper observations of life. It’s more or less dead. Until someone brings a revolution, to transform it into humane, playful and contemporary form, the way it was imagined to be.

Few days ago I was reading about the writer who did a social experiment to prove shallowness of poetry in current times by posting meaningless verse on Instagram from his alter hipster ego. He instantly started getting thousands of likes and followers even for writing lines such as ‘love made her wild’.

So for the advancement of any art, we need deeper and relentless probing of human soul. Technological advancement can only help us to a certain degree.

Any tips for budding poets?

Experience life in its ugliness and beauty. Both are glorious. Never fall for easy routes. Be relentless, restless, peaceful and sometimes be nothing at all. All art derives from particular state of mind state. Prepare that mind state and let the words destroy you beautifully. As Bukowski said “For all things will kill you, both slowly and fastly, but it’s much better to be killed by a lover.”

 

About the author: Anurag is a filmmaker and Video Editor, besides being a poet and a failed computer engineer. After completion of his Masters in Arts and Aesthetics from Jawaharlal Nehru University (JNU, Delhi), he went to pursue a course in filmmaking from FTII, Pune. Some of his films have been shown at various film festivals across the world.

 

Picture Credits: Anurag Verma

 

Niharika Dabral
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There’s something about poetry; something inherent which induces every soul to stop and stare. That drop of reflection, that ignition of compassion; poetry is a harbinger of the better part of every soul. The channelising of this magical weaving of words is adeptly done in the clutches of humanity; allowing it to thrive and percolate. An endearing tale of two friends was stirred with the marvel of poetry when Amy Singh, a Chandigarh-based poetess and theatre artist, adopted a unique fund-raising method when her friend, Anam Narula, a student of DAV College, Chandigarh, was diagnosed with Adult Acute Myeloid Leukaemia towards the end of May this year.

Battling any disease requires a colossal physical and emotional reservoir of strength. Added to this is the practical reality of financial obligations, which prove to be a burden on the patient’s family almost always. In order to financially placate her friend, Amy conceptualised the creative gateway to mobilise aid: by writing poetry and selling it to people, money which will be used for Anam’s treatment. She began writing poems from May 30th, with fellow poets chipping in two days later.

 

Image Credits: Facebook     
Image Credits: Facebook

  

“I had not been working for more than two months and had no savings with which I could help him financially. But then I thought what if I wrote poems on request and charge people for those? They money could be used for Anam’s treatment. And poetry was something I knew I was good at and that motivated me to at least try it,” says Amy.

Initially aiming to receive Rs 10,000-15,000, Amy has witnessed a staggering response in the number of people willing to help. The campaign has gained momentum over the days, with poets all across the country eager to chip in to this noble endeavour. “And I was not alone in this. Many poets from Bengaluru, Ahmedabad, and Pune with whom we were connected through a spoken word platform chipped in to help me with the poems. Their support was very vital for me,” she says.

Anam is currently awaiting the bone marrow biopsy results post the chemotherapy sessions at the Christian Medical College, Ludhiana. For a boy who had lost all will to tread this harrowing path of survival, Anam was infused with a new lease to life, and continues to project this today. “He is very motivated to fight cancer and come out as a victor,” says Amy, in conversation with DU Beat. For her, two things that have acted as an eyeopener through this journey, she says, “Chivalry isn’t dead, and as my nani would say: Neeyat ko barkat hoti hai.”

 

Image Credits: Facebook
Image Credits: Facebook

In addition to this creative outlet, other campaigns are being organised to help collect funds. Amy, recounting some of them, says, “An exhibition was set up on June 10th, where many painters and photographers of the city donated their artwork to be sold, with the raised funds going to Anam. On June 11th, four of Chandigarh’s finest storytellers are telling feel good tales. The tickets of the event are available at Rs 200. Raised funds go to Anam. Towards the end of the month, we are organising a run campaign called Run for Hope to help raise funds.”

Image Credits: Facebook
Image Credits: Facebook

When asked what keeps her inspired and motivated to brave her way through this journey, she remarks, “I think this campaign has shattered all the stereotypes, such as: no one pays for poetry, poems don’t see, the world doesn’t care etc. And that’s definitely inspiring me and many fellow poets to continue using poetry as a medium of philanthropy, social change, and hope. I always said and now they believe me when I say that poetry can save the world.”

You can contact Amy to contribute to the campaign here.

 

Feature Image Credits: Facebook

Saumya Kalia
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Writing is liberating, empowering and a life changing experience but not many get the opportunity to showcase the same to the world. Presently working at McKisney & Company, Abhishek Gupta is an Economics major from Kirori Mal College who stands as a young example of how to make one’s dreams come true via writing. Author of India’s first ever travel photo-poetry collection – ‘Iridescence’, we got an opportunity to have an enlightening conversation with him about his dreams, aspirations and his current calling. Excerpts:

 

Q1. Being an Economics Major from Kirori Mal College, how did the idea of penning down a book come up?

Abhishek: Every person has this childhood fantasy, mine was to grow up and write a book. So as soon as I found an idea which could make a difference to Indian Literature, the first thing I did was to write the book.

 

India's first travel photo poetry collection, ‘Iridescence’
India’s first travel photo poetry collection, ‘Iridescence’

 

Q2. The title of the book – ‘Iridescence’ literally means a lustrous or attractive quality that changes with the change in the angle of view. Metaphorically, why did you choose this title and no other?

Abhishek: Travel changes you.  It makes you look at things differently. In Iridescence, I have tried to voice and give vision to different junctures of my journey of self discovery and my discovery of the world. This book would mean different things to different people. It may make you reflect, introspect, awaken, love, invigorate and hope. It may make you look at the same poem differently as you read it at different points of your life. This is a book to tuck under your pillow on cold lonely nights and it is also a book to flip through on a fresh refreshing morning.

Your perspective will define what Iridescence ends up meaning to you. And thus, what better way to sum this photo-poetry book than to call it ‘Iridescence’?

 

Q3. How did the idea of juxtaposing photography and poetry in a single book come to your mind? 

Abhishek: I had been an avid writer since school. In my first year college I started doing photography. I was away to Africa for an internship around that time where sitting by the beach I was writing poetry. That’s when it struck me that it would be a great idea to combine photos and poetry in a book. It took me 3 years since then to materialise the book.

 

Q4. Most of your poems are an inspiration picked up directly from nature. Any story behind this you’d like to share with us? 

Abhishek:When I started with photography, I clicked nothing but flora, and then slowly started clicking landscapes. Nature inspires me the most, and I particularly write the most when I am travelling. I strongly believe that nature has the power to amaze you and has a lot of wisdom to impart to you about life.

 

Q5. What motivated you to travel and pen down your thoughts in the form of poetry? 

Abhishek:My primary motivation to travel was to get out of my comfort zone and to experience life and different ways of living beyond my confines. I wanted to breathe the air of new places and collect moments worth reliving. Photography was also one of the major reasons triggering all my travel.

Soon after, I discovered, Photo-poetry was the perfect medium to make a picture and moment eternal for myself and as well as for the readers. And then the camera didn’t stop clicking and the pen kept scribbling onto the pages of my travel journal.

 

Q6. Do you think poetry as a form of writing needs a new lease of life? What are your comments about the culture of poetry that we have in the country today?

Abhishek: I think we are at a very unique point in the history of literature where we are heading towards digitalisation and experimenting more than ever before. Poetry in India too needs innovation to enhance its market and appeal. It no longer needs to be about being free verse or sonnet or a haiku. It could be in different patterns, in various styles, lengths and on any particular theme.

I think the poetry scenario in India is reforming and broadening its horizons. There are slam poetry sessions every weekend, blogs and Instagram flooding with new budding Indian poets more than ever before and a wider acceptance of new forms of poetry. It is a privilege to witness such a rich growing poetry culture in our country.

 

Q7. Being a young author, you must have faced many unprecedented challenges and obstacles in the path of getting yourself published. Any anecdotes or important advice you wish to pass on to our young readers and aspiring authors?

Abhishek:Poetry is something that is very close to the writer, so I think the first obstacle is making peace with the fact that you are opening yourself to the entire world.  So don’t be afraid to opening yourself up to the world.

And then the second obstacle is apparently finding a publisher. So all I would say is that if you reach out to 50 publishers, only 5 would respond back and 1 will for sure accept your idea, and that is all that will make a difference.

 

Q8. In a collection of more than 30 poems, which poem is very close to you or has a special place among the plethora of experiences that helped you collate this book?

Abhishek:Each poem is very close to my heart, so it would be very unfair if I choose one. But if I have to choose, then it would be ‘Probably Exuberance’. Because that was the first photo-poetry I wrote, and that’s where Iridescence started.

 

Abhisheks book has been received very well and has also become a top-seller on Amazon in its genre. We wish Abhishek all the very best for all his future endeavours!  

 

Riya Chhibber

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Akhilesh Panigrahi has very perspicaciously brought to life multiple characters with multiple stories through his compilation. Instead of focusing and draining out a few characters and stretching them into a book, he wanted to make his debut indisputable. These little shots of intensity, fire, love and lust definitely has an appeal to draw but also not drag the reader into a dark space. His book has intoxicated the media and got everyone talking about him.

This book is a great volume of Indian attraction and a myriad of feelings that will immerse you until you have been made to dive into a whole new ocean with the next story. The short stories are gulps of romance and longing, homosexuality, an ecological heart to heart and whether you believe it or not, there’s also a short dose of the tribal community in India.

The poetry is simple with emotions that we’ve all once felt and therefore, there is no scope for any double entendres that normally keep you spinning while reading poetry. You don’t have to keep scavenging for that deeper meaning; it comes to you automatically.

There’s a poem called “stupid sassy sweetheart” where the poet depicts an unmoved devotion towards a woman who might not even love him back but he reminds us that love goes beyond that.

Here’s a small part of that poem, “For my love for her is an unconditional knot; All I wish is to always see her wearing the mortal smile, Coz with her it’s really momentary and fragile, I swear loving her always the same, Even if she breaks my trust to shame, I’ll breathe my last blissfully chanting her name.”

The Green Guy is a very intriguing story of a man’s destiny being determined by the industrial pollutants. The Dilkashi Damsels is a material story of the complexities of two sisters, where one of them was god gifted with sound features and the other was born deaf and dumb, and their struggle as they set out to achieve the same goal. There are various other stories where love amalgamates in different forms. It’s always a comforting feeling to read about the chase, and that’s what the writer has kept in mind.

The book is the kind you could finish in a day, but also the kind you could let linger around on your tongue and reopen from time to time. It’s definitely recommended!

Baani Kashyap

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