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Radhika Boruah

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CBCS System followed at the University of Delhi is Relative Grading and not Absolute Grading. The University did constitute a committee in 2016 to see into a mix of both systems but it was rejected later on. In this system, your SGPA is not entirely dependent on your performance. It depends on how your classmates did in the exam. It is as if, they check the sheets of all the students then total the marks of all the students in that batch. Then they calculate the average and finally find the standard deviation of your marks from the average. Since the introduction of CBCS, students have been very keen to get the know-how in converting their grade points to a percentage but this hasn’t been propagated. To this, a student replied, “ the University of Delhi must actually provide a formula for the conversion which it sadly hasn’t.”
SGPA Obtained/Highest SGPA in Course multiplied by 100
Till date, the above formula was in use, as this is normally accepted across many universities for admission in the post-graduation courses, in case a particular university hasn’t devised their own formula.
Now the Examination Wing of DU is in the process to devise a formula for the conversion of CGPA into percentage in the final year of the Undergraduate Courses under the Choice Based Credit System (CBCS). They are calling in for suggestions and observations regarding the same. This will ease the pain of the final year students, and also provide a uniform base throughout the university.

Image credits: www.du.ac.in

Radhika Boruah

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The governing body of University of Delhi’s School of Open Learning (SOL) has decided that it cannot afford to spend Rs 10 lakh to facilitate digital learning for around 1,800 poor students.

Last year, the annual interest and fee income of the institution was around Rs. 45 crores. Even after making capital amounts of Rs. 473 crores, SOL is reluctant to spend a meagre amount in the name of the underprivileged students. As sources revealed, the SOL spends around Rs. 15 crores on printing study materials every year. But on September 29, the governing board at its meeting refused to sanction Rs 10 lakh that would have facilitated distribution of tablets (each estimated to cost around Rs. 5000 each) among the needy students of the school.

SOL came up with a project to provide tablets to 1,849 students from the below-poverty-line section to enable them access to the school’s digital platform and e-resources. SOL’s governing body shot down the idea because it decided that “corporate social responsibility is not required of an educational institution”. CS Dubey, chairman of Campus of Open Learning, has written to the Union Ministry of Human Resource Development (MHRD) to intervene and allow the use of funds for the initiative.  Dubey highlighted the Government of India’s initiative Swayam, pushing for a digital platform in education. Here students could access learning materials on tablets through initiatives like SOL’s own 101 video lectures and SGTB Khalsa College’s 100 MOOC lectures. Indeed, without digital intervention, economically disadvantaged students would miss out on various e-resources available to SOL.

Revealing about Dubey’s letter to MHRD, an official said, “The letter states that despite the huge unused funds, the plan to help poor students with tablets customised for SOL’s indigenous learning management system that is already in operation- was not sympathetically considered at the special governing board meeting.” Though Dubey refused to comment on his letter to the ministry, he said that while SOL is striving to develop the flipped-classroom technology by giving more importance to virtual/ audio-visual teaching-learning followed by activity/skill-based experiential learning, it is “important to offer information and communication technology tools to the students from a financially weaker background for inclusive education”.

Feature Image Credits: DU Beat Archives

 

Radhika Boruah

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Many advertisements from our childhood had jingles that we still sing from time to time. The ‘Vico Turmeric’ jingle or ‘Washing Powder Nirma’ jingle were so catchy that one could not help but sing when they played on our television or radio set. We still remember their lyrics by heart and sometimes find ourselves humming those tunes.

In the recent times, the whole concept of advertisements has undergone a drastic change. The advertising companies have come to realise that mere jingles are not enough to capture the attention of its audience now. Thus these advertisements are now spun short with interesting stories that are sure to catch the eye. I was recently watching the ‘British Airways: Fuelled by Love’ advertisement in which the air hostess develops an unlikely friendship with an old Indian lady. The air hostess was invited to her house where she learns about the rich Indian culture and gets mesmerised by it and the hospitality provided to her. The advertisement ends with a line – Loving India back since 1924. The advertisement is successful in tugging all the right strings of your heart from the beginning to the very end with its crisp and emotional storyline.

An advertisement by ‘Dabur Vatika’ decided to salute female cancer survivors. The advertisement portrays a cancer survivor who is very conscious about her lost hair due to chemotherapy. However, she soon receives acceptance from her family and colleagues which she feared she won’t receive. The advertisement ends with the statement – ‘Some people don’t need hair to look beautiful’. The entire advertisement is beautifully written and directed. Thus we see that an interesting storyline to an advertisement has become an essential component.

Looking at it from a creative point of view, this undoubtedly produces a lot of creative and interesting short stories which are able to leave a mark in just two or three minutes. This is definitely something that needs to be praised. But, there is a darker and more complex side to this too that needs to be discussed and that is how these advertisements have started to capitalise human emotions. These advertisements try to connect to you on a deeper, personal level and connect these emotions to the product they are trying to sell. Its success in connecting to you on a personal level and arousing emotions will ensure a higher sale of these products. This raises a question about the world where we are living which is willing to exploit your emotional attachments in order to market a product. Something as sensitive and personal emotions become a selling point of an object. Thus one cannot help but wonder at the growing insensitiveness of the world where we are living in.

Feature Image Credits: Pinterest

 

Anukriti Mishra

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Recently the Delhi High Court acquitted Peepli Live co-director Mahmood Farooqui, in what seems to be a travesty of a judgement by the judiciary. Feminists and conscientious citizens alike have been outraged.

What has been the case so far: The judgment by Justice Ashutosh Kumar holds that in the modern world where equality is the “buzzword” and where both men and women are “initiators” of sexual acts, consent should not be mere hesitation or reluctance, but a clear and unambiguous “no”. In short, there is no room for a feeble “no”.

“The judgment creates a new defense for the rapist which does not exist in law. There is a double presumption – absence of intention to rape (by the accused) and non-communication by the woman despite a clear ‘no’ from her. The judgment has turned the definition of consent on its head. What was meant to protect the woman has been made into a defense for the rapist. The judgment is dangerous and will allow no conviction for rape at all,” is how Former Additional Solicitor General and noted human rights lawyer Indira Jaising reacted to the judgement. With its head-turning judgement, the judiciary has again established the rigidity of the conservative legal framework. What we are then left with, are the age-old stereotypes of an ideal rape victim, real rape, real resistance, and true consent. What the courts have refused to take into account in their judicial interpretation is that there is no feeble no. A no, in any form of hesitation and resistance is a no.

On the evening of the assault, the facts are these: We know that she went to his house believing they would all be going for a wedding. She found herself alone with a drunk Farooqui and his male friend.  We know she was concerned both about Farooqui’s state of inebriation and his mental health because she called his friend so that he was not left on his own. She wanted to leave soon after arriving. However, Ashish Singh, a friend of Farooqui, asked her to stay back since his wife had not returned, as if being a female friend somehow obligated her to provide “care” for him by “feeding him” in his wife’s absence (pp 4 of the verdict). Despite the fact that she had called a Meru cab (3 times) to leave his home and when the driver couldn’t find the location, she was willing to leave in a rickshaw, she was prevented from doing so by Ashish Singh, using the ruse that it would be unsafe for her to do so. But the judgement still does not take into consideration these interesting aspects into believing that she clearly didn’t consent or was interested in having sexual intercourse with Farooqui. Because c’mon, you wouldn’t want to leave a house so desperately if you wanted to have sex with its resident.

What the judiciary has carefully dissected is the relationship between the accused and the survivor, which it rightly should. it appears that Farooqui and the survivor had multiple interactions usually in the presence of other people. During many of these instances, Farooqui is described as being drunk and there are two mentions of consensual kissing. It isn’t unfair to discern that they may have been casual flirtation between the two. But that is on no account justifiable, nor does it excuse non-consensual sex at any later date.

There is a brilliant animation that uses a cup of tea to explain the concept of consent, and yes, it is as simple as that.

https://www.youtube.com/watch?v=oQbei5JGiT8

Consent is a constantly negotiated process. Women can consent to certain sexual acts and not others. They can start to have sex but withdraw consent at any time during the act if they are uncomfortable. The judiciary’s stand also reflects the twisted ways in which the larger society creates the definition of consent. There simply aren’t any grey areas between a consensual sexual act and rape. An individual’s hesitation and resistance echoes as loud as a vehement utterance of ‘no’. Just because a woman wasn’t supposedly resolute enough during the act, or preceding the act for reasons which could very well involve fear, does not equate to being ‘playful’ or being a ‘tease’.

In this case, the focus has been conveniently shifted from what the woman said, to what the man understood, illustrating how problematically, the terms of consent can be twisted.

Feature Image Credits: Feminism in India

 

Ankita Dhar Karmakar

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The premiere of Riverdale’s second season is scheduled on 11th October, and that of Emmy-nominated Stranger Things is appropriately just before Halloween, on 27th October. These much-hyped comebacks have a lot of exciting fan theories building up. But, hey, what about college internals? October is the onset of the exam season, with an overflow of assignments and internals. Take a break, watch the reruns of these shows while you wait for the new seasons, and build up some fan theories of your own.

Unlike the upbeat tone of the Archie Comics, the trailer of Riverdale starts off with some quick cuts that take on a noir, suspense-thriller tone. Since hitting our screens in January, Riverdale surprised critics and viewers alike. The Jason Blossom murder mystery has been solved, but there are plenty more questions to answer in this modestly dark town. Season one of the show ended with the murder of Archie’s father, Fred Andrews, in the local diner. Speaking to Entertainment Tonight, show’s creator Roberto Aguirre-Sacasa said the identity of Fred Andrew’s shooter will be “the mystery that launches season two”. There are a plethora of fan theories just about who the killer is. Also, Betty’s brother – the abandoned son of Alice Cooper – is to appear in this season, theories say, as Chic Cooper. Can Joaquin the Southside Serpent have Cooper blood? If so, the tense moments between Mrs. Cooper and FP could be somewhat explainable. Hiram Lodge will finally share the screen, answering a lot more questions about his elusive character. Hope all stays good between our beloved Betty and Jughead; after all, he’s a Southside Serpent now and went on to stay in the southern part of the town. Will Veronica and Archie share more chemistry this season? There’s a lot to take in from the 30-second trailer, and it only gets crazier from there. Does Archie have a gun? Why is Jughead sneaking around a dark house with a baseball bat? Who is wearing the mask?

stranger-things__

Set in the fictional town of Hawkins, Indiana in the 1980s, the first season of Stranger Things focused on the investigation into the disappearance of a young boy amid supernatural events occurring around the town, including the appearance of a psychokinetic girl who helps the missing boy’s friends in their own search. The second season is set a year after the first, and deals with attempts of the characters to return to “normal”, as well as consequences from the first season. The second season seems to have scenes set during Halloween having that retro ’80s throwback vibe. It turns out that this season will have a different vibe to the first, adopting a more ‘slow-burn’ atmosphere. “Trick or Treat?” states the caption of the latest poster of Stranger Things,an illustration of a young boy amidst a creepy field of pumpkins. Nancy and Mike are mourning for the apparent losses of their friends Barb and Eleven; however, the major part of the season is that Eleven is still alive! It all started with Will’s disappearance, but it was just the beginning: the adventure is yet to unfold its grasps. Can’t wait more!

 

Feature Image Credits: Tvovermind
Stranger Things Image Credits: Deadline

Radhika Boruah
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The entire University of Delhi is heaving a sigh of relief after the DUSU elections 2017. But now, what about the faulty voting machines?

Elections in colleges and universities are valued by every student.  The candidates for the various posts have to argue for the need of more advanced and automated voting systems. However, the design, construction, implementation, effectiveness, and security of electronic voting systems have proved to be problematic. The results of the DUSU polls were released last Wednesday. The outflow of freebies, goodies and movie tickets came to a fruitful end. But insiders have revealed that the voting machines were faulty in a few colleges. So, do we assume that the results were biased? First came the suspicions of vote flipping. And now, the stories and conspiracy theories have begun.

Sources have informed us that there have been reports of voters pressing one candidate’s name, only to have the opponent’s name light up instead. It is unnerving for the students. Have our votes got no value? After all the tohubohu in the university in the former half of the year, now we get to hear of alleged ‘rigging’ of machines. The colleges which got the faulty machines are demanding for another round of elections due to tampering of the ballot boxes. There is a popular demand to scrap the machines. The Chancellor has requested for a probe to look into this matter and the role of the officers involved in the entire process. It said that the machines were tested before the elections and recalibrated each day before voting began.

But the upheaval of students regarding justice in this issue has lead to a settlement: Now the winning party will be decided by a popular support rally, which is to be scheduled by the end of this month in DU’s North Campus. The working mechanism of this rally is described as follows: you have to register yourself under a party as their supporter, and then you must to join their rally walk from the prescribed time. The party with the highest number of supporters wins.

Statistics say more students came out to vote in DU this year as compared to last year.  In 32 of the 41-morning colleges, the voter turnout stood at 44% — a sizeable jump, when the overall voter turnout last year was 36.9%. But in a university like ours, we expect a higher number of voters. And if you could not vote this year, now you have another chance to have a say in the elections of your very own university. Also, increasing support implies another round of incentives to enjoy! Goodies are on their way, let’s join a rally.

**Disclaimer: Bazinga is our weekly column of almost believable fake news. It is a humorous, light hearted column that should only be appreciated and not accepted.

Feature Image Credits: Times of India 

 

Radhika Boruah

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Delhi University Students Union (DUSU) polls have been done with and now the winning party has announced of competitions that can present you with a trip to abroad.

In the unending list of promises made by the students’ wings of major political parties, the latest addition is the announcement of a lucky draw competition to be held for students of Delhi University. The venue has been tentatively disclosed as the Vice-Chancellors’ lawns in the North Campus, while the dates shall  be announced soon. The leaders have wide agendas from covering placements to trips, and now they have added to their list the dreams of a few who want to travel abroad.  Among the thousands of applications, ideate yourself as the five lucky winners who get a chance to fly overseas!

The procedure is simple and interesting:

Apply as soon as the dates are released; through the given link, a ticket will be generated that you have to show on the day of the competition. The ticket shall have your university enrollment number, college name and residential  address. On the day of the competition, the participants will be required to bring their tickets to begin the game.

As per the released data, only students with passports older than three months shall be allowed to participate. To this, added are the details of the places that they have finalised. The winners get to choose among six different places: The most attractive being Rio-de-Janeiro, the beautiful city in Brazil. Gorgeous mountains, pristine beaches, and a surplus of rainforests near a deep blue sea – Rio is one of the most gorgeous cities in the world. Dublin, the capital of Ireland is the place you have been dreaming since ever. Next is Kuala Lumpur, Malaysia, a city that houses monkeys and a myriad of cultures you’d love to explore. Then comes the Fiji Islands where travellers of all kinds flock to for its remarkable beaches and welcoming demeanour. Fifth is Chiang Mai, nestled grandly on Northern Thailand’s foothills with picturesque mountains. The last option is Thimphu, Bhutan with the Himalayan sceneries. Excited much? And now, here’s to drop the cherry topping: insiders have informed us of the probable complementary ticket for any one family member.

Of the historical extravagant DUSU polls, with food and movie ticket distribution, this year will mark the beginning of a new era of inordinate competition by the winning posse. So, gear up boys and girls because this tenure of the leaders is going to be proven the best with this dream-come-true competition. Indeed, elections are at times a big boon for the lucky few.

**Disclaimer: Bazinga is our weekly column of almost believable fake news. It is a humorous, light hearted column that should only be appreciated and not accepted.

 

Feature Image Credits: Trip Advisor

Radhika Boruah

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Mythology is a subjective truth. Every culture imagines life in a certain way.”- Devdutt Pattanaik

Mythology has always fascinated me. Indian art and culture has ever since been rich, but more and more people have  now started indulging into our myths. My quest to learn more of mythology led me to interview Devdutt Pattanaik, a medical doctor by education, a leadership consultant by profession and a mythologist by passion. He has authored books like My Gita, the Leadership Sutra, Myth=Mithya and many more. Here are the snippets from the interview:

  1. A doctor by education, but a mythologist by passion: so, when and how did this journey start?

It was just a hobby for weekends. But gradually my ideas  turned into strong views. This led to articles  eventually becoming lectures, and when it became financially viable in 2008, this became a full-time vocation. It was all organic. It was just hard work, maximum utilisation of opportunities, and a neat stroke of luck.

  1. It takes a lot of effort to travel to different places of India collecting myths and stories; so how does this entire process work?

Most myths are in fact available on the internet, and before that in libraries. Tonnes of people have already researched on them but they write only for academics, not for common people. Or, their knowledge is restricted to a narrow field of study. I broadened the base and made it accessible for common people.

  1. Have you considered visiting places in Southeast Asia like Cambodia, to find different versions of our Hindu myths? Angkor Wat has many stories, so does Sri Lanka. 

One had to do that in the 19th century, but not anymore. As I said, much information has already been gathered but is badly structured and presented,  hence, not many understand the patterns. For example, Hinduism is present in Southeast  Asia but you do not sense “bhakti”, or the essential power of devotional music, as the flow of ideas to the these regions was restricted before 1000 AD.

  1. Presenting our myths in their foreign versions world be interesting, so why haven’t we tried that?

We may not like these versions. The Hanuman of Southeast Asia is not celibate or devotional. He is a wild and funny rake. You don’t feel the underlying principles of the Upanishads, which means Agama or the Puranas are not amalgamated with Nigama or the Vedas, as they are in India. So they are very yet very different.

  1. In your book Shikhandi, you talk about the queer. How do you think the yesteryear’s myths can influence the present day Indian society?

In the past, people followed whatever was convenient . If you left India during those times  and crossed the sea, you lost your caste and religion. Which means the migrants couldn’t call themselves Hindus. But, we don’t follow these old codes, do we? Likewise, in past, women were considered inferior to men, incapable of achieving spiritual wisdom. We don’t believe that anymore. In the past, we believed there were three genders: male, female and queer. But this idea faded away in British times. And now is being seen as a Western import.

 

Feature Image credits: Devdutt.in

Radhika Boruah

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“Our backs tell stories no books have the spine to carry.”

Rupi Kaur’s milk and honey has been a New York Times Bestseller for 52 consecutive weeks. One of her initial works, the book is a collection of poetry and prose. A 24-year-old Canadian writer of Indian descent, Kaur has housed her times of struggle in this piece of art. Her style of writing is based on the Gurmukhi script in which just one case and only periods are used. Hence, she writes in lowercase and makes use of only periods as a way of honoring her culture. Her books have been translated into about thirty other languages; which explains the increasing love for her poetry.

Rupi tackles various issues through her poetry, from growing up seeing broken families to love and heartbreak, or gender and race, before finishing with a healing full of wisdom and lessons learned. People consume poetry through lyrics on a daily basis without ever realising, and that’s what she manages to do with the simplicity and brutal honesty of her words. She fearlessly challenges taboos, and this brave form of expression inspires her readers. Her honest, authentic voice speaks to the young people who relate to her portrayal of pain and struggle at different points of life.

The emotional intensity of her message of self-empowerment and affirmation, combined with her passionate expression truly resonates in the book. With a firm belief, her relatable poetry, not clouded behind elaborate metaphor or archaic syntax, can heal and prevent convulsions. Kaur breaks her book into four parts; “the hurting”, “the loving”, “the breaking” and “the healing”. The poems open in a certain dark aura depicting her battles with sexual assault and familial issues. The next section, “the loving”, is a more  emotionally uplifting read, about building and realising a sweet and idealistic bond of love. “the breaking” brings aching poems penned during heartbreaks. The last section of this book is about empowering women to embrace themselves and to value who they are regardless of the turmoil they have endured. Kaur holds nothing back; there is no mystery in her poems, but each one captures a seemingly familiar thought or feeling with such an exquisitely satisfying and unique form of expression. The poems are illustrated with simple line drawings, to accompany or offer a new understanding to the words.

While reading the collection from its beginning to end, one can walk through her own journey, or can find herself in a poem or prose while letting the book fall open on a new page, and venture into that one poem, exploring that one expression to its full depth. Whether you’re a regular poetry reader, or someone who dives into verses from time to time, you can quench your thirst through these poems.

Feature Image credits:  Stella constellations

Radhika Boruah

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While many wait for the monsoon season to arrive, mucky roads and gloomy weather have the capacity to put off people. Convenience and comfort are topmost priorities, but so are the fashion choices! Whether you are petite, skinny, or curvy, Auburn Umbrella is here to help you with comfortable yet fashionable tips this monsoon. Make your clothes evoke the haute look in this wet season.

rainy-season-fashion-trends

  1. Choosing the correct fabric

Fabrics that dry easily and resist mud and water stains are always recommended: cotton, polyester, lycra, and nylon. Get printed fabrics that have beautiful patterns and give a sunny look on a rainy day.  Make sure you’re not wearing fabrics that would stick to your skin or become see-through after a downpour. Denims are a thumbs-down as they take an impossibly long time to dry.

  1. Length of your clothes

Avoid full-length trousers and opt for cute shorts, culottes, or capris. Long skirts should be saved for another season to avoid a fashion faux pas. Monsoons are more about miniskirts, hot pants, and sleeveless tops with different neck styles. Whatever shape you may be, minis and midis are always defining and in vogue.

  1. Colour, colour, which colour?

Jazz up your wardrobe with pop colours. Bright shades of indigo, green, and blue are good choices for the monsoon. Peppy palettes of purple, lemon yellow, fuchsia pink, orange, and white are the best picks for this season. Darker shades of black and brown make for ideal formal wear. However, wearing pristine white in the monsoon is certainly not a good idea as white clothes tend to get transparent when wet and also get stained easily.

  1. Accessorising and add-ons

Bright neon-coloured waterproof bags, raincoats, boots, hats, and belts deserve a shout-out in this difficult season. Beautiful bracelets, earrings, and neck pieces made of plastic, rubber, and acrylic make for trendy picks. Metal and leather should be avoided during the rainy season. Get sassy covers for your gadgets that are waterproof.

  1. Shoes speak louder than words!

Just grab bright and vibrant colourful pairs of flip flops matching your dress. Chuck all those leather and velvet shoes and switch to the easy rubber flip-flops. Avoid wearing heels in the rainy season. Wear blacks and browns on formal occasions. Otherwise, Crocs are a smart choice and so are gumboots. They are firm and rain-friendly and ensure you can walk confidently on those slippery wet floors.

  1. Take care of your hair and skin

Stylise your hair with high ponytails and fishtail braids. Opt for new haircuts and try dyeing some strands with spicy shades. Don’t forget to oil your hair and moisturise your skin. You don’t want a smudgy and spoilt look, hence a no to heavy make-up.

 

Image Credits: EzyShine, MyVishal

Radhika Boruah
[email protected]