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You must have heard lately about serious cases of harassment in a few DU societies. College officials took action by banning members and even societies. While DU takes pride in providing a ragging-free campus or in taking swift, decisive measures to stop ragging, what often goes unnoticed is the casual harassment perpetrated in the name of “fun” that has turned into a “trend” among college societies.

The dancing society at Sri Aurobindo College was recently banned after some juniors complained about alleged physical and verbal harassment by the society’s president and ex-president. A similar incident occurred at the FilmSoc of Sri Venkateswara College. The college administration implemented rigorous measures in response; these incidents called the campus’s safety into doubt. While the Vice-Chancellor proudly assured the newly admitted batch of a ragging-free campus, what frequently goes unnoticed is the casual harassment that occurs under the pretence of “fun,” especially during society recruitments. 

DU takes pride in providing a ragging-free campus and strict disciplinary action against perpetrators. However, one of the most significant gaps in this “ragging-free campus” is how individuals perceive or understand “ragging.” Most people consider ragging to be a serious form of harassment, but what people need to recognise is the major problem of casual harassment, which is frequently carried out under the guise of “fun” and is becoming a trend in DU societies, particularly corporate societies.

One of the worst examples of this may be found during recruiting interviews for college societies. Most of these societies hire new members following a series of stages of selection and sorting that include form completion, tasks, and interviews. All of these things are largely carried out by core members of these societies. Interviews are an important phase in the recruitment process. These interviews serve as a breeding ground for such harassment.

I was asked to propose a flower vase during the interview.

-A first-year student at Kirori Mal College

Freshers are asked to dance, sing, propose to one another, to a senior, or to any random object during interviews by seniors. Freshers are required to perform this while being secretly recorded. The majority of these “tasks” have little to do with the skills necessary to be part of such societies. This is a recent trend that has emerged in college societies, particularly in corporate societies, where seniors engage in such behaviours intentionally or unintentionally. The majority of those involved in these activities believe it’s “mazak” (joke) and should not be taken seriously. They advise that juniors see this as a joke because it is “a way of bonding.”

 My friend, who is a core member of a society, showed me videos of them asking juniors to dance or propose to each other. She was laughing and pointing out how they made juniors do these tasks for interviews while they were being recorded. I asked her if they asked the juniors’ permission before recording. She replied,- ‘arre mazak mai kiya ye sab’. When I explained to her that this was wrong, she understood the mistake she had made.

– A third-year student

What they fail to understand is that this isn’t something that everyone is comfortable with. For juniors, mocking them, filming them, and circulating these videos without their permission can be traumatising. This type of ignorance comes with a certain level of privilege. Many DU students come from small towns and villages. It is not an easy road to DU, especially for female students. Most of these students lack the precise skill set that college societies want, but they join to learn and gain experience. Mocking and filming them could drive out these students from such settings, causing serious problems, particularly for female students. 

Because of safety concerns, most parents from smaller towns and villages do not send their daughters to DU, and discovering videos of their daughter being posted on random groups might result in them being refused access to offline campuses. For these reasons, these students are compelled to remain silent and tolerate the humiliation.

Not only that, but in certain college societies, especially film societies, “romantic or sexual relationships” are used as a deciding factor for position. Since the old core members determine the new core members in most societies, a member’s romantic or sexual contact with old core members determines whether or not they will be elevated to core positions.

All of these events or incidents are hidden from administration since most individuals do not consider them to be problematic. As a result of the seniors’ lack of understanding and awareness, college societies are becoming increasingly toxic and unsafe. These aspects also contribute to the segregation of students, with only “privileged” students dominating the majority of these areas. While awareness is crucial among seniors, it is also the responsibility of administration to look into safety issues in societies and educate juniors about these issues during orientation.

Read Also: Unveiling the Culture of Toxicity in SVC’s FilmSoc

Featured Image Credits: Nopany Institute of Management Studies

Dhruv Bhati
[email protected]

Delhi is the home of outstanding theatre arts, whilst Mumbai is the metropolis of Bollywood aspirations. In Delhi, stage art has a special significance and a rich history that is still being preserved through a variety of institutions and live performances.

 Delhi, India’s capital, is so distinctive that it offers something to everyone. It has been bustling with possibilities for years, from its mouth-watering food to popular shopping places, monuments and old palaces, museums and government buildings. Out of everything, the city has been sustaining art forms and providing a platform for artists from different fields to explore, grow, and perform. It represents inclusion in culture, where everyone has an opportunity to contribute. One of the ancient gems of the city that is adding charm to it is – Theatre art. The many drama forms, stories, plays, and musicals.

Although many are aware that Mumbai is the “city of dreams,” many flock there to pursue their Bollywood aspirations and make a name for themselves as actors, directors, or singers. Delhi has been a well-known destination for theatre and stage art and has also produced many promising talents, but it is still less applauded for the accomplishments. While some of the artists here continued their careers in theatre and added to its appeal, others became great and well-respected artists in the cinema industry. In the western industry too, Los Angeles is recognised for its film industry, whereas New York is renowned for theatre. Although there has been a line of separation between the stage and the screen, there is still a connection that aids both industries’ growth in different ways. Their originality is beyond comparison.

Coming to Delhi and its vibrant stage art, the city preserves it in a variety of significant and minor ways – It has many students, rising artists, and has created a special audience of art lovers through live performances, nukkad nataks, drama schools, and college societies.

One of the well-known names is of NSD – National School of Drama, which has been a training facility since 1959, providing knowledge and enhancing the abilities of amateur artists. Although Sangeet Natak Akademi is its parent organisation, over the years it has relocated from a number of places. Mandi House is where it is currently set up. Mandi House, which once had ties to the princely state of Mandi, is now home to a number of theatre troupes and establishments, such as the National School of Drama and Shri Ram Centre for Performing Arts. The creation of NSD involved numerous notable playwrights and dramatists. A comprehensive curriculum, the promotion of several theatre genres, and one of the best playscripts have all been created here. NSD has a unique identity that focuses on both conserving the past and fostering hope for the future. From the nation’s capital, these groups organise numerous performances and broaden the horizons of theatre art throughout the entire nation.

The institution also holds workshops and other annual festivals like the “Bharat Rang Mahotsav” to raise awareness of the local arts and draw in more visitors. Children and newcomers to the sector can always use it as an excellent learning opportunity to get going on their path. How could one not include the outstanding alumni and directors who formed the very foundation of NSD with a name like that? Ebrahim Alkazi, a renowned theatrical instructor, was the first to transform the school in 1962 with the help of his expertise, leadership, and strict disciplinary measures.  Many people still reflect on the illustrious 15 years the celebrated director spent at NSD, and his role in shaping the organisation helped it reach new heights. Without mentioning Ebrahim Alkazi’s skill, one cannot discuss Indian theatre or the National School of Drama in general. He made sure that the Indian theatre art is not lost and reaches a wider audience by establishing the three-year acting training, developing open theatre, and providing inspiration for the repertory. Some of his productions continue to receive praise as some of the best ever.

There is an unending number of well-known and gifted performers who are working in the entertainment business today, preserving the reputation of organisations like the National School of Drama and also bringing honour to the nation. The list of actors and actresses includes Naseeruddin Shah, Nawazuddin Siddiqui, Neena Gupta, Anupam Kher, Om Puri, Piyush Sharma, Irfan Khan, and many more. This is the National School of Drama’s legacy. This institution is only one of many centres in Delhi that have made contributions to the arts by producing top-notch plays and musicals. One is the Shri Ram Centre for Performing Arts, a renowned theatre company that has been producing plays and offering acting classes since 1958. SRC, like The National School of Drama, has also produced famous individuals in the industry. There are additional independent theatrical groups with base in Delhi that create venues for artists to gather, create fascinating stories, and perform all over the nation.

Delhi colleges have cultural societies that support the arts and permit students to experiment in the field from the college level on up, even at the university level. Ibtida was founded by renowned filmmaker Imtiaz Ali while he was attending Hindu College, as is well known. Many others, such Manoj Bajpayee and Siddharth Malhotra, who attended Delhi University, launched their careers using the many resources the city and university have to offer. It goes without saying that the institution is the alma mater of several well-known artists, starting with Shahrukh Khan, the King of Bollywood, who graduated from Hansraj College and began his career with Delhi’s Theatre Action Group.

Through the Drama Societies at Delhi University, students are contributing to the evolution of theatre art by continually taking chances and incorporating contemporary elements that make it more applicable for the current generation. This includes curating scripts, performing, and taking part in festivals and contests. Women’s rights, girl child education, and scripts promoting community solidarity are among the topics that are publicly performed in the form of Nukkad natak. All of these places are unique in that those who have spent time in these settings honing their craft and giving performances on Delhi stages still have a special appreciation for their formative years as budding performers. These alumni have often reminisced about their time at the National School of Drama or Mandi House and how they attribute their achievements to these institutions.

The singularity of stage and screen cannot be compared, as was stated in the article’s introduction. However, as films have become a popular form of entertainment, younger generations are less familiar with regional art practises and distinctive theatrical methods. As a result, people frequently treat stage and screen the same, which is a mistake. However, acting for the camera and performing live are truly two different things, and sadly, many people from the younger generations have not experienced the latter. Even newer artists who enrol in renowned acting schools participate in stage art in order to later pursue an acting profession. It’s because the Indian film industry gives them more chances to become popular and rich than if they continued with theatrical acting. This art faces a number of different obstacles along the way that make it challenging for it to endure.

Some of these difficulties were brought up in our conversations with a few students and instructors from renowned theatre schools.

Many people these days tend to believe that theatre is the ladder to take you to cinema, that if you begin from here eventually you will reach Bollywood,” they said. “This is untrue. Both theatre and film have unique meanings, and each has something different to offer. According to me, this phenomenon is causing stage art to lose some of its splendour. Many members of Delhi theatre groups just practise and develop their acting abilities in order to pursue a job in the film industry. I’m still relieved, though, that theatre is generating finest plays that the audience enjoys” – An artist from the Shri Ram Centre.

Original art forms in India existed for centuries before the advent of cinema, and were supported by wealthy businesses and appreciated by enormous audiences. Since the 17th century, live performances of Ramleela, which depicts the legendary Ramayana conflict between Ram and Ravana, have taken place at festivals.  The popular theatre production Nautanki, which originated in Uttar Pradesh, had a significant impact on the Indian population. Dohas, ghazals, and chhand were frequently used, along with catchy songs and humorous dialogue. There are other well-known plots in this that centre on mythology. Nautanki, a kind of theatre that was once loved by both urban and rural inhabitants, grew in influence and scope as a result of assimilating numerous other theatre techniques. Unfortunately, the popularity that Nautanki once enjoyed is diminishing, much like that of many other creative forms, as a result of the rise of film and the elitist mindset that stereotypes this local talent.

Cities like Delhi still have a lot of places where individuals may learn about the subject and work to keep alive the artistic forms that previously captivated thousands of people. Those who are interested in finding out more can attend plays and exhibits at Mandi House, the Indian Habitat Centre, or the Kamini Auditorium, or they can join one of the theatre groups in their institutions. A Delhi Theatre Festival will be held in August and will feature many well-known performers and wonderful productions for the public.

Theatre has always been a means of expressing feelings and telling stories through music, quirky characters, and dark humour. Indian plays have masterfully portrayed the legends of the Ramayana, Mahabharat, and other great royal empires of India. In order to ensure that this vibrant culture is sustained, thrives, and receives the recognition it merits, Delhi must continue to support and maintain stage art.

Delhi is the home of great arts, if Mumbai is the city of Bollywood dreams. If Mumbai has seen the zenith of great artists, Delhi has seen their birth and struggle. Without Kala, Kahaniya, and Rangmanch, Delhi’s history would be incomplete!

 

Read Also : https://dubeat.com/2019/03/24/drama-sutra-a-theatre-report-in-three-acts/

List of Additional Sources:

https://thewire.in/the-arts/ebrahim-alkazi-modern-indian-theatre

Story of Ebrahim Alkazi, NSD director who shaped Indian theatre

https://devnautanki.com/about_history.html

Blog of Dr. Devendra Sharma, performer and writer of Nautanki artform.

Featured Image Credits: Top news India, NDTV

Priya Agrawal

Any talk about Delhi University is incomplete without a mention of its extravagant societies. But, is the extra pressure which comes up with the really stiff competition actually worth it?

The fun and frolic which comes up with the joining of a cultural group, or the engagement in the big brain talks by being part of an academic community, indeed contributes in adding up to ones college memories. But, continuing with this on the stake of ones mental health is not correct. The excessive competition and the pressure of having the first position in the entire DU circuit, sometimes makes the loved society culture extremely toxic. The daily seven to eight hour practices irrespective of rain and hail along with the flawed senior junior culture leaves many students shattered and face serious existential crisis.

Most of the times first years seeing the beautifully decorated registration desk apply in numerous societies but, the actual marathon begins only after you clear the auditions and officially become a part of it. The superiority of seniors and the inferiority of juniors the entitlement of only one and two years older mates as ‘Didis’ and ‘Bhaiyas’ often causes a complete reversal of ones opinions and thoughts. The mass scolding sessions, or rather the wordly mass assassination of juniors by the supremely talented Didis and Bhaiyas leaves one with tears, an outcome of supressed speech and anger.

“I joined the western dance society of my college with high expectations. I thought that it will help me live my passion but, it turned out to be completely opposite. All the dancers were great and the joining opened doors to many opportunities for me but, the super strict environment which makes one to think twice about doing and saying anything made me leave it in the very next month. People need to understand that maintaining a Hitler inspired environment wont help in the sustenance of art,” said a first year student of Delhi University.

“There is literally no junior who hasn’t cried. Once we went for lunch after a competition and all of us ordered according to our budgets assuming everyone was to pay for their own meal. The seniors enjoyed quite a lot and ordered double and triple of what we had, we obviously didn’t think much of it since everybody ate according to their pockets but with the arrival of bill they changed the protocol and forced us to go dutch. They divided the entire amount equally, irrespective the quantity each person ordered. This was shocking for me since I hadn’t seen anything so unfair till then. This society politics is very difficult to deal with,” said another first year.

However not all are alike. Some of them have very positive impacts on ones development and growth. It completely depends upon the management and environment. So, its imperative for one to think and choose wisely. Pursuing anything which has a toll on mental health would leave you with nothing but only distress and regret. Leaving after joining with a reason “I don’t feel good” is a reason enough for you to resign.
Featured Image Credits: Du Beat Archives

Kriti Gupta

[email protected]

India is confronting a mental health crisis, with one out of every three individual dealing with depression. The Mental Health societies in University of Delhi (DU) aim at improving this condition at student level, in the wake of Sri Venkateswara college’s new mental health club, “Empathise”.

Mental health is an indispensable part of character, and is more than the absence of mental disorders. It refers to a broad array of activities directly or indirectly related to the mental well-being, prevention of mental illnesses, treatment and rehabilitation of people affected by mental disorders.

According to the National Mental Health Survey of India 2015-16 (quoted by a 2017 World Health Organisation report), one in 20 people in India over the age of 18 have suffered from depression, and more than 80% of sufferers have not received any treatment. The National Crime Records Bureau reports that students made up almost 7% of recorded suicides in 2015.

The viewpoint of Indian people towards mental illness isn’t very comforting. There prevails a pervasive stigma that responds to it by maintaining a safe distance from those who are mentally ill or categorise people striving for mental help, as attention seekers. But over the past few years, Indian society has witnessed some changes and the number of people who deeply care for this cause has increased.

College societies play a very substantial role in developing students. They prove to be a good forum to generate changes, create acceptance and develop a healthier environment that is more than just attending classes and scoring well.

Bhavika Mehta, founder of “Empathise”, The Mental Health Club, Sri Venkateswara College said, “College can be a wonderful experience for many, but it could be miserable to a lot as well, given the fact that people from all backgrounds and pluralities come to one place. The objective of the club that will turn into a society would be to establish a safe and comfortable space for anyone who wishes to talk, our team would be there for them with open arms and listening ears.”

A society solely concerned with Mental Health is beneficial for the college and would eventually normalise the notion of needing mental help and stimulate people to not see depression, anxiety or any other discomfort as a call for attention, rather something really sensitive and severe.

There are several other colleges of DU amassing Mental Health societies that are working even on a larger scale. Friends’ corner, Hindu College is an active society that endeavours to make the college more empathetic. They also have a page called “Humans of Hindu” that encourages the students to share their stories. The White Rose Club, Gargi College, is another society that aims at spreading awareness, curtailing hate, and encouraging students to rise above their phobias. Apart from this, the colleges that are yet to have a Mental Health Cell, have shown their support to this cause on a secondary level. The NSS unit of Kamala Nehru College organised a peer mentoring session that encouraged freshers to reach out for any mental, emotional help, the society would provide them with assistance.

Students strongly believe that the fact that there is a need for such societies is an indication of how our educational institutions lack counsellors and therapists. A student instigated organisation cannot be a substitute for proper counsellors and psychological assistance. The Indian education system needs to realise the importance of this aspect and act on it on a wider scale.

Feature Image Credits: Mentalhealth

Avni Dhawan

[email protected]

 

Every year, lakhs of students apply to the prestigious University of Delhi, thousands get it, and a few hundred join the college societies. The month of August in the University calendar witnesses orientation programs, society auditions, WhatsApp forwards to the freshers, and posters on notice board informing about the society. 

Amidst the arduousness of the ensuing academic pursuit, a college society plays an important role in giving its members the kind of experience they have never witnessed. Most of the students join these societies in order to enhance their curriculum vitae. However, down the line, they also understand that the exposure from the society not only transforms them, but also plays an important part in their holistic and professional development. It helps them express themselves, raise their voice against something which can create an impact in the university space. Meeting the deadlines, working in a team, recruiting people, generating revenue, and day-to-day management are some of the responsibilities handled by the society members. This extensive work that goes into making of any society, be it a newly formed one or an already existing one, demands enormous amount of energy and dedication. Shreya, a member of the fashion society of her college said, “Like every coin has two sides, it is the same with societies. Sometimes, the job is taxing. There is a schedule to be followed, a number of things to be done, paper work, coordinating with the society members, and what not. But at the same time, it is fulfilling. I have become confident. I know how to manage a team. Over the years, the society members become your family, you practise with them, eat with them, travel with them. Half your day is spent with the members. Your seniors teach you so much, and probably that is the best thing. When you see them working with sincerity and dedication, it really pushes you from within to strive for better, each and every day.” It is true that society is a gateway for finding friends in college. It helps build a mutual relationship of trust and respect, and also paves a way for healthy discussions.

Having said all this, I do realise some of us are not a part of any society. There can be multiple reasons, though. Some of us didn’t get in, some may have left the societies after having an idea of the hectic schedule, or probably some of us did not bother to join a society at all! A common factor the students who were not a part of any society talked about was the work and hours of practice. Some of the students live far away and dread reaching the college sharp at seven in the morning. Others believe that it is important to prioritise academics over extracurricular activities. Amanya, a recent graduate who was a part of the western dance society of her college said, “I joined the society in my first year. Hours of practice, missing classes, not being able to cope with my studies, and reaching college early in the morning were the reasons I had to leave my society. The fest season drove me crazy, I used to reach home late and had no energy to do anything productive after that. It was extremely difficult to manage. After a point of time, it felt like a burden.”

Coming to the those of you who did not get into any society this year- it’s okay if you failed that society audition. Your college life is much more than one audition. I have always believed that something better awaits all of us. Having given your best and still not being selected is something most of us have experienced at some point of time in our lives. You might feel disheartened and dejected. But utilising our potential in a productive way is totally up to us. Keep an eye on other societies, if not western music society, you might end up being a part of Enactus of your college. If not all this, make sure you indulge in something you like, maybe you can join a certificate course or try learning a new language. College life is about discovering yourself and your abilities. There are a variety of options available in this free world. Being or not being a part of any society, I hope your college years transform you into a confident, informed, and a more responsible individual.

Anoushka Sharma

[email protected]

Music is for the soul; it is the oldest language of feeling and passion that transcends barriers like language, religion, region, etc. It unites people from all walks of life. It beguiles the senses, sets your mind free from the innate practicalities of life and creates a little space of escape where you can let the music empower, inspire and relax your mind.

For generations, people have used this medium to not only express themselves, but also to reach out to millions of other people. From the elusive folk music passed down from generations, to the emerging underground hip-hop music—it is dynamic and constantly evolving.

The recent trend of remixing old classic songs has garnered a lot of criticism for being lazy, showcasing lack of imagination, and being an easy alternative to earning quick money rather than by producing original music. However, India is not short of music or ideas. This diverse country has countless genres, instruments, and musicians with their unique music style still holding the power to enthrall the senses.

In a candid conversation, Sayani Rakshit, a member of Sangeetika, the Indian music society of Kamala Nehru College elaborates on classical music. She considers classical music to be permutations and combinations of ragas. These ragas are based on fixed set of seven notes which are combined in various ways to create countless melodies and compositions.

She further says, “Classical music is the deepest form of music that exists. There is no end to it, it has countless ragas. You have the most amount of scope here for creativity. For example, if am singing a composition, a bandish, I cannot tamper with the boundaries—but within the boundaries set by the raga, there is a lot of scope for creativity.”

Sayani mentions,“Beauty of classical music is in its routine. Ragas are sung at a particular time of the day. This is done because the notes have certain moods associated with them, which when sung at the right time are more impactful.”

She also adds, “I used to hate classical music when I first started out, but with a lot of practice and understanding, I am now an admirer of classical music. You need to understand the music in its various nuances and subtleties to appreciate it fully. This is why it is not very popular, because a person needs to understand various intricacies involved with this music to truly appreciate it.”

The underground hip-hop scene is rife with music that is politically and socially impactful. It is inspired and imaginative, hitting their audience with clean precision. Mcfreezak, a Delhi-based artist who is part of the Khirkee collective considers commercial hip-hop to be scripted. It feels artificial, highly constructed and fake, which loses the appeal of everything that real hip-hop aspires to be. Since it is not real, it is not able to connect with the real masses. Whereas their rap is grounded with the people and connects with their issues.

Mahima Dayal, famously known as Bawari Basanti, is a Hindustani classical and folk singer with a debut album “Underwater”. In a conversation with her, she shares her thoughts on folk music and considers it to be all about story telling and sharing wisdom. It’s one of the few art forms that cannot be taught, but is gained through osmosis.

She elaborates, “When I listen to manganihars, I can feel the sand falling through my fingers. Similarly, listening to bhangra and gidda music instantly puts an ecstatic smile on my face. This happens because folk music is a rustic reflection of our society and listening to it makes us feel more real. There is no pretence in the sound.”

Murshidabadi Project collaborates with musicians from all across the globe and specialises in simple yet peaceful Sufi music. He says, “Sufism talks about love and knowing the self to meet the divine. Its music is ideally raw and doesn’t require much accompaniment.”

According to him, Sufism is relevant in the present socio-political situation as it talks about love, peace and harmony. However, the mainstream audience is not in touch with it, as they do not have any choice as to the content that they choose to consume. The internet and television is so overpowered by the filmy music, that other genres do not get a platform.

As various classical genres of music struggle to gain ground in the contemporary demand trends of the music industry, a certain shift in the tastes and preferences of the audiences also can be easily observed in the subcontinent. Independent pop-rock band The Local Train or Indie artist Prateek Kuhad’s rise to fame is a testament to the previously mentioned shift in consumption. As new genres are on the rise, the idea of striking a balance between the contemporary and classical demands acknowledgement in the music industry.

Feature Image Credits: Vaibhav Tekchandani for DU Beat

Antriksha Pathania
[email protected]

With the first three months of the year gone, let us look back at how these months went ahead for us and what will the rest of the year have in store for us.

In the blink of an eye, I remember dosing off to sleep at 4 A.M. on the first of January, after all the New Year wishes were attended to, and now as the fourth month of this year has started, I simply wonder how and where did these three months go.

The first trimester of the year, for any University of Delhi (DU) student is absorbed in the fest season, either in attending it or, as a participant, running every other day for competitions in some or the other host college. The intensity of the course takes a back-seat with the incessant strikes, which we callously enjoy, without truly acknowledging their purpose.

I would like to ask a simple question- all of us make New Year’s resolutions, but, do we even stick to them? While I genuinely don’t believe in the concept of making resolutions particularly when the calendar flips the date to 01/01, I believe any time can be the perfect time to turn over a new leaf. Without digressing further, let me get back to my question. What is the strategic realism to these resolutions, as hardly a few make it past the first week of their marked promises, before narrowing back to their old lifestyle. Annie Rana, a literature student of Maitreyi College, feels, “The fact that every week, month, or situation asks out of us different ways to react or behave, so keeping resolution as a sole means to discipline (yourself), won’t really help.”

As every year has something or the other in it to look forward to, 2019 too has witnessed a lot so far in these three months. Talking about the personal, national, and the international front, we have faced a tough three months to begin with, and while the next trimester has already started, the election fury will reign over as the midtown madness this summer. The next trimester will look forward to ‘voting for the first time’ for a majority of us, or having to make career-related choices, or entering a new path of life; every demarcation of the calendar has been split with a beautiful finesse.

“Every month, I track my growth. Some acts are bound to be childish, but I tend to see a progression in the maturity,” says Heena, a student of Maitreyi College as she looks at her journey in 2019 so far. To map out your journey is a really important thing and when most of us miss out on this, a sense of existential crisis hits us. To look back when I started college, the change from 2017 to 2019, not just as a big bracket of 730 days, but as the mental growth which chartered into me is also something which can be represented as a progressing draft, in the fourth quadrant.

The sentiment that each year holds is also important. As I look at the batch which will graduate this year, 2019 marks as this primal year which will witness a major change in them, and while three months have buzzed past us, the sinking of them in the memory and action won’t. It was a series of lasts. Talking to my seniors, I could figure out how every competition, every fest, every department activity associated with the college, would be their last. With that emotion flaring in, the efforts, the smile, and the hidden tears were a mixed bag of emotions through the entire three months. As this month will go ahead as the ‘vidaai’ or the farewell time for them, the bucketful of memories they take on with them is sublime.

To 2019 so far, you haven’t been particularly kind, and I don’t expect you to get sweet and mellow, anytime soon. Conclusions are sweeter, cathartic. I have been exhausted and drained completely, and in these three months, the motivation has been sucked out of me (too bad the exams are right around the corner). As the summer will settle in with the hope of getting off a daily routine, i.e. college, I will find a relief (I suppose so), from the experience which was- the daily running to Sadar Bazaar, as the department and college fests lined up, being on the phone 24*7 for sponsorships, scripting my real conversations as well! From not being able to take time out with the friends and sit in the comfort or solace each other like we do as a routine to finding the infinitesimal balance between studies, societies, interning, and working in a media house, from forming mental ticks in my mind as the work load started gliding away, one after the other, swiftly, to sitting back and sipping tea in nostalgia and having the worst phase of constant bouts of low self-esteem and worth, and finding the phase of confidence back; I can say these three months took a lot from me and gave me back a bitter-sweet collection of everything.

To 2019, I promised myself this year will be a sole devotion to travel and exploration- the physical and the mental aspect of this duality. And as every month, a new travel destination finds its spot in my heart and I set forth to plan it out, every place I visit, makes a spiritual connection within me and with this hope, the year will progress with its own set of ups and downs which I will look forward to with an open heart.

Feature Image Credits: Eastside Projects

Avnika Chhikara

[email protected]

College-going women’s struggles with eating disorders have intensified with increasing pressure from all the spheres. Look at the dilemmas and reasons pushing EDs forth in women, and what it ultimately means for us.

The transition process from high school to college can be intimidating and the constant need to fit in, while handling studies, work, future woes, and the everyday struggle that comes with an independent lifestyle might result in a lot of stress that can translate into eating disorders. An eating disorder is not a lifestyle choice but it shapes out of stress, depression, or anxiety, which requires immediate attention. It can cause severe health issues in the future ranging from suicide to death from starvation, etc.

Eating disorders are much more common in young women and especially in those women who already have some history of depression, anxiety, or self-image issues stemming from insecurities and paranoia. This feeling of being insufficient and the need for acceptance and love can lead to the amplification of their desire to have a certain body shape. Hence, they start either starving themselves or binge-eating which is followed by heavy purging.

College life comes with all the glitz and glamour of societies, sports, innumerable opportunities, socialising, and promises of the great, but college also exposes women to the negative aspect of fitting in, to the idea of certain “perfect” body shape, and it can also feed into the conditioning of your body defining your self-worth.

College with studies, figuring out your future, building yourself and also staying afloat in the mayhem of parties and finding love is a very hectic place to be. For women suffering from body dysmorphia, it can be quite overbearing given the patriarchal set-up of even metropolitans like Delhi that subtly, or sometimes not so subtly, brands certain kinds of lifestyles as desirable and aspirational, while negating certain others. Beauty as a social construct is not just conditioned in such set-ups, but it is made to feel natural.

Societies and various sport teams are there for nurturing your talent, providing a means to bring out your abilities but the level of competition and added stress these societies and teams bring can also manifest into eating disorders.

In a candid conversation with an ex-member of Glitz, the fashion society of Kamla Nehru College, she reveals, “Girls who join societies undergo added pressure from crowd along with their performance. It is not easy to perform in front of large crowds and many girls cave into that pressure. Relentless practices and the huge crowd makes me conscious about my looks and there are occasions when I go on diets for a long period of time out of fear of gaining weight. It did affect my health and brought lot of weakness and inability to cope with my studies.”

My own experience when I joined the college basketball team wasn’t full of roses and sunshine. In the first year itself, I developed a severe eating disorder which was mainly due to the hectic schedule. Being an outstation student living independently, I started taking food and my health for granted. It took a negative toll on my health resulting in constant weakness, lack of concentration, long bouts of lethargy, which further spiralled dangerously into low white blood cells’ count. With a strict diet and work regimen, I was able to bounce back but it is not that easy for everyone. Severe eating disorder demands immediate medical help that only a physician can provide.

Having an eating disorder requires immediate attention and introspection. You need to understand that it is connected to your mental well-being and is getting translated in a very harmful way. If not handled immediately it can have a long-term negative impact on your body. Hence, we need to talk more about this and not subject the women suffering from this with severe criticism and judgement.

Feature Image Source: Odyssey

Antriksha Pathania
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“… And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”John Keating, Dead Poets Society

The basis of art and aesthetics can be routed through human indulgence in social backgrounds. Oscar Wilde’s famous quote is an exploration into the same idea, “Life imitates art, or art imitates life.” It is a matter of perception then, which part of the quote resonates with you. But we can never know for certain, for the perception changes with time. In college, the best platform is given to you, to test the truth in all claims of art – performing or fine. In college, we walk in with interests and desires, and by the end of it all, we feel a surge of joy that derives from our acting in favor of our passions. But everything comes with effort. More often than not, this effort is exhausting, and hence we fail to register its worth. What we don’t realise is that this effort is what makes all the difference. To observe your personal transformations, the best choice you have in college is to participate in a performing arts society.

Western music, Indian classical music, western or classical dance, drama, fashion, choreography, debating and fine arts, a whirlpool of societies are open to students. Emphasis is always laid on having the interest, the skill is developed with time. Many students join societies in colleges that don’t require a lot of their time. It is terribly true that more people join societies that don’t require a lot of effort; because a certificate comes easier that way. We must realise that a society is more than a certificate. It is an experience. For instance, my classmate did not appear for the final round of selection of the drama society in my college because it requires your unwavering attention. She said, “I wish to focus on my course, societies are secondary.” It will not be sensible to refute her argument completely. In its entirety, college becomes more than the course. Your subjects will define you, but your choices and explorations will leave an impression.

Every performing arts society has certain rules and regulations that the members must comply with; and not without reason. Music requires you to avoid certain foods that can harm your vocal chords, and riyaaz (practice). Drama requires as much discipline as it requires dedication. Dance requires constant perseverance, and pains. For this, all these societies require you to practice; and for that, you need to give at least 3-5 hours a day to the art. You will need to sacrifice a lot of “fun” with your classmates and a lot more classes. You might not be allowed to take leaves from the practice sessions, and might even have to stretch your longing for home, because you will have to practice even during holidays.

You will miss out a lot. But you will gain more. Going out to perform in fests and events, spending time with your passions, and with like-minded people, you will learn more than you could ever have hoped for. You will most definitely find yourself in this chaos. And that’s your biggest takeaway from this.

We are always told to follow our dreams. In school, many of us participated in a multitude of activities. But as age becomes a multiple of 10, most of our hobbies become mere words in our CVs. Life is too short to do everything. We need to learn from others too. We need to learn always. That is the purpose of living. But what is living without love? Finding your passion, and then working on it, to perfect it with time and become better every day, that, I bet would be enriching! And it is only true that you don’t have to find time for things you love, they find you. All you have to do is to respect this art, and to learn to find your anchorage in it. Time management is for other tasks, this art requires you.

Some people call dreamers fools. Maybe we are fools because we believe in our dreams; because we know that every dream has a life. What it needs then, is a being, where it can become alive. It needs us.

 

Feature Image Credits: Mahi Panchal for DU Beat.

Kartik Chauhan

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The University of Delhi (DU) offers students the best kind of exposure they can think of, not only academically but culturally as well.

Situated in the capital of one of the most populated nations, Delhi University has its own share of limelight. It goes without saying that anything that happens in the University, be it the admission process, cultural fests, the records of academic excellence, or even the food spots popular among its students, everything manages to grab the attention of public.

Delhi University started with only three colleges being affiliated to it and now has more than 60 colleges whose students are awarded degrees by the University. Students from all over the country apply to study in the colleges of DU. This year, over 3 lakh students applied for admission in the under graduated programmes. It is only natural in such circumstances to expect an environment that takes into consideration the interests of various groups and communities and gives them a place to thrive in.

The fact that so many students apply for admissions here is a major premise contributing to the high cut-offs. Academically speaking, the colleges are able to get students who are among the best in the whole nation. In this way, the whole process teaches a student ‘survival’, a by-product of studying in one of the best universities of the nation. You will find a lot of like-minded individuals to share healthy competition with, which will only help motivate you to do better. Apart from having a reputation of housing the “country’s toppers,” Delhi University also offers you the wisdom and experience of some of the most accomplished and oldest Professors in the country, all within the capacity of the walls of your college building.

Coming to the cultural aspects, the various societies that function in the colleges are perhaps one of the best ways to learn and experience what team work actually is. By joining a society, one does not only get to perform but also gets to practice in a simulation that is somewhat similar to the corporate world. The experience and pleasure derived from the society activities, and representing your college at different levels teaches you more than the confined walls of classes ever can. Some societies and cells like Enactus, Placement Cell, etc offer you real work experience that adds as an effective CV booster.

One very important factor contributing to the fact that DU indeed offers the best exposure is also the number of famous and eminent alumni that it has provided to the nation. For example: Ramachandra Guha and Amitav Ghosh from St. Stephens College, Satish Kaushik and Naveen Patnaik from Kirori Mal College, Arun Jaitley from Shri Ram College of Commerce, and the list continues. The paths that these people created long back are still alive in the legacy of greatness they have left behind in the corridors of their respective colleges.

 

Feature Image Credits: Sarthak Gautam for DU Beat. 

Akshada Shrotryia

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