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First year English Honours students got a chance to go beyond the syllabus at Bharati College, as they got to learn more about the poet G. M. Muktibodh, whose poems are a part of the syllabus. A talk was organised by Mrs. Mukti Sanyal, an English lecturer at the college. The talk was by Dr. Kavitendra Indu, a Hindi lecturer in Bharati College.

Dr. Kavitendru started with the history of Indian literature and went on to explain the different periods of Indian literature. Interestingly, the history of Hindi literature is only eighty years old, and the history of Indian literature dates back to 1000 A.D.

Muktibodh was a product of the Progressive Movement of 1936. He was a part of the Progressive Writers Association, whose aim was to remind writers of their responsibility towards the society. He was an important representative of the Movement.

Many Radical poets were inspired by Muktibodh. He was a poet, thinker and critic, but what most people do not know is that he also wrote stories. The interesting aspect of his stories was that his poems and stories on same themes also shared the same title.

His most famous poem is called “Andhere Mein” (In the Dark), which aims at revealing the two-faced nature of most people in society, especially the people in power. His poems revolve mostly around fantasy and inner-conflict, or aatmasangharsh. Dr. Ram Vilas Sharma, a famous critic, criticized Muktibodh, who was a Marxist, for showing his conflicts in his poems, as poets are supposed to show the reader a certain path to follow.

Being from Maharashtra and not learning Hindi from the very beginning, Muktibodh uses many Sanskrit words.Furthermore, he was not glued only to literature, but was also interested in Maths, Science and Philosophy. He uses terms from these fields in his poems, thus giving his poems a distinctive ring. He used new metaphors and similes, in stark variance with the ones that were generally used by poets through many centuries.

Neha Malik, a student, said, “the talk was very helpful for a better understanding of why he wrote such poems. Reading the Hindi original made up for the things that were lost in translation. Also, having a Hindi lecturer explaining was a different experience as he was able to quote other poems as well.”

Some students, such as Shreshtha Sharma even claimed to have found Hindi much more interesting after the lecture.

 

Shreya Mudgil
[email protected] 

 

Amma-ji, what is this ‘dry sex’ all about?

 

I’m glad you brought up this question, lest some poor Kutti thought ‘Dry sex’ meant getting it on in the desert. Different people interpret ‘Dry sex’ differently. It could mean talking your clothes off, thrusting and rubbing against each other’s bodies without engaging in penetration. Alternatively, it also connotes going through the motions of intercourse, with one’s clothes on. This form of sex is safer, little one, as dry sex can’t result in pregnancy even if the guy ejaculates into his clothes. Even if it is less satisfying, remember that taking precaution is always the right way to have fun and still stay out of unwanted trouble!

 

Have a query? But don’t know who to ask? Mail  your queries to Sex Amma a[email protected].

 

Set in a hamlet called ‘Mandola Gaaon’, district Rohtak- Haryana; the movie Matru Ki Bijlee Ka Mandola is a satirical take on many socio- economic issues that plague rural and urban India equally. Going in with first impressions, one must take note that the promos for this movie are a tad bit misleading. Take a look at any promo or poster and the movie comes across as just another Bollywood flick that would lack any intellectual appeal. We were glad to find out first hand that the movie is much, much more than that. Vishal Bharadwaj, the man behind movies like Omkara, Maqbool etc has tried hard and in most ways succeeded in amalgamating conventional Bollywood style of narrative with much more serious and far reaching issues.

The major theme all through the movie is one which many villages in India currently face and we town- dwellers are blissfully ignorant of. Harry Mandola (Pankaj Kapoor) wants the State Government led by Chaudhari Devi (Shabana Azmi) to declare Mandola Gaaon as a Special Economic Zone for his own profit motives. Chaudhari Devi also wants to get Harry’s daughter Bijlee (Anushka Sharma) married to her rather moronic son Baadal (Arya Babbar). Hukkum Singh Matru played by Imran Khan is Harry Mandola’s driver for namesake. In reality, one notices how Matru means much more than a lowly servant to Harry and his daughter. It gets better as Matru rises up as the leader of the farmers in their protest against Harry. Scene after scene, more layers of Matru’s personality emerge and if it weren’t for Imran’s shoddy acting, the role of Matru could have solely taken the spotlight.

From the very beginning, one simply falls prey to the captivating performance of Pankaj Kapoor who plays the role of industrialist Harry Mandola, after whom Mandola Gaaon is named. The very timbre of his voice, his slurry speech, his antics and his choicest words of abuse will keep one captivated till the very end. Bijlee Mandola, Harry’s spoilt, eccentric daughter who does everything over the top, BUT being a Bollywood female character, has an unnaturally soft heart for her role. Anushka Sharma seemed to be cut out for this role, she was stern when she had to be, loving when she had to be and filmy when she wasn’t being stern or loving. Shabanma Azmi gave a very strong and relatable performance for her role as a corrupt politician in power. Her devious dialogues, expressions, and well thought out strategies cement her role as the antagonist and one nods in agreement to her similarity to real life political figures. Matru’s friends, one of whom is a Eunuch and the other a blind boy, played notable supporting roles. Both have done a very commendable job, especially the blind boy who performs in the most brazen way and sends one on a laughing spree.

The script makes many intellectual jokes and satirical comments and does not always rely on slapstick. The element of Communism comes through very clearly and is an eye-opener for many. The music is another thing that makes sailing from scene to scene or switches of mood easier. Well of course, there is a lot of the usual Bollywood thumka’s but many songs have an underlying African beat and sometimes even a hint of the good western music comes through.

Getting to the things that weren’t so easy to go down. Many scenes have the typical unrealistic Bollywood touch to them. In addition, the climax is a rather slow build up and it is a little over done. These two elements might have been put in place to draw the average Indian cinema lover into the film. The comedy in the script while in many places is crafted well, in others is just unnecessary. The actors also fail to sport a decent enough Haryanvi accent, something that goes against the bucolic feel of the movie.

All in all the good, bad, and Imran Khan negate each other out and what is left is a movie that deals with serious issues at ease and is a ray of hope for good scripting in Bollywood. Also, do look out for the pink buffalo, all you Matrus who plan to watch this package of infotainment!

Matru Ki Bijlee Ka Mandola deserves 3 out of 5 beats!

 

Anugrah Gopinath
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Tomorrow, 14th January 2013 Delhi University and the Mind and Life Institute has organised a dialogue with His Holiness, The Dalai Lama to discuss Science, Ethics and Education. Apart from Dalai Lama, Professor Dinesh Singh: Vice Chancellor of University of Delhi, Arthur Zojonc: President of Mind and Life Institute, Richard J. Davidson: Professor of Psychology Wisconsin-Madison University, ThuptenJinpa:  Scholar neuroscience studies, Stanford University, Tania Singer:  Director Mask Planck Institute for Human Cognitive and brain sciences will also be present to talk about these topics.

The venue has been fixed at Convention Hall, Vice-regal lodge, University of Delhi and the first round starts from 9 am to 12:30 am and the second from 1:30pm to 4:30 pm. To participate in the event, the interested Delhi University Student has to send a write up of 100 words on why he/she wants to be a part of the discussion. We can say that it is a once in a life time opportunity to see and hear his holiness talk about the topic which so closely relates to us.

 

Aishwarya Chaurasia
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Amma, I am in a relationship with my classmate. We have a fine equation but when it comes to sex…our approach is different. She never seems to give importance to it..GRE, DebSoc, DramSoc and a million other socs…she always has some excuse. How do I strike a balance?

 

Oh Babu, my heart aches for you! Such imbalances between partners’ desires for sex can pose differences in relationships. But often partners have different notions about a relationship. Perhaps your partner feels that being together and companionship are more important.

Now take control of the situation and don’t act like a machhi out of water. Do not pressure her into anything. What does she perceive sex to be.. try discussing it. She might be scared, talk to her about it. I am sure your concern will ignite the passion within her and with amma’s blessings, the two of you will be tumbling beneath the sheets in no time!

 

Have a query? But don’t know who to ask? Mail  your queries to Sex Amma a[email protected].

 

While the country still seethes in anger over the gang rape of a 23 year old in the capital city, one can always count upon our revered politicians and public figures to provide invaluable insights with a dash of unintended comic relief. As appalling as these statements might be, there is no doubt that they make you scoff at them and gag at their stupidity/ naivety.

A diamond among such imbecile statements was unarguably the ‘dented and painted’ comment made by none other than our President’s son, Mr. Abhijeet Mukherjee. While the feminists rose up in anger against such an insensitive comment, many still pondered over the true meaning of this profound phrase. While some thought that his grief for the girl had caused some confusion and led him to compare the female populace at the protests to automobiles, others thought he was he was referring to the low moral character of these women simply because they weren’t students.

What followed was immediate condemnation from not only the general public but also from within the family. His sister, Sharmishtha Mukherjee, was quick to distance herself as well as their father from his comment and apologized on his behalf. It was probably this, coupled with the late realization that his comment would ‘dent’ and ‘paint’ his father’s image that drew an ‘unconditional apology’ from him soon after.

Now, without going into its details cause we’ve seen it flashed around enough, there’s no doubting the fact that such a comment is extremely sexist and misogynist. And the very fact that he should be making this comment at a time when the real focus should have been on how to treat the women of this country better and not victimize them further is, to say the very least, appalling.

But the real issue here is not what meets the eye at first glance. It’s not about who said it or even what he said. It’s about the crude mentality that lies behind the comment. For one, who gives anyone the right to make comments on a woman’s moral character only because she dresses up? If a student is raped in the nation’s capital city, do only students belonging to that particular age group have the right to demand justice for her? When will the ‘real men’ and the ‘protectors’ of this highly patriarchal society wake up to realize that the women around them are more than just sexual objects to be leered at? When will they accept that women deserve their rightful place in this society for the sole reason that they have to put up with such demeaning behavior from their male counter parts? When will they understand that they cannot forever rely on their sisters to apologize for their crude remarks?

It’s not an apology that we as women of this country demand. It’s retribution for not just the victim but for all the times that we’ve been subjected to lewd comments and gestures. We demand respect and dignity from all the ‘bhaiyas’ around us without having to beg for it. And maybe then they’ll deserve to be called our ‘bhaiyas’.

 

Surya Rajappan
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I’ve done that several times, and the days that follow are full of apprehension about whether or not I’m pregnant. I’ve heard about home pregnancy tests, could you tell me more about them?

 

Yes, my lovely payasam, home pregnancy tests are a relatively hassle-free way of ascertaining your pregnancy status, atleast better than going to a health centre with your boyfriend and bumping into that pesky neighbourhood aunty. There is significant debate over when the results of a test are most reliable…27 days after conception/10-12 days after a missed period/one day after a missed period…the best solution is to repeat the test periodically.

False positives, though rare, can occur due to consumption of marijuana, asprin, hormones, birth control pills, methadone, tranquilizers, etc. So be careful while popping those pills!

A word of advice: perform the test in the morning when urine is the most concentrated. BUT, my little machhi, you can use them at any time of the day. Pregnancy tests are easier than launching a space shuttle, so calm your fluttering nerves and enjoy your moments of love.

 

 

Have a query? But don’t know who to ask? Mail  your queries to Sex Amma a[email protected].

 

The Raghu Dixit Project burst on to the Indian independent music scene around 2007 with their hit single ‘Hey Bhagwan’ and a dash of colourful lungis. Having maintained a low profile in India for quite some time, it seems as if they’ve finally made a mark for themselves, gathering up a niche audience. They have, however, experienced phenomenal success abroad, having performed for a show that aired on BBC alongside artists such as the legendary Robert Plant and Adele, among others. His immense popularity is reflected in the fact that they are now flooded with offers to perform at various events around the globe.

Their music, to say the least, is a perfect blend. Beautiful, soulful lyrics combined with equally mesmerizing and soothing tunes; a mix that is rarely found these days. The lyrics are the blend of old and new with inputs coming in from not just their songwriter but also from ancient songs and poetry.

From peppy, foot- tapping numbers like ‘Mysore se Aayi’ and ‘When I’m in Mumbai’ to rich soulful songs like ‘No Man will Ever Love You’ and ‘Ambar’ that make you want to sway in the moonlight, their bilingual songs have got it all. Their most famous song, ‘Hey Bhagwaan’ is a prayer to the God above to give each of us a second chance. “As humans, we tend to make mistakes and it’s never too late to one day wake up, want to leave your past behind and start over!” to quote their website.

Their first and only album as of now, Antaragni, was released back in 2008 with eight songs on the record. Their songs were like a gust of fresh air in the age of mindless Bollywood songs with nothing but groovy beats to back them. That’s probably the reason why their fans have held onto them for so long despite the fact that there has been no new album. Even today, their concerts are jam packed and nobody leaves one without a huge smile playing on their lips and an immense sense of satisfaction.

But along with all the brilliant music, there is something else that makes their concerts memorable– Raghu Dixit, the man himself. His wit and charm alone would suffice to have you in splits. It’s as if he exudes happiness and it makes you realize how much he loves what he does. It makes you want to laugh and sing along to the songs. Then, of course, there is the sheer brilliance of his voice. It has the power to melts hearts.

Their fans are waiting with baited breaths for the release of their new album, having already had a preview of some songs at their concerts. And as someone who has had firsthand experience of a few songs on their yet to be released album, I can assure you that it is definitely worth the wait. It beautifully captures various emotions and exhibits Raghu’s immense knowledge of the classical dance forms.

Prepare to be blown away by the magic that is Raghu Dixit. And to all their ardent fans out there, once this album is out, you’ll finally have a replacement for ‘Ambar’. Or maybe even better, I guarantee.

Surya Rajappan
[email protected] 

Swechha, a Youth-centric NGO based in New Delhi is presenting an opportunity to attend Influence’s I Engage Camp. Influence is a youth programme that focuses on environmental leadership, active citizenship, and volunteering. An NGO that has done commendable work in the fields of environment and social development issues, Swechha opens up another avenue for passionate and driven individuals to take part in a camp that will be held in Kraska, a village in the interiors of Sariska, Rajasthan.

The I Engage camp is an excellent initiative, focusing on exposing the youth to the rural and rustic side of India. It is a brilliant method of making them more sensitive towards rural communities and development. This all-expense paid camp will consist of engaging workshops, interaction with the villagers, theatre and other creative activities coupled with tons of excitement and adventure. The forty best entries will be chosen and the participants will be sent for Influence’s I Engage initiative.

A capacity building and orientation workshop is being organised on Saturday, January 12th. This workshop will focus on team building and active citizenship that are essential requirements for the camp, which is to be held on 25th to 29th January 2013. Registration for I Engage has already begun, thus all those interested are advised to register as soon as possible. Applying for this programme includes sending a short paragraph to [email protected], describing yourself as a volunteer and a change maker. Further details are available on Swechha’s facebook page-Swechha We for Change Foundation. Swechha is looking forward to active and passionate participation by the youth of this country, in a hope to change the way we think of our countryside and embrace development and community service.

There has been an outrage all over the country in the light of the 16th December incident. The gang rape of the 23-year old physiotherapy student in a moving bus has ignited a general outcry across India. Candle marches have been held all over Delhi. One such march was held at Sector-6 market in Dwarka on Saturday, 22nd December. It started in sector-6 and went up to the sector-12 market.

The people, close to 150 in number, carried candles and filled the atmosphere with slogans condemning the crime. Two groups marched on the roads. One group had ladies ranging from little girls to elder women. The other group consisted of teenagers. The energy and the anger could be felt throughout the streets.

The protestors halted the traffic for a little while, but cleared it soon. The candles and posters were later set on the footpath. A two-minute silence was observed for the well-being of the victim. The crowd also questioned the vigilance of the Delhi Police, as the bus went on a trip around Delhi for over 40 minutes. They expressed shock over how the victims were neglected by onlookers.

Archana Singh, a mother of two daughters, described “how utterly dangerous” it was for her and her daughters to step out of the house after dark.

Sahil Kukreja, a student, said “Capital punishment is the only fitting punishment for this heinous crime.”

Other punishments suggested for the crime were castration and public humiliation. People believe that any punishment that completely deters a criminal from committing such atrocity is the best punishment.

Suhani Rana says, “I can’t even imagine being in her place.”

The people pledged to fight for the right of women and to not let this matter become mere history. They also pledged to not blame the victims of this crime, referring to the stigma attached to the victims of such crimes. The incident has been very disturbing for the whole country. Schools like DPS Dwarka have stopped using private buses that are used to transport students.

Unlike the march at India Gate, however, there was not any violence in Dwarka and the Police force did not have to interfere. It was much more peaceful and people exercised their right to freedom of speech, without attracting any mishaps.

The victim is admitted in Safdarjung Hospital and has undergone two life-saving surgeries since the 16th. She is still in a critical condition due to an infection spreading across her body, the reason for which is supposed to be the iron rod. The doctors are worried about her delicate condition. She is communicating now, but with difficulty. No one but her mother has been allowed to meet her, given the fear of infection.

The only prayer India now has that the girl should come out of danger and the criminals should be punished properly, so that justice can prevail.

 

Shreya Mudgil
[email protected]